Antonio Maria Reyna De Manescau Paintings & Artwork for Sale | Antonio Maria Reyna De Manescau Art Value Price Guide

Dec. 10, 2024
Antonio Reyna Manescau (Coin 1859-Roma 1937) - Two views of Venice
Est: €800 - €1,200
a) The Redentore Church at sunset oil on wood, cm 10.3 x 17.4 signed lower right: Reyna b) Venice from the lagoon oil on canvas, 9 x 16 cm signed lower right: A. Reyna
Finarte
Dec. 06, 2024
Antonio Reyna, large oil on canvas, Venice
Est: $2,500 - $3,500
Antonio Maria Reyna Manescau (Spanish, 1859-1937), Venice Canal Scene, signed lower right, 16"h x 29"w (stretchers), 25"h x 42"w (frame)
Millea Bros Ltd
Nov. 29, 2024
Antonio Reyna (Spanish, 1859-1937), a Venetian View
Est: £2,000 - £4,000
Antonio Reyna (Spanish, 1859-1937) A Venetian View Oil on canvas Signed lower right, 'A. Reyna / Venezia' Dimensions: (Frame) 15.5 in. (H) x 12.5 in. (W) (Canvas) 12 in. (H) x 10 in. (W)
Sloane Street Auctions
Nov. 12, 2024
ANTONIO REYNA MANESCAU, (Coín, Málaga, 1859 - Rome, 1937). "Venice". Oil on canvas. Signed in the lower right corner.
Est: €16,000 - €18,000
ANTONIO REYNA MANESCAU, (Coín, Málaga, 1859 - Rome, 1937). "Venice". Oil on canvas. Signed in the lower right corner. Measurements: 36 x 75 cm. Considered today one of the most relevant Andalusian landscape painters of the 19th century, Antonio Reyna began his training at the School of Fine Arts in Malaga, where his teachers were Joaquin Martinez de la Vega and Bernardo Ferrándiz. From a very young age he exhibited his works regularly, standing out in the local artistic environment for his colorful, attractive compositions and the ease of his brushstroke. In 1882 he obtained a pension from the Diputación de Málaga to further his studies in Italy. After his trip to Italy, Rome became Reyna's place of residence, and he stayed there to live forever. In Rome he frequented, like so many other Spaniards, Villegas, and influenced to a certain extent by the work of this painter, Reyna worked on some oriental and "casacón" themes, the latter of exquisite workmanship and refined chromatic variety. At the same time, as a member of the Spanish colony, he participated in the gatherings of the Café Greco. Although his habitual residence was in the Italian capital, the artist traveled several times to Venice, from where in 1885 he painted a view of the Grand Canal, and in 1887 he created abundant "vedute" paintings of the city. His painting, treated from a perspective of a certain picturesqueness, is focused on the realization, in small formats, of urban landscapes, repeating them on many occasions with minimal variations. Venice was at that time one of the major centers of attraction for Spaniards thanks to the influence of the master Fortuny and the weight of the Venetian production of Villegas, adding also the effect of the summer stays of Martin Rico, whose precious landscapes were transmitted to Reyna. In 1887, a missing canvas of large proportions, entitled "Floralia", gave him a third class medal at the National Exhibition of Fine Arts, being considered at the time as the best painting of the painter. In 1910, on the occasion of his mother's death, Reyna spent some time in his hometown. There he was inspired to create another of his most celebrated paintings, the canvas "Rancho Andaluz", which he showed at the International Exhibition of Fine Arts in Rome the following year. Some years before, in 1895, the queen regent Maria Cristina had granted him the cross of knight of the order of Carlos III, associating the fact to the realization of some over doors that later passed to the Ateneo of Madrid, although apparently they are not now in that whereabouts. Reyna also exported his work to London, especially his Venetian views. He also held regular exhibitions in Rome, showing among other works two portraits of Pope Benedict XV, which demonstrate his expertise in this genre. In his painting, certainly novel for the time, the painter always showed his skill in drawing, as well as an innate ability for composition, marked by the boldness of his brushstrokes and a great chromatic richness. On December 5, 2009, on the occasion of the 150th anniversary of Antonio Reyna's birth, a large anthological exhibition of his work was inaugurated at the García Agüera Foundation in Malaga. Currently, Antonio Reyna has a museum with his name in Coín, and is also represented in the Diputación de Málaga, the Fine Arts Museums of Málaga and Boston, the Carmen Thyssen of Málaga and in the art gallery of the Vatican Museums, although most of his work is in the hands of individuals, having verified the presence of his paintings in France, England, Switzerland and Holland.
Setdart Auction House
Oct. 15, 2024
ANTONIO REYNA MANESCAU, (Coín, Málaga, 1859 - Rome, 1937). "St. Mark's Square", and "Venetian Canal". Oil on canvas adhered to cardboard. Signed in the lower right corner.
Est: €16,000 - €18,000
ANTONIO REYNA MANESCAU, (Coín, Málaga, 1859 - Rome, 1937). "St. Mark's Square", and "Venetian Canal". Oil on canvas adhered to cardboard. Signed in the lower right corner. Measurements: 30 x 50 cm; 36,50 x 57 cm (frame). Considered today one of the most relevant Andalusian landscape painters of the XIX century, Antonio Reyna discovers very soon his vocation for painting, as well as his innate faculties for drawing and his special aptitudes, which makes his parents enroll him in the School of Fine Arts of Malaga. There he was taught, first by Joaquín Martínez de la Vega and later by Bernardo Ferrándiz. From a very young age he exhibited his works regularly, standing out in the local artistic environment for his colorful, attractive compositions and the ease of his brushstroke. His progress would be spectacular, and in 1882 he obtained a pension from the Diputación de Málaga to further his studies in Italy. Reyna had fallen in love with Rome, and in that city he would live forever. In 1885 he traveled to Venice, and from then on he would dedicate most of his production to reproducing Venetian corners, captured with a precious and narrative technique. In fact, he became known as "the painter of Venice". In 1910, on the occasion of his mother's death, Reyna spent some time in his native city. There he was inspired to create another of his most celebrated successes, the canvas "Rancho Andaluz", which he showed at the International Exhibition of Fine Arts in Rome the following year. In his painting, certainly novel for the time, the painter shows at all times his skill for drawing, as well as an innate ability for composition, marked by the boldness of his brushstroke and a great chromatic richness. On December 5, 2009, on the occasion of the 150th anniversary of Antonio Reyna's birth, a large anthological exhibition of his work was inaugurated at the García Agüera Foundation in Malaga. Currently, Antonio Reyna has a museum with his name in Coin, and is also represented in the Fine Arts Museums of Malaga and Boston, the Carmen Thyssen in Malaga and in the gallery of the Vatican Museums, although most of his work is in the hands of individuals, having found the presence of his paintings in France, England, Switzerland and Holland.
Setdart Auction House
Jul. 26, 2024
Reyna Manescau, Antonio María: Die Lagune von Venedig
Est: €5,000 - €10,000
Reyna Manescau, Antonio María - The lagoon of Venice (Coín/Málaga 1859-1937 Rome) Oil on canvas. Signed lower right with place name 'Venezia Reyna'. 30 x 50 cm. // Reyna Manescau, Antonio María Die Lagune von Venedig (Coín/Málaga 1859-1937 Rom) Öl/Lwd. Rechts unten sign. mit Ortsbezeichnung ''Venezia Reyna''. 30 x 50 cm.
Kunstauktionshaus Schlosser
Jul. 22, 2024
ANTONIO REYNA Malaga (1862) / Rome (1937) "View of Venice"
Est: €18,000 - €24,000
Oil on canvas Signed in the lower right corner Measurements: 33.5 x 75 cm
Ansorena
Jul. 11, 2024
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice Canal". Oil on canvas. Signed in the lower right corner.
Est: €18,000 - €20,000
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice Canal". Oil on canvas. Signed in the lower right corner. Measurements: 35 x 75 cm; 48,5 x 89 cm (frame). The Venetian views of Antonio Reyna took the genre of the Vedutti to the highest degree of artisticity. In this urban landscape, we are before an outstanding exponent of his ability to conjure the "genius loci" of the place, the local flavor. On any given morning, the cobblestone promenade by the canal is crowded with passers-by, busy women, one drinking water from the fountain, another shopping at the greengrocer's, under the striped awning.... With a vivid and colorful language, with a bold impressionist brushstroke, Reyna unfolds a magnificent panoramic view that escapes towards the houses freely huddled behind the bridge. Nowadays considered one of the most important Andalusian landscape painters of the 19th century, Antonio Reyna began his training at the School of Fine Arts in Malaga, where his teachers were Joaquín Martínez de la Vega and Bernardo Ferrándiz. From a very young age he exhibited his works regularly, standing out in the local artistic environment for his colorful, attractive compositions and the ease of his brushstroke. In 1882 he obtained a pension from the Diputación de Málaga to further his studies in Italy. After his trip to Italy, Rome became Reyna's place of residence, and he stayed there to live forever. In Rome he frequented, like so many other Spaniards, Villegas, and influenced to a certain extent by the work of this painter, Reyna worked on some oriental and "casacón" themes, the latter of exquisite workmanship and refined chromatic variety. At the same time, as a member of the Spanish colony, he participated in the gatherings of the Café Greco. Although his habitual residence was in the Italian capital, the artist traveled several times to Venice, from where in 1885 he painted a view of the Grand Canal, and in 1887 he created abundant "vedute" paintings of the city. His painting, treated from a perspective of a certain picturesqueness, is focused on the realization, in small formats, of urban landscapes, repeating them on many occasions with minimal variations. Venice was at that time one of the major centers of attraction for Spaniards thanks to the influence of the master Fortuny and the weight of the Venetian production of Villegas, adding also the effect of the summer stays of Martin Rico, whose precious landscapes were transmitted to Reyna. In 1887, a missing canvas of large proportions, entitled "Floralia", gave him a third class medal at the National Exhibition of Fine Arts, being considered at the time as the painter's best painting. In 1910, on the occasion of his mother's death, Reyna spent some time in his hometown. There he was inspired to create another of his most celebrated paintings, the canvas "Rancho Andaluz", which he showed at the International Exhibition of Fine Arts in Rome the following year. Some years before, in 1895, the queen regent Maria Cristina had granted him the cross of knight of the order of Carlos III, associating the fact to the realization of some over doors that later passed to the Ateneo of Madrid, although apparently they are not now in that whereabouts. Reyna also exported his work to London, especially his Venetian views. He also held regular exhibitions in Rome, showing among other works two portraits of Pope Benedict XV, which demonstrate his expertise in this genre. In his painting, certainly a novelty for the time, the painter showed at all times his skill in drawing, as well as an innate ability for composition, marked by the boldness of his brushstroke and a great chromatic richness.
Setdart Auction House
Jun. 26, 2024
Antonio Reyna Manescau. Bacino view
Est: -
Oil on canvas. Signed and located (Venice) in the lower left corner.
Duran Arte y Subastas
Jun. 25, 2024
ANTONIO REYNA Malaga (1862) / Rome (1937) "View of Ancona from Montemarciano"
Est: €2,250 - €3,000
Oil on canvas Signed and located in the lower right corner. On the back with an inscription by Manuel Casamar with the data of provenance dated 1896 Measurements: 13.5 x 25.5 cm
Ansorena
May. 28, 2024
REYNA MANESCAU, ANTONIO (1862 - 1937)
Est: -
Two oil paintings on canvas. Signed and located (Venice) in the lower right and left corner respectively.
Duran Arte y Subastas
May. 28, 2024
REYNA MANESCAU, ANTONIO (1862 - 1937)
Est: -
Oil on canvas adhered to board. Signed in the lower right corner. Provenance: - Barbié Gallery, Barcelona (document attached). - Private collection.
Duran Arte y Subastas
May. 02, 2024
ANTONIO MARIA DE REYNA MANESCAU, Spanish 1859-1937, Venice, oil on canvas, 14 x 29 1/2 in. (35.6 x 74.9 cm.)
Est: $8,000 - $12,000
ANTONIO MARIA DE REYNA MANESCAU Spanish, 1859-1937 Venice oil on canvas signed lower right "De Reyna / Venezia"
Shannon's
Apr. 24, 2024
Gran Canal de Venecia
Est: -
Firmado en el ángulo inferior derecho: "A. Reyna / Venezia".
Isbilya Subastas
Apr. 24, 2024
Antonio Reyna. Venice
Est: -
Oil on canvas. Signed and dated (189?) in the lower left corner. Provenance: - Private collection. On the back, label [J. Davey & Sons, Liverpool].
Duran Arte y Subastas
Apr. 23, 2024
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice". Oil on canvas. Signed in the lower left corner. With label of the gallery Anquins on the back.
Est: €14,000 - €16,000
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice". Oil on canvas. Signed in the lower left corner. With label of the Anquins gallery on the back. Measurements: 34,5 x 75 cm; 53 x 93 cm (frame). Antonio Reyna's Venetian views took the genre of the Vedutti to the highest degree of artistry. In this urban landscape we are before an outstanding exponent of his ability to conjure the "genius loci" of the place, the local flavor. With a vivid and colorful language, with an impressionistic and bold brushstroke, Reyna unfolds a magnificent panoramic view of the canal and the houses that surround it. Nowadays considered one of the most important Andalusian landscape painters of the 19th century, Antonio Reyna discovered his vocation for painting very early on, as well as his innate talent for drawing and his special aptitudes, which led his parents to enroll him in the School of Fine Arts in Malaga. There he was taught, first by Joaquín Martínez de la Vega and later by Bernardo Ferrándiz. From a very young age he exhibited his works regularly, standing out in the local artistic environment for his colorful, attractive compositions and the ease of his brushstroke. His progress would be spectacular, and in 1882 he obtained a pension from the Diputación de Málaga to further his studies in Italy. Reyna had fallen in love with Rome, and in that city he would live forever. In 1885 he traveled to Venice, and from then on he would dedicate most of his production to reproducing Venetian corners, captured with a precious and narrative technique. In fact, he became known as "the painter of Venice". In 1910, on the occasion of his mother's death, Reyna spent some time in his native city. There he was inspired to create another of his most celebrated successes, the canvas "Rancho Andaluz", which he showed at the International Exhibition of Fine Arts in Rome the following year. In his painting, certainly novel for the time, the painter shows at all times his skill for drawing, as well as an innate ability for composition, marked by the boldness of his brushstroke and a great chromatic richness. On December 5, 2009, on the occasion of the 150th anniversary of Antonio Reyna's birth, a large anthological exhibition of his work was inaugurated at the García Agüera Foundation in Malaga. Currently, Antonio Reyna has a museum with his name in Coin, and is also represented in the Fine Arts Museums of Malaga and Boston, the Carmen Thyssen in Malaga and in the gallery of the Vatican Museums, although most of his work is in the hands of individuals, having found the presence of his paintings in France, England, Switzerland and Holland.
Setdart Auction House
Apr. 18, 2024
Antonio María Reyna Manescau (Coin 1859-Rome 1937) Canal in Venice oil on canvas cardboard 30 x 50 cm - in frame 53 x 73 Signed lower right "Reyna"
Est: €1,800 - €3,600
Antonio María Reyna Manescau (Coin 1859-Rome 1937) Canal in Venice oil on canvas cardboard 30 x 50 cm - in frame 53 x 73 Signed lower right "Reyna"
Casa d'aste ARCADIA
Apr. 17, 2024
Antonio Reyna Manescau (Coin 1859-Roma 1937) - Venetian canal
Est: €5,000 - €7,000
oil on canvas 27.5 x 48 cm signed and located lower left: Reyna / Venezia PROVENANCE Milan, Finarte, 19/06/1979, auction 317, lot 172 Varese, private collection
Finarte
Apr. 10, 2024
ANTONIO REYNA Malaga (1862) / Rome (1937) "View of San Marcos from the Grand Canal"
Est: €15,000 - €20,000
"View of San Marcos from the Grand Canal" Oil on canvas. Signed and located "Venice" in the lower right corner. Measurements: 50 x 80 cm.
Ansorena
Mar. 25, 2024
ANTONIO MARIA (DE) REYNA MANESCAU (1859-1937) View of a canal in Venice | ANTONIO MARIA (DE) REYNA MANESCAU (1859-1937) Vue d'un canal à Venise
Est: €5,000 - €7,000
signed 'A. Reyna Manescau' (lower right) oil on canvas 34 x 74 cm | signé 'A. Reyna Manescau' (en bas à droite) huile sur toile 34 x 74 cm
Hermitage Fine Art
Mar. 25, 2024
ANTONIO MARIA (DE) REYNA MANESCAU (1859-1937) Venice | ANTONIO MARIA (DE) REYNA MANESCAU (1859-1937) Venise
Est: €5,000 - €7,000
signed 'A. Reyna Manescau' (lower left) oil on canvas 34 x 74 cm The artist is considered one of the most important painters of Venetian vedute between the 19th and 20th centuries. He paid particular attention to Venetian architecture, earning him the nickname 'the painter of Venice'. He used a highly personal technique, giving his works a vibrant, intense light thanks to a very rich palette of colours. | signé 'A. Reyna Manescau' (en bas à gauche) huile sur toile 34 x 74 cm L'artiste est considéré comme l'un des plus importants peintres de la vedute vénitienne entre le XIXe et le XXe siècle. Il a accordé une attention particulière à l'architecture vénitienne, ce qui lui a valu le surnom de 'peintre de Venise'. Il a utilisé une technique très personnelle, donnant à ses œuvres une lumière vibrante et intense grâce à une palette de couleurs très riche.
Hermitage Fine Art
Mar. 21, 2024
Antonio Reyna Manescau (Coín, 1859 - Rome, 1937), signed, House in the water in Venice, Malaga school, 19th - 20th centuries
Est: €1,900 - €2,250
Oil on canvas. Measurements without frame: 77 x 45. Measurements framed: 96 x 64. The signature and location of the scene appear in the lower right margin: A. Reyna, Venezia.
Templum Fine Art Auctions
Mar. 12, 2024
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "View of Venice. Oil on canvas. Signed in the lower right corner.
Est: €15,000 - €20,000
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "View of Venice. Oil on canvas. Signed in the lower right corner. Measurements: 35 x 75 cm; 58 x 98 cm (frame). Reyna's paintings found great thematic inspiration in the city of Venice, which became a pictorial stage for the author, who immortalized from the most emblematic buildings to the less traveled alleys. Influenced by the genre of Vedutism and the painting of Canaletto, Reyna was able to create his own style through a vibrant and luminous brushstroke. Nowadays considered one of the most important Andalusian landscape painters of the 19th century, Antonio Reyna began his training at the School of Fine Arts in Malaga, where his teachers were Joaquin Martinez de la Vega and Bernardo Ferrándiz. From a very young age he exhibited his works regularly, standing out in the local artistic environment for his colorful, attractive compositions and the ease of his brushstroke. In 1882 he obtained a pension from the Diputación de Málaga to further his studies in Italy. After his trip to Italy, Rome became Reyna's place of residence, and he stayed there to live forever. In Rome he frequented, like so many other Spaniards, Villegas, and influenced to a certain extent by the work of this painter, Reyna worked on some oriental and "casacón" themes, the latter of exquisite workmanship and refined chromatic variety. At the same time, as a member of the Spanish colony, he participated in the gatherings of the Café Greco. Although his habitual residence was in the Italian capital, the artist traveled several times to Venice, from where in 1885 he painted a view of the Grand Canal, and in 1887 he created abundant "vedute" paintings of the city. His painting, treated from a perspective of a certain picturesqueness, is focused on the realization, in small formats, of urban landscapes, repeating them on many occasions with minimal variations. Venice was at that time one of the major centers of attraction for Spaniards thanks to the influence of the master Fortuny and the weight of the Venetian production of Villegas, adding also the effect of the summer stays of Martin Rico, whose precious landscapes were transmitted to Reyna. In 1887, a missing canvas of large proportions, entitled "Floralia", gave him a third class medal at the National Exhibition of Fine Arts, being considered at the time as the painter's best painting. In 1910, on the occasion of his mother's death, Reyna spent some time in his hometown. There he was inspired to create another of his most celebrated paintings, the canvas "Rancho Andaluz", which he showed at the International Exhibition of Fine Arts in Rome the following year. Some years before, in 1895, the queen regent Maria Cristina had granted him the cross of knight of the order of Carlos III, associating the fact to the realization of some over doors that later passed to the Ateneo of Madrid, although apparently they are not now in that whereabouts. Reyna also exported his work to London, especially his Venetian views. He also held regular exhibitions in Rome, showing among other works two portraits of Pope Benedict XV, which demonstrate his expertise in this genre. In his painting, certainly novel for the time, the painter always showed his skill in drawing, as well as an innate ability for composition, marked by the boldness of his brushstrokes and a great chromatic richness. On December 5, 2009, on the occasion of the 150th anniversary of Antonio Reyna's birth, a large anthological exhibition of his work was inaugurated at the García Agüera Foundation in Malaga.
Setdart Auction House
Feb. 21, 2024
Antonio Reyna. Venice waterway
Est: -
Oil on canvas adhered to board. Signed in the lower right corner. Provenance: - Barbié Gallery, Barcelona (document attached). - Private collection.
Duran Arte y Subastas
Dec. 27, 2023
Antonio Reyna Manescau. Venice view
Est: -
Oil on canvas. Signed in the lower right corner.
Duran Arte y Subastas
Dec. 07, 2023
Antonio Reyna Manescau, 1859 Malaga – 1937 Rom
Est: €3,800 - €4,500
HINTER DER ERLÖSERKIRCHE Öl auf Leinwand, auf Karton. 50 x 35,3 cm. Links unten signiert „A. Reyna“. Im Passepartout in dekorativem Rahmen. Beigegeben eine Echtheitsbestätigung von Egidio Maria Eleuteri, Rom, 15. September 2015, der darin bestätigt, dass das vorliegende Gemälde ein authentisches und originales Werk des Künstlers ist, in Kopie. Blick auf den ruhigen Canal Grande mit zahlreichen Spiegelungen des Ufers und eines Bootes im Wasser, mit der im Hintergrund liegenden Erlöserkirche Il Redentore. Harmonische Darstellung unter hohem Himmel in frischer Farbgebung. Der Maler war Schüler von Joaquín Martinez de la Vega an der Akademie in Malaga. Er widmete sich überwiegend dem Genre-Thema, dem Portrait, aber auch der Landschaft und historischen Themen. Nachdem er sich in Rom niederließ, nahm er, wie auch die anderen spanischen Maler der Zeit, an Reisen vor allem nach Venedig teil, was ihn inspirierte, die Lagunenstadt zu portraitieren. 1887 nahm er an einer Ausstellung in Paris teil, 1911 an der Weltausstellung in Rom. (1380595) (18)
Hampel Fine Art Auctions
Nov. 22, 2023
Antonio Reyna. Venecia
Est: -
Óleo sobre lienzo. Firmado y localizado (Venecia) en el ángulo inferior derecho. Procedencia: - Colección particular.
Duran Arte y Subastas
Nov. 17, 2023
Antonio Maria De Reyna, oil on board, Venice
Est: $1,000 - $1,500
Antonio Maria De Reyna (Spanish/Italian, 1859-1937), Venetian canal scene, signed lower left, 11"h x 7"w (sight), 16"h x 12"w (frame)
Millea Bros Ltd
Oct. 25, 2023
Antonio Reyna Manescau. Venice view
Est: -
Oil on canvas. Signed in the lower right corner.
Duran Arte y Subastas
Oct. 24, 2023
Antonio María Reyna Manescau
Est: €14,000 - €16,000
(Coín 1859–1937 Rome) Venice, Architecture Capriccio with Sante Maria Zobenigo, Santa Maria della Salute and Punta della Dogana, signed A. Reyna, oil on canvas, 35 x 76 cm, framed Provenance: Sale, Christie’s, New York, 1 May 2000, lot 142; Sale, Subastas Segre, Madrid, 15 December 2000, lot 127; European Private Collection.
Dorotheum
Oct. 24, 2023
Antonio María Reyna Manescau
Est: €14,000 - €16,000
(Coín 1859–1937 Rome) Venice, view of Bacino di San Marco, signed A. Reyna, oil on canvas, 35 x 75.5 cm, framed Provenance: Sale, Doyle, New York, 6 November 1991, lot 40; European Private Collection.
Dorotheum
Oct. 03, 2023
ANTONIO REYNA. Malaga (1862) / Rome (1937). "Venice canal"
Est: €22,500 - €30,000
Oil on canvas. Signed and located in the lower right corner. 29 x 50cm.
Ansorena
Oct. 03, 2023
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice", ca.1885. Oil on cardboard on panel. Signed and located in the lower right corner.
Est: €2,500 - €3,000
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice", ca.1885. Oil on cardboard on panel. Signed and located in the lower right corner. Gilded wooden frame. Provenance: Rome, Lamaro Collection. It presents faults in the frame. Measurements: 16,5 x 27 cm; 20 x 30 cm (frame). An outstanding heir to the Venetian vedutti genre, Antonio Reyna immortalised the Grand Canal and the palatial architecture that surrounds it in paintings that reflect his plastic sensibility. Now considered one of the most important Andalusian landscape painters of the 19th century, Antonio Reyna discovered his vocation for painting at an early age, as well as his innate talent for drawing and his special aptitudes, which led his parents to enrol him at the Malaga School of Fine Arts. There he was taught, first by Joaquín Martínez de la Vega and later by Bernardo Ferrándiz. From a very young age he exhibited his works regularly, standing out in the local artistic scene for his colourful, attractive compositions and the ease of his brushstroke. His progress was spectacular, and in 1882 he obtained a grant from the Malaga Provincial Council to further his studies in Italy. Reyna had fallen in love with Rome, and he would stay there to live forever. In 1885 he travelled to Venice, and from then on he devoted most of his output to reproducing Venetian corners, depicted with a precious, narrative technique. In fact, he came to be known as "the painter of Venice". In 1910, on the occasion of his mother's death, Reyna spent some time in his native city. There he was inspired to produce another of his most celebrated successes, the canvas "Rancho Andaluz", which he showed at the International Exhibition of Fine Arts in Rome the following year. In his painting, which was certainly a novelty for the time, the painter displays at all times his skill at drawing, as well as an innate ability for composition, marked by the boldness of his brushstrokes and a great wealth of colour. On 5 December 2009, on the occasion of the 150th anniversary of Antonio Reyna's birth, an extensive anthological exhibition of his work was inaugurated at the García Agüera Foundation in Malaga. Antonio Reyna currently has a museum named after him in Coín, and is also represented in the Fine Arts Museums of Malaga and Boston, the Carmen Thyssen Museum in Malaga and the Vatican Museums' art gallery, although most of his work is in the hands of private individuals, and paintings by him have been recorded in France, England, Switzerland and Holland.
Setdart Auction House
Oct. 03, 2023
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice", ca.1880. Oil on canvas glued to panel. Signed in the lower right corner.
Est: €2,500 - €3,000
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice", ca.1880. Oil on canvas glued to panel. Signed in the lower right corner. Gilded wooden frame. Provenance: Rome, Lamaro Collection. It presents faults in the frame. Measurements: 16,3 x 27 cm; 20 x 30 cm (frame). An outstanding heir to the Venetian vedutti genre, Antonio Reyna immortalised the Grand Canal and the palatial architecture that surrounds it in paintings that reflect his plastic sensibility. Now considered one of the most important Andalusian landscape painters of the 19th century, Antonio Reyna discovered his vocation for painting at an early age, as well as his innate talent for drawing and his special aptitudes, which led his parents to enrol him at the Malaga School of Fine Arts. There he was taught, first by Joaquín Martínez de la Vega and later by Bernardo Ferrándiz. From a very young age he exhibited his works regularly, standing out in the local artistic scene for his colourful, attractive compositions and the ease of his brushstroke. His progress was spectacular, and in 1882 he obtained a grant from the Malaga Provincial Council to further his studies in Italy. Reyna had fallen in love with Rome, and he would stay there to live forever. In 1885 he travelled to Venice, and from then on he devoted most of his output to reproducing Venetian corners, depicted with a precious, narrative technique. In fact, he came to be known as "the painter of Venice". In 1910, on the occasion of his mother's death, Reyna spent some time in his native city. There he was inspired to produce another of his most celebrated successes, the canvas "Rancho Andaluz", which he showed at the International Exhibition of Fine Arts in Rome the following year. In his painting, which was certainly a novelty for the time, the painter displays at all times his skill at drawing, as well as an innate ability for composition, marked by the boldness of his brushstrokes and a great wealth of colour. On 5 December 2009, on the occasion of the 150th anniversary of Antonio Reyna's birth, an extensive anthological exhibition of his work was inaugurated at the García Agüera Foundation in Malaga. Antonio Reyna currently has a museum named after him in Coín, and is also represented in the Fine Arts Museums of Malaga and Boston, the Carmen Thyssen Museum in Malaga and the Vatican Museums' art gallery, although most of his work is in the hands of private individuals, and paintings by him have been recorded in France, England, Switzerland and Holland.
Setdart Auction House
Sep. 14, 2023
ANTONIO REYNA (Coín, Málaga, 1859 - Rome, 1937). "Greek girl with pan flute". Oil on panel. It has a period frame. Signed and located in Rome in the lower right corner.
Est: €5,000 - €6,000
ANTONIO REYNA (Coín, Málaga, 1859 - Rome, 1937). "Greek girl with pan flute". Oil on panel. It has a period frame. Signed and located in Rome in the lower right corner. Measures: 46 x 22 cm; 70 x 45 cm (frame). Through a quick and material stroke, the artist presents a child portrait. With a completely modern technique, the author takes the viewer back to classical antiquity, not only by the use of a symmetrical and clear composition, but also by the presence of elements related to classical culture. An example of this is the sarcophagus where the girl, the pan flute, and even the goat are seated, which could refer to the fauns. Those who participated in the Bacchic cults playing the pan flute. Considered today one of the most important Andalusian landscape painters of the 19th century, Antonio Reyna began his training at the School of Fine Arts in Malaga, where he had Joaquín Martínez de la Vega and Bernardo Ferrándiz as teachers. From a very young age he exhibits his works regularly, standing out in the local artistic environment for its color, the attractiveness of his compositions and the ease of his brushwork. His progress will be spectacular, and in 1882 he obtained a pension from the Diputación de Málaga to further his studies in Italy. Rome had fallen in love with Reyna, and in that city she will stay to live forever. In Rome he frequented Villegas, like so many other Spaniards, and in his orbit he worked oriental themes and "casacón" themes, the latter of exquisite craftsmanship and refined chromatic variety. At the same time, as one more member of the Spanish colony, he participates in the gatherings at the Café Greco. Although his habitual residence seems to have always been in the Eternal City, he soon traveled to Venice, from where in 1885 he sent a view of the Grand Canal, and in 1887 he was placed in abundance of "vedute" paintings of that city. Indeed, won over by its beauty and picturesqueness, it turns to the realization, in small formats, of such urban landscapes, repeating them on many occasions with minimal variations. Venice is at that time a pole of attraction for Spaniards thanks to the widow of Fortuny and the weight of the Venetian production of Villegas, also adding the effect of the summer stays (with subsequent continued residence) of Martín Rico, whose precious landscaping is transmitted to Reyna.
Setdart Auction House
Sep. 14, 2023
ANTONIO REYNA (Coín, Málaga, 1859 - Rome, 1937). "Greek girl with zither." Oil on panel. It has a period frame. Signed and located in Rome in the lower right corner.
Est: €5,000 - €6,000
ANTONIO REYNA (Coín, Málaga, 1859 - Rome, 1937). "Greek girl with zither". Oil on panel. It has a period frame. Signed and located in Rome in the lower right corner. Size: 46 x 22 cm; 70 x 45 cm (frame). Through a fast and material stroke, the artist presents a child's portrait. With a completely modern technique, the author transports the viewer to classical antiquity, not only by the use of a symmetrical and clear composition, but also by the presence of elements related to classical culture. An example of this is the place where she is seated, on which an inscription in Greek can be seen. In addition, on the lower right-hand side there is a raven and a large amphora, elements linked to divination rites and to the god Apollo. Now considered one of the most important Andalusian landscape painters of the 19th century, Antonio Reyna began his training at the Malaga School of Fine Arts, where his teachers were Joaquín Martínez de la Vega and Bernardo Ferrándiz. From a very early age he exhibited his works regularly, standing out in the local art scene for his colourful, attractive compositions and the ease of his brushstrokes. His progress was spectacular, and in 1882 he obtained a grant from the Malaga Provincial Council to further his studies in Italy. Reyna had fallen in love with Rome, and he would stay there to live forever. In Rome he frequented Villegas, like so many other Spaniards, and in his orbit he worked on oriental and "casacón" themes, the latter of exquisite execution and refined chromatic variety. At the same time, as a member of the Spanish colony, he took part in the gatherings at the Café Greco. Although his habitual residence seems to have always been in the Eternal City, he soon travelled to Venice, from where he sent a view of the Grand Canal as early as 1885, and in 1887 he painted many "vedute" pictures of the city. In fact, won over by their beauty and picturesqueness, he devoted himself to painting such urban landscapes in small formats, repeating them on many occasions with minor variations. Venice was at that time a pole of attraction for Spaniards thanks to Fortuny's widow and the weight of Villegas's Venetian production, as well as the effect of the summer stays (and later continued residence) of Martín Rico, whose precious landscapes were passed on to Reyna. In 1887, a large canvas entitled Floralia won him a third-class medal at the National Exhibition of Fine Arts and was considered at the time to be the painter's best painting. In 1910, on the occasion of his mother's death, Reyna spent some time in his native city. There he was inspired to produce another of his most celebrated successes, the canvas "Rancho andaluz", which he showed at the International Exhibition of Fine Arts in Rome the following year. Some years earlier, in 1895, the queen regent Maria Cristina had awarded him the knight's cross of the order of Charles III, which was associated with the production of some overdoors that later passed to the Madrid Athenaeum, although it would appear that they are no longer to be found there. Reyna also exported his work to London, particularly his Venetian views. He also held regular exhibitions in Rome, showing among other works two portraits of Pope Benedict XV, which attest to his expertise in this genre. In his painting, which was certainly a novelty for the time, the artist displayed his skill at drawing and an innate ability for composition, marked by the boldness of his brushstrokes and a wealth of colour. On 5 December 2009, on the occasion of the 150th anniversary of Antonio Reyna's birth, an extensive anthological exhibition of his work was inaugurated at the García Agüera Foundation in Malaga. Antonio Reyna currently has a museum named after him in Coín.
Setdart Auction House
Jun. 28, 2023
ANTONIO MARIA (DE) REYNA MANESCAU (1859-1937) View of a canal in Venice
Est: €6,000 - €8,000
signed 'A. Reyna Manescau' (lower right) oil on canvas 34 x 74 cm signée 'A. Reyna Manescau' (en bas à droite) huile sur toile 34 x 74 cm
Hermitage Fine Art
Jun. 28, 2023
ANTONIO MARIA (DE) REYNA MANESCAU (1859-1937) Venice
Est: €6,000 - €8,000
signed 'A. Reyna Manescau' (lower left) oil on canvas 34 x 74 cm The artist is considered one of the most important painters of Venetian vedute between the 19th and 20th centuries. He paid particular attention to Venetian architecture, earning him the nickname 'the painter of Venice'. He used a highly personal technique, giving his works a vibrant, intense light thanks to a very rich palette of colours. signé 'A. Reyna Manescau' (en bas à gauche) huile sur toile 34 x 74 cm L'artiste est considéré comme l'un des plus importants peintres de la vedute vénitienne entre le XIXe et le XXe siècle. Il a accordé une attention particulière à l'architecture vénitienne, ce qui lui a valu le surnom de 'peintre de Venise'. Il a utilisé une technique très personnelle, donnant à ses oeuvres une lumière vibrante et intense grâce à une palette de couleurs très riche.
Hermitage Fine Art
Jun. 24, 2023
A. Maria Reyna Manescau - "Squero San Trovaso Venezia"
Est: €3,500 - €4,000
A. Maria Reyna Manescau, Coin 1859 - Roma 1937
Casa D'Aste Santa Giulia
Jun. 12, 2023
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice". Oil on canvas. Signed in the lower left corner. With label of the gallery Anquins on the back.
Est: €15,000 - €17,000
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "Venice". Oil on canvas. Signed in the lower left corner. With label of the Anquins gallery on the back. Size: 34,5 x 75 cm; 53 x 93 cm (frame). The Venetian views of Antonio Reyna took the genre of the Vedutti to the highest degree of artisticity. This urban landscape is an outstanding example of his ability to conjure up the "genius loci" of the place, the local flavour. With a vivid, colourful language, with a bold, impressionistic brushstroke, Reyna unfolds a magnificent panoramic view of the canal and the houses that surround it. Now considered one of the most important Andalusian landscape painters of the 19th century, Antonio Reyna discovered his vocation for painting very early on, as well as his innate talent for drawing and his special aptitudes, which led his parents to enrol him at the Malaga School of Fine Arts. There he was taught, first by Joaquín Martínez de la Vega and later by Bernardo Ferrándiz. From a very young age he exhibited his works regularly, standing out in the local artistic scene for his colourful, attractive compositions and the ease of his brushstroke. His progress was spectacular, and in 1882 he obtained a grant from the Malaga Provincial Council to further his studies in Italy. Reyna had fallen in love with Rome, and he would stay there to live forever. In 1885 he travelled to Venice, and from then on he devoted most of his output to reproducing Venetian corners, depicted with a precious, narrative technique. In fact, he came to be known as "the painter of Venice". In 1910, on the occasion of his mother's death, Reyna spent some time in his native city. There he was inspired to produce another of his most celebrated successes, the canvas "Rancho Andaluz", which he showed at the International Exhibition of Fine Arts in Rome the following year. In his painting, which was certainly a novelty for the time, the painter displays at all times his skill at drawing, as well as an innate ability for composition, marked by the boldness of his brushstrokes and a great wealth of colour. On 5 December 2009, on the occasion of the 150th anniversary of Antonio Reyna's birth, an extensive anthological exhibition of his work was inaugurated at the García Agüera Foundation in Malaga. Antonio Reyna currently has a museum named after him in Coín, and is also represented in the Fine Arts Museums of Malaga and Boston, the Carmen Thyssen Museum in Malaga and the Vatican Museums' art gallery, although most of his work is in the hands of private individuals, and paintings by him have been recorded in France, England, Switzerland and Holland.
Setdart Auction House
Jun. 12, 2023
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 – Rome, 1937). "View of Venice". Oil on canvas. Presents Cooling Galleries (London) label. Signed and located in the lower right corner.
Est: €12,000 - €14,000
ANTONIO REYNA MANESCAU (Coín, Málaga, 1859 - Rome, 1937). "View of Venice". Oil on canvas. Presents Cooling Galleries label (London). Signed and located in the lower right corner. Size: 35 x 75 cm; 48 x 88 cm (frame). In this view the author shows a panoramic view of the great canal and part of the Piazzetta of San Marco, in which an area of the Doge's Palace and the famous column, crowned with the winged Lion, symbol of the city, can be seen. Reyna's paintings found great thematic inspiration in the city of Venice, which became a pictorial setting for the artist, who immortalised everything from the most emblematic buildings to the less travelled alleyways. Influenced by the genre of Vedutism and the paintings of Canaletto, Reyna was able to create a style of his own through his vibrant, luminous brushstrokes. Now considered one of the most important Andalusian landscape painters of the 19th century, Antonio Reyna began his training at the Malaga School of Fine Arts, where his teachers were Joaquín Martínez de la Vega and Bernardo Ferrándiz. From a very early age he exhibited his works regularly and stood out in the local art scene for his colourful, attractive compositions and the ease of his brushstrokes. In 1882 he obtained a grant from the Malaga Provincial Council to further his studies in Italy. After his trip to Italy, Rome became Reyna's place of residence, and he stayed there to live forever. In Rome he frequented Villegas, like so many other Spaniards, and influenced to some extent by the latter's work, Reyna worked on a number of oriental and "casacón" themes, the latter of which were exquisitely executed with a refined chromatic variety. At the same time, as a member of the Spanish colony, he took part in the gatherings at the Café Greco. Although his habitual residence was in the Italian capital, the artist travelled several times to Venice, from where he painted a view of the Grand Canal as early as 1885, and in 1887 he produced numerous vedute paintings of the city. His painting, treated from a somewhat picturesque point of view, focused on the execution of small-format urban landscapes, repeating them on many occasions with only minor variations. Venice was at that time one of the main centres of attraction for Spaniards, thanks to the influence of the master Fortuny and the weight of Villegas's Venetian production, as well as the effect of the summer stays of Martín Rico, whose precious landscapes were passed on to Reyna. In 1887, a large canvas entitled Floralia won him a third-class medal at the National Exhibition of Fine Arts and was considered at the time to be the painter's best painting. In 1910, on the occasion of his mother's death, Reyna spent some time in his native city. There he was inspired to produce another of his most celebrated paintings, "Rancho andaluz" ("Andalusian Ranch"), which he showed at the International Exhibition of Fine Arts in Rome the following year. Some years earlier, in 1895, the queen regent Maria Cristina had awarded him the knight's cross of the order of Charles III, which was associated with the production of some overdoors that later passed to the Madrid Athenaeum, although it would appear that they are no longer to be found there. Reyna also exported his work to London, particularly his Venetian views. He also held regular exhibitions in Rome, showing among other works two portraits of Pope Benedict XV, which attest to his expertise in this genre. In his painting, which was certainly innovative for the time, the artist displayed his skill at drawing and an innate ability for composition, marked by the boldness of his brushstrokes and a wealth of colour. On 5 December 2009, on the occasion of the 150th anniversary of Antonio Reyna's birth, an extensive anthological exhibition of his work was inaugurated at the García Agüera Foundation in Malaga.
Setdart Auction House
May. 30, 2023
Antonio Reyna Manescau. Santa Maria view
Est: -
Oil on canvas. Signed and located in the lower right corner.
Duran Arte y Subastas
Mar. 28, 2023
ANTONIO REYNA MAlaga (1862) / Rome (1937) "The Grand Canal of Venice with the church of San Marcuola" / "The Campo dei Santi Giovanni e Paolo with the statue of Bartolomeo Colleoni"
Est: €5,700 - €7,600
Pair of oil paintings on canvas. Signed and located in the lower right corner. Measurements: 14 x 19 cm. each
Ansorena
Mar. 08, 2023
Antonio María de Reyna Manescau (Spanish, 1859-1937) Views of the Cannaregio Canal, Venice, a pair each 33.7 x 74.6cm (13 1/4 x 29 3/8in) (Together with two additional carved frames. (2))
Est: £5,000 - £7,000
Antonio María de Reyna Manescau (Spanish, 1859-1937) Views of the Cannaregio Canal, Venice, a pair each signed 'A. Reyna' (one lower left, the other lower right) oil on canvas each 33.7 x 74.6cm (13 1/4 x 29 3/8in) Together with two additional carved frames. (2)
Bonhams
Feb. 25, 2023
ANTONIO MARIA DE REYNA MANESCAU (ITALY/SPAIN, 1859-1937)
Est: $8,000 - $10,000
"A Venetian Lagoon". Oil on linen, signed lower right, housed in a handcarved gilt frame with linen liner, OS: 19" x 34 1/2", SS: 12 3/4" x 38 1/2", cleaned and relined.
Thomaston Place Auction Galleries
Feb. 22, 2023
En la alquería
Est: -
Firmado en el ángulo inferior izquierdo: "A. Reyna / Roma".
Isbilya Subastas
Dec. 20, 2022
Antonio Reyna De Manescau ...
Est: €450 - €500
(Corin (Spagna) 1859 - Roma 1937) "Canal Grande, da Piazza San Marco, Venezia" olio su cartone telato (cm 15x20) Firmato a destra Al retro: titolato
Il Ponte Auction House
Dec. 15, 2022
ANTONIO REYNA MANESCAU Painting "SQUERO OF SAN TROVASO"
Est: €1,000 - €1,500
ANTONIO REYNA MANESCAU (Coin 1859-Roma 1937). Oil painting on cardboard canvas depicting "SQUERO OF SAN TROVASO". Signed lower right. In beautiful guilloché frame. ANTONIO REYNA MANESCAU (Coin 1859-Roma 1937). Dipinto olio su tela cartonata raffigurante "SQUERO DI SAN TROVASO". Firmato in basso a destra. In bella cornice guilloché.
Viscontea Casa d'Aste s.r.l.