Antoine Coyzevox Paintings & Artwork for Sale | Antoine Coyzevox Art Value Price Guide

Oct. 29, 2024
D'APRÈS ANTOINE COYSEVOX (1640-1720), XIXE SIÈCLE. La Renommée à cheval sur
Est: €5,000 - €8,000
D'APRÈS ANTOINE COYSEVOX (1640-1720), XIXE SIÈCLE. La Renommée à cheval sur Pégase et Mercure à cheval sur Pégase. H. totales : 78 cm. (30 ¾ in.) et 77 cm. (33 ¼ in.) H. bronzes : 61 cm. (24) et 62 cm. (24 1⁄3 in.) (2).
Christie's
Oct. 29, 2024
After ANTOINE COYSEVOX (León, 1640-1720), 18th century. “Venus crouching.” Bronze.
Est: €3,500 - €4,000
After ANTOINE COYSEVOX (Lion, 1640-1720), 18th century. “Venus crouching.” Bronze. Measurements: 21 x 9 x 43 cm; 24 cm (total height with base). This sculpture follows the model of the crouching Venus made by Antoine Coysevox around the year 1684-1686, today belonging to the Louvre collection, in turn inspired by the Venus of the 3rd century BC, possibly the creation of the Greek sculptor Doidalsas of Bithynia. Also known as “Modest Venus” or “Shameful Venus”, Coysevox shows us a Venus just out of the bath who folds in on herself to cover her pubis and breasts, adopting a graceful gesture. Formally, it is an image of great beauty, grace and elegance, based on the Greco-Latin sculptural canon. However, although the facial features follow ancient models, the soft and delicate modeling reveals a distinctly modern aesthetic. Also noteworthy is the high quality of the chiseling, which configures fluid and delicate shapes, organizing the composition based on subtle curves and countercurves. Likewise, the detail has been worked with great refinement, without ever forgetting the classic reference. The turtle on which she sits introduces veiled symbolism. This sculpture follows the model of the crouching Venus made by Antoine Coysevox around the year 1684-1686, today belonging to the Louvre collection, in turn inspired by a Venus of Classical Antiquity. Also known as “Modest Venus” or “Shameful Venus”, Coysevox shows us a Venus just out of the bath who folds in on herself to cover her pubis and breasts, adopting a graceful gesture. Formally, it is an image of great beauty, grace and elegance, based on the Greco-Latin sculptural canon. However, although the facial features follow ancient models, the soft and delicate modeling reveals a distinctly modern aesthetic. The high quality of the chiseling also stands out, creating fluid and delicate shapes, organizing the composition based on subtle curves and countercurves. Likewise, the detail has been worked with great refinement, without ever forgetting the classic reference. The turtle on which she sits introduces veiled symbolism. Judging from the number of copies that have been excavated from Roman sites in Italy and France, this variant of Venus appears to have been popular from the beginning of its creation. Several examples of the Crouching Venus in prominent collections have influenced modern sculptors since Giambologna and have been drawn by artists since Martin Heemskerck, who made a drawing of Farnese's Crouching Venus which is now in Naples. The model is often related to a corrupt passage in Pliny the Elder's Natural History, which lists sculptures in the Temple of Jupiter Stator in the Portico of Octavia, near the Roman Forum; the text has been modified to mention Venerem lavantem sese Daedalsas, stantem Polycharmus ("Venus washing, from Daedalsas, and standing, from Polycharmus"), recording a sculpture of a Venus that was not standing. These brief archival references and so many existing ancient versions make the archival identification of Roman copies insecure.
Setdart Auction House
Oct. 20, 2024
Sculpture: bronze - Triangle player - In the style of COYSEVOX Antoine
Est: €200 - €400
Sculpture: bronze -Joueur de triangle- Dans le style de *COYSEVOX A.* (Antoine) (1640-1720) H:39cm sur socle onyx et cuivre Sculpture: bronze - Triangle player - In the style of COYSEVOX Antoine
Monsantic.com
Sep. 25, 2024
AFTER ANTOINE COYSEVOX, A SUBSTANTIAL PAIR OF BRONZES 'MERCURE ET LA RENOMMÉE'
Est: £40,000 - £60,000
AFTER ANTOINE COYSEVOX (1640-1720), A SUBSTANTIAL AND IMPRESSIVE PAIR OF BRONZE FIGURES OF 'MERCURE ET LA RENOMMÉE- MONTÉE SUR PÉGASE' CAST BY EUGENE CORNU, MID 19TH CENTURY Fame (Renommee), wearing a laurel wreath and holding an olive branch, blowing the Trumpet Of Truth proclaim Louis XIV's warlike strength, with trophies below including a shield with winged Victory holding a palm and crown, Mercury, the divine messenger and god of trade, symbolizing a return to peace, trophies below with shield decorated with Minerva, Goddess of War, on French Rouge de Languedoc marble bases, trace of signature P G*** and date possibly 183* to one cast base, each with foundry and retailer inscription for Eug Cornu, Paris, presented on modern faux marble presentation stands with inset lights bronzes approximately 111cm high marble bases 15cm high, 81.5cm wide, 33.5cm deep modern stands 38cm high, 105cm wide, 56cm deep approximately 164cm high overall Provenance: Purchased from Serge Mazières Antiquaire, Nice, February 1993This substantial and impressive pair of equestrian bronzes are after the famous marble equestrian sculptures by Antoine Coysevox (1640-1720) portraying Renommée and Mercury, each seated upon the mythological winged horse Pegasus. After the signing of the Treaty of Ryswick in 1697 Louis XIV tasked his Superintendent of Buildings, Jules Hardouin-Mansart, to commission appropriate and imposing statuary for the park at the Château de Marly. Coysevox was chosen to create two equestrian groups emblematic of Louis XIV's prestige in both times of war and peace. The original Carrara marble figures were commissioned by Louis XIV in 1699 and delivered in 1701-2 when they were placed on either side of the upper part of the horse pond at the entrance to the Parc de Marly. In 1719 they were moved to the Western terrace in the Tuileries Garden and are now exhibited in the Musée du Louvre, Paris.
Dreweatts 1759 Fine Sales
Sep. 21, 2024
ANTOINE COYSEVOX (1640-1720) ‘FAUNE ET SATYRE’ BRONZE WITH BROWN PATINA, SIGNED ON THE TERRACE.
Est: €1,000 - €1,500
Antoine COYSEVOX (1640-1720) ‘Faune et satyre’ Bronze with brown patina, signed on the terrace. Normal wear - Weight: 9.25 kg - Shipping unavailable - Region: France - Sizes: H 450MM X L 260MM
Goldfield Auction
Sep. 01, 2024
Sculpture: bronze - Triangle player - In the style of COYSEVOX Antoine
Est: €300 - €400
Sculpture: bronze -Joueur de triangle- Dans le style de *COYSEVOX A.* (Antoine) (1640-1720) H:39cm sur socle onyx et cuivre Sculpture : bronze - Joueur de triangle - Dans le style de COYSEVOX Antoine
Monsantic.com
Jun. 04, 2024
After Charles Antoine Coysevox, French, 1640-1720, a French bronze model of Flora et l’Amour,
Est: £500 - £800
After Charles Antoine Coysevox, French, 1640-1720, a French bronze model of Flora et l’Amour, Late 19th century, The Roman goddess of flowers and spring is depicted seated on a tree stump holding a floral swag while Cupid stands behind her holding a wreath, with cast signature A. COYZEVOX. F. 1710, inscribed F. BARBEDIENNE. FONDEUR., and stamped with A. COLLAS BREVETTE REDUCTION MÉCANIQUE cachet, the underside inscribed AA / 42, 30cm high
Roseberys
Jun. 04, 2024
After Charles Antoine Coysevox, French, 1640-1720, a French bronze model of the Crouching Venus,
Est: £400 - £600
After Charles Antoine Coysevox, French, 1640-1720, a French bronze model of the Crouching Venus, Second half 19th century, The partly draped figure modelled seated on a turtle, on a later marble plinth, 25cm high overall, 19cm wide; 13cm deep
Roseberys
Feb. 27, 2024
SCULPTOR OF THE 20TH CENTURY - DIANA
Est: €240 - €500
SCULPTOR OF THE 20TH CENTURY, sculpture: "Diana", patinated bronze on marble pedestal, modern casting. Inscribed "Antoine Coysevox" in recess, with foundry emblem "JB / Depose / Bronze Garanti / Paris" and numbered "A1184". Depiction and signature based on works by the French sculptor Antoine Coysevox (1640-1720). Figure of Diana striding, holding a spear in her right hand. She is facing her dog, whose leash she is holding with her left hand. Overall height 57 x w. 22 cm. (Pedestal chipped, patina slightly rubbed).BILDHAUER DES 20. JH., Skulptur: "Diana", patinierte Bronze auf Marmorpostament, neuzeitlicher Guss. Vertieft bezeichnet "Antoine Coysevox", mit Gießeremblem " "JB / Depose / Bronze Garanti / Paris" und nummeriert "A1184". Darstellung und Signatur in Anlehnung an Werke des französischen Bildhauers Antoine Coysevox (1640-1720). Figur der schreitenden Diana, in ihrer Rechten einen Speer haltend. Sie ist Ihrem Hund zugewandt, dessen Leine sie mit ihrer Linken hält. Gesamthöhe 57 x B. 22 cm. (Postament bestoßen, Patina gering berieben).
Auktionshaus Rheine
Nov. 28, 2023
After ANTOINE COYSEVOX (León, 1640-1720), 18th century. “Venus crouching.” Bronze.
Est: €3,500 - €4,000
After ANTOINE COYSEVOX (Lion, 1640-1720), 18th century. “Venus crouching.” Bronze. Measurements: 21 x 9 x 43 cm; 24 cm (total height with base). This sculpture follows the model of the crouching Venus made by Antoine Coysevox around the year 1684-1686, today belonging to the Louvre collection, in turn inspired by the Venus of the 3rd century BC, possibly the creation of the Greek sculptor Doidalsas of Bithynia. Also known as “Modest Venus” or “Shameful Venus”, Coysevox shows us a Venus just out of the bath who folds in on herself to cover her pubis and breasts, adopting a graceful gesture. Formally, it is an image of great beauty, grace and elegance, based on the Greco-Latin sculptural canon. However, although the facial features follow ancient models, the soft and delicate modeling reveals a distinctly modern aesthetic. Also noteworthy is the high quality of the chiseling, which configures fluid and delicate shapes, organizing the composition based on subtle curves and countercurves. Likewise, the detail has been worked with great refinement, without ever forgetting the classic reference. The turtle on which she sits introduces veiled symbolism. This sculpture follows the model of the crouching Venus made by Antoine Coysevox around the year 1684-1686, today belonging to the Louvre collection, in turn inspired by a Venus of Classical Antiquity. Also known as “Modest Venus” or “Shameful Venus”, Coysevox shows us a Venus just out of the bath who folds in on herself to cover her pubis and breasts, adopting a graceful gesture. Formally, it is an image of great beauty, grace and elegance, based on the Greco-Latin sculptural canon. However, although the facial features follow ancient models, the soft and delicate modeling reveals a distinctly modern aesthetic. The high quality of the chiseling also stands out, creating fluid and delicate shapes, organizing the composition based on subtle curves and countercurves. Likewise, the detail has been worked with great refinement, without ever forgetting the classic reference. The turtle on which she sits introduces veiled symbolism. Judging from the number of copies that have been excavated from Roman sites in Italy and France, this variant of Venus appears to have been popular from the beginning of its creation. Several examples of the Crouching Venus in prominent collections have influenced modern sculptors since Giambologna and have been drawn by artists since Martin Heemskerck, who made a drawing of Farnese's Crouching Venus which is now in Naples. The model is often related to a corrupt passage in Pliny the Elder's Natural History, which lists sculptures in the Temple of Jupiter Stator in the Portico of Octavia, near the Roman Forum; the text has been modified to mention Venerem lavantem sese Daedalsas, stantem Polycharmus ("Venus washing, from Daedalsas, and standing, from Polycharmus"), recording a sculpture of a Venus that was not standing. These brief archival references and so many existing ancient versions make the archival identification of Roman copies insecure.
Setdart Auction House
Sep. 29, 2023
Emile Louis Picault (French, 1833-1915) after Antoine Coysevox (French, 1640-1720), Fame and Mercury Astride Pegasus
Est: $3,000 - $5,000
Gilt and patinated bronze. Each signed E. Picault. Émile Louis Picault was a prolific French Orientalist sculptor known for his bronzes depicting allegorical and mythological scenes. Picault often chose warriors and heroes as subjects, as seen in his La Défense Du Foyer (ca. 1890), which extols patriotic virtues in French. Born on August 24, 1833 in Paris, France he studied under the painter Henri Royer. The sculptor exhibited regularly at the Paris Salon between 1863 and 1914. Picault died in 1915 in Paris, France. Today, his works are held in the collections of the Troyes Museum in Paris and the Musée des beaux-arts de Chambery.
Cottone Auctions
Sep. 09, 2023
ANTOINE COYSEVOX 1640 - 1720 (nach) DIANA MIT HUND Bronze,
Est: €180 - €360
ANTOINE COYSEVOX1640 - 1720 (after)DIANA WITH DOGBronze, brown patinated, on square plinth and marble base (h. 3 cm). Overall h. 47, w. and d. 18,5 cm, weight ca. 9 kg. Verso on the plinth sig. 'A. Coysevox', foundry stamp 'Bronze Garanti Paris JB Deposee'. Part rubbed. ANTOINE COYSEVOX 1640 - 1720 (nach) DIANA MIT HUND Bronze, braun patiniert, auf quadratischer Plinthe und Marmorsockel (H. 3 cm). Ges.-H. 47, B. und T. 18,5 cm, Gew. ca. 9 kg. Verso auf der Plinthe sig. 'A. Coysevox', Gießerstempel 'Bronze Garanti Paris JB Deposee'. Part ber..
Hargesheimer Kunstauktionen Düsseldorf
May. 16, 2023
Louis XV as a child of seven
Est: €120,000 - €150,000
Workshop of Antoine Coysevox (1640-1720), circa 1717 Louis XV as a child of seven bearing the signature and date A. COYSEVOX / 1717 white marble bust on an oval pedestal and a square plinth 61 x 51 x 16 cm; 24 x 20 ⅛ x 6 ¼ in. --------------------------------------------------------------------------- Atelier d'Antoine Coysevox (1640-1720), vers 1717 Louis XV enfant, âgé de sept ans portant une signature et la date sous l’épaule gauche A. COYSEVOX / 1717 buste demi-nature en marbre blanc, sur un piédouche ovale et une plinthe carrée 61 x 51 x 16 cm ; 24 x 20 ⅛ x 6 ¼ in.
Sotheby's
Mar. 23, 2023
An antique mantle clock after Antoine Coysevox (1640-1720): 'The crouching Venus'. Empire, 19th C. (D:15,5 x W:25,5 x H:53 cm)
Est: €240 - €340
An antique mantle clock, patinated and ormolu bronze, 'After Antoine Coysevox (1640-1720): 'The crouching Venus', resting on a Tortoise'. Empire Period, 19th century. Silk rope suspension en halfuurslag. Dimensions: (D:15,5 x W:25,5 x H:53 cm)
Flanders Auctions
Mar. 22, 2023
Attribué à Antoine COYSEVOX Lyon, 1640 - Paris, 1720 Le Grand Dauphin de profil, couronné de lauriers Relief en marbre, de forme ova...
Est: €10,000 - €15,000
Attribué à Antoine COYSEVOX Lyon, 1640 - Paris, 1720 Le Grand Dauphin de profil, couronné de lauriers Relief en marbre, de forme ovale Profile of the Grand Dauphin, marble relief, attr. to A. Coysevox h: 34 w: 27 cm Estimation 10 000 - 15 000 €
Artcurial
Oct. 06, 2022
Coysevox, Antoine (Lyon, Paris 1640-1720) , Kopie nach
Est: €2,500 - €3,000
Louis XIII und Jules Hardouin-Mansart Zwei Terracotta-Büsten auf achteckigem Sockel. Jeweils Ges.-H. 66 / B. 50 cm. (59578)
Leo Spik
Sep. 28, 2022
Antoine Coysevox 1640-1720 Bronze Diana Sculpture
Est: $100 - $1,000
A bronze statue after Antoine Coysevox (French,1640-1720). A figural group depicting the Greco Roman goddess Diana with a putto cherub attending her. Highly detailed with warm patina. Artist signature with date and Barbedienne Foundry mark on base. Dimensions: 21 X 9 X 9 in. Condition: Good overall condition having normal surface wear. Has been drilled in crown of head. Estate fresh to the market. Shipping: Hill Auction Gallery does not offer in-house shipping for this item. Gallery will refer third party shippers for all domestic and international buyers. Purchaser pick up available upon request. Got something to sell? Contact us at HillAuctionGallery.com
Hill Auction Gallery
Sep. 22, 2022
Antoine Coysevox, 1640 – 1720, Art des
Est: €8,000 - €14,000
PAAR BRONZEFIGUREN AUF MARMORSOCKELN “FLUSSGÖTTER“ Gesamthöhe: 32,5 cm. Breite: max. 32 cm. Tiefe: max. 16 cm. Am Boden Sammlerettikett „COLLEZIONE / B. ZABERT / TORINO.“ Wohl Frankreich, 18./ 19. Jahrhundert. Die beiden Bronzefiguren von hoher Qualität zeigen auf Felsgestein sitzende bärtige Männer, die als Gegenstücke gearbeitet sind. Eine der Figuren blickt mit an die Stirn gelegter Hand in die Ferne, im Gegenstück wird der rechte Arm nach vorne gehalten. Die beiden Figuren lassen einen größeren Zyklus-Zusammenhang vermuten. Ob es sich hier um Flussgötter handelt, ist fraglich, da weder Wasserläufe noch ein Krug oder ähnliches Attribut beigegeben ist. Der Stil erinnert an Werke des Antoine Coysevox (1640 - 1720), der in Versailles gewirkt hat, oder Guillome Coustou (1677-1746). Guss Ausführung, die schöne Lackpatina und die originalen Sockel auf schwarz-weiß-geädertem Marmor, verweisen auf eine Herstellung in Frankreich. A.R. (†) (13306013) (11)
Hampel Fine Art Auctions
Sep. 08, 2022
Contemporary "Fame Riding Pegasus" Sculpture
Est: $50 - $500
DESCRIPTION: A modern sculpture in patinated composite with a black metal finish depicting a contemporary re-interpretation of Antoine Coysevox (1640-1720) "Fame Riding Pegasus" equestrian statue, which entered the Louvre Museum in 1986. Depicts an equestrian messenger figure atop a horse, and playing the trumpet. This figure rests atop a rectangular black plinth base. CIRCA: 20th Century. DIMENSIONS: H: 12" W: 6 1/2" D: 16". Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
Akiba Galleries
Jul. 29, 2022
Coysevox, Antoine - Kopie nach — Jean-Baptiste Colbert und Claude-Louis-Hector de Villars
Est: -
Coysevox, Antoine - copy after —Jean-Baptiste Colbert and Claude-Louis-Hector de Villars (Lyon 1640-1720 Paris) End of 18th/beginning 19th century. Bust of the French statesman Colbert with a large lace collar and the Order of the Holy Spirit on his chest, a cloak draped rich in folds, the General Marshal of France in breastplate and allon wig on a profiled pedestal with a semicircular design. Hardwood, carved. H. 88 and 90 cm. - Signs of age. // Coysevox, Antoine - Kopie nach Jean-Baptiste Colbert und Claude-Louis-Hector de Villars (Lyon 1640-1720 Paris) Ende 18./ Anfang 19. Jh. Auf profiliertem Sockel halbrund gestaltete Büste des französischen Staatsmannes Colbert mit großem Spitzenkragen und dem Orden vom Heiligen Geist auf seiner Brust, ein Mantel faltenreich drapiert, sowie der General-Marschall von Frankreich im Brustpanzer und Allongeperücke. Laubholz, geschnitzt. H. 88 und 90 cm. - Altersspuren.
Kunstauktionshaus Schlosser
Dec. 09, 2021
Coysevox, Antoine (Lyon, Paris 1640-1720) , Kopie nach
Est: €2,500 - €3,000
Louis XIII und Jules Hardouin-Mansart Zwei Terracotta-Büsten auf achteckigem Sockel. Jeweils Ges.-H. 66 / B. 50 cm. (59578)
Leo Spik
Dec. 02, 2021
Antoine Coysevox, bronze, Barbedienne cast
Est: $1,000 - $1,500
Antoine Coysevox (French 1640- 1720), Pan and Satyre, dark patinated cast bronze, late 19th c. casting, cast signed and dated 1709 and inscribed "F. BARBEDIENNE FONDEUR". 22"h x 12"w x 10"d
Millea Bros Ltd
Nov. 09, 2021
Antoine COYSEVOX et atelier Lyon, 1640 - Paris, 1720 Marie-Adélaïde de Savoie, duchesse de Bourgogne (1685-1712), mère du roi de Fra...
Est: €80,000 - €100,000
Antoine COYSEVOX et atelier Lyon, 1640 - Paris, 1720 Marie-Adélaïde de Savoie, duchesse de Bourgogne (1685-1712), mère du roi de France Louis XV Marbre blanc Signé et daté 'A COYZEVOX. AD. VIVUM. 1710' au revers Titré 'MARIE ADELAÏDE / DE SAVOYE DUCH. / DE BOURGOGNE' sur le devant Hauteur : 58 cm Repose sur un piédouche en marbre Portor Hauteur totale : 74 cm (29,13 in.) Marie Adélaïde of Savoy, duchess of Burgundy, white marble, signed and dated, by A. Coysevox and workshop H. 22, 83 in. Provenance : Paul Drey, New York, avant 1988 ; Marché de l'art, Allemagne, 1990 ; Collection privée européenne Expositions : Biennale des Antiquaires, Paris, galerie Neuse, en 1990 Bibliographie : Alexandre Maral et Valérie Carpentier-Vanhaverbeke, 'Antoine Coysevox. Le sculpteur du Grand Siècle', Paris, 2020, p. 351 Bibliographie en rapport : Simone Hoog et Roland Bossard, 'Musée national du Château de Versailles, catalogue : Les sculptures I', Paris, 1993, modèle répertorié sous le n°220, p. 70 Commentaire : Œuvre de référence: Antoine Coysevox, 'Marie-Adélaïde de Savoie, duchesse de Bourgogne', buste en marbre, signé et daté 'A COYZVOX.AD.VIVUM.F.1710', H : 71 cm, Versailles, musée national des châteaux de Versailles et de Trianon, inv. MR 2157 (MV 2170). L'historique de la célèbre statue de 'Marie-Adélaïde de Savoie en Diane' livrée par Coysevox en 1708 pour le marquis d'Antin et conservée aujourd'hui au musée du Louvre (inv.MR.1817), est bien connu. La version en buste du portrait de la duchesse de Bourgogne daté 1710 et signée du même Coysevox n'apparait quant à elle, pour la première fois dans un inventaire du château de Versailles qu'en 1792. Notre marbre portant la date et la signature " 'A.COYZVOX . AD . VIVUM . 1710' " au revers est une reprise de ce portrait toujours conservé à Versailles (inv.MV2170). Marie-Adélaïde de Savoie, native de Turin, est la fille de Victor-Amédée II, duc de Savoie et d'Anne-Marie d'Orléans. Elle épouse en 1697 Louis de France, duc de Bourgogne et futur Dauphin. La mère du futur Louis XV décède lors d'une épidémie de rougeole presqu'en même temps que son mari en 1712 à l'âge de vingt-sept ans. Antoine Coysevox exécute ce portrait dans la foulée de la statue commandée par le marquis d'Antin. S'il existe quelques différences entre les visages de la version en pied et de la version en buste, la composition est sensiblement la même. Sur le buste, une longue mèche de cheveux vient couvrir l'épaule nue de la duchesse qui tourne plus nettement la tête vers sa droite. On retrouve dans le haut de la coiffure le croissant de lune qui évoquait la déesse de la chasse dans la version en pied. Les traits du visage gracieux et juvéniles de Marie Adélaïde sont rendus par le ciseau du sculpteur avec une douceur et une bienveillance qui soulignent bien le tempérament à la fois fier et léger de la jeune femme qui savait si bien égayer la cour. Difficile d'être définitif quant à la datation précise de cet émouvant portrait. Cette interrogation chronologique est aussi bien valable pour le buste de Versailles (voir la première mention du buste dans l'inventaire de 1792 cité plus haut) que pour notre exemplaire qui présente la même mention 'AD VIVUM' sans pour autant porter le F " fecit ". Le fait de garder la mention AD VIVUM sans y accoler la mention " fecit " signifie t-il que cette reprise du buste a bien été aussi réalisée du vivant de la duchesse, avant 1712 ? Coysevox est alors au faîte de sa carrière et est déjà l'auteur de plusieurs portraits de la famille royale qui connurent eux aussi des reprises d'atelier sous sa direction, destinés à la diffusion de l'image du pouvoir. Alexandre Maral et Valérie Carpentier-Vanhaverbeke citent notre buste dans leur récente monographie sur l'artiste. Ils notent quelques imprécisions dans le détail de la chevelure sans se prononcer quant à sa datation. Le portrait de Versailles ayant été exécuté très peu de temps avant la mort de la duchesse de Bourgogne, on peut aussi supposer qu'un second buste mémoriel ai été commandé au sculpteur en souvenir de la trop jeune défunte. Cette autre version en marbre est, à notre connaissance, la seule aujourd'hui connue ayant été exécutée du vivant de Coysevox. Estimation 80 000 - 100 000 €
Artcurial
Sep. 09, 2021
A FRENCH BRONZE MODEL OF A PACING HORSE, 19TH CENTURY
Est: £2,000 - £3,000
A FRENCH BRONZE MODEL OF A PACING HORSE 19TH CENTURY On a porphyry veneered pedestal base 32cm high Provenance: The Simon Neal Collection This dynamic model of a pacing horse, was inspired by the archetypal equestrian models by Giambologna (1529-1608) and Antoine Coysevox (1640-1720).
Dreweatts 1759 Fine Sales
Nov. 26, 2020
BUSTE EN TERRE CUITE REPRÉSENTANT PROBABLEMENT ANTOINE COYSEVOX (1640-1720) - FRANCE, DANS LE STYLE DU XVIIIE SIÈCLE
Est: €1,000 - €1,500
BUSTE EN TERRE CUITE REPRÉSENTANT PROBABLEMENT ANTOINE COYSEVOX (1640-1720) FRANCE, DANS LE STYLE DU XVIIIE SIÈCLE Reposant sur un piédouche en marbre rose de Vérone H.: 70 cm. (27 1/2 in.) ; H.T.: 85 cm. (33 1/2 in.)
Christie's
Oct. 30, 2020
Antoine COYSEVOX. "Pan et satyre".
Est: €900 - €1,200
Antoine COYSEVOX. "Pan et satyre". Sculpture en bronze à patine brune, fonte F. Barbedienne. Signée. H. : 53 cm.
Primardeco
Oct. 06, 2020
Antoine Coysevox; after (1640-1720) Bust of Louis II de Bourbon, Le Grand Conde (1626-1686)circa 1850terracotta, on marble pedestalheight 13 1/2in (34cm); width 8 1/2in (22cm); depth 5in (13cm)
Est: $1,500 - $2,000
Antoine Coysevox; after (1640-1720) Bust of Louis II de Bourbon, Le Grand Conde (1626-1686) circa 1850 terracotta, on marble pedestal height 13 1/2in (34cm); width 8 1/2in (22cm); depth 5in (13cm) For further information on this lot please visit the Bonhams website
Bonhams
Sep. 21, 2020
Coysevox, Antoine - Kopie nach, Jean-Baptiste Colbert und Claude-Louis-Hector de Villars
Est: -
Coysevox, Antoine - copy after — Jean-Baptiste Colbert and Claude-Louis-Hector de Villars (Lyon 1640-1720 Paris) End of 18th/beginning 19th century. Bust of the French statesman Colbert with a large lace collar and the Order of the Holy Spirit on his chest, a cloak draped rich in folds, the General Marshal of France in breastplate and allon wig on a profiled pedestal with a semicircular design. Hardwood, carved. H. 88 and 90 cm. - Signs of age. / Coysevox, Antoine - Kopie nach Jean-Baptiste Colbert und Claude-Louis-Hector de Villars (Lyon 1640-1720 Paris) Ende 18./ Anfang 19. Jh. Auf profiliertem Sockel halbrund gestaltete Büste des französischen Staatsmannes Colbert mit großem Spitzenkragen und dem Orden vom Heiligen Geist auf seiner Brust, ein Mantel faltenreich drapiert, sowie der General-Marschall von Frankreich im Brustpanzer und Allongeperücke. Laubholz, geschnitzt. H. 88 und 90 cm. - Altersspuren. RefScu14720
Kunstauktionshaus Schlosser
Sep. 12, 2020
Antoine Coysevox
Est: -
(1640 Lyon - 1720 Paris) nach /T/"La Nymphe à la coquille" (Die Nymphe mit der Muschel). Originaltitel// Weißer Carrara-Marmor. Ruhende, dem Betrachter zugewandte Nymphe, die in ihrer rechten Hand eine Muschel zum Schöpfen hält, neben ihr ein Gefäß mit herausquellendem Wasser. Rechteckiger Postamentsockel mit akzentuierter Fußzone und korrespondierender, vorkragender Deckplatte, die Seiten jeweils mit einem großen, gerahmten Feld. Vollplastische, wohl florentinische Skulptur des 20. Jhs. nach der berühmten, 1685 geschaffenen Skulptur von Antoine Coysevox, die sich heute im Louvre befindet. Coysevox gilt als einer der wichtigsten Bildhauer in der Zeit des Hochbarock in Frankreich, 1666 wurde er Hofbildhauer König Ludwigs XIV. und später Direktor der Pariser Akademie. Seit 1677 führte er viele Arbeiten für das Schloss Versailles aus. Ges.-H. 144 cm; 128 cm x 53 cm. /V/White Carrara marble sculpture of the "Nymph with a shell" after Antoine Coysevox.// $P#
Kunstauktionshaus Schloss Ahlden
Jul. 24, 2020
Coysevox, Antoine - Kopie nach, Jean-Baptiste Colbert und Claude-Louis-Hector de Villars
Est: -
Coysevox, Antoine - copy after — Jean-Baptiste Colbert and Claude-Louis-Hector de Villars (Lyon 1640-1720 Paris) End of 18th/beginning 19th century. Bust of the French statesman Colbert with a large lace collar and the Order of the Holy Spirit on his chest, a cloak draped rich in folds, the General Marshal of France in breastplate and allon wig on a profiled pedestal with a semicircular design. Hardwood, carved. H. 88 and 90 cm. - Signs of age. / Coysevox, Antoine - Kopie nach Jean-Baptiste Colbert und Claude-Louis-Hector de Villars (Lyon 1640-1720 Paris) Ende 18./ Anfang 19. Jh. Auf profiliertem Sockel halbrund gestaltete Büste des französischen Staatsmannes Colbert mit großem Spitzenkragen und dem Orden vom Heiligen Geist auf seiner Brust, ein Mantel faltenreich drapiert, sowie der General-Marschall von Frankreich im Brustpanzer und Allongeperücke. Laubholz, geschnitzt. H. 88 und 90 cm. - Altersspuren. RefScu14720
Kunstauktionshaus Schlosser
Jun. 24, 2020
18TH CENTURY FRENCH BRONZE, SIGNED
Est: $200 - $300
ANTOINE COYSEVOX (French 1640-1720) Pluton Enlevant Proserpine - (The Abduction of Proserpine by Pluton) Bronze with dark brown patina Signed on base and the title incised on lower margin Height 17.25 inches (44 cm) SHIPPING NOTICE: Jackson's is your sole and only source for one stop packing and shipping. With over 50 years of experience, our professional, affordable and efficient in-house shipping department will be happy to provide you a fair and reasonable shipping quote on this lot. Simply email us before the auction for a quick quote: shipping@jacksonsauction.com or call 1-800-665-6743. Jackson's can expertly pack and ship to meet any of your needs. To ensure quality control Jackson's DOES NOT release to third party shippers.
Jackson's International
May. 16, 2020
Antoine Coysevox
Est: -
(1640 Lyon - 1720 Paris) nach "La Nymphe à la coquille" (Die Nymphe mit der Muschel). Originaltitel Weißer Carrara-Marmor. Ruhende, dem Betrachter zugewandte Nymphe, die in ihrer rechten Hand eine Muschel zum Schöpfen hält, neben ihr ein Gefäß mit herausquellendem Wasser. Rechteckiger Postamentsockel mit akzentuierter Fußzone und korrespondierender, vorkragender Deckplatte, die Seiten jeweils mit einem großen, gerahmten Feld. Vollplastische, wohl florentinische Skulptur des 20. Jhs. nach der berühmten, 1685 geschaffenen Skulptur von Antoine Coysevox, die sich heute im Louvre befindet. Coysevox gilt als einer der wichtigsten Bildhauer in der Zeit des Hochbarock in Frankreich, 1666 wurde er Hofbildhauer König Ludwigs XIV. und später Direktor der Pariser Akademie. Seit 1677 führte er viele Arbeiten für das Schloss Versailles aus. Ges.-H. 144 cm; 128 cm x 53 cm. White Carrara marble sculpture of the "Nymph with a shell" after Antoine Coysevox.
Kunstauktionshaus Schloss Ahlden
Feb. 25, 2020
Antoine Coysevox ( 1640 - 1720 )- school
Est: €280 - €560
Antoine Coysevox ( 1640 - 1720 )- school, Emperor on horse, bronze cast, gilded, on later wooden base.
Deutsch Auktionen
Dec. 07, 2019
Antoine Coysevox
Est: -
(1640 Lyon - 1720 Paris) nach "La Nymphe à la coquille" (Die Nymphe mit der Muschel). Originaltitel Weißer Carrara-Marmor. Ruhende, dem Betrachter zugewandte Nymphe, die in ihrer rechten Hand eine Muschel zum Schöpfen hält, neben ihr ein Gefäß mit herausquellendem Wasser. Rechteckiger Postamentsockel mit akzentuierter Fußzone und korrespondierender, vorkragender Deckplatte, die Seiten jeweils mit einem großen, gerahmten Feld. Vollplastische, wohl florentinische Skulptur des 20. Jhs. nach der berühmten, 1685 geschaffenen Skulptur von Antoine Coysevox, die sich heute im Louvre befindet. Coysevox gilt als einer der wichtigsten Bildhauer in der Zeit des Hochbarock in Frankreich, 1666 wurde er Hofbildhauer König Ludwigs XIV. und später Direktor der Pariser Akademie. Seit 1677 führte er viele Arbeiten für das Schloss Versailles aus. Ges.-H. ca. 144 cm; B. 128 cm; 53 cm. White Carrara marble sculpture of the "Nymph with a shell" after Antoine Coysevox. $P#
Kunstauktionshaus Schloss Ahlden
Dec. 06, 2019
Antoine COYSEVOX, d’après
Est: €1,000 - €1,500
Antoine COYSEVOX, d’après Le berger flûteur Groupe en bronze à patine foncée représentant un faune jouant de la flûte, un satyre enfant assis derrière lui porte un doigt à sa bouche. Gautier & Albinet éditeurs. Fin du XIXe siècle. 70 x 30 x 30cm. Note : L’original en marbre, commandé en 1707, fût placé en 1710 dans le parc du Château de Marly et a été porté au jardin des Tuileries dès 1716. Il est conservé au Musée du Louvre.
Gros-Delettrez
Nov. 22, 2019
Coysevox, Antoine - Kopie nach — Jean-Baptiste Colbert und Claude-Louis-Hector de Villars
Est: -
Coysevox, Antoine - copy after — Jean-Baptiste Colbert and Claude-Louis-Hector de Villars (Lyon 1640-1720 Paris) End of 18th/beginning 19th century. Bust of the French statesman Colbert with a large lace collar and the Order of the Holy Spirit on his chest, a cloak draped rich in folds, the General Marshal of France in breastplate and allon wig on a profiled pedestal with a semicircular design. Hardwood, carved. H. 88 and 90 cm. - Signs of age. RefScu131119
Kunstauktionshaus Schlosser
Nov. 19, 2019
A patinated bronze group of the Fame of Louis XIV After Antoine Coysevox (French, 1640-1720), late 19th century
Est: $1,500 - $2,500
A patinated bronze group of the Fame of Louis XIV After Antoine Coysevox (French, 1640-1720), late 19th century Signed Coysevox in the maquette. height 23 1/2in (60cm); length 20 1/2in (52cm); depth 12in (30cm) For further information on this lot please visit the Bonhams website
Bonhams
Oct. 09, 2019
ANTOINE COYSEVOX (1640-1720). After. Venus crouched.
Est: €900 - €1,200
Bronze sculpture On the base, inscribed the initials LJ. Reduction of the marble original (1686) preserved in the Louvre Museum, Paris (no inv. 1826) 35x14x25 cm.
Balclis
Nov. 14, 2018
AFTER ANTOINE COYSEVOX BRONZE PAN MARKED SIGNED
Est: $1,500 - $2,500
After Antoine Coysevox (French, 1640-1720) A late nineteenth century bronze of Pan and an infant. Having foundry marks F. Barbedienne and incised to base A. Coysevox.
Kamelot Auctions
Aug. 04, 2018
Hunter Diana
Est: -
signed: A, Coysevox Castingseal from Paris
Pintér Auctions
Apr. 27, 2018
École française du XIXe siècle, d'après Charles-Antoine Coysevox (1640-1720) Vénus accroupie Bronze à patine brune
Est: €600 - €800
École française du XIXe siècle, d'après Charles-Antoine Coysevox (1640-1720) Vénus accroupie Bronze à patine brune H. : 22,8 cm (9 in.) A bronze figure depicting a squatting Venus, French school, 19th century, after Charles-Antoine Coysevox (1640-1720) Cette Vénus accroupie reprend l'œuvre de Coysevox achevée en 1686 d'après un antique titré Venere nel Bagno conservé au Palais des Offices à Florence. L'originalité de la version de Coysevox réside dans la tortue sur laquelle la déesse est appuyée. Estimation 600 - 800 €
Artcurial
Oct. 31, 2017
AFTER MODELS BY ANTOINE COYSEVOX (1640-1720) FRENCH, 19TH CENTURY | La Renommée et Mercure chevauchant Pégase (Fame and Mercury riding Pegasus)
Est: £7,000 - £10,000
bronze, dark brown patina
Sotheby's
Jun. 21, 2017
After: Antoine Coysevox, French (1640-1720) "Pan and Satyr" Bronze Sculpture
Est: $800 - $1,200
After: Antoine Coysevox, French (1640-1720) "Pan and Satyr" Bronze Sculpture. Signed in cast "A. Coysevox 1709" and inscribed "F. Barbedienne Fondeur" with reduction mark. Some wear to patina, rubbing. Measures 17-7/8 x 7-1/2" W x 8" Depth. Shipping: Third party. (estimate $800-$1200)
Kodner Galleries
Jun. 21, 2017
After: Antoine Coysevox, French (1640-1720) "Homme et Chien" Bronze Sculpture
Est: $800 - $1,200
After: Antoine Coysevox, French (1640-1720) "Homme et Chien" Bronze Sculpture. Inscribed "F. Barbedienne Fondeur" with reduction mark. Some wear to patina, rubbing. Measures 17-1/2" H x 8" W x 9" Depth. Shipping: Third party. (estimate $800-$1200)
Kodner Galleries
Apr. 29, 2017
Signed Antoine Coysevox Bronze Figurine
Est: $500 - $700
France 1640-1720 sculpture, signed. Semi-nude seated man playing the flute with a child standing behind him. Measures 17.25"H, 7" X 7 3/8" base. Good patina, see photos. Please contact us for shipping options.
Abington Auction Gallery
Mar. 29, 2017
PORTRAIT BUST OF LOUIS XIV,
Est: CHF600 - CHF800
PORTRAIT BUST OF LOUIS XIV, France, in the style of the 17th century. After a model by Antoine Coysevox (1640 Lyon - Paris 1720). Cast stone. Repairs and losses on the base and the garment. H 115 cm. --------------- PORTRAITBÜSTE DES LOUIS XIV, Frankreich, in der Art des 17. Jh. Nach einem Vorbild von Antoine Coysevox (1640 Lyon - Paris 1720). Steinguss. Der Sonnenkönig mit Allongeperücke. Reparaturen bzw. Fehlstellen am Sockel und am Gewand. H 115 cm.
Koller Auctions
Jan. 01, 2017
Coysevox, Diana, Bronze
Est: $500 - $800
Antoine Coysevox (French, 1640-1720), Diana with hunting dogs, on marble plinth, signed, 12 1/2" h x 5" w x 5" d (bronze), 1 3/4" h x 5 1/4" w x 5 3/8" d. Provenance: from a Connecticut estate.
Kaminski Auctions
Dec. 13, 2016
ANTOINE COYSEVOX (1640-1720) - 'Fauno a tocar Flauta' [Faun playing the Flute]
Est: €6,750 - €9,000
ANTOINE COYSEVOX (1640-1720) - 'Fauno a tocar Flauta' [Faun playing the Flute] French sculpture in patinated bronze, 19th century, in accordance with an original work by A. Coysevox, 1702 . Marked 'Barbedienne fondeur'. Base in marble and bronze. Dimensio
Marques dos Santos