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Lonneke de Groot Sold at Auction Prices

b. 1981 -

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    • Lonneke De Groot, Dutch b.1981- Heda (No.8), 2013; inkjet print on disband, from the edition of
      Mar. 08, 2022

      Lonneke De Groot, Dutch b.1981- Heda (No.8), 2013; inkjet print on disband, from the edition of

      Est: £1,000 - £1,500

      Lonneke De Groot, Dutch b.1981- Heda (No.8), 2013; inkjet print on disband, from the edition of 5, image 82.5 x 98.5cm (framed) (ARR) Please refer to department for condition report

      Roseberys
    • Lonneke De Groot, Dutch b.1981- Heda (No.8), 2013; inkjet print on disband, from the edition of
      Nov. 02, 2021

      Lonneke De Groot, Dutch b.1981- Heda (No.8), 2013; inkjet print on disband, from the edition of

      Est: £2,000 - £3,000

      Lonneke De Groot, Dutch b.1981- Heda (No.8), 2013; inkjet print on disband, from the edition of 5, image 82.5 x 98.5cm (framed) (ARR) Please refer to department for condition report

      Roseberys
    • Lonneke de Groot b.1981
      May. 16, 2019

      Lonneke de Groot b.1981

      Est: £2,000 - £3,000

      Lonneke de Groot b.1981 8 from the series Heda, 2013, Injek print on disband, plexiglass top, aluminium black frame 990mm x 830 mm, edition of /5 plus artist proof  In her work, Lonneke de Groot examines how an everyday space transforms into a photograph. She tries to look anew at the spaces in which we eat, sleep, sit, read, etc. What is essential about them? And how can they become a two-dimensional photographic image? She creates typologies of everyday space while simultaneously questioning photography’s illusionistic qualities and thus its way of revealing these spaces to us. In her photographs, reality is manually manipulated; these manipulations range from small interventions in an existing place to a completely constructed environment. Her preferred material is paper; the form that images themselves primarily take. Her work is often informed by existing visual material, for example, paintings. Research plays a vital role in her photographs, be it in the process of making the work through sourcing visual material or in the conceptualising of the work which, for her, is rooted in academic research. For example, her series ‘Heda’ depicts tablecloths floating against black backgrounds. The photographs are inspired by the paintings of the Dutch still life painter Willem Claesz Heda (1594-c.1680). By photographing these paper models without an environment to anchor their meaning she asks the viewer: What makes a tablecloth a tablecloth? What connotations does it have? And where does photography and painting meet or differ in representing a tablecloth?  De Groot trained both practically at the Gerrit Rietveld Academy and theoretically through studying Philosophy and Photographic Studies.

      Chiswick Auctions
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