Pedro de Camprobin Paintings & Artwork for Sale | Pedro de Camprobin Art Value Price Guide

Dec. 12, 2024
PEDRO DE CAMPROBIN (Almagro, 1605-Seville, 1674)
Est: €20,000 - €30,000
PEDRO DE CAMPROBIN (Almagro, 1605-Seville, 1674) Panier de fleurs avec des roses, des pivoines, des jonquilles, une branche de nard et un vase avec des roses Toile Signé en bas à droite "PdeCamprobin f" Restaurations anciennes Still life of flowers, canvas, signed lower right, with restorations 68 x 89 CM - 27,1 x 35 IN.
Tajan
Dec. 03, 2024
PEDRO DE CAMPROBIN (ALMAGRO 1605 - SIVIGLIA 1674) CERCHIA
Est: €1,000 - €1,500
Pedro de Camprobin (Almagro 1605 - Siviglia 1674) cerchia Cesto di fiori Olio su tela 62 x 77 cm Pedro fu allievo di Luis Tristán, poi, probabilmente, vista l'influenza che si nota nelle sue opere fu a Madrid nella bottega Juan van der Hamen. Intorno al 1660 assieme a Bartolomé Esteban Murillo , Juan de Valdés Leal e Francisco Herrera collaborò alla fondazione dell'"Academia de dibujo de Sevilla". Pedro de Camprobin (Almagro 1605 - Siviglia 1674) circle Basket of Flowers Oil on canvas 62 x 77 cm
Lucas Aste
Oct. 09, 2024
Baroque School of the Círculo de Camprobín, Pedro de (Almagro, Ciudad Real, 1605 - Seville, 1674)
Est: €12,000 - €15,000
Very important and large still life of autumn fruits measuring: 130 x 88 cm, no frame attached. Provenance: important Sevillian noble collection.
Templum Fine Art Auctions
Jul. 25, 2024
Large Still Life of Autumn Fruits and Pitcher, Spanish Baroque School by PEDRO DE CAMPROBÍN (Almagro, 1605 - Seville, July 22, 1674), 17th - 18th centuries
Est: €2,000 - €2,750
Total measurements with frame 88 X 70 cm
Templum Fine Art Auctions
Apr. 10, 2024
PEDRO DE CAMPROBIN Almagro, Ciudad Real (1605) / Seville (1674) "Basket with quince and pomegranate"
Est: €73,500 - €98,000
Oil on canvas Will Jordan suggested, through photographs, the authorship of CamprobIn in written communication Measurements: 36.5 x 45.5 cm
Ansorena
Jan. 24, 2024
PEDRO DE CAMPROBiN Almagro, Ciudad Real (1605) / Seville (1674) "Still Life", c. 1660
Est: €60,000 - €80,000
Oil on canvas. Origin: Madrid, Granados Collection; Particular collection. Bibliography: Del Campo, J. and Palencia, JM, The splendor of the Andalusian baroque. Granados Collection, Cordoba, Caja Sur Foundation, 2007-2008, Seville, Hospital de la Caridad, 2008, early 66-67. Pedro de Camprobin is one of the main representatives of still life painting in the city of Seville, although his training took place in Toledo with the painter Luis Tristan. His work evolved from a naturalism with a strong tenebrist imprint, as demonstrated by the Still Life preserved in the Meadows Museum in Dallas, towards a much more personal style in which the influence of local tradition is evident, exemplified by the works of Juan de Zurbaran, creating a type of elegant, austere and expressive still life. His paintings tended towards sober and reduced color palettes, often featuring some elements typical of flamenco art such as the presence of butterflies and insects. The painting presented here, which once belonged to the Granados collection, is a good example of the sobriety that characterizes his still lifes. On a table we found a crystal glass, a bunch of radishes, cheese, a bottle of wine, some peaches and a loaf of bread arranged. The masterful modeling of these objects, built through a subtle gradation of light, allows him to capture their different material textures such as the transparency of glass or the velvety surface of fruits. The same qualities and models that we observe in the present painting, such as the cup and the peaches, can be found in other works by Camprobin such as in the Basket with Peaches and Plums in the Prado Museum (P007916). Also the same bottle, although turned upside down. In a different way, we find it in a Still Life, formerly in the Raleigh, North Carolina Museum of Art, and in two other compositions of his dated 1663 that were in a private collection in London and later passed to Switzerland. Also, in the distribution of elements of its composition and in the qualities of some objects such as the cheese, the glass cup or the loaf of bread, it presents a very close formal parallel with a Kitchen Still Life, of identical measurements, which was in a private collection from Madrid and which a few months ago was acquired to form part of the collections of the Prado Museum. Measurements: 80.5 x 102.5 cm.
Ansorena
Dec. 18, 2023
PEDRO DE CAMPROBIN Almagro, Ciudad Real (1605) / Seville (1674) "Pewter vases with glass vases and butterflies", c. 1650-1655
Est: €240,000 - €320,000
Pair of oil paintings on canvas. One of them signed. They come with baroque style frames in carved, polychrome and gilded wood. Attached is a certificate issued by Enrique Valdivieso on April 4, 2011. Origin: - Madrid, private collection. Reference bibliography: - Cherry, P., Art and Nature. The Spanish Still Life in the Golden Age, Madrid, 1999, early 262-267; - Luna, JJ, The Spanish still life in the Prado, Museo Nacional del Prado, 2008, early 158-159. Although his training took place in Toledo with the painter Luis Tristan, Pedro de Camprobin is one of the main representatives of still life painting in the city of Seville. His work evolved from a naturalism with a strong tenebrist imprint, as demonstrated by the Still Life preserved in the Meadows Museum in Dallas, towards a much more personal style in which the influence of local tradition is evident, exemplified by the works of Juan de Zurbaran, creating a type of elegant, austere and expressive still life. His paintings tended towards sober and reduced color palettes, often featuring some elements typical of FLEMISH art such as the presence of butterflies and insects. The lightness of the touch of his brush is observed in this beautiful pair of still lifes, in which the painter's taste is perfectly appreciated when it comes to harmoniously distributing the volumes of his compositions, predominating a characteristic landscape rhythm. In them an interesting volumetric contrast is observed that is common in the painter's works, in which he uses the free spaces on the sides of the table to place a small pair of glass vases with flowers and on the opposite side a stem and a fallen white flower. His floral arrangements are typical of his production, predominating botanical species such as: roses, sunflowers, irises, tulips, Indian carnations or carnations; a series of bouquets that were common in the great houses of the time. In his flower paintings, Camprobin, far from wanting to represent the greatest variety of botanical species, avoids filling the pictorial field with his presence, leaving his vases surrounded by air and space. The light that illuminates them is soft and with slightly muted colors that cause a strange and serene timeless beauty and a calm atmosphere that was highly appreciated by the Sevillian clientele of the time. Thanks to compositions like these, he became the main painter of flowers and still lifes in Golden Age Seville, monopolizing the demand for this type of work in the city after the death of Juan de Zurbaran in 1649. Measurements: 63 x 93 cm. each
Ansorena
Dec. 12, 2023
PEDRO DE CAMPROBÍN Y PASSANO (1605 -1674) - 'Bodegón'
Est: €19,500 - €26,000
Oil on canvas. Dim.:60x98cm
Marques dos Santos
Jun. 14, 2023
PEDRO DE CAMPROBÍN Almagro, Ciudad Real (1605) / Seville (1674) "Still life with chestnuts, glass and glass bottle with wine" and "Still life with plate of apricots, plums and cherries with small cup and flower and ceramic piece from Tonalá "
Est: €225,000 - €300,000
Pair of oil paintings on panel Both signed in the lower right corner "Po De Camprovin passano. fat". The fruit still life with inscription on the back in ink: "Godoy" Bibliography: -Romero Asenjo, R., “The Spanish still life in the 17th century: revealing its hidden nature”, I&R, Madrid, 2009, p. 205, f.3 Provenance: With Nicholas Hall, New York, 2017-2018 Private Collection, Madrid This pair of still lifes by Pedro de Camprobín are an example of the elegance and quality with which the painter cultivated this genre, being one of the main figures of this type of painting in Spain in the 17th century. The tables must have been painted in Seville around 1652, given the similarity of one of them with the “Plate with apricots, cherries and plums” (1652, oil on canvas, 36.5 x 46.5 cm; Naseiro Collection), with the one that presents the same composition with slight variations in the elements that compose it. Despite the fact that he must have been a fairly prolific painter, since he is regularly mentioned in the inventories of his time, few are the preserved works of his hand. We know about his career that he was initially a disciple of Luis Tristán in Toledo, but in the year 1630 he appears already installed in the city of Seville, where he lived until his death, becoming one of the founders of the Seville Academy of Painting. His work follows the tradition of the genre in Seville, in the wake of by Francisco and Juan de Zurbarán, with a sober and reduced color palette and a strong chiaroscuro, although with a more casual air in the collation of the elements. In addition, we must add the evident knowledge of Juan de van der Hammen's models, perhaps due to an undocumented trip made to Madrid. Measurements: 32.5 x 51 cm and 32 x 51 cm with a sober and reduced color palette and a strong chiaroscuro, although with a more casual air in the collation of the elements. In addition, we must add the evident knowledge of Juan de van der Hammen's models, perhaps due to an undocumented trip made to Madrid. Measurements: 32.5 x 51 cm and 32 x 51 cm with a sober and reduced color palette and a strong chiaroscuro, although with a more casual air in the collation of the elements. In addition, we must add the evident knowledge of Juan de van der Hammen's models, perhaps due to an undocumented trip made to Madrid. Measurements: 32.5 x 51 cm and 32 x 51 cm
Ansorena
Dec. 15, 2022
PEDRO DE CAMPROBIN PASSANO (ALMAGRO 1605-SEVILLE 1674)
Est: €40,000 - €60,000
PEDRO DE CAMPROBIN PASSANO (ALMAGRO 1605-SEVILLE 1674) RADIS ET VERRE DE VIN SUR UN ENTABLEMENT Toile d’origine Dans un cadre ancien Radish and glass of wine on an entablature, original canvas, in an old frame 80,5 x 102,5 cm - 31,7 x 40,4 in.
Tajan
Sep. 28, 2022
PEDRO DE CAMPROBÍN Almagro, Ciudad Real (1605) / Seville (1674) "Still life with a basket of fruit and a vase of flowers"
Est: €22,500 - €30,000
Oil on canvas. One of the main figures in the Spanish still life genre of the 1600s is Pedro of Camprobin. From his professional career we know that he was initially a disciple of Luis Tristán in Toledo and that, in the year 1630, he appears already installed in the city of Seville where he lived until his death. His few preserved still lifes, such as the "Still Life with Birds" at the Meadows Museum in Dallas, are an example of an elegant and austere expressiveness that the painter resolves through a sober and reduced color palette, in which the objects are presented in an atmosphere of accentuated chiaroscuro. These same characteristics can be seen in this canvas whose sobriety, monumental symmetry, spatial sense or the humility of some elements, such as the wicker basket, place him in the same tradition as painters such as Sánchez Cotán or Zurbarán; The knowledge of Juan Van Der Hamen's models, which he was able to learn about during his stay in Madrid, attributed to him by some historians, is also evident. Measurements: 60 x 98 cm.
Ansorena
Dec. 17, 2020
Pedro de Camprobin (Almagro 1605-1674 Seville) A still life of a basket of flowers, a vase, a plate of fruit and a Parrot (possibly a Lovebird) perched on a box
Est: £15,000 - £20,000
Pedro de Camprobin (Almagro 1605-1674 Seville) A still life of a basket of flowers, a vase, a plate of fruit and a Parrot (possibly a Lovebird) perched on a box signed 'P. de Camprobín f.' (lower right) oil on canvas 63.2 x 100.5cm (24 7/8 x 39 9/16in). For further information on this lot please visit the Bonhams website
Bonhams
Oct. 25, 2017
Pedro de Camprobin (Almagro 1605-1674 Seville) Lilies, peonies, a rose and
Est: £4,000 - £6,000
Pedro de Camprobin (Almagro 1605-1674 Seville) Lilies, peonies, a rose and other flowers in a gilt vase on a table-top
Bonhams
Dec. 16, 2015
PEDRO DE CAMPROBIN (1605-1674) - STILL LIFE WITH APPLES AND A GLASS
Est: -
PEDRO DE CAMPROBIN (1605-1674) - STILL LIFE WITH APPLES AND A GLASS PEDRO DE CAMPROBIN (1605-1674) - Bodegon de manzanas y copa de vidrio Oleo sobre lienzo de 33 x 42,7 cm. Composicion que evidencia la influencia de Zurbarn. A comparar con el 'Bodegon de peras en un cesto' (Sotheby's 2003), en el que aparece el mismo cesto trenzado, similar repisa en la que apoya y se intuye una copa de cristal, que en ste que presentamos se ve claramente y que es igual a la copa en ltimo termino del Cesto con melocotones y ciruelas catalogado por el prof. Peter Cherry, siendo de medidas muy similares (36 x 46 cm. Bibliografia de referencia: Peter Cherry 'Arte y Naturaleza. El Bodegon espaol en el siglo de Oro'. Madrid, 1999.Lam XC.
Sala Retiro Subastas
Dec. 19, 2013
SPANISH SCHOOL 17th CENTURY
Est: -
"Bodegón con flores", óleo sobre lienzo, 55x70 cm. Se adjunta certificado de Don Ramon Triadó, quien lo ATTR. TO Pedro de Camprobín Passano (Almagro, 1605-Sevilla, 1674).
Sala de Ventas
Dec. 06, 2012
Pedro de Camprobin, 1605 - 1674, zug.
Est: €130,000 - €180,000
Pedro de Camprobin, 1605 - 1674, zug., FRÜHLINGSBLUMEN Öl auf Leinwand. 74 x 56 cm. Vor dunklem, nahezu schwarzem Hintergrund hell aufleuchtend in einem Flechtkorb auf einem Steinsockel abgestellt. Das Blumengesteck nahezu symmetrisch arrangiert, im Zentrum dicht aneinanderliegende, große Blüten von Pfingstrosen, Narzissen, Anemonen und Nelken, seitlich und nach oben gerichtet hellfarbige, zum Teil fiedrig gefärbte Tulpen. Neben dem Korb eine rosafarbene Anemone und mehrere Blütenblätter sowie eine Blütenschote. (8803398)
Hampel Fine Art Auctions
Jun. 22, 2010
ENTOURAGE DE PEDRO DE CAMPROBÍN Y PASSANO
Est: €10,000 - €15,000
ENTOURAGE DE PEDRO DE CAMPROBÍN Y PASSANO CIUDAD REAL 1605 - 1674 SEVILLE NATURE MORTE AU PLAT DE PRUNES, POIRES, BOUTEILLE ET RAFRAÎCHISSOIR SUR UN ENTABLEMENT CIRCLE OF PEDRO DE CAMPROBIN ; STILL LIFE WITH A PLATE OF PLUMS, PEARS, A BOTTLE AND A COOLER ON A LEDGE ; OIL ON CANVAS Huile sur toile 96 x 131,5 cm ; 37 3/4 by 51 3/4 in
Sotheby's
Jul. 07, 2009
Pedro de Camprobín (Almagro 1605-1674 Seville)
Est: £150,000 - £250,000
Pedro de Camprobín (Almagro 1605-1674 Seville) Pomegranates, quince and apples in a pewter tureen, on a partly-draped ledge with a gold ewer and flowers, at a balustrade with a draped column, above a palace courtyard, a view of a city beyond; and Pears, grapes and apples in a pewter tureen, on a plinth with plums, a silver platter and a vase of flowers, by a draped table with a gold ewer and a porcelain bowl of peaches and cherries, a balustrade and steps leading to a garden beyond oil on canvas the former 43 x 53½ in. (109.2 x 128.3 cm.); the latter 43¼ x 54 in. (109.8 x 137.2 cm.) a pair (2)
Christie's