Pietro Da Cortona Paintings & Artwork for Sale | Pietro Da Cortona Art Value Price Guide

Mar. 26, 2025
Attribué à Pietro da CORTONA
Est: €15,000 - €20,000
Attribué à Pietro da CORTONA (Cortona, 1596 - Rome, 1669) Recto : Portrait de femme Verso : Torse et bras droit d'un forgeron de Vulcain Pierre noire, sanguine et craie blanche, sur papier gris-bleu (recto) ; pierre noire (verso) Porte une inscription 'Di Pietro da Cortona. 20 Aprile 1639 z. 10' au verso, par une main italienne du XVIIe siècle Sans cadre Front : Portrait of a lady ; Back : Torso and right arm of a Vulcan blacksmith, black, red and white chalk, attr. to P. da Cortona 13.26 x 10.70 in. 33.7 x 27.2 cm Provenance : Collectionneur anglais non identifié du XVIIIe siècle, anciennement posé sur son support, avec son cachet P n° 52 ; Vente anonyme, Christie’s, South Kensington, le 25 avril 2007, n°337, repr., (comme entourage de Pietro da Cortona) Dans une lettre datée du 16 septembre 2007, le professeur Nicholas Turner donne ce dessin à Pietro da Cortona, en le rapprochant de la tête de Léah dans Le mariage de Jacob et Rachel, projet de tableau connu par un dessin conservé à Worms au Kunsthaus Heylshof, daté vers 1630. L’esquisse au verso est rapprochée par Nicholas Turner d’une figure de géant dans la Forge de Vulcain peinte au plafond du palais Barberini (entre 1632 et 1639). La date portée au verso de notre dessin correspond à la fin de l’exécution de ce plafond. Attribué à Pietro da CORTONA (Cortona, 1596 - Rome, 1669) 33.7 x 27.2 cm Dans une lettre datée du 16 septembre 2007, le professeur Nicholas Turner donne ce dessin à Pietro da Cortona, en le rapprochant de la tête de Léah dans Le mariage de Jacob et Rachel, projet de tableau connu par un dessin conservé à Worms au Kunsthaus Heylshof, daté vers 1630. L’esquisse au verso est rapprochée par Nicholas Turner d’une figure de géant dans la Forge de Vulcain peinte au plafond du palais Barberini (entre 1632 et 1639). La date portée au verso de notre dessin correspond à la fin de l’exécution de ce plafond.
Artcurial
Mar. 12, 2025
Giuseppe Zocchi, after Pietro da Cortona, The Judgement of Hercules
Est: £300 - £500
Giuseppe Zocchi, after Pietro da Cortona, Italian 1711/17-1767, and Italian 1596/97-1669- The Judgement of Hercules; etching and engraving printed in dark brown ink, 1764, on laid paper, apparently without watermark, a very fine, strong impression, with great contrasts and much inky relief, with margins 38.8 x 28 cm. (unframed / mounted). Provenance: Private Collection, UK. Note: See British Museum no.1989,1209.21.121.
Roseberys
Feb. 17, 2025
DA CORTONA PIETRO (1596 - 1669) - Scope of. Adoration of the Child
Est: €1,500 - €2,000
DA CORTONA PIETRO (1596 - 1669). Scope of. Adoration of the Child. 50 x 62,50 cm.
Capitolium Art
Feb. 17, 2025
DA CORTONA PIETRO (1596 - 1669) - After. The Guardian Angel
Est: €500 - €700
DA CORTONA PIETRO (1596 - 1669). After. The Guardian Angel. Provenance: Lina Wertmüller and Enrico Job Collection.. 77,50 x 103 cm.
Capitolium Art
Feb. 04, 2025
CIRCLE OF PIETRO BERRETTINI, CALLED PIETRO DA CORTONA (CORTONA 1596-1669 RO
Est: $7,000 - $10,000
CIRCLE OF PIETRO BERRETTINI, CALLED PIETRO DA CORTONA (CORTONA 1596-1669 ROME). A seated youth holding a ram. black chalk, on light brown paper10 ¼ x 13 1/8 in. (26 x 34.4 cm).
Christie's
Nov. 21, 2024
Circle of Pietro da Cortona (Italian 1596 - 1669) Study of a male nude
Est: £3,000 - £5,000
Circle of Pietro da Cortona (Italian 1596 - 1669) Study of a male nude red chalk on laid paper, with another study of the male form in a different hand verso, 35 x 22 cm, framed and glazed 54 x 40 cm
Dawsons Auctioneers
Oct. 16, 2024
DA CORTONA PIETRO (1596 - 1669) - After. The Guardian Angel
Est: €500 - €700
DA CORTONA PIETRO (1596 - 1669). After. The Guardian Angel. Provenance: Lina Wertmüller and Enrico Job Collection.. 77,50 x 103,00 cm.
Capitolium Art
Jul. 09, 2024
Follower of Pietro da Cortona, Italian 1596-1669- The Rape of the Sabine
Est: £1,000 - £1,500
Follower of Pietro da Cortona, Italian 1596-1669- The Rape of the Sabine Women; and Alexander the Great receiving the family of Darius; each oil on canvas fragment, each bears ink stamp for the National Gallery of Prague 'Narodni Galerie, vývoz' ('National Gallery, export') verso, the first 60 x 47.5 cm., the second 59.5 x 47 cm., two (2)., (both unframed). Provenance: Private Collection, UK. Note: Several of the figure groups in the first composition, 'The Rape of the Sabines', appear to have been inspired by Pietro da Cortona’s rendition of the subject, which is in the collection of the Pinacoteca Capitolina, Rome [no.PC 137]. Throughout his career, da Cortona also painted several scenes from the life of Alexander the Great, illustrating the historical subject’s popularity with the artist, his followers, and their patrons. The scene here, with the family of Darius before the tent of Alexander, also features in a fresco cycle painted by da Cortona and his pupils at the Palazzo Pitti, Florence.
Roseberys
May. 22, 2024
Landscape with River Rapids and Mountains
Est: $15,000 - $20,000
Property from the Collection of Cristina and Marco Grassi, Sold Without Reserve Attributed to Pietro da Cortona Cortona 1596 - 1669 Rome Landscape with River Rapids and Mountains oil on canvas canvas: 13 ⅜ by 25 ⅞ in.; 34.0 by 65.7 cm. framed: 20 ¼ by 32 ¾ in.; 51.4 by 83.2 cm.
Sotheby's
Feb. 16, 2024
Cortona, Pietro (Berretini) da
Est: €120 - €180
(1596 Cortona - Rom 1669) nach. Minerva bekämpft die Riesen. Kolor. Kupferstich v. Jacobus de Rubeis, um 1677. Aus: Barbarinae aulae fornix, nach den Deckenfresken des Palazzo Barberini. 25,8 x 57,6 cm. Mit den Namenszügen u. Nr."4" i.d.Pl. - Ränder etw. gebräunt minimal fl. außerhalb der Darstellung. D
Kiefer Buch- und Kunstauktionen
Feb. 16, 2024
Cortona, Pietro (Berretini) da
Est: €200 - €300
(1596 Cortona - Rom 1669) nach. (Heroicae virtutis imagines quas) Eques Petrus Berettinus Cortonensis pinxit Florentiae in aedibus Sereniss. Magni Ducis Hetruriae in tribus cameris Martis... Kolor. Kupferstich v. J.Blondeauw u. J.J.de Rubeis. 17. Jhdt. Plgr. 40 x 63,5 cm. Mit den Namenszügen i.d.Pl. Unter Passep. - ╔Dabei: Nach Demselben.╗ 3 kolor. Kupferstiche zur Geschichte des Aeneas. D
Kiefer Buch- und Kunstauktionen
Jan. 31, 2024
Christ on the Cross
Est: $40,000 - $60,000
Pietro Berrettini, called Pietro da Cortona Cortona 1596 (?) - 1669 Rome Christ on the Cross red chalk, the corners cut; bears old attribution in brown ink, lower right: Domenichino 15 ⅝ by 10 ¾ in.; 397 by 272 mm
Sotheby's
Jan. 31, 2024
A reclining male nude: a study for the figure of Fury sprawling across armor
Est: $120,000 - $150,000
Pietro Berrettini, called Pietro da Cortona Cortona 1596 (?) - 1669 Rome A reclining male nude: a study for the figure of Fury sprawling across armor Black chalk with touches of white chalk 239 by 369 mm; 9 ⅜ by 14 ½ in.
Sotheby's
Nov. 24, 2023
PIETRO DA CORTONA (Cerchia di), Olio su tela
Est: €1,800 - €2,800
PIETRO DA CORTONA (Cerchia di) (Cortona 1596 - Roma 1669) Madonna con Bambin Gesù e Santo in preghiera Olio su tela Cornice coeva in legno sagomato e dorata. cm 53 x 42,5.
Benedetto Trionfante Auction House s.r.l
Jun. 29, 2023
Pietro da Cortona, 1596 Cortona – 1669 Rom, Schule des
Est: €45,000 - €60,000
RAUB DER SABINERINNEN Öl auf Leinwand. 182 x 243 cm. Ohne Rahmen (schmale Leiste). Das Gemälde ist in den Abmessungen kleiner als das Original mit 426 cm Breite, das der Maler in den Jahren 1630/31 geschaffen hat. Nicht zufällig befindet sich das monumentale Bild im Museo Capitolino in Rom, denn das Kapitol und die geschilderte Szene stehen beide an der Wiege der Stadt Rom und damit des römischen Reiches. Bekanntlich schildert der Mythos, die Römer hätten nach der Gründung der Stadt ihren Mangel an Frauen durch Brautraub bei den benachbarten Sabinern ausgeglichen. Eine friedliche Verbrüderung der beiden Völker war angeblich das glückliche Ergebnis von Verhandlungen der beiden Anführer Romulus und Titus Tatius. Die Erinnerung an diesen Ursprung Roms wurde noch ein Jahrtausend später, vor allem in der Barockzeit in Bildwerken dokumentiert, wobei nicht die Waffengewalt, sondern die lustvolle Begehrlichkeit Thema geworden ist. Dies kommt auch hier in vorliegendem Gemälde zu Ausdruck. Taktischer Anlass der Entführung war ein Festgelage. So wird auch hier im Mittelgrund ein junger bärtiger Mann mit Bachuskranz im Haar gezeigt, wie er einem rauhaarigen Alten dessen schöne Beute zu entreißen sucht. Hilferufend erhebt eine Sabinerin ihre Arme, nachdem sie von einem Römer hochgehalten wird. Die historische Legende hat auf allen Gebieten der Kunst bedeutende Werke hervorgebracht, bekannt vor allem die Plastiken des Giovanni da Bologna. Der Malstil Cortonas zeichnet sich stets durch großzügige Formen aus, die harmonisch erscheinen, wo immer es das Bildthema erlaubt. Die Vorliebe von Harmonie im Thema nimmt im Werk des Malers eine erkennbare Stellung ein. Dies zeigen beispielsweise die Gemälde „Hagar und der Engel“ um 1643, „Der Bund zwischen Jacob und Laban“ im Louvre Paris, „Das goldene Zeitalter“ im Palazzo Pitti in Florenz sowie „Heimkehr der Hagar“ im Kunsthistorischen Museum Wien. A.R. (1360451) (11) Pietro da Cortona, 1596 Cortona – 1669 Rome, school of THE RAPE OF THE SABINE WOMEN Oil on canvas. 182 x 243 cm. Unframed.
Hampel Fine Art Auctions
Jun. 13, 2023
DA CORTONA PIETRO (1596 - 1669) After. The Martyrdom of Saint Lorenzo
Est: €3,000 - €5,000
DA CORTONA PIETRO (1596 - 1669). After. The Martyrdom of Saint Lorenzo . The work is a copy of the famous work of Pietro da Cortona made in 1646 commissioned by the Speziali. . Cm 74,00 x 101,50.
Capitolium Art
May. 30, 2023
Pietro da Cortona (Cortona, November 1, 1596-Rome, May 16, 1669), Marte and Rea Silvia, signed
Est: €3,000 - €3,500
Quill on paper, measures: 35 x 28 cm
Templum Fine Art Auctions
May. 25, 2023
Pietro Berrettini (Gen. Pietro Da Cortona) (zugeschrieben) (1596 Cortona – Rom 1669) – Sitzender Prophet (Seated prophet)
Est: €5,000 - €6,000
Black chalk, partially highlighted in white, on grey laid paper. (1650s).
Karl & Faber
May. 18, 2023
PIETRO DA CORTONA (seguace di)
Est: €4,000 - €7,000
(Cortona, 1596 ; Roma, 1669) La Glorificazione della Trinità adorazione degli strumenti della Passione Olio su tela, cm 97,5X97 Provenienza: Collezione del colonnello e della signora C. Michael Paul Hartford, Stati Uniti, Wadsworth Atheneum Museum per donazione (1961) New York, Christie's, 16 giugno 1999, lotto 48 (come dopo Pietro Berrettini) Bibliografia: C. Cunningham, A Modello for Pietro da Cortona's Cupola of the Chiesa Nuova in Rome, in The Wadsworth Atheneum Bulletin, 1961, pp. 18-21 B. Fredericksen and F. Zeri, Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections, 1972, pp. 165, 360 and 585 (come copia da) G. Briganti, Pietro da Cortona o della pittura Barocca, 1982, pp. 250-1, 261; 267-268 J. K. Cadogan, Wadsworth Atheneum Paintings II: Italy and Spain, 1991, pp. 117-118 La tela raffigura l'affresco eseguito da Pietro da Cortona che decora la cupola della Chiesa di Santa Maria in Vallicella a Roma. La realizzazione dell'opera iniziò nel 1647 e fu inaugurata il 26 maggio del 1651, in occasione della festa di San Filippo Neri e la sua scenica rimanda chiaramente, con il suo effetto di moto rotatorio continuo, ai modelli di Correggio e Lanfranco. L'incarico era stato comunque promesso nel 1646, quando il Cortona rassicura i Padri Filippini di raggiungere presto Roma per iniziare i lavori, tuttavia, come sappiamo il pittore in quegli anni era al servizio del granduca di Toscana. Certamente durante l'inverno del 1647-1648 preparò i cartoni e il 17 maggio del 48 erano già pronti i ponteggi, come attesta una lettera dello stesso giorno da subito cominciò a 'disegnare sui muri' (Cfr. G. Briganti, Pietro da Cortona, Firenze 1962, pp. 248-249).
Wannenes Art Auctions
May. 07, 2023
Pietro da Cortona (1674 - 1682) Etching Battle Scene Alexander, Darius
Est: $150 - $200
after Pietro da Cortona, (1674 - 1682) Robertus de Mol etching on paper, Battle between Alexander the Great (on the left on horseback, and Darius III ( on the right, seated, drawing back). Framed in a textured wood medium toned frame. Weight Approx., 2.5 lbs Measures Approx.: Sheet 19.75" x 11", framed 21" x 12.5". Domestic Shipping: $15
Global Auctions Company
Feb. 21, 2023
Pietro da Cortona (Cortona 1597 - Roma 1669) bottega/allievo di
Est: €1,500 - €2,500
Pietro da Cortona (Cortona 1597 - Roma 1669) bottega/allievo di La Madonna con Gesù Bambino e Santa Caterina d'Alessandria Olio su tela 71 x 96 cm Di eccelsa qualità, l’opera in esame va ricondotta ad uno degli artisti cresciuti sotto il magistero di Pietro da Cortona. Egli è considerato una delle personalità più importanti del barocco romano, assieme a Gian Lorenzo Bernini e a Borromini. Tale fu la sua influenza stilistica che la sua arte è presente in molti suoi allievi e pittori della cerchia, come Giacinto Gimignani, Raffaello Vanni, Ciro Ferri, Lorenzo Berettini, Guillaume Courtois, Lazzaro Baldi, Giovanni Francesco Romanelli, Salvi Castellucci e Anton Angelo Bonifazi. Pietro da Cortona (Cortona 1597 - Rome 1669) workshop/student of Madonna and Child Jesus and Saint Catherine of Alexandria Oil on canvas 71 x 96 cm
Lucas Aste
Feb. 18, 2023
Zocchi, Guiseppe
Est: €120 - €180
(1711 Florenz 1767). Das Urteil des Hercules. Radierung nach Pietro da Cortona (1596-1669). Um 1750. Ca. 38 x 27,5 cm. Über den Plattenrand beschnitten. - Am Rd. leicht fleckig. R
Kiefer Buch- und Kunstauktionen
Dec. 11, 2022
Pietro da Cortona (1674 - 1682) Etching Battle Scene Alexander, Darius
Est: $200 - $250
after Pietro da Cortona, (1674 - 1682) Robertus de Mol etching on paper, Battle between Alexander the Great (on the left on horseback, and Darius III ( on the right, seated, drawing back). Framed in a textured wood medium toned frame. Weight Approx., 2.5 lbs Measures Approx.: Sheet 19.75" x 11", framed 21" x 12.5". Domestic Shipping: $15
Global Auctions Company
Oct. 18, 2022
OIL PAINTING ATT. TO PIETRO DA CORTONA
Est: €40,000 - €60,000
PIETRO DA CORTONA, att. a (Cortona 1597 - Roma 1669) L'ALLEANZA DI GIACOBBE E LABANO Olio su tela, cm. 195 x 170 Inventario n. 418, in basso a sinistra PROVENIENZA Famiglia romana Per il Cardinale Antonio Barberini Pietro da Cortona dipinse tra il 1630 e il 1635 due grandi tele raffiguranti; 'L'alleanza di Giacobbe e Labano', custodita attualmente al Louvre e il 'Labano cerca gli idoli', conservata a Bristol alla City Art Gallery (L. Mochi Onori Giacobbe e Labano in Pietro da Cortona 1597/1669 cat. mostra, Milano 1997, pp. 342-343). In un inventario risalente al 1777 della collezione del Principe Conti, risulta scritto che quando la tela di Giacobbe e Labano fu venduta, giungendo in Francia, essa fu sostituita da una copia. Lo studioso Giuliano Briganti annovera una replica a Mosca, Museo Rumjatzeff, un'altra a Bamberga ed una terza in collezione privata inglese (Giuliano Briganti Pietro Da Cortona o della Pittura Barocca, Bologna 1982, pp. 209-2109). Inoltre una ulteriore versione di una collezione privata è pubblicata da Maurizio Fagiolo dell'Arco come replica ascritta al maestro, annoverando ulteriori repliche (Maurizio Fagiolo dell'Arco Pietro Da Cortona e i 'Cortoneschi', Roma 1998, p. 43). La versione qui presentata di alta qualità disegnativa e pittorica è comunque pervasa da tonalità più chiare che tendono ad addolcire il disegno delle vesti maggiormente increspate e chiaroscurate nella versione del Louvre, anche il tocco pittorico su alcune figure appare più delicato, mentre la figura maschile posizionata in basso a destra sprigiona tutta la sua potenza, quasi scultorea, come le volumetrie della veste che ricopre la figura femminile posizionata sulla sinistra, conservando così tutta la sua eleganza. Si può concludere, attraverso questi elementi, con una ipotesi attributiva dell'opera a favore del Cortona su alcune figure e la realizzazione di altre da parte della bottega. Il dipinto reca in basso in corrispondenza dell'angolo sinistro il numero 418, probabilmente riconducibile ad un numero inventariale. CONDIZIONI DEL DIPINTO Rintelo novecentesco. Una linea di restauro verticale in alto a destra, tre esili linea di restauro nella parte mediana a destra e sinistra. Il dipinto è in buono stato di conservazione CORNICE Cornice in legno dorato con bordo a baccelli, punti e linee del XIX secolo (supporto recente)
Casa d'Aste Babuino
Oct. 18, 2022
PIETRO DA CORTONA (1596 - 1669) Workshop of. Virgin with Child and St. Martina
Est: €2,000 - €3,000
PIETRO DA CORTONA (1596 - 1669). Workshop of. Virgin with Child and St. Martina. This composition has been repeatedly taken up by Pietro da Cortona and his workshop, for a total of at least eight versions, made on different supports, of which the work of the same subject preserved in the Galleria Nazionale dell'Umbria in Perugia seems to have been the reference model. The body of the saint was found in an apparently casual way in the Roman church dedicated to S. Martina and S. Luca in 1643 and it was an event that greatly affected the popular sentiment of the time, increasing the cult and interest in her figure: hence the strong demand for works that depicted the saint, in whose number this painting is inserted, attributable to the hand of one of the artists who formed the workshop of Pietro da Cortona in those years. Cm 62,00 x 75,00.
Capitolium Art
Sep. 20, 2022
Pietro Berrettini detto Pietro da Cortona (Cortona 1597 - Roma 1669) seguace di
Est: €600 - €900
Pietro Berrettini detto Pietro da Cortona (Cortona 1597 - Roma 1669) seguace di Matrimonio mistico di Santa Caterina d'Alessandria Matita rossa su carta 417 x 564 mm Pietro Berrettini called Pietro da Cortona (Cortona 1597 - Rome 1669) follower of Mystical marriage of Saint Catherine of Alexandria Red pencil on paper 417 x 564 mm
Lucas Aste
May. 17, 2022
PIETRO DA CORTONA (1596 - 1669) Workshop of. Virgin with Child and St. Martina
Est: €2,500 - €3,500
PIETRO DA CORTONA (1596 - 1669). Workshop of. Virgin with Child and St. Martina. This composition has been repeatedly taken up by Pietro da Cortona and his workshop, for a total of at least eight versions, made on different supports, of which the work of the same subject preserved in the Galleria Nazionale dell'Umbria in Perugia seems to have been the reference model. The body of the saint was found in an apparently casual way in the Roman church dedicated to S. Martina and S. Luca in 1643 and it was an event that greatly affected the popular sentiment of the time, increasing the cult and interest in her figure: hence the strong demand for works that depicted the saint, in whose number this painting is inserted, attributable to the hand of one of the artists who formed the workshop of Pietro da Cortona in those years. Cm 62,00 x 75,00.
Capitolium Art
May. 13, 2022
AMBIT OF PIETRO DA CORTONA (Cortona, 1596 - Rome, 1669)
Est: €1,300 - €1,800
Crucifixion with Saint John the Evangelist and the three Marys Sanguine on brown paper, cm. 48,7x29,5
Bertolami Fine Art s.r.l.
Apr. 12, 2022
Circle of Pietro da Cortona (Cortona 1596-1669 Rome) The Annunciation
Est: £3,000 - £5,000
Circle of Pietro da Cortona (Cortona 1596-1669 Rome) The Annunciation oil on copper 30.4 x 23.2cm (11 15/16 x 9 1/8in). For further information on this lot please visit the Bonhams website
Bonhams
Nov. 07, 2021
Pietro da Cortona (1674 - 1682) Etching Battle Scene Alexander, Darius
Est: $200 - $250
after Pietro da Cortona, (1674 - 1682) Robertus de Mol etching on paper, Battle between Alexander the Great (on the left on horseback, and Darius III ( on the right, seated, drawing back). Framed in a textured wood medium toned frame. Weight Approx., 2.5 lbs Measures Approx.: Sheet 19.75" x 11", framed 21" x 12.5". Domestic Shipping: $20
Global Auctions Company
Nov. 03, 2021
PIETRO DA CORTONA (ATTRIBUTED TO) (Cortona 1596-1669 Rome) Study for the History of Justinian.
Est: $4,000 - $6,000
PIETRO DA CORTONA (ATTRIBUTED TO) (Cortona 1596-1669 Rome) Study for the History of Justinian. Black and white chalk on cream laid paper with a prepared gray wash ground. 260x395 mm; 10 1/4x15 1/2 inches. Inscribed in ink and chalk, lower center recto. Provenance: Private collection, Massachusetts. Likely a study for the fresco of the same subject in the Sala di Apollo, Palazzo Pitti, Florence. Commissioned from Pietro da Cortona by Grand Duke Ferdinand II de' Medici, the decoration of the Sala di Apollo went through a long gestation. Begun in 1642-43, when the artist designed and frescoed the figures from the main group (Apollo, Ferdinand II, Fame and Hercules), it was left unfinished upon his departure for Rome in 1647. Responding belatedly to the Grand Duke's persistent requests to continue the work, twelve years later, in the fall of 1659, Cortona sent his best pupil Ciro Ferri, who completed the frescoes with the aid of drawings and cartoons executed by his master in Rome.
Swann Auction Galleries
Oct. 22, 2021
After Pietro da Cortona
Est: $300 - $500
(Italian, 1596-1669) Guardian Angel, unsigned, a 19th century loose copy, oil on canvas, 32-1/2 x 22-1/4 in.; gilt wood frame, 35-3/4 x 25-3/4 in.
Brunk Auctions
Oct. 16, 2021
Zocchi, Guiseppe
Est: €160 - €240
(1711 Florenz 1767). Das Urteil des Hercules. Radierung nach Pietro da Cortona (1596-1669). Um 1750. Ca. 38 x 27,5 cm. Über den Plattenrand beschnitten. - Am Rd. leicht fleckig. R
Kiefer Buch- und Kunstauktionen
Oct. 14, 2021
PIETRO DA CORTONA (CORTONA 1596-1669 ROME) The Ecstasy of Saint Alessio oi
Est: $40,000 - $60,000
PIETRO DA CORTONA (CORTONA 1596-1669 ROME) The Ecstasy of Saint Alessio oil on canvas 61 ¼ x 46 in. (155.5 x 116.8 cm.)
Christie's
Jun. 18, 2021
PIETRO DA CORTONA (1596 - 1669) Attributed to. Angels and Saints. Study for altarpiece.
Est: €1,500 - €2,000
PIETRO DA CORTONA (1596 - 1669). Attributed to. Angels and Saints. Study for altarpiece.. At the back inventory number 297 and signature of an unidentified collector. Stamp of inventory number 50.. Cm 19,50 x 27,80.
Capitolium Art
Jun. 09, 2021
Pietro da CORTONA Cortona, 1596 - Rome, 1669 Etude de général romain et de figures Sanguine, trait d'encadrement au crayon noir
Est: €8,000 - €12,000
Pietro da CORTONA Cortona, 1596 - Rome, 1669 Etude de général romain et de figures Sanguine, trait d'encadrement au crayon noir Annotée 'Lodovico Caracci' en bas à gauche et porte un numéro 'K 114' au verso (Petits manques) Study of a Roman general and other figures, red chalk, inscribed, by P. da Cortona h: 31,50 w: 18,50 cm Provenance : Collection Giuseppe Vallardi, son cachet (L.1223) en bas à gauche ; Collection Charles-Albert de Burlet, son cachet (L.4261) au verso ; Galerie Charles E. Slatkin, New-York, une étiquette sur le montage au verso (comme Ludovico Carracci) ; Vente anonyme ; New York , Christie's, 31 janvier 2013, n°42 ; Acquis après cette vente par l'actuelle propriétaire ; Collection particulière, Bruxelles Expositions : 'Old Master Drawings', Londres, The Alpine Club, mai 1971 Commentaire : Ces études de figures peuvent être rapprochées des personnages de droite du 'Sacrifice de Polyxène' conservé à Rome à la pinacothèque capitoline (voir G. Briganti, 'Pietro da Cortona o della pittura barca', Florence, 1982, n°26). Selon la notice de la vente du 31 janvier 2013, le docteur Jörg Merz avait confirmé l'authenticité de ce dessin d'après une photographie. Estimation 8 000 - 12 000 €
Artcurial
Jun. 05, 2021
Old Master, Giovanni Battista Langetti (1635–1676), Drunken Noah
Est: €8,000 - €10,000
Langetti came from Rome, first studied with Gioacchino Assereto (1600-1649) in Genoa, then with Pietro da Cortona (1596-1669) in Rome and with Giovanni Francesco Cassana (1611-1691) in Venice. He merged diverse influences in his work, but above all by Ribera and Caravaggio. Langetti often represented male nudes in his works, which are characterized by a mature or older age and an energetic life. He found his artistic specialization in depicting the aging of the body with expressive realism and in heroic or tragic characters. This is also shown by the painting with the drunkenness of Noah: Noah's son Ham discovers his drunken father bared and tells his brothers Sem and Japhet. These two cover his nakedness without looking at him. We see in the picture how Ham scolds his sleeping father with his index finger while the other two brothers solve the problem with decency. When Noah later found out about it, he cursed Ham's son and his descendants. Langetti has characterized the aged epidermis with virtuosity and a keen sense for the materiality of the color and how it stretches over the bones and tendons of the aged man. Giovanni Bellini first presented the topic in a dramatic close-up (Musée des Beaux-Arts et d’Archeologie de Besançon). Langetti also treated elongated male nudes in other paintings, The Good Samaritan (Padua, private collection) or Cain flee after the murder of Abel (Nîmes, Musée des Beaux-Arts). Mattia Vinco dated the painting around 1670. Expert opinion by doc. Mattia Vinco, 24 March 2018
Fine Antiques Prague s.r.o.
Jan. 26, 2021
Giovanni Battista Langetti (1635–1676), Drunken Noah
Est: €10,000 - €12,000
Langetti came from Rome, first studied with Gioacchino Assereto (1600-1649) in Genoa, then with Pietro da Cortona (1596-1669) in Rome and with Giovanni Francesco Cassana (1611-1691) in Venice. He merged diverse influences in his work, but above all by Ribera and Caravaggio. Langetti often represented male nudes in his works, which are characterized by a mature or older age and an energetic life. He found his artistic specialization in depicting the aging of the body with expressive realism and in heroic or tragic characters. This is also shown by the painting with the drunkenness of Noah: Noah's son Ham discovers his drunken father bared and tells his brothers Sem and Japhet. These two cover his nakedness without looking at him. We see in the picture how Ham scolds his sleeping father with his index finger while the other two brothers solve the problem with decency. When Noah later found out about it, he cursed Ham's son and his descendants. Langetti has characterized the aged epidermis with virtuosity and a keen sense for the materiality of the color and how it stretches over the bones and tendons of the aged man. Giovanni Bellini first presented the topic in a dramatic close-up (Musée des Beaux-Arts et d’Archeologie de Besançon). Langetti also treated elongated male nudes in other paintings, The Good Samaritan (Padua, private collection) or Cain flee after the murder of Abel (Nîmes, Musée des Beaux-Arts). Mattia Vinco dated the painting around 1670. Expert opinion by doc. Mattia Vinco, 24 March 2018
Fine Antiques Prague s.r.o.
Dec. 10, 2020
Pietro Berrettini detto Pietro da Cortona (Cortona 1596 - Roma 1669), Ercole e Onfale
Est: €20,000 - €30,000
olio su tela, cm 90x110, Secondo quanto riferito dal Brandi, il dipinto proviene da una collezione conservata presso la tenuta siciliana del Biviere di Lentini. Tale tenuta apparteneva a Scipione e Maria Carla Borghese, presso i quali egli stesso lo vide. L’incontro con la padrona di casa, è descritto nel libero Sicilia Mia, un diario di viaggio attraverso l’isola , in occasione del quale il Brandi visitò la tenuta e vide il dipinto assieme con un San Giovanni Battista forse del Caravaggio e un Incredulità di San Tommaso di un pittore caravaggista siciliano. Il dipinto si può porre a confronto con quello dello stesso soggetto, di dimensioni maggiori, conservato presso il palazzo Schonborns-Buchheim di Vienna, specialmente per quanto riguarda la figura di Ercole e i puttini, di simile tipologia, sebbene la presente composizione mostri una totale autonomia iconografica e compositiva da escludere qualsiasi possibilità di derivazione. Pubblicato in: Cesare Brandi, Sicilia Mia, Palermo Sellerio 1989 p. 32 Pietro da Cortona, 1597-1669, catalogo della mostra a cura di Anna Lo Bianco, Milano, Electa 1997 , p. 344 L'opera è corredata di attestato di Libera Circolazione
Cambi Casa d'Aste
Oct. 21, 2020
ECOLE ITALIENNE fin XVIIIe siècle HST
Est: €400 - €600
ECOLE ITALIENNE fin XVIIIe siècle, copie ancienne d'après Pietro da CORTONA (1596-1669), Vierge à l'enfant, Huile sur toile rentoilée, petits accidents et accrocs, H: 59 cm L: 64 cm"
Legia-Auction
Dec. 13, 2019
Pietro Berrettini detto Pietro da Cortona (Cortona 1596 - Roma 1669), Madonna con il Bambino, Sante e angeli
Est: €40,000 - €50,000
modello per pala d'altare ad olio su tavola, cm 50x35 entro cornice dorata reca al retro ceralacca con sigillo centrato da stemma nobiliare
Cambi Casa d'Aste
Nov. 19, 2019
PIETRO DA CORTONA (seguace di )
Est: €50 - €100
(Cortona, 1596 - Roma, 1669) Matrimonio mistico di Santa Caterina Firmato in maniera indistinta in basso a destra Olio su rame, cm 33X44 Provenienza: Londra, Christie's, 7 luglio 2015, lotto 461 L'opera presenta un carattere cortonesco e accenti desunti da Giovanni Francesco Romanelli (Viterbo, 1610 circa - Viterbo, 1662). L'esordio dell'artista avviene a Roma nell'ambito di Pietro da Cortona, che gli consente d'entrare in diretto contatto con la committenza Barberini, in modo particolare con il Cardinale Francesco che gli consente l'opportunità d'ornare con Storie delle Metamorfosi di Ovidio le volte della Galleria parigina del Mazzarino. La trasferta francese segna la diffusione del barocco romano in Europa e la sua evoluzione verso un linguaggio 'Alessandrino', elegante e stilizzato. Bibliografia di riferimento: M. Fagiolo dell'Arco, Pietro da Cortona e i cortoneschi, Milano 2001, pp. 111 - 124 LOTTI DI QUESTA COLLEZIONE (1-133 E 474-569) SARANNO PROPOSTI A LIBERA OFFERTA, POTRANNO ESSERE ACCETTATE, OLTRE ALLE OFFERTE IN SALA, OFFERTE SCRITTE E BID ON LINE. FANNO ECCEZIONE I LOTTI CONTRASSEGNATI CON IL SIMBOLO ☎️ , PER I QUALI SARANNO ACCETTATE ANCHE OFFERTE TELEFONICHE THE LOTS IN THIS COLLECTION (1-133 AND 474-569) ARE AUCTIONED BY FREE BIDDING. WE ONLY ACCEPT BIDS IN THE SALEROOM, ABSENTEE AND ON LINE BIDS. EXCEPTIONS TO THIS ARE MADE FOR LOTS MARKED BY THE ☎️ SIGN WHEREBY TELEPHONE BIDS ARE ACCEPTED.
Wannenes Art Auctions
Jul. 02, 2019
Pietro Berrettini, called Pietro da Cortona (Cortona 1596-1669 Rome) A seated prophet black chalk, touches of white chalk on grey paper 12 7/8 x 10 ¼ in. (32.5 x 26 cm)
Est: £25,000 - £35,000
Pietro Berrettini, called Pietro da Cortona (Cortona 1596-1669 Rome) A seated prophet black chalk, touches of white chalk on grey paper 12 7/8 x 10 ¼ in. (32.5 x 26 cm)
Christie's
Apr. 04, 2019
Pietro da Cortona (Cortona 1596 - Roma 1669), copia da, Madonna con Bambino e santo orante
Est: €1,000 - €1,500
olio su tela, cm 50x40
Cambi Casa d'Aste
Mar. 11, 2019
BERRETTINI, PIETRO (PIETRO DA CORTONA). 1596-1669. Tabulae anatomicae. Rome: Antonio de Rossi for Fausto Amidei, 1741.
Est: $5,000 - $8,000
BERRETTINI, PIETRO (PIETRO DA CORTONA). 1596-1669. Tabulae anatomicae. Rome: Antonio de Rossi for Fausto Amidei, 1741. Folio (466 x 320 mm). Title printed in red and black, engraved vignette on title, engraved headpieces and initials, 27 engraved plates at end. Rebound to style in modern calf gilt, pages uncut. Marginal stains to lower outside corner affecting most leaves.SECOND EDITION with revised plates, removing superfluous details and restoring them to a form closer to Berettini's original drawings. Berrettini, usually referred to in art circles as Pietro da Cortona, was best known for his ceiling frescoes at the Barberini Palace in Rome and Pitti Palace in Florence. Choulant-Frank, pp 235-239; Heirs of Hippocrates 470; Garrison and Morton 395.2; Waller 983; Wellcome II, p 146 (all for 1741 edition).
Bonhams
Jan. 30, 2019
Pietro da Cortona (1596-1669) - Attributed
Est: €900 - €1,800
Pietro da Cortona (1596-1669) ï¿½ Attributed, Allegory of a scarification, oil on canvas, framed.
Deutsch Auktionen
Dec. 04, 2018
PIETRO BERRETTINI, CALLED PIETRO DA CORTONA (CORTONA 1596-1669 ROME) A nude
Est: £15,000 - £25,000
PIETRO BERRETTINI, CALLED PIETRO DA CORTONA (CORTONA 1596-1669 ROME) A nude youth kneeling before an altar red chalk, top corners cut 14 1/4 x 10 1/8 in. (36.2 x 25.8 cm.)
Christie's
Nov. 14, 2018
Pietro da Cortona and atelier (Cortona, 1596 - Rome, 1669)
Est: €8,000 - €12,000
Pietro da Cortona and atelier (Cortona, 1596 - Rome, 1669) The clemency of Alexander before Sisygambis, after the Story of Alexander the Great Oil on paper laid down on canvas, cm. 47x64. Framed The painting is accompanied by an expertise by Dr. Maurizio Marini.
Bertolami Fine Art s.r.l.