Stephen Cox Sold at Auction Prices

STEPHEN COX, R.A. (B. 1946) Griddle I: to St. Lawrence Imperial porphyry,

STEPHEN COX, R.A. (B. 1946) Griddle I: to St. Lawrence Imperial porphyry, unique. 5 in. (12.7 cm.) high; 15 ¼ in. (38.6 cm.) wide; 15 ¼ in. (38.6 cm.) deep

STEPHEN COX, R.A. (B. 1946) Vitellia Hammamat Breccia, unique. 74 ¾ in. (1

STEPHEN COX, R.A. (B. 1946) Vitellia Hammamat Breccia, unique. 74 ¾ in. (190 cm.) high, excluding base

STEPHEN COX, R.A. (B. 1946) Bowl and Bowl green porphyry; Hammamat breccia

STEPHEN COX, R.A. (B. 1946) Bowl and Bowl green porphyry; Hammamat breccia, unique. 1: 3 1⁄3 in. (8.3 cm.) high; 5 ½ in. (14.1 cm.) diameter 2: 3 ½ in. (9 cm.) high; 5 1⁄3 in. (13.5 cm.) diameter (2)

STEPHEN COX, R.A. (B. 1946) Bowl IX and Bowl II pegmatite; diorite with la

STEPHEN COX, R.A. (B. 1946) Bowl IX and Bowl II pegmatite; diorite with large pink quartz inclusion and gold insert, unique. Bowl IX: 2 ¾ in. (7 cm.) high; 5 ¾ in. (14.5 cm.) diameter Bowl II: 3 ¼ in. (8 cm.) high; 5 ¾ in. (14.5 cm.) diameter (2)

STEPHEN COX, R.A. (B. 1946) Bowl X and Bowl XII Imperial porphyry; basalt

STEPHEN COX, R.A. (B. 1946) Bowl X and Bowl XII Imperial porphyry; basalt with gold leaf, unique Bowl X: 3 in. (7.5 cm.) high; 6 in. (15 cm.) diameter Bowl XII: 3 ¼ in. (8 cm.) high; 6 ¼ in. (16 cm.) diameter (2)

Stephen Cox (British, b. 1946), "Figure: He"

Stephen Cox (British, b. 1946) "Figure: He", 2018 hand-carved Egyptian porphyry h. 26-3/8", w. 6", d. 9-1/4" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

Stephen Cox (British, b. 1946), "Bowl"

Stephen Cox (British, b. 1946) "Bowl", 2020 hand-carved Egyptian porphyry with artist cypher at bottom. h. 3-1/4", dia. 5-1/2" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

Stephen Cox (British, b. 1946), "Blade"

Stephen Cox (British, b. 1946) "Blade", 2003 hand-carved Egyptian porphyry h. 3-1/2", w. 12", d. 6-1/4" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

Stephen Cox (British, b. 1946), "Amoebowls"

Stephen Cox (British, b. 1946) "Amoebowls", 2020 hand-carved green porphyry h. 4-1/8", w. 9-3/8", d. 6-5/8" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

Stephen Cox (British, b. 1946), "Jug"

Stephen Cox (British, b. 1946) "Jug", 2019 hand-carved green porphyry h. 7-3/4", w. 7-3/4", d. 4-3/4" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

Stephen Cox (British, b. 1946), "Cruel Stones of St. Stephen"

Stephen Cox (British, b. 1946) "Cruel Stones of St. Stephen", 2007 hand-carved Egyptian porphyry 14 movable elements atop a hexagonal base. h. 6-1/4", w. 18-1/2", d. 13-3/4" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

Stephen Cox (British, b. 1946), "Lip Bowl"

Stephen Cox (British, b. 1946) "Lip Bowl", 2021 hand-carved Egyptian porphyry with artist cypher at bottom. h. 3", dia. 5-5/8" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

Stephen Cox (British, b. 1946), "Two Bowls"

Stephen Cox (British, b. 1946) "Two Bowls", 2022 hand-carved Egyptian porphyry with artist cypher at bottom. each h. 3-1/2", dia. 6-3/4" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

Stephen Cox (British, b. 1946), "Buddha"

Stephen Cox (British, b. 1946) "Buddha", 2018 hand-carved Egyptian porphyry h. 3", w. 14", d. 7-1/4" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

Stephen Cox (British, b. 1946), "Bowl"

Stephen Cox (British, b. 1946) "Bowl", 2017 hand-carved Egyptian porphyry artist cypher at bottom. h. 4", dia. 7-1/2" Provenance: Adrian Sassoon, London, England; Estate of Thomas B. Lemann, New Orleans, Louisiana. Literature: Stephen Bann, The Sculpture of Stephen Cox, London: Lund Humphries Publishers for The Henry Moore Foundation, 1998; stephencox.com Notes: "The Tate's collection of Turners is of course the gallery's principle claim to fame, but they also have a pretty good sampling of Giacometti and David Smith, plus Caro, Chillida, and of all things a modern porphyry sculpture by one Stephen Cox (born 1946). The placard there says no porphyry was quarried for 1,000 years after A.D. 600. Can that be so? Then where did the great porphyry tombs of the Normans in Sicily come from?" - Thomas B. Lemann Travel Journals, August 1997 I felt that in carving there was something more immediately primitive, immediately basic, in terms of language or sculpture. - Stephen Cox Interview with Andrea Schlieker, 1985 Cox's admiration, appreciation, and respect for the materials he uses is evident in the reverent manner in which he approaches his sculptural explorations of form. In his search for the most exceptional stone, he has accompanied geologists and archaeologists on expeditions across India, Italy and Egypt to seek out quarries and sources. He has worked in a variety of stones including marble, alabaster and granite, but his preferred material is porphyry. Porphyry, in its most simplistic definition, is a generally deep red or green, white-flecked igneous hardstone. The exception to this is the rare purple Imperial Egyptian porphyry which was mined only at the Mons Porphyrtes quarries in Egypt, which is now a World Heritage Site. It was extremely popular with the ancient Romans and the Byzantine Empire - and can be seen in items as diverse as sarcophagi, altars, and water basins. Cox was given the unprecedented honor by the Egyptian Government to access the quarries, which had been closed since antiquity, as a part of his commission for the new Cairo Opera House. Cox was elected to the Royal Academy in 2010 and was named a Senior Academician in 2022.

COX STEPHEN (1946) - "GRANITE WAVE" SCULPTURE - MAQUETTE EN GRANITE SCULPTÉE CONSTITUÉE D'UNE BASE

"Granite wave" sculpture - maquette en granite sculptée constituée d'une base ornée de tiges verticales. Par Stephen Cox. On y joint un ouvrage dans lequel l'œuvre grandeur nature est illustrée p. 310-311. Ecole britannique. (Une tige cassée et **). H. : +/- 30 cm.

Miners head, 3 variaciones

Titulada y fechada al dorso en 1970

Stephen Cox RA, British b.1946

Stephen Cox RA, British b.1946 Earth, Water, Fire, Air, Ether, c.1988; charcoal, coloured chalks and watercolour on paper, signed and dated lower right 'S Cox 88' and titled along upper edge, 166 x 107.5 cm (ARR) Please refer to department for condition report

Stephen Cox (British, b. 1946)

Stephen Cox (British, b. 1946), Untitled, 1983, etching, signed, dated and numbered: 15/30. Unframed. Size: 13.5'' x 13.5'', 34 x 34 cm (plate); 27.5'' x 19.5'', 70 x 50 cm (sheet). Provenance: Collection of Joshua P. Smith.

Stephen Cox RA, British b.1946 - Head, c.1980-1983;

Stephen Cox RA, British b.1946- Head, c.1980-1983; red verona marble, 81x44cm (approx.), (ARR) Note: this lot is issued with a certificate of authenticity signed by the artist. Stephen Cox is a British sculptor who has produced work for locations in the UK and around the world. Cox is best known for producing large-scale works which draw on traditions from Egypt, Italy, and India, in particular. His sculptures are highly charged with a sense of spirituality and monumentality, and can be compared to the works of great British sculptors of the mid-twentieth-century, such as Henry Moore and Barbara Hepworth. Cox has produced work which has been displayed at a wide range of locations, including Tate Britain, Dulwich Picture Gallery, Glyndebourne Opera House, and the Hayward Gallery in London. His sculptures have been exhibited abroad, in Italy, Switzerland, the Netherlands, and the USA; they have also been displayed in India, including at the Jamali Kamali Gardens and at the sculpture park of the Madhavendra Palace in Rajasthan. Cox has been awarded a number of prizes for his work, winning the Arts Council of Great Britain Award, the British Council Bursary, the Indian Triennale Gold Medal, and the Royal Academy Goldhill Sculpture Prize. The present work comes with associated wall bracket. Please refer to department for condition report

Stephen Cox SENZA TITOLO I-II-III bronzo, cm 27x24…

Stephen Cox SENZA TITOLO I-II-III bronzo, cm 27x24x23; 25x19x14; 21x14x11 eseguiti nel 1985 (3) Esposizioni: 14° Biennale Internazionale del Bronzetto Piccola Scultura, Palazzo della Ragione, Padova, novembre 1986 - gennaio 1987, ivi ripr. s.i.p.

Stephen Cox URNA pietra peperino, cm 50x42x10 sul…

Stephen Cox URNA pietra peperino, cm 50x42x10 sul retro: firma e data eseguito nel 1987 L'opera è accompagnata da autentica dell'artista su fotografia e da autentica dell’artista sulla pagina di catalogo Provenienza: Galleria Carini, Firenze Collezione privata Esposizioni: Stephen Cox. Scultura, Galleria Carini, Firenze, maggio 1987, ivi ripr. p. 30

Stephen Cox, British b.1946- Colour Tanmatras 2, c. 1985; black Indian

Stephen Cox, British b.1946- Colour Tanmatras 2, c. 1985; black Indian granite, five heads, with hand-colouring symbolizing the five elements connected to the senses of hearing, touch, sight, taste and smell, ea. 31x27.5cm, (5) (unframed) (ARR) Note: the artist has kindly confirmed the authenticity of this work Please refer to department for condition report

Stephen Cox, British b.1946- Earth, Water, Fire, Air, Ether, 1988; cha

Stephen Cox, British b.1946- Earth, Water, Fire, Air, Ether, 1988; charcoal, coloured chalks and watercolour on paper, titled, signed and dated 88, 165.5x106cm (ARR) Note: the artist has kindly confirmed the authenticity of this work Please refer to department for condition report

Stephen Cox RA, British b.1946- Across; imperial porphyry (marble), 13.2x33

Stephen Cox RA, British b.1946- Across; imperial porphyry (marble), 13.2x33x33cm, (ARR)

STEPHEN COX, R.A. (B. 1946) - Tondo

STEPHEN COX, R.A. (B. 1946) Tondo peperino stone, unique 23 1/2 in. (60 cm.) wide Carved in 1985.

STEVEN COX, HEAD STUDY OF FRANCIS BACON, OIL ON CANVAS, 75 X 50 CM

STEVEN COX, HEAD STUDY OF FRANCIS BACON, OIL ON CANVAS, 75 X 50 CM

STEPHEN COX, (British born, 1946), 'Drawing for Granite Figure', mixe

STEPHEN COX, (British born, 1946), 'Drawing for Granite Figure', mixed media, 'Art for Life 2004' label verso. 14" x 10.5" (35 x 27cm)

Stephen Cox, British b.1946- ''View from the

Stephen Cox, British b.1946- ''View from the Loggia: Tondo'', 1985; travertine, oxides and black cement, total size 88x95cm, (4 pieces) (may be subject to Droit de Suite) Provenance: with Nigel Greenwood Inc Ltd according to the label attached to the reverse of one piece

Stephen Cox, British b.1946- ''Untitled Study''

Stephen Cox, British b.1946- ''Untitled Study'' 1982; Bardiglio imperiale marble, 96.5cm and 56cm (2) (may be subject to Droit de Suite) Provenance: Private Collection, London; gifted by the artist, thence by descent Literature: The Sculpture of Stephen Cox by Stephen Bann, No.208

Stephen Cox (b. 1946) (i) Untitled (Red) (ii) Untitled (Yellow) (iii) Untitled (Blue) each: pigment on paper each: 29 7/8 x 22 1/8in. (75.9 x 56.1cm.) Executed in 1977 (3)

Stephen Cox, British b.1946- "Tondo III", 1986-87;

Stephen Cox, British b.1946- "Tondo III", 1986-87; peperino stone, dia. 61cm, (may be subject to Droit de Suite)

Stephen Cox (b. 1946). A pair of aluminium sculptures

Stephen Cox (b. 1946). A pair of aluminium sculptures of flattened ovoid form, with painted interiors, 18.5in.

STEPHEN COX England, född 1946 Rock Cut: Holy

STEPHEN COX England, född 1946 Rock Cut: Holy Family - 1986 Granit, 274 x 426 x 15 cm. Granite. PROVENIENS The Tate Gallery, London UTSTÄLLD Stephen Cox, The Tate Gallery, London 1986, avbildad sidan 12 i utställningskatalogen

D - STEPHEN COX England född 1946 Rock Cut: Holy

D - STEPHEN COX England född 1946 Rock Cut: Holy Family - 1986 Granit, 274 x 426 x 15 cm. Granite. PROVENIENS The Tate Gallery, London UTSTÄLLD Stephen Cox, The Tate Gallery, London 1986, avbildad sidan 12 i utställningskatalogen Sale room notice Konstverket visas efter förfrågan i Magasin 5, Frihamnen

Stephen Cox (British, 1946) Untitled

Untitled aluminium and paint, each measuring 18 x 50cm (7 1/16 x 19 11/16in).

Stephen Cox b.1946- "Dancer II"; incised pink

Stephen Cox b.1946- "Dancer II"; incised pink marble panel/ sculpture, signed, titled and dated 83 verso, of irregular form, 45x36cm. Note: see details for previous lot 912 in this sale

Stephen Cox b.1946- Greek scene; incised marble

Stephen Cox b.1946- Greek scene; incised marble panel/sculpture, signed and dated 82 verso, with integral mounting brackets verso, of irregular form, 30x25x2cm. Note: The sculptor Stephen Cox born in Bristol, and in the late sixties studied at the Central School of Art and Design in London. His early stone sculptures make reference to the architecture of classical antiquity and often include archaeological fragments. The Mediterranean as the cradle of civilisation of the Western world provides the context for these works. In the eighties, his work developed toward a dialogue with non-Western cultures and in 1986 Cox represented Britain at the Sixth Indian Triennale in New Delhi. In the past year Cox has worked at the Carrara marble quarries in Italy, on sculptures for exhibitions in the Piazza del Duomo, Siena; the National Gallery, London; and at Val d'Osta where he has had a solo exhibition.

Dancer II

Stephen Cox (B. 1946) Dancer II signed, inscribed and dated '"Dancer II"/Stephen Cox/83' (on the reverse) scored marble 18 x 15 x 1¾ in. (45.7 x 38 x 4.5 cm.)

c,w - STEPHEN COX, B. 1946 CRUCIFIXION V

signed, titled and dated 86 on the reverse of one part two parts of travertine marble with black cement and oxides Executed circa 1985-87.

Stephen Cox (British, b.1946)

Study for Square, 1987 signed and dated '87, mixed media on paper 66 x 126cm

A 9ct gold medal, the obverse inscribed Scottish Football Association Victory Cup, the reverse

inscribed Scottish Victory Cup, Final Tie, 15th June 1946, Won By Rangers F.C., S. Cox, with ring suspension, in orginal case, the inside autographed by Sammy Cox, smudged.