Carlos de Haes Paintings & Artwork for Sale | Carlos de Haes Art Value Price Guide

Oct. 29, 2024
CARLOS DE HAES Brussels 1826 - Madrid 1898 Cabin P…
Est: -
CARLOS DE HAES Brussels 1826 - Madrid 1898 Cabin Pencil drawing on paper Measurements 160 x 220 mm With stamped seal of the painter's testamentary
Subastas Segre
May. 23, 2024
MOUNTAIN LANDSCAPE WITH CABIN, CARLOS DE HAES (BRUSSELS, 1826-MADRID, 1898), OIL ON CANVAS
Est: €13,000 - €15,000
Oil on canvas, measurements: 90 x 116 cm. (Brussels, 1826-Madrid, 1898). Painter of Belgian origin. A crisis in the family economy forced the Haes to move to Spain. He settled in Malaga in 1835, where after a few years he began his artistic journey with the academic painter Luis de la Cruz. In 1850, he decided to continue his training in his native land studying the great Flemish landscape masters, at the same time establishing contact with the European avant-garde that gathered in Brussels around the renowned annual exhibitions at the Salons of the Belgian capital. . His training alongside the landscape painter Joseph Quinaux determined his encounter with plein air painting to which he devoted himself with passion and defined his artistic production in its entirety. With this background, he returned to Spain, presented himself and won, in the first edition of the National Exhibitions, in 1856, a third medal with landscapes taken around the Belgian capital, which opened a gap and breathed life into the archaic and academic structure. of Spanish landscaping. The coincidence in time of the attraction exerted in Haes by the discovery of the places and wild nature around the Monasterio de Piedra and the call for opposition to the landscape plaza of the Higher School of Painting of the Royal Academy of Fine Arts of San Fernando, which had been left vacant due to the premature death of its owner, Fernando Ferrant y Llausás, determined his permanence in Spain and his definitive establishment by obtaining in 1857 the aforementioned chair from which, throughout his teaching, he would train in the practice of outdoor painting to an entire generation of landscapers. Parallel to his teaching, he continued with his artistic production, and in 1858 he obtained his first medal at the National Exhibition. Provenance: important Andalusian private collection.
Templum Fine Art Auctions
May. 23, 2024
MOUNTAIN LANDSCAPE, CARLOS DE HAES (BRUSSELS, 1826-MADRID, 1898), OIL ON CANVAS
Est: €18,000 - €20,000
Oil on canvas, measurements: 100 x 150 cm, measurements with frame: 140 x 150 cm. (Brussels, 1826-Madrid, 1898). Painter of Belgian origin. A crisis in the family economy forced the Haes to move to Spain. He settled in Malaga in 1835, where after a few years he began his artistic journey with the academic painter Luis de la Cruz. In 1850, he decided to continue his training in his native land studying the great Flemish landscape masters, at the same time establishing contact with the European avant-garde that gathered in Brussels around the renowned annual exhibitions at the Salons of the Belgian capital. . His training alongside the landscape painter Joseph Quinaux determined his encounter with plein air painting to which he devoted himself with passion and defined his artistic production in its entirety. With this background, he returned to Spain, presented himself and won, in the first edition of the National Exhibitions, in 1856, a third medal with landscapes taken around the Belgian capital, which opened a gap and breathed life into the archaic and academic structure. of Spanish landscaping. The coincidence in time of the attraction exerted in Haes by the discovery of the places and wild nature around the Monasterio de Piedra and the call for opposition to the landscape plaza of the Higher School of Painting of the Royal Academy of Fine Arts of San Fernando, which had been left vacant due to the premature death of its owner, Fernando Ferrant y Llausás, determined his permanence in Spain and his definitive establishment by obtaining in 1857 the aforementioned chair from which, throughout his teaching, he would train in the practice of outdoor painting to an entire generation of landscapers. Parallel to his teaching, he continued with his artistic production, and in 1858 he obtained his first medal at the National Exhibition. Provenance: important Andalusian private collection.
Templum Fine Art Auctions
Nov. 09, 2023
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Forest", 1873. Oil on canvas. Signed and dated in the lower right corner. With label on the back of Beaskoa Art Gallery. It has some flaws in the polychrome and a small circular hole.
Est: €3,500 - €3,800
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Forest", 1873. Oil on canvas. Signed and dated in the lower right corner. With label on the back of Beaskoa Galería de Arte. It has some faults in the polychromy and a small circular hole. Measurements: 26 x 34 cm; 49 x 56 cm (frame). The Haes family moved from Brussels to Spain in 1835, specifically to Malaga, where Carlos began his training as a disciple of Luis de la Cruz. In 1850 he decided to continue his studies in his native land, learning from the great Flemish landscape painters. At the same time he came into contact with contemporary Belgian artists who exhibited regularly at the Brussels Salons. Once there he worked with the landscape painter Joseph Quinaux, who introduced him to plein air painting, a key to the formation of his artistic personality. On his return to Spain Haes began to reap success, such as the third medal at the National Exhibition of 1856. The following year he was appointed professor of landscape painting at the San Fernando Academy of Fine Arts, a position from which he trained a whole generation of landscape painters in the practice of realist plein air painting. His pupils were Aureliano Beruete and Darío de Regoyos. During his artistic career he continued to win prizes, such as the first medal at the National Exhibition of 1858. In 1860 he was appointed a member of the San Fernando Academy, the same year he won another first medal at the National Exhibition. Nevertheless, he cannot be considered a follower of Plenilism, as he was in favour of working only the sketches from life, while he considered that the painting should be finished in the classical manner, in the studio. Nevertheless, he introduced landscape painting into Spanish painting, to the extent that the first chair of landscape painting at the San Fernando Academy was created for him. His views are composed in the classical manner, albeit with a predominance of the earth over the sky, which normally occupies a third of the canvas. Haes considered landscape to be a genre for connoisseurs, as it is difficult to treat and understand. He argued that the aim of art was the truth to be found in the faithful imitation of nature, for which the painter had to have a profound knowledge of nature and not allow himself to be carried away by his imagination. This is why he preferred to finish his works in the studio, in order to capture the concrete moment, since nature itself is constantly changing. Artistic genius lies not only in technique, but in the painter's own personal way of contemplating nature. Most of Carlos de Haes's work is in the Prado Museum, although he is also represented in the Fine Arts Museums of Bilbao, Malaga, Valencia and Lleida, in the Jaime Moreda Foundation and in the National Gallery in London.
Setdart Auction House
Nov. 09, 2023
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "High Mountain Landscape with Road and Stream". Oil on canvas. Work reproduced in Archivo Español de Arte. Institute of History CSIC. LXXXI, 322, 2008. p.132.
Est: €20,000 - €25,000
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "High Mountain Landscape with Road and Stream". Oil on canvas. Work reproduced in Archivo Español de Arte. Institute of History CSIC. LXXXI, 322, 2008. p.132. It has repainting on the pictorial surface. Signed in the lower right corner. Measurements: 97 x 147 cm; 139 x 190 cm (frame). Mountainous landscape divided in two by a torrent or stream that flows into the foreground, thus forming an axis with the mountain that dominates the horizon of the composition. This structure was common to many of the artist's paintings. This is a large, meticulously finished studio work, which makes it quite different stylistically and technically from the numerous sketch sketches that the artist made from life and which he used to compose works like the present one. From the technical characteristics it could be said that the work belongs to the artist's second stage, between 1870 and 1880, when he clarified his palette more and used a looser technique, offering a wealth of chromatic nuances and soft contrasts of light, playing with variations in colour. The work has certain similarities with the painting "Peña de Rodrigo" which belongs to the collection of the Prado Museum in Madrid. The Haes family moved from Brussels to Spain in 1835, specifically to Malaga, where Carlos began his training as a pupil of Luis de la Cruz. In 1850 he decided to continue his studies in his native land, learning from the great Flemish landscape painters. At the same time he came into contact with contemporary Belgian artists who exhibited regularly at the Brussels Salons. Once there he worked with the landscape painter Joseph Quinaux, who introduced him to plein air painting, a key to the formation of his artistic personality. On his return to Spain Haes began to reap success, such as the third medal at the National Exhibition of 1856. The following year he was appointed professor of landscape painting at the San Fernando Academy of Fine Arts, a position from which he trained a whole generation of landscape painters in the practice of realist plein air painting. His pupils were Aureliano Beruete and Darío de Regoyos. During his artistic career he continued to win prizes, such as the first medal at the National Exhibition of 1858. In 1860 he was appointed a member of the San Fernando Academy, the same year he won another first medal at the National Exhibition. Nevertheless, he could not be considered a follower of Plenilism, as he was in favour of working only from life on sketches, while he considered that the painting should be finished in the classical manner, in the studio. Nevertheless, he introduced landscape painting into Spanish painting, to the extent that the first chair of landscape painting at the San Fernando Academy was created for him. His views are composed in the classical manner, albeit with a predominance of the earth over the sky, which normally occupies a third of the canvas. Haes considered landscape to be a genre for connoisseurs, as it is difficult to treat and understand. He argued that the aim of art was the truth to be found in the faithful imitation of nature, for which the painter had to have a profound knowledge of nature and not be carried away by the imagination. This is why he preferred to finish his works in the studio, in order to capture the concrete moment, since nature itself is constantly changing. Artistic genius lies not only in technique, but in the painter's own personal way of contemplating nature. Most of Carlos de Haes's work is in the Prado Museum, although he is also represented in the Fine Arts Museums of Bilbao, Malaga, Valencia and Lleida, in the Jaime Moreda Foundation and in the National Gallery in London.
Setdart Auction House
Oct. 04, 2023
CARLOS DE HAES (Brussels, 1826 - Madrid, 1898) "A sunset landscape"
Est: €6,000 - €8,000
CARLOS DE HAES (Brussels, 1826 - Madrid, 1898) "A sunset landscape" Oil on canvas Signed lower right 115 x 69 cm 6.000 - 8.000 €
Bayeu Subastas
Jul. 13, 2023
CARLOS DE HAES Puerto
Est: -
CARLOS DE HAES (Bruselas, Bélgica, 1826 - Madrid, 1898) "Puerto" Óleo sobre lienzo 27 x 35 cm
Arte Subastas Bilbao
May. 30, 2023
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Mountain landscape with torrent, hut and figures". Oil on canvas.
Est: €14,000 - €16,000
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Mountain landscape with torrent, hut and figures". Oil on canvas. Work reproduced in Archivo Español de Arte. Institute of History CSIC. LXXX, 318, 2007. p. 180. It has repainting on the pictorial surface. Signed in the lower right corner. Measurements: 89 x 116 cm; 141 x 113 cm (frame). The composition of this work is largely reminiscent of the painting by Carlos de Haes entitled "Mountains of Asturias", belonging to the collection of the Museum of Modern Art in Barcelona, although the vertical format of the latter greatly reduces the horizontal panoramic view with respect to the one we are dealing with, but both views have a similar structure, with the added affinity of the way of composing the sky in each of the pieces. The aforementioned similarity can be seen if we compare this work with the general sketch that served as the compositional basis for the painting entitled "French Pyrenees", where we can see the same type of pictorial order marked by a clear foreground that opens out towards a rocky, rugged background where nature is shown in all its splendour. The Haes family moved from Brussels to Spain in 1835, specifically to Malaga, where Carlos began his training as a pupil of Luis de la Cruz. In 1850 he decided to continue his studies in his native land, learning from the great Flemish landscape painters. At the same time he came into contact with contemporary Belgian artists who exhibited regularly at the Brussels Salons. Once there he worked with the landscape painter Joseph Quinaux, who introduced him to plein air painting, a key to the formation of his artistic personality. On his return to Spain Haes began to reap success, such as the third medal at the National Exhibition of 1856. The following year he was appointed professor of landscape painting at the San Fernando Academy of Fine Arts, a position from which he trained a whole generation of landscape painters in the practice of realist plein air painting. His pupils were Aureliano Beruete and Darío de Regoyos. During his artistic career he continued to win prizes, such as the first medal at the National Exhibition of 1858. In 1860 he was appointed a member of the San Fernando Academy, the same year he won another first medal at the National Exhibition. Nevertheless, he cannot be considered a follower of Plenilism, as he was in favour of working only from life on sketches, while he considered that the painting should be finished in the classical manner, in the studio. Nevertheless, he introduced landscape painting into Spanish painting, to the extent that the first chair of landscape painting at the San Fernando Academy was created for him. His views are composed in the classical manner, albeit with a predominance of the earth over the sky, which normally occupies a third of the canvas. Haes considered landscape to be a genre for connoisseurs, as it is difficult to treat and understand. He argued that the aim of art was the truth to be found in the faithful imitation of nature, for which the painter had to have a profound knowledge of nature and not allow himself to be carried away by his imagination. This is why he preferred to finish his works in the studio, in order to capture the concrete moment, since nature itself is constantly changing. Artistic genius lies not only in technique, but in the painter's own personal way of contemplating nature. Most of Carlos de Haes's work is in the Prado Museum, although he is also represented in the Fine Arts Museums of Bilbao, Malaga, Valencia and Lleida, in the Jaime Moreda Foundation and in the National Gallery in London.
Setdart Auction House
May. 30, 2023
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Lake Landscape of Vriesland (Holland)". Charcoal and pastel on paper.
Est: €5,000 - €6,000
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Lake Landscape of Vriesland (Holland)". Charcoal and pastel on paper. Work reproduced in Archivo Español de Arte. Institute of History CSIC. LXXVIII, 311, 2005. p. 303. With repainting on the pictorial surface. Signed in the lower right corner. Measurements: 74 x 107.5 cm; 110 x 143 cm (frame). It is a splendid drawing of good dimensions, which makes it even more singular. It represents a lake landscape on a stormy day. It is one of those rare works by Haes in which we could say that the protagonist is not the landscape itself, but the sensation of the storm which, masterfully captured by the painter, he has depicted for us, with great realism, in the composition. It is more difficult to convey an atmospheric sensation through drawing than through oil or watercolour, but Haes fully succeeds here, making the protagonist the meteorological phenomenon itself, the atmospheric sensation of a stormy day. And all this, with no colour other than the monochrome provided by a charcoal pencil and a few touches of white gouache in the centre to enliven the reflection of the fading light on the water. The drawing is truly beautiful and exemplifies the great quality he possessed as a draughtsman, detailing in the foreground the different types of bushes on the banks with precise, perfect strokes, as well as masterfully blurring the forms as they are lost in the charged atmosphere of the distance. But these technical details would be no more than beautiful, static, mute elements, were it not for the enormous life they acquire under the dense atmosphere that preludes the storm, admirably captured by the painter's pencil. It would be difficult to pinpoint exactly, as this is a drawing, to which period or period of Haes's oeuvre it belongs. However, in view of the flat, lakeside landscape, full of vegetation and rainy weather, we can say that it must undoubtedly be a landscape of Belgium, Holland or northern France, painted by Haes on one of the artistic excursions he made to these countries during his lifetime. And if we add to this the fact that the third and final stage of Haes's creation The Haes family moved from Brussels to Spain in 1835, specifically to Malaga, where Carlos began his training as a pupil of Luis de la Cruz. In 1850 he decided to continue his studies in his native land, learning from the great Flemish landscape painters. At the same time he came into contact with contemporary Belgian artists who exhibited regularly at the Brussels Salons. Once there he worked with the landscape painter Joseph Quinaux, who introduced him to plein air painting, a key to the formation of his artistic personality. On his return to Spain Haes began to reap success, such as the third medal at the National Exhibition of 1856. The following year he was appointed professor of landscape painting at the San Fernando Academy of Fine Arts, a position from which he trained a whole generation of landscape painters in the practice of realist plein air painting. His pupils were Aureliano Beruete and Darío de Regoyos. During his artistic career he continued to win prizes, such as the first medal at the National Exhibition of 1858. In 1860 he was appointed a member of the San Fernando Academy, the same year he won another first medal at the National Exhibition. Nevertheless, he cannot be considered a follower of Plenilism, as he was in favour of working only from life on sketches, while he considered that the painting should be finished in the classical manner, in the studio. Nevertheless, he introduced landscape painting into Spanish painting, to the extent that the first chair of landscape painting at the San Fernando Academy was created for him. His views are composed in the classical manner, although with a predominance of the earth over the sky, which normally occupies a third of the lieu of the landscape.
Setdart Auction House
May. 18, 2023
Attributed to Carlos de Haes (Belgium, 1826 - Madrid, 1898) "Seascape with Cliffs"
Est: €2,000 - €2,500
Attributed to Carlos de Haes (Belgium, 1826 - Madrid, 1898) "Seascape with Cliffs" Oil on canvas With original frame 39 x 62 cm 2.000 - 2.500 €
Greco Subastas
Feb. 22, 2023
Paisaje de río y montañas al fondo
Est: -
Firmado en el ángulo inferior derecho; "C. de Haes". Exposiciones: "Un siglo de arte español, 1856 - 1956" (Madrid, 1956". Presenta etiqueta en el bastidor que reza: "MINISTERIO DE EDUCACIÓN NACIONAL / DIRECCIÓN GENERAL DE BELLAS ARTES / EXPOSICIÓN "UN SIGLO DE ARTE ESPAÑOL, 1856 - 1956" / MADRID, OTOÑO, 1956 / Autor: Carlos de Haes / Título: "Paisaje con río y montañas al fondo" / Dimensiones: 92 x 68 cm / Procedencia: Museo Provincial de Bellas Artes / SEVILLA!.
Isbilya Subastas
Dec. 13, 2022
Huile sur toile "Paysage de campagne". Signé en ba…
Est: €2,000 - €3,000
Huile sur toile "Paysage de campagne". Signé en bas à droite C. de Haes et daté 1894 (?). Ecole espagnole. Dim. : +/- 55x74 cm.
Vanderkindere
Oct. 27, 2021
Escuela Española S. XIX. Landscape
Est: -
Óleo sobre lienzo. Obra tradicionalmente acribuída a Carlos de Haes (1829, Bélgica-1898, Madrid).
Duran Arte y Subastas
May. 26, 2021
Escuela Española S. XIX. Landscape
Est: -
Óleo sobre lienzo. Obra tradicionalmente acribuída a Carlos de Haes (1829, Bélgica-1898, Madrid).
Duran Arte y Subastas
Jul. 20, 2020
Carlos de Haes (Brussels, 1826 - Madrid, 1898) "Landscape with Figure"
Est: €180 - €200
"Landscape with Figure" Etching. First Printing 8 x 13,5 cm
Goya Subastas
Nov. 20, 2019
Carlos De Haes (Spanish, 1829-1898) Rainbow Seascape Oil Painting
Est: $500 - $1,500
Carlos De Haes (Spanish, 1829-1898) Coastal Seascape / Landscape Oil on Canvas Signed, Lower left Canvas: 21 in. x 26 1/2 in.; Frame: 28 1/4 in. x 33 in. Condition: Good overall condition with craquelure and wear to frame. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: Property of a Palm Beach estate. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.
Hill Auction Gallery
Jun. 20, 2019
CARLOS DE HAES (1826-1898). "PALM TREES OF ELCHE", "RIVER M
Est: €3,500 - €4,550
CARLOS DE HAES (1826-1898). Oil on board. One of them is partially signed on the lower left corner. Imperfections on the frames and a label on the reverse of "Mahogany Panels" by Geo. Rowney and Co. London, company specialized in making materials for the artists. 23 x 36 cm.; 46,5 x 59 cm. (frame).
Subarna Subastas
Jun. 21, 2018
C. de Haes. Landscape
Est: -
C. DE HAES (1829 - 1898). "Paisaje". Dibujo a lápiz. Firmado en el ánguno inferior derecho. 24 x 18 cm
Duran Arte y Subastas
Nov. 07, 2017
Carlos de Haes (SPANISH, 1826-1898) oil on canvas, Double Rainbow over ocean, canvas size 21 x 26 inches
Est: $1,800 - $2,200
Carlos de Haes (SPANISH, 1826-1898) oil on canvas, Double Rainbow over ocean, canvas size 21 x 26 inches
Bill Hood & Sons Arts & Antiques Auctions
Nov. 24, 2016
Carlos de Haes. Landscape with figures
Est: -
HAES, CARLOS DE (1829 - 1898). "Paisaje con figuras. ". Óleo sobre lienzo. 28 x 37,5 cm. Firmado y dedicado en el ángulo inferior izquierdo : " C. d. H. á su amigo T. Ponte". Al dorso etiqueta de la Galería Witcomb, Buenos Aires.
Duran Arte y Subastas
Nov. 13, 2014
ATRIBUIDO A CARLOS DE HAES (1826-1898)
Est: -
ATRIBUIDO A CARLOS DE HAES (1826-1898). Óleo sobre lienzo. Med.: 53 x 37 cm. "Marina"
Subarna Subastas
Jun. 20, 2013
Carlos de Haes (1826-1898)
Est: €300 - €400
Carlos de Haes (1826-1898) Heuvellandschap [1] board, ongesign., 25 x 30 cm. Haes, Carlos de
De Zwaan
Jun. 20, 2013
Carlos de Haes (1826-1898)
Est: €500 - €700
Carlos de Haes (1826-1898) Wilgen in een landschap [1] maroufle, ongesign., 40 x 60 cm. Haes, Carlos de
De Zwaan
Jun. 20, 2013
Carlos de Haes (1826-1898)
Est: €150 - €250
Carlos de Haes (1826-1898) Collectie van zeven etsen [ds] zeven etsen, 5 x 8 - 12 x 18 cm. Haes, Carlos de
De Zwaan
Jun. 18, 2013
CARLOS DE HAES, (SPANISH 1826-1898), FIGURES AND WATERING CATTLE ALONG A STREAM BANK
Est: $6,000 - $10,000
CARLOS DE HAES (spanish 1826-1898)/span FIGURES AND WATERING CATTLE ALONG A STREAM BANK Signed and dated 'C. de Haes 185(1?)' bottom left, oil on canvas 15 x 21 in. (38.1 x 53.3cm) provenance: /spanPrivate Collection, Pennsylvania. note:/span We would like to thank the Museo Nacional del Prado for their assistance in cataloguing this painting. They note that this work is typical of the work of a young Carlos de Haes during his formative years in Belgium.
Freeman's | Hindman
Mar. 12, 2013
Carlos de Haes (1826/29-1898)
Est: €2,000 - €3,000
Carlos de Haes (1826/29-1898) A landscape with a wall oil on paper laid down on plywood 22 x 32 cm.; and An oil on canvas laid down on board by the same hand, depicting willows in a landscape. (2)
Christie's
Oct. 20, 2011
Carlos de Haes Bruselas 1826 - Madrid 1898 Acantilado Óleo sobre lienzo
Est: €12,000 -
Carlos de Haes Bruselas 1826 - Madrid 1898 Acantilado Óleo sobre lienzo Firmado y fechado en 1885. Agradecemos la colaboración de Enrique Arias Anglés en la catalogación de esta obra. 76x60 cm
Balclis
Feb. 22, 2011
CARLOS DE HAES (Bruselas, 25 enero, 1829 - Madrid,
Est: - €5,000
CARLOS DE HAES (Bruselas, 25 enero, 1829 - Madrid, 17 junio, 1898) "Paisaje". O/T. 26 x 40. Firmado C. de Haes en el ángulo inferior derecho.
Duran Arte y Subastas
Jan. 22, 2002
Carlos de Haes (Dutch, 1826-1898)
Est: $1,290 - $1,720
A Dutch polderlandscape - a study oil on panel 17.5 x 32 cm. EXHIBITION Eindhoven, Museum Kempenland, Carlos de Haes 1826-1898, 14 November 1998-10 January 1999, no. 60.
Christie's