Jeronimus van (1634) Diest Sold at Auction Prices

Hieronymus VAN DIEST

Hieronymus VAN DIEST (La Haye, 1631 - 1687) Marine Huile sur panneau de chêne, deux planches (Restaurations) 41.5 x 54.5 cm Provenance : Galerie Peter de Boer, Amsterdam, en 1975 ; Acquis auprès de cette dernière par les parents de l'actuel propriétaire en 1985 ; Collection particulière du Sud de la France Hieronymus VAN DIEST (La Haye, 1631 - 1687) 41.5 x 54.5 cm

HIERONYMUS VAN DIEST (La Haye, 1634-Londres, 1684)

HIERONYMUS VAN DIEST (La Haye, 1634-Londres, 1684) BATEAUX DE PÊCHEURS AU LARGE DE La HAYE Panneau de chêne, deux planches, renforcé Monogrammé à gauche sur la dérive du voilier "IVD" ; porte un numéro au revers du panneau "XAS 43" Restaurations anciennes Fishermen’s boats off The Hague, oak panel, two boards, reinforced, monogrammed, with restorations 50 x 92 CM - 19,6 x 36, 2 IN.

Attributed to Hieronymus van Diest II (1634-1684)

Tjalk and other shipping near the jetty,, oil on panel, 31x42 cm, Attributed to Hieronymus van Diest II (1634-1684)

Attributed to Jeronimus van Diest (The Hague circa 1631-1673) Shipping in a calm

Attributed to Jeronimus van Diest (The Hague circa 1631-1673) Shipping in a calm oil on panel 28.8 x 39.3cm (11 5/16 x 15 1/2in).

JERONIMUS VAN DIEST II.: ROWING BOAT, SMALSCHIP AND OTHER VESSELS ON A ROUGH SEA

Jeronimus van Diest II. Rowing boat, Smalschip and other vessels on a rough sea c. 1650-60 oil on canvas; framed 102 x 144 cm Lempertz, Cologne, 16 May 2009, lot 1075 (as Simon de Vlieger); art dealer, Austria, 2010; Dorotheum, Vienna, 10 November 2020, lot 224 (as Simon de Vlieger); Dorotheum, Vienna, 9 June 2021, lot 191 (as Pieter Mulier, follower of); private property, Netherlands Several boats and ships are cruising on a violently moving sea. The front wave track carrying a fully manned rowing boat is designed in dark grey in the manner of a repoussoir. In the right-hand middle ground, a 'smalschip' is sailing to the right, on which two sailors are securing the foresail and flag, while a third is operating the rudder. More ships poulate the sea in the background, while in the distance on the left, diagonal, slightly streaky sections suggest the descent of rain showers. There, against a lighter area of sky, the silhouette of a church with a blunt tower stands out. The location is not specified. But the presence of three-masters near the coast points to the Zuiderzee, which was surrounded by land except for the entrance to the open North Sea, but could be navigated by three-masters. Since the painting appeared on the art market in 2009, it has been attributed to both Simon de Vlieger (1600/01-1653) and a successor of Pieter Mulier I (c. 1600-1659/61). In a detailed analysis, however, Dr Gerlinde de Beer has now been able to identify the present seascape as an autograph work by the marine painter Jeronimus van Diest II, who worked in The Hague and London. The painting is particularly comparable to two monogrammed works by van Diest: "Herring Catchers under Escort of Warships" in the Inder Rieden Collection (cf. G. de Beer, et al: The Golden Age of Dutch Marine Painting, The Inder Rieden Collection, Leiden 2019, vol. II, cat. No. 43) and "Marine Landscape with Fishermen in the Foreground" (Koller, Zurich, 1 April 2011, lot 3027). Paintings like these include small details that recur in works by Jeronimus van Diest, such as circular cloud formations caused by a central clearing of the sky, as well as unexpected small, coloured values in the sailors' clothing or draped cloths, here the playful, decorative element of the flag wrapped around the flagpole. The fully occupied rowing boat with ten occupants in the front left, one of whom is standing and holding a boat hook, is also found again and again, for example in the above-mentioned "Marine Landscape" or a similar boat with six occupants in Jeronimus van Diest's 1667 major work, which shows the seized English admiral's ship 'Prince Charles' (Amsterdam, Rijksmuseum, inv./cat.no. SK-A-1389), (cf. certificate Dr. Gerlinde de Beer).

Omgeving Hieronymus van Diest II (1634 – 1677), Vissersschepen op woelige zee, olieverf op paneel, 3

Omgeving Hieronymus van Diest II (1634 – 1677), Vissersschepen op woelige zee, olieverf op paneel, 34,5 x 42 cm -Herkomst: Kunsthandel Enneking, Laren-

Omgeving Hieronymus van Diest II (1634 – 1677), Vissersschepen op woelige zee, olieverf op paneel, 3

Omgeving Hieronymus van Diest II (1634 – 1677), Vissersschepen op woelige zee, olieverf op paneel, 34,5 x 42 cm -Herkomst: Kunsthandel Enneking, Laren-

Omgeving Hieronymus van Diest II (1634 – 1677), Vissersschepen op woelige zee, olieve

Omgeving Hieronymus van Diest II (1634 – 1677), Vissersschepen op woelige zee, olieverf op paneel, 34,5 x 42 cm -Herkomst: Kunsthandel Enneking, Laren-

JERONYMUS VAN DIEST (THE HAGUE 1634-1677 OR AFTER) A calm with fishermen un

JERONYMUS VAN DIEST (THE HAGUE 1634-1677 OR AFTER) A calm with fishermen unloading their catch oil on panel, unframed 15 1/2 x 21 in. (39.4 x 53.3 cm.)

Omgeving Hieronymus van Diest II (1634 – 1677), Vissersschepen op woelige z

Omgeving Hieronymus van Diest II (1634 – 1677), Vissersschepen op woelige zee, olieverf op paneel, 34,5 x 42 cm -Herkomst: Kunsthandel Enneking, Laren-

JERONYMUS VAN DIEST II (1634-1677)

Canvas. Monogrammed 'I.V.D.' on the leeboard of the flat-bottomed boat. It is most likely the city of Dordrecht, with the rectangular tower of the Church of Our Lady, that is depicted in the background of this marvellous, and rare seascape of Jeronymus van Diest. On the junction between the Oude Maas and the Noord, we see two war ships on the right of which one is decorated with a red lion on its stern. Van Diest often uses a remarkable handling of the light in which the entire outer lower part of the seascape is casted in a large shadow of a cloud. He plays with the silhouette of the rowing boat and the people on board that contrasts with the bright light behind them. An impressive, yet smaller, painting with the title ‘The seizure of the English flagship 'Royal Charles' captured during the raid on Chatham (June 1667)’ is housed at the Rijksmuseum (inv. SK-A-1389) in Amsterdam. The present painting equals the Amsterdam canvas in technique, composition and style. Moreover, it is one of the largest canvases in his entire -relatively unknown oeuvre. The balanced composition, the sense of depth and the subtle handling of the light showcase Van Diest’s talent as an artist. They plead for more art-historical research on this underappreciated painter of marines. Description FR Des bateaux plats et des navires de guerre hollandais sur l'Oude Maas, devant la ville présumée de Dordrecht. Toile. Monogrammée 'I.V.D.' sur le bateau plat. Il s'agît probablement de la ville de Dordrecht à l'arrière-plan, à la jonction de l'Oude Maas et de la Noord. Sur le côté droit, deux navires de guerre naviguent, dont celui au milieu porte un lion rouge sur sa poupe. Au premier plan, Van Diest joue avec de jeux subtils de lumière sur l'eau. Il laisse tomber l'ombre d'un nuage au premier plan. La silhouette du bateau à rames avec les figures contraste magnifiquement avec la lumière au milieu de l'eau. Une belle toile de plus petite taille portant le titre 'Bringing up the English admiral's ship the 'Royal Charles', captured during the voyage to Chatham' et datant d'après 1667 se trouve au Rijksmuseum (inv. SK-A-1389) à Amsterdam. Cette peinture signée fait partie d'une de ses plus grandes oeuvres quant aux dimensions. En outre, elle est à considérer comme une de ses compositions les plus claires et les plus équilibrées. La qualité technique de la peinture dont il fait preuve nécessite une recherche plus approfondie de son oeuvre. Beschrijving NL Enkele Hollandse platbodems en oorlogsschepen op de Oude Maas voor Dordrecht. Doek. Gemonogrammeerd 'I.V.D.' op het zijzwaard van de platbodem. Vermoedelijk zien we in de achtergrond de stad Dordrecht vanop de splitsing van de Oude Maas en de Noord. Aan de rechterzijde varen twee oorlogsschepen waarvan het meest centrale een rode leeuw op het achtersteven draagt. Vooraan speelt Van Diest met subtiele lichtspelingen op het water. Hij laat de schaduw van een wolk op het voorplan vallen. Het silhouet van de roeiboot met de inzittenden contrasteert mooi met het licht in het midden van het water. Een mooi doek van kleiner formaat met de titel 'Het opbrengen van het Engelse admiraalschip de 'Royal Charles', buitgemaakt tijdens de tocht naar Chatham' van na 1667 bevindt zich in het Rijksmuseum (inv. SK-A-1389) in Amsterdam. Dit gesigneerde schilderij is één van de grootste werken uit zijn gehele- eerder onbekende- oeuvre. Daarnaast is het één van zijn meest heldere en gebalanceerde composities. De schildertechnische kwaliteit die hij hier tentoonstelt, vraagt om meer onderzoek naar zijn werk.

Attributed to Jeronymus van Diest (The Hague

Attributed to Jeronymus van Diest (The Hague A Dutch Kaag tied up to a quay, a Man-of-war weighing anchor beyond oil on panel 33 ¼ x 46 ¼ in. (84.5 x 117.5 cm.)

ATTRIBUTED TO JERONYMUS VAN DIEST | Coastal landscape, a Dutch kaag tied up to a quay, a man of war weighing anchor beyond

oil on oak panel

ATTRIBUTED TO JERONYMUS VAN DIEST | Coastal landscape a Dutch kaag tied up to a quay, a man of war weighing anchor beyond

oil on panel

Jeronimus van Diest (The Hague? 1610-1673 The Hague) A Dutch man-o'-war and other shipping in choppy waters signed 'IVD' (lower left, on the ship) oil on canvas 37 x 44¼ in. (94 x 112.5 cm.)

DIEST, JERONYMUS VAN(1634 The Hague1675)Marine

DIEST, JERONYMUS VAN (1634 The Hague1675) Marine landscape with fishermen in the foreground. Oil on panel. Monogrammed lower right on wooden mast: VD (ligature). 45 x 63.5 cm. DIEST, JERONYMUS VAN (1634 Den Haag 1675) Marinelandschaft mit Fischern im Vordergrund. Öl auf Holz. Unten rechts auf dem Holzmast monogrammiert: VD (ligiert). 45 x 63,5 cm.

Diest, Jeronimus van Den Haag 1634 - after 1675 - circle Marine.

Diest, Jeronimus van Den Haag 1634 - after 1675 - circle Marine. Oil on wood. 28 x 39cm. Framed. Verso:

Attributed to Hieronymus van Diest (Dutch,

Attributed to Hieronymus van Diest (Dutch, 1634-1675) SHIPPING IN A CALM Oil on panel, 55cm x 76cm Provenance: Sydney Olivier Bart., Governer of Jamaica; Thence by descent

DIEST, JERONIMUS VAN (1634 Den Haag 1675) Schiffe

DIEST, JERONIMUS VAN (1634 Den Haag 1675) Schiffe auf ruhiger See. Öl auf Holz. 37 x 58,5 cm.

Fishing boats in choppy seas off the coast

Hieronymus van Diest (The Hague 1631?-after 1677) Fishing boats in choppy seas off the coast signed with monogram 'IVD' (lower left, on the side of a boat) oil on panel 20 x 36 in. (50.8 x 104.1 cm.)

Jeronimus van Diest born circa 1631, died 1673 , Ships in an Estuary with fishermen and a jetty in the foreground

signed with monogram VD on posts in water lower right oil on panel