Lockwood Dennis was driven to paint throughout his 45 year career. During the early years, Lockwood was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As Lockwood evolved, he developed a graphic style that was informed by the simplified imagery he created for his woodblock prints. In several instances, the subject and image for his paintings and prints are shared.
Lockwood "Woody" Dennis (American, 1937-2012). "House 6" oil on canvas, 2008. Signed with date and inventory number on verso. A pleasing painting by Lockwood Dennis featuring a tan-colored house with a grassy lawn, all enveloped by towering pines, shadowy deciduous trees, and a sapphire-hued sky. The geometric structure of the home is nicely complemented by the meandering tree branches and lush shrubberies of the background. Lockwood seemed to enjoy capturing views where the natural and the built environments met. The joining of these disparate themes seems to parallel the painter's own style, known for its 'painterly' yet simultaneously graphic quality and allowing Lockwood to deliver the scenes through his modernist aesthetic with an emphasis on contrasting planes, geometry, and vibrant brushstrokes. Size: 10" W x 8" H (25.4 cm x 20.3 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188043
Lockwood "Woody" Dennis (American, 1937-2012). "Webster Pass" oil on canvas, 2002. Signed at lower right. This vibrant painting by American artist Lockwood Dennis beautifully captures the dramatic landscape of Webster Pass in Colorado, a high mountain route that crosses the Continental Divide and reaches an elevation of 12,103 feet! The composition portrays the steep, bare alpine ridge, with its characteristic red soil and sharp drop-offs. The bold use of color and dynamic brushstrokes evoke the rugged and raw beauty of this challenging mountain pass, with a sense of the exposed, treacherous terrain. Size: 14" L x 11" W (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188039
**Originally Listed At $350** Lockwood "Woody" Dennis (American, 1937-2012). "House 20" oil on canvas, 2009. Hand-signed with date and house number on verso of canvas. A pleasing painting by American artist Lockwood Dennis depicting a greenish-gray house of symmetric construction surrounded by spindly trees with long, meandering branches. A beige-colored sidewalk is shown at the foreground, running parallel to the top and bottom peripheries and leading to the front door of the abode, as hues of vanilla and apricot fill the sky, fading into shades of deep violet and burnt umber. Lockwood seemed to enjoy capturing views where the natural and the built environments met and delivering the scenes through his modernist aesthetic with an emphasis on juxtaposed planes, geometry, and vibrant brushstrokes, as seen in this example. Size: 10" W x 8" H (25.4 cm x 20.3 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188046
**Originally Listed At $300** Lockwood "Woody" Dennis (American, 1937-2012). "Neva, Dorothy Lake" oil on canvas, 2002. Signed at lower right with date and inventory number on verso. A lovely painting by American artist Lockwood Dennis portraying a view of Mount Neva from Lake Dorothy in the Colorado Rocky Mountains. Rocky crags of deep gray and blue mix with rolling brown hills as they rise up over the forest green lake of the foreground. The peaks are depicted in a sharp, geometric fashion, which highlights their rigidity next to the softness of the flowing hills. All is delineated with Dennis' unique hybrid style - a dazzling graphic aesthetic he developed as a master woodcut printmaker combined with expressive, painterly brushwork. Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188041
**Originally Listed At $400** Lockwood Dennis (American, 1937-2012). "Rist Canyon / Stove Prairie" oil on canvas, 2002. Signed at lower left. A wonderful painting by American artist Lockwood Dennis depicting an area in the northern Colorado town of Bellevue, likely at the meeting of Stove Canyon Road and Rist Canyon Road. Rendered in loose, open strokes and vibrant colors, the composition displays the curve of a paved road wrapping around jagged, orange rocks with two verdant pines in the midground and majestic, aubergine-hued mountains rising against a celestial blue sky in the background. Dennis loved to experience the world around him and was oftentimes inspired by taking long walks. In his words, "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood Dennis was driven to paint throughout his 45 year career. Although this medium posed the artist's greatest challenge, painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As Dennis evolved, he developed a graphic style that was informed by the simplified imagery he created for his woodblock prints. In several instances, the subject and image for his paintings and prints are shared. Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpts from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or "animate" it in the present." The following is an excerpt from Lockwood's public lecture at the Northwind Art Center in Port Townsend, Washington (April 2012): "For me, my painting began with trying to recall my Peace Corp trip to Africa. We were living in Wapato (Eastern Washington), so I painted our surroundings there in much the same way as Africa. I first painted Port Townsend when some friends invited us to house sit for them and introduced us to many good friends here. When we moved to Port Townsend in 1975, we were living at Fort Worden and I painted from sketches of the gun emplacement bunkers and cliffs. I did a lot of water color paintings with artist Bill Nelson around town and out on the coast (La Push). I used the lithography printing studio of J. Albers to produce 245 editions. And then friend and University of Washington professor Michael Spafford got me started on woodblock prints which I continued to do after we move to our current house in 1990. I did 385 editions of 20 or more each. This changed the paintings a lot, for better or worse. The important thing for me is making a space you can move through. I use places that I find exciting that way. The hills of Africa, Fort Worden, San Francisco, Onomichi; and industrial sites, all of which remind me of where I grew up in Portland. It's about maintaining the mystery of the unexplored. In the paintings, I work around a center to which everything is related. My wife showed me this in a Monet lily pond on our first date (1960). And I work with layers, based on Cezanne. The subject of my master's of art thesis was about how to conceptualize space in a flat picture with linguistic theory." Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188032
**Originally Listed At $700** Lockwood "Woody" Dennis (American, 1937-2012). "Oil Storage, Train (Edmonds)" oil on canvas, 1994. Signed at lower left. A fascinating oil painting by American artist Lockwood Dennis depicting the rolling hills of northern Washington scattered with cylindrical oil tanks amongst leafy, deciduous trees and tall, tapering pines. A metal structure rises to the right as a marigold-hued train glides in from the left. Lockwood enjoyed capturing views where the biological and built realms met. The joining of these disparate themes seems to parallel the painters own style, known for its painterly yet simultaneously graphic quality and allowing Lockwood to deliver the scenes through his modernist aesthetic with an emphasis on contrasting planes, geometry, and vibrant brushstrokes. Size: 36" W x 24" H (91.4 cm x 61 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188017
Lockwood "Woody" Dennis (American, 1937-2012). "Navajo Peak" oil on canvas, 2002. Signed at lower right. A splendid painting by American artist Lockwood Dennis depicting the rocky crags of Navajo Peak in northern Colorado. The gray stone of the mountain is dominated by varying shadows conveying a rugged terrain, as well as scattered hues of violet, slate, tangerine, and apricot. A petite patch of snow is shown to the right, interrupting the strong silhouette of the summit, that stands out against the rainbow tones of the sky, indicating a sunrise or sunset. Size: 14" W x 11" H (35.6 cm x 27.9 cm) Dennis's paintings of landscapes frequently feature a sunrise or sunset in the background, as seen here. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188037
Lockwood "Woody" Dennis (American, 1937-2012). "Two Cars, Trolley, Building" oil on canvas, 1992. Signed on lower right. Signature, title, date and inventory number on the verso. A marvelous painting by Lockwood Dennis presenting a Surrealist-inspired composition featuring three man-made vehicles before a five-story urban building rising from a grassy field that demonstrates a surprising contrast between the man-made and the natural worlds. Dennis is perhaps best known for his works that depict classic automobiles and other people movers. Here he includes a blue car (perhaps a Volkswagon Beetle), the front end of a red sedan, and a green trolley car in a field with a red-roofed white building in the background - all beneath a golden sky dotted by a couple of puffy clouds. Dennis loved to experience the world around him - even everyday things. In his words, "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world." A striking painting by Lockwood Dennis mounted in an attractive custom wood frame. Size: 31" L x 27" W (78.7 cm x 68.6 cm) When describing this painting, Dennis said: "This is more implied action. It is the implied motion or relation of the vehicles. Like anime." About the artist: Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #184128
Lockwood Dennis Collision Repair 1998 woodcut in colors image: 15 h x 12 w in (38 x 30 cm) sight: 16.25 h x 13.25 w in (38 x 30 cm) Signed, titled and numbered to lower margin '27/55 Collision Repair L. Dennis'. This work is number 27 from the edition of 55. This work will ship from Chicago, Illinois.
Lockwood Dennis Uptown 1995 woodcut in colors image: 12 h x 15 w in (30 x 38 cm) sight: 13.25 h x 16.25 w in (30 x 38 cm) Signed, titled and numbered to lower margin '11/36 uptown L. Dennis'. This work is number 11 from the edition of 36. This work will ship from Chicago, Illinois.
Lockwood Dennis Duwamish Waterway 1998 woodcut in colors image: 14.875 h x 11.875 w in (38 x 30 cm) sheet: 22 h x 17 w in (38 x 30 cm) Signed, titled and numbered to lower margin '14/45 Duwamish Waterway L. Dennis'. This work is number 14 from the edition of 45. This work will ship from Chicago, Illinois.
Lockwood Dennis King Street Station 2000 woodcut in colors image: 15 h x 11.875 w in (38 x 30 cm) sight: 16.25 h x 13.125 w in (38 x 30 cm) Signed, titled and numbered to lower margin '5/50 King Street Station L. Dennis'. This is number 5 from the edition of 50. This work will ship from Chicago, Illinois.
Lockwood Dennis Immigration and Kingdome 2000 woodcut in colors image: 15 h x 12 w in (38 x 30 cm) sight: 16.25 h x 13.25 w in (38 x 30 cm) Signed, titled and numbered to lower margin '7/45 Immigration and Kingdome L. Dennis'. This work is number 7 from the edition of 45. This work will ship from Chicago, Illinois.
Lockwood Dennis Locks 1995 woodcut in colors image: 14.875 h x 11.875 w in (38 x 30 cm) sheet: 22 h x 17 w in (38 x 30 cm) Signed, titled and numbered to lower margin '46/50 Locks L. Dennis'. This work is number 46 from the edition of 50. This work will ship from Chicago, Illinois.
Lockwood Dennis EMP and Monorail 2000 woodcut in colors image: 15 h x 12 w in (38 x 30 cm) sight: 16.25 h x 13.25 w in (38 x 30 cm) Signed, titled and numbered to lower margin '7/50 EMP and Monorail L. Dennis'. This work is number 7 from the edition of 50. This work will ship from Chicago, Illinois.
Lockwood Dennis (American, 1937-2012). "House 25" oil on canvas, 2009. Signed with date and inventory number on verso. A delightful painting by American artist Lockwood Dennis depicting a nearly symmetrical composition of a charming domestic abode in warm hues of vanilla, amber, and citrine framed by lush shrubberies and the jagged branches of leafless trees. The background sky boasts mottled hues of caramel, sienna, and mocha, indicating the scene takes place during sunset or at the near onset of an impending storm. Dennis's paintings of landscapes frequently feature the radiant sky of a sunrise or sunset. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Size: 10" W x 8" H (25.4 cm x 20.3 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188049
Lockwood "Woody" Dennis (American, 1937-2012). "Cliffs, Kremmling" oil on canvas, 2001. Signed at lower left, and again with date on verso. A beautiful landscape painting by Lockwood Dennis depicting the dramatic natural cliffs that overshadow the rural town of Kremmling, Colorado. The jagged stone formations tower over the arid basin, their gray and violet hues contrasted by the warm tones of apricot and peach in the foreground which is scattered by deciduous trees with olive-colored foliage. Dennis's paintings of landscapes frequently feature the radiant sky of a sunrise or sunset in the background, as seen in this example. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188031
Lockwood "Woody" Dennis (American, 1937-2012). "Mesas" oil on canvas, 2002. Signed at lower left and verso with date. A lovely landscape painting by Lockwood Dennis depicting the red stone mesas of Colorado. The towering plateaus are rendered in Dennis's typical geometric fashion with bold lines and block-like construction accentuated by painterly strokes of aubergine and olive that complement the sandy beige and orange-hued stone. Black pavement flanked by tufts of sage and forest green grass highlight the horizontal plane of the foreground, while tones of coral and apricot fill the sky, suggesting it may be sunrise or sunset; a frequent feature of Dennis's paintings. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either..." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188033
Lockwood "Woody" Dennis (American, 1937-2012). "Bayview, Tunnel 3 North" oil on canvas, 2001. Signed at lower right and on verso with date and old inventory number. A lovely painting by American artist Lockwood Dennis depicting a classic hillside landscape from San Francisco, California titled "Bayview, Tunnel 3 North." The artwork displays a lush, grassy hill topped by a row of highway barrier walls with a beige-hued house below and the corner of a tunnel shown at the lower left. Note the juxtaposition of biologic and built realms highlighted by the contrast of geometric architecture and the rolling hillside. Lockwood seemed to enjoy capturing views where the natural and the manmade environments met. The joining of these disparate themes seems to parallel the painter's own style, known for its 'painterly' yet simultaneously graphic quality and allowing Lockwood to deliver the scenes through his modernist aesthetic with an emphasis on contrasting planes, geometry, and vibrant brushstrokes. Size: 11" W x 14" H (27.9 cm x 35.6 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188029
Lockwood "Woody" Dennis (American, 1937-2012). "Cannery (passing shower)" oil on canvas, 1994. Signed in lower right. A dynamic painting by American artist Lockwood Dennis depicting the historic Clam Cannery building in Port Townsend, Washington as it looms beneath a stormy sky. The tall, tapering facade boasts a warm, sandy coloring starkly contrasting the dark background, which is divided into layers of a grassy olive-green hill, the navy blue sea of the Puget sound, and a deep violet-hued sky. A trio of columns stands before the building, all rising from an earthy foreground. All is delineated with Dennis' unique hybrid style - a dazzling graphic aesthetic he developed as a master woodcut printmaker combined with expressive, painterly brushwork. Size of painting: 16" W x 20" H (40.6 cm x 50.8 cm); of frame: 17.5" W x 21.5" H (44.4 cm x 54.6 cm) Once the largest canned clam producer on the West Coast, the Clam Cannery building was originally built in 1873 as a warehouse and then eventually became a Guilford Cannery, processing millions of Puget Sound clams, salmon and other seafood. During the time Dennis painted this, the building had fallen into disrepair for almost 40 years. It was renovated into a hotel in the 2000s, and today the building serves as a private residence. Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188020
Lockwood "Woody" Dennis (American, 1937-2012). "Grand Junction" oil on canvas, 2002. Signed at lower right. A beautiful painting by Lockwood Dennis depicting the sprawling red sandstone rock formations of Grand Valley. Verdant underbrush and grass inhabit the foreground as the rolling hills and tapering peaks of sandstone pile atop one another until disappearing into the violet sky of the horizon. Dennis's paintings of landscapes frequently feature the radiant sky of a sunrise or sunset in the background, as seen in this example. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188040
Lockwood "Woody" Dennis (American, 1937-2012). "Street in the Twenties" oil on canvas, 1988. Signed at lower left. A wonderful painting by Lockwood Dennis depicting a street scene from the 1920s with three classic, black cars driving away from the viewer along a dirt road. A pair of houses line the street to the right with utility poles reinforcing the vertical planes and a lush bush or tree adding a bit of nature to the scene. The low set horizon is contrasted by the glowing golden sky of the background. Dennis is perhaps best known for his works that depict classic automobiles and other people movers. Dennis loved to experience the world around him - even everyday things. In his words, "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world." A striking painting by Lockwood Dennis mounted in an attractive custom wood frame. Size of painting: 10" W x 14" H (25.4 cm x 35.6 cm); of frame: 14" W x 17" H (35.6 cm x 43.2 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188024
Lockwood "Woody" Dennis (American, 1937-2012). "Golden Gate Heights" oil on canvas, 2001. Signed at lower right and again with date and inventory number on verso. A fabulous painting by Lockwood Dennis depicting the Golden Gate Heights neighborhood of San Francisco, California. A pair of white, rectangular buildings rise from the rocky, red ridge of the peak, contrasted by a green grassy hill and leafy deciduous trees. The sky boasts vibrant hues of azure and lilac, suggesting it may be sunset. Dennis's paintings of landscapes frequently feature the radiant sky of a sunrise or sunset in the background, as seen in this example. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188026
Lockwood "Woody" Dennis (American, 1937-2012). "Tank Farm (Edmonds)" oil on canvas, 1994. Signed in lower right. A fascinating oil painting by American artist Lockwood Dennis depicting the rolling hills of northern Washington scattered with cylindrical oil tanks amongst leafy, deciduous trees. Lockwood enjoyed capturing views where the biological and built realms met. The joining of these disparate themes seems to parallel the painter's own style, known for its 'painterly' yet simultaneously graphic quality and allowing Lockwood to deliver the scenes through his modernist aesthetic with an emphasis on contrasting planes, geometry, and vibrant brushstrokes. Size: 36" W x 24" H (91.4 cm x 61 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188018
Lockwood "Woody" Dennis (American, 1937-2012). "House 14" oil on canvas, 2008. Signed with date and house number on verso. A stunning painting by Lockwood Dennis featuring a vibrant composition of a salmon pink house complemented by a dark, lush forest and a sky in hues of azure and indigo. An iris-colored shadow falls over the porch roof, nicely contrasting the brightly colored home along with the blackened windows and dark russet-toned door. Lockwood seemed to enjoy capturing views where the natural and the manmade environments met. The joining of these disparate themes seems to parallel the painter's own style, known for its 'painterly' yet simultaneously graphic quality and allowing Lockwood to deliver the scenes through his modernist aesthetic with an emphasis on contrasting planes, geometry, and vibrant brushstrokes. Size: 10" W x 8" H (25.4 cm x 20.3 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188047
Lockwood "Woody" Dennis (American, 1937-2012). "Navajo Peak" oil on canvas, 2002. Signed at lower right. A splendid painting by American artist Lockwood Dennis depicting the rocky crags of Navajo Peak in northern Colorado. The gray stone of the mountain is dominated by varying shadows conveying a rugged terrain, as well as scattered hues of violet, slate, tangerine, and apricot. A petite patch of snow is shown to the right, interrupting the strong silhouette of the summit, that stands out against the rainbow tones of the sky, indicating a sunrise or sunset. Size: 14" W x 11" H (35.6 cm x 27.9 cm) Dennis's paintings of landscapes frequently feature a sunrise or sunset in the background, as seen here. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188037
Lockwood "Woody" Dennis (American, 1937-2012). "Oil Storage, Train (Edmonds)" oil on canvas, 1994. Signed at lower left. A fascinating oil painting by American artist Lockwood Dennis depicting the rolling hills of northern Washington scattered with cylindrical oil tanks amongst leafy, deciduous trees and tall, tapering pines. A metal structure rises to the right as a marigold-hued train glides in from the left. Lockwood enjoyed capturing views where the biological and built realms met. The joining of these disparate themes seems to parallel the painters own style, known for its painterly yet simultaneously graphic quality and allowing Lockwood to deliver the scenes through his modernist aesthetic with an emphasis on contrasting planes, geometry, and vibrant brushstrokes. Size: 36" W x 24" H (91.4 cm x 61 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188017
Lockwood "Woody" Dennis (American, 1937-2012). "Mesas" oil on canvas, 2002. Signed at lower left and verso with date. A lovely landscape painting by Lockwood Dennis depicting the red stone mesas of Colorado. The towering plateaus are rendered in Dennis's typical geometric fashion with bold lines and block-like construction accentuated by painterly strokes of aubergine and olive that complement the sandy beige and orange-hued stone. Black pavement flanked by tufts of sage and forest green grass highlight the horizontal plane of the foreground, while tones of coral and apricot fill the sky, suggesting it may be sunrise or sunset; a frequent feature of Dennis's paintings. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either..." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188033
Lockwood "Woody" Dennis (American, 1937-2012). "Cliffs, Kremmling" oil on canvas, 2001. Signed at lower left, and again with date on verso. A beautiful landscape painting by Lockwood Dennis depicting the dramatic natural cliffs that overshadow the rural town of Kremmling, Colorado. The jagged stone formations tower over the arid basin, their gray and violet hues contrasted by the warm tones of apricot and peach in the foreground which is scattered by deciduous trees with olive-colored foliage. Dennis's paintings of landscapes frequently feature the radiant sky of a sunrise or sunset in the background, as seen in this example. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188031
Lockwood "Woody" Dennis (American, 1937-2012). "Bayview, Tunnel 3 North" oil on canvas, 2001. Signed at lower right and on verso with date and old inventory number. A lovely painting by American artist Lockwood Dennis depicting a classic hillside landscape from San Francisco, California titled "Bayview, Tunnel 3 North." The artwork displays a lush, grassy hill topped by a row of highway barrier walls with a beige-hued house below and the corner of a tunnel shown at the lower left. Note the juxtaposition of biologic and built realms highlighted by the contrast of geometric architecture and the rolling hillside. Lockwood seemed to enjoy capturing views where the natural and the manmade environments met. The joining of these disparate themes seems to parallel the painter's own style, known for its 'painterly' yet simultaneously graphic quality and allowing Lockwood to deliver the scenes through his modernist aesthetic with an emphasis on contrasting planes, geometry, and vibrant brushstrokes. Size: 11" W x 14" H (27.9 cm x 35.6 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188029
Lockwood "Woody" Dennis (American, 1937-2012). "Cannery (passing shower)" oil on canvas, 1994. Signed in lower right. A dynamic painting by American artist Lockwood Dennis depicting the historic Clam Cannery building in Port Townsend, Washington as it looms beneath a stormy sky. The tall, tapering facade boasts a warm, sandy coloring starkly contrasting the dark background, which is divided into layers of a grassy olive-green hill, the navy blue sea of the Puget sound, and a deep violet-hued sky. A trio of columns stands before the building, all rising from an earthy foreground. All is delineated with Dennis' unique hybrid style - a dazzling graphic aesthetic he developed as a master woodcut printmaker combined with expressive, painterly brushwork. Size of painting: 16" W x 20" H (40.6 cm x 50.8 cm); of frame: 17.5" W x 21.5" H (44.4 cm x 54.6 cm) Once the largest canned clam producer on the West Coast, the Clam Cannery building was originally built in 1873 as a warehouse and then eventually became a Guilford Cannery, processing millions of Puget Sound clams, salmon and other seafood. During the time Dennis painted this, the building had fallen into disrepair for almost 40 years. It was renovated into a hotel in the 2000s, and today the building serves as a private residence. Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188020
Lockwood "Woody" Dennis (American, 1937-2012). "Emerson Place, Magnolia" oil on canvas, 2007. Signed in lower left; signed again with inventory number, title, and date on verso. A delightful painting by American artist Lockwood Dennis portraying West Emerson Place in the Magnolia neighborhood of Seattle, Washington. Zooming automobiles drive up a highway ramp on a verdant hill with a maroon-colored train chugging along below. Above is a neighborhood of colorful houses boasting hues of lemon-yellow, bubble-gum pink, periwinkle, and burnt orange, all surrounded by leafy trees as another arched ramp is shown at the right. Dennis is perhaps best known for his works that depict classic automobiles and other people movers. Paintings like this example were very much informed by Dennis' woodcuts for which he took great inspiration from vintage cast-metal toy cars, trucks, and construction vehicles, comic art, Japanese woodblock prints, and WPA era industrial design. Size: 20" W x 17" H (50.8 cm x 43.2 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #185649
Lockwood "Woody" Dennis (American, 1937-2012). "Cliffs, Kremmling" oil on canvas, 2001. Signed at lower left, and again with date on verso. A beautiful landscape painting by Lockwood Dennis depicting the dramatic natural cliffs that overshadow the rural town of Kremmling, Colorado. The jagged stone formations tower over the arid basin, their gray and violet hues contrasted by the warm tones of apricot and peach in the foreground which is scattered by deciduous trees with olive-colored foliage. Dennis's paintings of landscapes frequently feature the radiant sky of a sunrise or sunset in the background, as seen in this example. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188031
Lockwood "Woody" Dennis (American, 1937-2012). "Cannery (passing shower)" oil on canvas, 1994. Signed in lower right. A dynamic painting by American artist Lockwood Dennis depicting the historic Clam Cannery building in Port Townsend, Washington as it looms beneath a stormy sky. The tall, tapering facade boasts a warm, sandy coloring starkly contrasting the dark background, which is divided into layers of a grassy olive-green hill, the navy blue sea of the Puget sound, and a deep violet-hued sky. A trio of columns stands before the building, all rising from an earthy foreground. All is delineated with Dennis' unique hybrid style - a dazzling graphic aesthetic he developed as a master woodcut printmaker combined with expressive, painterly brushwork. Size of painting: 16" W x 20" H (40.6 cm x 50.8 cm); of frame: 17.5" W x 21.5" H (44.4 cm x 54.6 cm) Once the largest canned clam producer on the West Coast, the Clam Cannery building was originally built in 1873 as a warehouse and then eventually became a Guilford Cannery, processing millions of Puget Sound clams, salmon and other seafood. During the time Dennis painted this, the building had fallen into disrepair for almost 40 years. It was renovated into a hotel in the 2000s, and today the building serves as a private residence. Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. Expedited shipping is available upon request to ensure most items arrive in time for the holidays, subject to item size and shipping destination. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188020
Lockwood "Woody" Dennis (American, 1937-2012). "Oil Storage, Train (Edmonds)" oil on canvas, 1994. Signed at lower left. A fascinating oil painting by American artist Lockwood Dennis depicting the rolling hills of northern Washington scattered with cylindrical oil tanks amongst leafy, deciduous trees and tall, tapering pines. A metal structure rises to the right as a marigold-hued train glides in from the left. Lockwood enjoyed capturing views where the biological and built realms met. The joining of these disparate themes seems to parallel the painters own style, known for its painterly yet simultaneously graphic quality and allowing Lockwood to deliver the scenes through his modernist aesthetic with an emphasis on contrasting planes, geometry, and vibrant brushstrokes. Size: 36" W x 24" H (91.4 cm x 61 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. Expedited shipping is available upon request to ensure most items arrive in time for the holidays, subject to item size and shipping destination. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188017
Lockwood Dennis (1937-2012 Pacific Northwest, Washington State) 1995 woodcut pencil signed lower right, numbered 25/46 lower left and titled 'Mt. Erie' lower center. Image 15 in. x 12 in. Sheet measures 22 in. x 17 in. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Lockwood Dennis (1937-2012 Pacific Northwest, Washington State) 1996 woodcut pencil signed lower right, numbered 16/50 lower left and titled 'Feed and Seed' lower center. Image 15 in. x 12 in. Sheet measures 22 in. x 17 in. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Lockwood Dennis (1937-2012 Pacific Northwest, Washington State) woodcut pencil signed lower right, numbered 24/48 lower left and titled 'Fruit Packing Sheds' lower center. Image 15 in. x 12 in. Sheet measures 22 in. x 17 in. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Lockwood Dennis (1937-2012 Pacific Northwest, Washington State)1996 woodcut pencil signed lower right, numbered 16/50 lower left and titled 'Flour Mill' lower center. Image 15 in. x 12 in. Sheet measures 22 in. x 17 in. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Lockwood Dennis (1937-2012 Washington) woodcut pencil signed lower right, numbered 15/26 lower left. Titled "Smelter" lower center. Image measures 17 in. x 16 in. Sheet measures 24 in. x 32 in. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Lockwood "Woody" Dennis (American, 1937-2012). "Navajo Peak" oil on canvas, 2002. Signed at lower right. A splendid painting by American artist Lockwood Dennis depicting the rocky crags of Navajo Peak in northern Colorado. The gray stone of the mountain is dominated by varying shadows conveying a rugged terrain, as well as scattered hues of violet, slate, tangerine, and apricot. A petite patch of snow is shown to the right, interrupting the strong silhouette of the summit, that stands out against the rainbow tones of the sky, indicating a sunrise or sunset. Size: 14" W x 11" H (35.6 cm x 27.9 cm) Dennis's paintings of landscapes frequently feature a sunrise or sunset in the background, as seen here. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Lockwood "Woody" Dennis was driven to paint throughout his 45 year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #188037
Lockwood Dennis (American, 1937-2012). "Bayview Tunnel" oil on canvas, 2002. Signed on lower right. A vibrant painting depicting the point of entry to the Bayview Tunnel in San Francisco, California with a cluster of buildings and a sole green automobile above. Note that elements of nature - the sky, trees, and hills - making their presence known as well. It is easy to see that Dennis had a way with color; however, his painting style was also intriguing for its 'painterly' yet simultaneously graphic quality. What's more he seemed to enjoy capturing views where the natural and the built environments met and delivering the scenes through his modernist aesthetic with an emphasis on juxtaposed planes, geometry, and vibrant brushstrokes. Size: 11" W x 14" H (27.9 cm x 35.6 cm) Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpts from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or "animate" it in the present." The following is an excerpt from Lockwood's public lecture at the Northwind Art Center in Port Townsend, Washington (April 2012): "For me, my painting began with trying to recall my Peace Corp trip to Africa. We were living in Wapato (Eastern Washington), so I painted our surroundings there in much the same way as Africa. I first painted Port Townsend when some friends invited us to house sit for them and introduced us to many good friends here. When we moved to Port Townsend in 1975, we were living at Fort Worden and I painted from sketches of the gun emplacement bunkers and cliffs. I did a lot of water color paintings with artist Bill Nelson around town and out on the coast (La Push). I used the lithography printing studio of J. Albers to produce 245 editions. And then friend and University of Washington professor Michael Spafford got me started on woodblock prints which I continued to do after we move to our current house in 1990. I did 385 editions of 20 or more each. This changed the paintings a lot, for better or worse. The important thing for me is making a space you can move through. I use places that I find exciting that way. The hills of Africa, Fort Worden, San Francisco, Onomichi; and industrial sites, all of which remind me of where I grew up in Portland. It's about maintaining the mystery of the unexplored. In the paintings, I work around a center to which everything is related. My wife showed me this in a Monet lily pond on our first date (1960). And I work with layers, based on Cezanne. The subject of my master's of art thesis was about how to conceptualize space in a flat picture with linguistic theory." Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #188034
Lockwood "Woody" Dennis (American, 1937-2012). "Tank Farm (Edmonds)" oil on canvas, 1994. Signed in lower right. A fascinating oil painting by American artist Lockwood Dennis depicting the rolling hills of northern Washington scattered with cylindrical oil tanks amongst leafy, deciduous trees. Lockwood enjoyed capturing views where the biological and built realms met. The joining of these disparate themes seems to parallel the painter's own style, known for its 'painterly' yet simultaneously graphic quality and allowing Lockwood to deliver the scenes through his modernist aesthetic with an emphasis on contrasting planes, geometry, and vibrant brushstrokes. Size: 36" W x 24" H (91.4 cm x 61 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, it's not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #188018
Lockwood "Woody" Dennis (American, 1937-2012). "Emerson Place, Magnolia" oil on canvas, 2007. Signed in lower left; signed again with inventory number, title, and date on verso. A delightful painting by American artist Lockwood Dennis portraying West Emerson Place in the Magnolia neighborhood of Seattle, Washington. Zooming automobiles drive up a highway ramp on a verdant hill with a maroon-colored train chugging along below. Above is a neighborhood of colorful houses boasting hues of lemon-yellow, bubble-gum pink, periwinkle, and burnt orange, all surrounded by leafy trees as another arched ramp is shown at the right. Dennis is perhaps best known for his works that depict classic automobiles and other people movers. Paintings like this example were very much informed by Dennis' woodcuts for which he took great inspiration from vintage cast-metal toy cars, trucks, and construction vehicles, comic art, Japanese woodblock prints, and WPA era industrial design. Size: 20" W x 17" H (50.8 cm x 43.2 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #185649
Lockwood "Woody" Dennis (American, 1937-2012). "Two Cars, Trolley, Building" oil on canvas, 1992. Signed on lower right. Signature, title, date and inventory number on the verso. A marvelous painting by Lockwood Dennis presenting a Surrealist-inspired composition featuring three man-made vehicles before a five-story urban building rising from a grassy field that demonstrates a surprising contrast between the man-made and the natural worlds. Dennis is perhaps best known for his works that depict classic automobiles and other people movers. Here he includes a blue car (perhaps a Volkswagon Beetle), the front end of a red sedan, and a green trolley car in a field with a red-roofed white building in the background - all beneath a golden sky dotted by a couple of puffy clouds. Dennis loved to experience the world around him - even everyday things. In his words, "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world." A striking painting by Lockwood Dennis mounted in an attractive custom wood frame. Size: 31" L x 27" W (78.7 cm x 68.6 cm) When describing this painting, Dennis said: "This is more implied action. It is the implied motion or relation of the vehicles. Like anime." About the artist: Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #184128
Lockwood "Woody" Dennis (American, 1937-2012). "Mt. Neva" oil on canvas, 2002. Signed at lower right. Date and inventory number on verso. A beautiful painting by American artist Lockwood Dennis depicting Mount Neva of the Colorado Rocky Mountains delineated in loose, free-flowing strokes and vibrant hues of apricot, aubergine, coral, jasmine, spring green, and white. The jagged peaks seemingly roll into one another; Dennis has said previously of the Rocky Mountains: "Driving by, the land seemed to move like a turntable." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints. Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #188036
Lockwood Dennis (American, 1937-2012). "Sawtooth Peak" oil on canvas, 2002. Signed at lower right; date and inventory number on verso. A gorgeous painting by American artist Lockwood Dennis depicting the peak of Sawtooth Mountain of the Colorado Rockies rendered in open, energetic brush strokes and brilliant colors. The craggy summits boast warm hues of saffron, gold, and sandy brown that starkly contrast the tones of sea green, violet, and indigo that fill the evening sky. Splashes of olive and sage green add a hint of grass to the rocky mountaintops, while shades of lilac and cobalt spot the crevices, denoting the deep shadows that will soon envelop the landscape. Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #188038
Lockwood "Woody" Dennis (American, 1937-2012). "Golden Gate Heights" oil on canvas, 2001. Signed at lower right and again with date and inventory number on verso. A fabulous painting by Lockwood Dennis depicting the Golden Gate Heights neighborhood of San Francisco, California. A pair of white, rectangular buildings rise from the rocky, red ridge of the peak, contrasted by a green grassy hill and leafy deciduous trees. The sky boasts vibrant hues of azure and lilac, suggesting it may be sunset. Dennis's paintings of landscapes frequently feature the radiant sky of a sunrise or sunset in the background, as seen in this example. Aside from the painterly aesthetic this naturally grants a piece, it also places the scene in a liminal space, occupying the transitional time between day and night; perhaps dually reflecting Dennis's own beliefs on the ephemeral nature of painting, once stating: "A principle impetus to paint is to make experiences more lasting, but paintings don't last either, and if you can't remember the experience, a painting won't do much anyway." Size: 14" W x 11" H (35.6 cm x 27.9 cm) Lockwood "Woody" Dennis was driven to paint throughout his 45-year career and each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Woody was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. As he evolved, Woody developed a graphic style that was informed by the style and imagery he created for his woodblock prints. Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience." Dennis continued, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present." Lockwood Dennis paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC. Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #188026
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