Barbara Regina Dietzsch Sold at Auction Prices

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  • Attributed Barbara Dietzsch Pair of Oils on Board
    Jul. 18, 2024

    Attributed Barbara Dietzsch Pair of Oils on Board

    Est: $6,000 - $8,000

    Attributed to Barbara Regina Dietzsch (German, 1707-1783). Pair of oils on board, still lifes. Unsigned. Both with Christie's New York labels on verso, sides and front of frame, dated 1987 and 1988. Each 9" x 6 1/4" (with frames 14 7/8" x 12 1/8"). Both heavily varnished and with some inpainting throughout; both with scratches, chips and losses to gilt frames, frames both separating at corners. Provenance: Estate of Princess Maria "Mimi" Romanoff.

    Willow Auction House
  • BARBARA REGINA DIETZSCH (1706-17
    Jan. 29, 2024

    BARBARA REGINA DIETZSCH (1706-17

    Est: -

    Barbara Regina Dietzsch (1706-1783) (attrib.), German painter and draughtswoman from the Nuremberg artist dynasty Dietzsch. Naturalistic depiction of a blossoming orange branch with butterfly, gouache on paper, unsigned, 28.5 x 21 cm, framed behind glass and passepartout 46 x 37 cm

    Historia Auctionata
  • Barbara Regina Dietzsch (1706 - Nürnberg - 1783) – Blumenstrauß aus Pfingstrosen, Goldlack und Jasmin (Bouquet with peonies, wallflowers and jasmine)
    Nov. 17, 2023

    Barbara Regina Dietzsch (1706 - Nürnberg - 1783) – Blumenstrauß aus Pfingstrosen, Goldlack und Jasmin (Bouquet with peonies, wallflowers and jasmine)

    Est: €6,000 - €8,000

    Opaque colours, highlighted in white on parchment with dark brown ground. 35.1 x 27.1 cm. With a margin line in silver brush (trimmed above).

    Karl & Faber
  • Barbara Regina Dietzsch (1706 - Nürnberg - 1783) – Blumengebinde aus Anemonen, Narzissen und Primeln (Flower garland with anemones, narcissi and primulas)
    Nov. 17, 2023

    Barbara Regina Dietzsch (1706 - Nürnberg - 1783) – Blumengebinde aus Anemonen, Narzissen und Primeln (Flower garland with anemones, narcissi and primulas)

    Est: €4,000 - €5,000

    Opaque colours, highlighted in white, on parchment with black ground. 20.6 x 15.3 cm.

    Karl & Faber
  • CIRCLE OF BARBARA REGINA DIETZSCH (NUREMBERG 1706-1783) A poppy and two ins
    Oct. 20, 2023

    CIRCLE OF BARBARA REGINA DIETZSCH (NUREMBERG 1706-1783) A poppy and two ins

    Est: $7,000 - $10,000

    CIRCLE OF BARBARA REGINA DIETZSCH (NUREMBERG 1706-1783) A poppy and two insects; A senecio and two insects; Balsam and two insects;... bodycolor approx. 11 ½ x 8 1/8 in. (28.5 x 20 cm) (each) (6)

    Christie's
  • ATTRIBUÉ À BARBARA REGINA DIETSCH (1706-1783)
    Jun. 21, 2023

    ATTRIBUÉ À BARBARA REGINA DIETSCH (1706-1783)

    Est: €3,000 - €4,000

    ATTRIBUÉ À BARBARA REGINA DIETSCH (1706-1783) FLEURS DANS UN VASE POSE SUR UN ENTABLEMENT Gouache Att. to Barbara Regina-Dietzch, Flower vase on an entablature, gouache 37 x 29 CM - 14,6 x 11,4 IN.

    Tajan
  • Barbara Regina Dietzsch (1706 - Nürnberg - 1783) – Weiße Johannisbeerranke mit Tagfalter und Käfer (White currant branch with a butterfly and a beetle)
    May. 25, 2023

    Barbara Regina Dietzsch (1706 - Nürnberg - 1783) – Weiße Johannisbeerranke mit Tagfalter und Käfer (White currant branch with a butterfly and a beetle)

    Est: €5,000 - €6,000

    Opaque colours, highlighted in white, on blackish brown grounded parchment. With a fine black margin line.

    Karl & Faber
  • Barbara Regina Dietzsch (1706 - Nürnberg - 1783) – Erlegter Gimpel, von einer Schnur herabhängend (Bullfinch hanging from a string)
    May. 25, 2023

    Barbara Regina Dietzsch (1706 - Nürnberg - 1783) – Erlegter Gimpel, von einer Schnur herabhängend (Bullfinch hanging from a string)

    Est: €5,000 - €6,000

    Opaque colours, the plumage highlighted in white, on parchment, laid down on laid paper with watermark "Pro Patria". 1742. Signed and dated lower right.

    Karl & Faber
  • Dietzsch Watercolor of a Bouquet with White Ribbon
    Apr. 22, 2023

    Dietzsch Watercolor of a Bouquet with White Ribbon

    Est: $20,000 - $30,000

    DIETZSCH, Barbara Regina (German, 1706-1783). Bouquet with White Ribbon. Watercolor with gouache and gold leaf on vellum. ca. 1765. 10 1/2" x 7 1/2" vellum, 20 3/4" x 17 3/4" framed. Provenance: Hans Muller, Dusseldorf, Germany. ----------------- The Premier 18th Century German Female Artist Barbara Regina Dietzsch was a member of an important family of painters, engravers, and musicians that flourished in Nuremberg during the eighteenth-century. Dietzsch was particularly known for her marvelous renderings of flowers and fruit in watercolor and gouache. Employed at the court of Nuremberg, she drew extensively for engravers there, and her work was of such outstanding quality that it was used by Trew and Georg Ehret for a number of plates in the Hortus Nitidissimis (1750-86). The patronage of Dr. Christoph Trew, the great botanist and bibliographer, made Nuremberg one of the foremost centers of botanical art in the world, and the Dietzsch family was one of the most noted of the era. Even at the time of its production, the work of Barbara Regina Dietzsch was much sought after by collectors in both the Netherlands and in England. It is recorded that some of the best known painters of the time accepted her works as a form of payment, signaling the great reputation she attained during her lifetime -- a celebration that has continued to grow in the intervening centuries. Like most of her family's work, Dietzsch's watercolors are often characterized by the use of a black or dark brown ground and it is partly upon the basis of this that the current attribution has been based. This creates a dramatic contrast between the subject and background and emphasizes the sharp, hard finish of the drawing. The great flower painter Georg Ehret occasionally placed his bouquets on a dark background, but these are not nearly so successful as Dietzsch's in making the subject come to life. Various examples of her work can be found in the Broughton Collection at the Fitzwilliam Museum, Cambridge, England and in each the dark ground is present. What separates the work of Barbara Regina from that of her other family members is the remarkable clarity of depiction and skill in rendering. With unbelievable mastery and stylistic power, Dietzsch overcame contemporary estimations of women's inferiority in the field of art, creating watercolors of distinctive splendor.

    Arader Galleries
  • Dietzsch Watercolor of a Bouquet with Yellow Ribbon
    Apr. 22, 2023

    Dietzsch Watercolor of a Bouquet with Yellow Ribbon

    Est: $15,000 - $25,000

    DIETZSCH, Barbara Regina (German, 1706-1783). Bouquet with Yellow Ribbon. Watercolor with gouache and gold leaf on vellum. ca. 1765. 10 1/2" x 7 1/2" vellum, 20 3/4" x 17 3/4" framed. Provenance: Hans Muller, Dusseldorf, Germany ----------------------- The Premier 18th Century German Female Artist Barbara Regina Dietzsch was a member of an important family of painters, engravers, and musicians that flourished in Nuremberg during the eighteenth-century. Dietzsch was particularly known for her marvelous renderings of flowers and fruit in watercolor and gouache. Employed at the court of Nuremberg, she drew extensively for engravers there, and her work was of such outstanding quality that it was used by Trew and Georg Ehret for a number of plates in the Hortus Nitidissimis (1750-86). The patronage of Dr. Christoph Trew, the great botanist and bibliographer, made Nuremberg one of the foremost centers of botanical art in the world, and the Dietzsch family was one of the most noted of the era. Even at the time of its production, the work of Barbara Regina Dietzsch was much sought after by collectors in both the Netherlands and in England. It is recorded that some of the best known painters of the time accepted her works as a form of payment, signaling the great reputation she attained during her lifetime -- a celebration that has continued to grow in the intervening centuries. Like most of her family's work, Dietzsch's watercolors are often characterized by the use of a black or dark brown ground and it is partly upon the basis of this that the current attribution has been based. This creates a dramatic contrast between the subject and background and emphasizes the sharp, hard finish of the drawing. The great flower painter Georg Ehret occasionally placed his bouquets on a dark background, but these are not nearly so successful as Dietzsch's in making the subject come to life. Various examples of her work can be found in the Broughton Collection at the Fitzwilliam Museum, Cambridge, England and in each the dark ground is present. What separates the work of Barbara Regina from that of her other family members is the remarkable clarity of depiction and skill in rendering. With unbelievable mastery and stylistic power, Dietzsch overcame contemporary estimations of women's inferiority in the field of art, creating watercolors of distinctive splendor.

    Arader Galleries
  • Dietzsch Watercolor of Rose with a Butterfly and Spider
    Apr. 22, 2023

    Dietzsch Watercolor of Rose with a Butterfly and Spider

    Est: $25,000 - $35,000

    DIETZSCH, Barbara Regina (German, 1706-1783). Rose with a Butterfly and Spider. Gouache on vellum. ca. 1765. 11 1/4" x 8 1/4" vellum, 20 3/8" x 17" framed. ------------ The Premier 18th Century German Female Artist Barbara Regina Dietzsch was a member of an important family of painters, engravers, and musicians that flourished in Nuremberg during the eighteenth-century. Dietzsch was particularly known for her marvelous renderings of flowers and fruit in watercolor and gouache. Employed at the court of Nuremberg, she drew extensively for engravers there, and her work was of such outstanding quality that it was used by Trew and Georg Ehret for a number of plates in the Hortus Nitidissimis (1750-86). The patronage of Dr. Christoph Trew, the great botanist and bibliographer, made Nuremberg one of the foremost centers of botanical art in the world, and the Dietzsch family was one of the most noted of the era. Even at the time of its production, the work of Barbara Regina Dietzsch was much sought after by collectors in both the Netherlands and in England. It is recorded that some of the best known painters of the time accepted her works as a form of payment, signaling the great reputation she attained during her lifetime -- a celebration that has continued to grow in the intervening centuries. Like most of her family's work, Dietzsch's watercolors are often characterized by the use of a black or dark brown ground and it is partly upon the basis of this that the current attribution has been based. This creates a dramatic contrast between the subject and background and emphasizes the sharp, hard finish of the drawing. The great flower painter Georg Ehret occasionally placed his bouquets on a dark background, but these are not nearly so successful as Dietzsch's in making the subject come to life. Various examples of her work can be found in the Broughton Collection at the Fitzwilliam Museum, Cambridge, England and in each the dark ground is present. What separates the work of Barbara Regina from that of her other family members is the remarkable clarity of depiction and skill in rendering. With unbelievable mastery and stylistic power, Dietzsch overcame contemporary estimations of women's inferiority in the field of art, creating watercolors of distinctive splendor.

    Arader Galleries
  • Dietzsch Watercolor of White Narcissus with Beetle and Fly
    Apr. 22, 2023

    Dietzsch Watercolor of White Narcissus with Beetle and Fly

    Est: $25,000 - $35,000

    DIETZSCH, Barbara Regina (German, 1706-1783). White Narcissus with Beetle and Fly. Watercolor with gouache and gold leaf on vellum. ca. 1765. 11 1/4" x 8" vellum, 20 3/8" x 17" framed. ----------------- The Premier 18th Century German Female Artist Barbara Regina Dietzsch was a member of an important family of painters, engravers, and musicians that flourished in Nuremberg during the eighteenth-century. Dietzsch was particularly known for her marvelous renderings of flowers and fruit in watercolor and gouache. Employed at the court of Nuremberg, she drew extensively for engravers there, and her work was of such outstanding quality that it was used by Trew and Georg Ehret for a number of plates in the Hortus Nitidissimis (1750-86). The patronage of Dr. Christoph Trew, the great botanist and bibliographer, made Nuremberg one of the foremost centers of botanical art in the world, and the Dietzsch family was one of the most noted of the era. Even at the time of its production, the work of Barbara Regina Dietzsch was much sought after by collectors in both the Netherlands and in England. It is recorded that some of the best known painters of the time accepted her works as a form of payment, signaling the great reputation she attained during her lifetime -- a celebration that has continued to grow in the intervening centuries. Like most of her family’s work, Dietzsch’s watercolors are often characterized by the use of a black or dark brown ground and it is partly upon the basis of this that the current attribution has been based. This creates a dramatic contrast between the subject and background and emphasizes the sharp, hard finish of the drawing. The great flower painter Georg Ehret occasionally placed his bouquets on a dark background, but these are not nearly so successful as Dietzsch’s in making the subject come to life. Various examples of her work can be found in the Broughton Collection at the Fitzwilliam Museum, Cambridge, England and in each the dark ground is present. What separates the work of Barbara Regina from that of her other family members is the remarkable clarity of depiction and skill in rendering. With unbelievable mastery and stylistic power, Dietzsch overcame contemporary estimations of women’s inferiority in the field of art, creating watercolors of distinctive splendor.

    Arader Galleries
  • (Attrib) BARBARA REGINA DIETZSCH (1706-1783)
    Mar. 26, 2023

    (Attrib) BARBARA REGINA DIETZSCH (1706-1783)

    Est: $2,000 - $3,000

    Mixed media on paper Table top still-life with bouquet of flowers in vase, no apparent signature

    Butterscotch Auction Gallery LLC
  • Dietzsch, Barbara Regina
    Dec. 03, 2022

    Dietzsch, Barbara Regina

    Est: -

    Dietzsch, Barbara Regina 1705 Nürnberg - 1783 ebd., attr. Goldamsel oder Pirol-Männchen auf einem Ast sitzend. Aquarell. Hinter Glas und Passepartout gerahmt. Passepartoutausschnitt ca. 28 x 20 cm, Rahmen ca. 48 x 39,5 cm. Verso Sammlungsetikett. Teils beschädigt. Dietzsch, Barbara Regina 1705 Nuremberg - 1783 ibid, attr. Golden oriole or oriole male sitting on a branch. Watercolour painting. Framed behind glass and passepartout. Passepartout cutout ca. 28 x 20 cm, frame ca. 48 x 39,5 cm. Collection label on verso. Partly damaged.

    Auktionshaus Sieglin GmbH
  • Dietzsch, Barbara Regina
    Dec. 03, 2022

    Dietzsch, Barbara Regina

    Est: -

    Dietzsch, Barbara Regina 1705 Nürnberg - 1783 ebd., attr. Goldammer auf einem Ast sitzend. Aquarell. Hinter Glas und Passepartout gerahmt. Passepartoutausschnitt ca. 28 x 20 cm, Rahmen ca. 48 x 39,5 cm. Verso Sammlungsetikett. Teils beschädigt. Dietzsch, Barbara Regina 1705 Nuremberg - 1783 ibid, attr. Yellowhammer sitting on a branch. Watercolour painting. Framed behind glass and passepartout. Passepartout cut-out ca. 28 x 20 cm, frame ca. 48 x 39,5 cm. Collection label on verso Partly damaged.

    Auktionshaus Sieglin GmbH
  • DIETZSCH WATERCOLOR OF BERRIES AND A LADYBUG
    Sep. 24, 2022

    DIETZSCH WATERCOLOR OF BERRIES AND A LADYBUG

    Est: $15,000 - $30,000

    DIETZSCH, Barbara Regina (German, 1706-1783). Berries and ladybug. Watercolor with gouache and gold leaf on vellum. ca. 1765. 7" x 5 1/2" vellum, 18" x 15 1/2" framed. Provenance: Hans Müller, Düsseldorf, Germany. Barbara Regina Dietzsch was a member of an important family of painters, engravers, and musicians that flourished in Nuremberg during the eighteenth-century. Dietzsch was particularly known for her marvelous renderings of flowers and fruit in watercolor and gouache. Employed at the court of Nuremberg, she drew extensively for engravers there, and her work was of such outstanding quality that it was used by Trew and Georg Ehret for a number of plates in the Hortus Nitidissimis (1750-86). The patronage of Dr. Christoph Trew, the great botanist and bibliographer, made Nuremberg one of the foremost centers of botanical art in the world, and the Dietzsch family was one of the most noted of the era. Even at the time of its production, the work of Barbara Regina Dietzsch was much sought after by collectors in both the Netherlands and in England. It is recorded that some of the best known painters of the time accepted her works as a form of payment, signaling the great reputation she attained during her lifetime -- a celebration that has continued to grow in the intervening centuries. Like most of her family’s work, Dietzsch’s watercolors are often characterized by the use of a black or dark brown ground and it is partly upon the basis of this that the current attribution has been based. This creates a dramatic contrast between the subject and background and emphasizes the sharp, hard finish of the drawing. The great flower painter Georg Ehret occasionally placed his bouquets on a dark background, but these are not nearly so successful as Dietzsch’s in making the subject come to life. Various examples of her work can be found in the Broughton Collection at the Fitzwilliam Museum, Cambridge, England and in each the dark ground is present. What separates the work of Barbara Regina from that of her other family members is the remarkable clarity of depiction and skill in rendering. With unbelievable mastery and stylistic power, Dietzsch overcame contemporary estimations of women’s inferiority in the field of art, creating watercolors of distinctive splendor.

    Arader Galleries
  • Dietzsch, Barbara Regina
    Sep. 10, 2022

    Dietzsch, Barbara Regina

    Est: -

    Dietzsch, Barbara Regina 1705 Nürnberg - 1783 ebd., attr. Schneeammer auf einem Ast sitzend. Aquarell. Hinter Glas und Passepartout gerahmt. Passepartoutausschnitt ca. 28 x 20 cm, Rahmen ca. 48 x 39,5 cm. Verso Sammlungsetikett. Teils fleckig. Dietzsch, Barbara Regina 1705 Nuremberg - 1783 ibid, attr. Snow bunting sitting on a branch. Watercolour painting. Framed behind glass and passepartout. Mount approx. 28 x 20 cm, frame approx. 48 x 39,5 cm. Collection label on verso. Partly spotted.

    Auktionshaus Sieglin GmbH
  • Dietzsch, Barbara Regina
    Sep. 10, 2022

    Dietzsch, Barbara Regina

    Est: -

    Dietzsch, Barbara Regina 1705 Nürnberg - 1783 ebd., attr. Goldamsel oder Pirol-Männchen auf einem Ast sitzend. Aquarell. Hinter Glas und Passepartout gerahmt. Passepartoutausschnitt ca. 28 x 20 cm, Rahmen ca. 48 x 39,5 cm. Verso Sammlungsetikett. Teils beschädigt. Dietzsch, Barbara Regina 1705 Nuremberg - 1783 ibid, attr. Golden oriole or oriole male sitting on a branch. Watercolour painting. Framed behind glass and passepartout. Passepartout cutout ca. 28 x 20 cm, frame ca. 48 x 39,5 cm. Collection label on verso. Partly damaged.

    Auktionshaus Sieglin GmbH
  • Dietzsch, Barbara Regina
    Sep. 10, 2022

    Dietzsch, Barbara Regina

    Est: -

    Dietzsch, Barbara Regina 1705 Nürnberg - 1783 ebd., attr. Eisvogel auf einem Ast sitzend. Aquarell. Hinter Glas und Passepartout gerahmt. Passepartoutausschnitt ca. 27 x 20 cm, Rahmen ca. 49,5 x 40,5 cm. Verso Sammlungsetikett. Teils Flecken. Dietzsch, Barbara Regina 1705 Nuremberg - 1783 ibid, attr. Kingfisher sitting on a branch. Watercolour painting. Framed behind glass and passepartout. Collection label on verso. Mount approx. 27 x 20 cm, frame approx. 49,5 x 40,5 cm. Partly stained.

    Auktionshaus Sieglin GmbH
  • Dietzsch, Barbara Regina
    Sep. 10, 2022

    Dietzsch, Barbara Regina

    Est: -

    Dietzsch, Barbara Regina 1705 Nürnberg - 1783 ebd., attr. Goldammer auf einem Ast sitzend. Aquarell. Hinter Glas und Passepartout gerahmt. Passepartoutausschnitt ca. 28 x 20 cm, Rahmen ca. 48 x 39,5 cm. Verso Sammlungsetikett. Teils beschädigt. Dietzsch, Barbara Regina 1705 Nuremberg - 1783 ibid, attr. Yellowhammer sitting on a branch. Watercolour painting. Framed behind glass and passepartout. Passepartout cut-out ca. 28 x 20 cm, frame ca. 48 x 39,5 cm. Collection label on verso Partly damaged.

    Auktionshaus Sieglin GmbH
  • Barbara Regina Dietzsch (Umkreis) – Gesteck aus Schwertlilie, Narzissen, Rosen, Aurikel und Hyazinthen mit zwei Schmetterlingen (Bouquet of iris, daffodils, roses, primulas and hyacinths with two butterflies)
    Jun. 16, 2021

    Barbara Regina Dietzsch (Umkreis) – Gesteck aus Schwertlilie, Narzissen, Rosen, Aurikel und Hyazinthen mit zwei Schmetterlingen (Bouquet of iris, daffodils, roses, primulas and hyacinths with two butterflies)

    Est: €2,000 - €2,400

    Opaque colours on parchment laid down on panel. 1764. 42.4 x 35.1 cm. Dated on the outer stem lower right. Framed.

    Karl & Faber
  • Barbara Regina Dietzsch (Umkreis) – Blumenstrauß in Glasvase auf steinernem Sims (Bouquet in a glass vase on a stone ledge)
    Jun. 16, 2021

    Barbara Regina Dietzsch (Umkreis) – Blumenstrauß in Glasvase auf steinernem Sims (Bouquet in a glass vase on a stone ledge)

    Est: €2,500 - €3,000

    Opaque colours on parchment. 28.6 x 20.5 cm. Framed.

    Karl & Faber
  • Barbara Regina Dietzsch (Umkreis) – Cheiranthus (Goldlack) (Erysimum cheiri (Wallflowers))
    Jun. 16, 2021

    Barbara Regina Dietzsch (Umkreis) – Cheiranthus (Goldlack) (Erysimum cheiri (Wallflowers))

    Est: €1,600 - €1,900

    Opaque colours on laid paper. 48.5 x 36.5 cm. Framed.

    Karl & Faber
  • Dietzsch Barbara Regina
    Apr. 17, 2021

    Dietzsch Barbara Regina

    Est: CHF1,200 - CHF1,500

    Dietzsch Barbara Regina 1706 - 1783 Nürnberg Distel mit Insekten und Spinne". Gouache. Unsigniert. Gerahmt. Bildmasse 28 cm x 20 cm Provenienz: Altbesitz Zürich

    Auktionshaus Zofingen
  • Dietzsch Barbara Regina
    Apr. 17, 2021

    Dietzsch Barbara Regina

    Est: CHF1,200 - CHF1,500

    Dietzsch Barbara Regina 1706 - 1783 Nürnberg Löwenzahn mit Schmetterlingen und Raupe". Gouache. Unsigniert. Gerahmt. Bildmasse 28 cm x 20.5 cm Provenienz: Altbesitz Zürich

    Auktionshaus Zofingen
  • Barbara Regina Dietzsch, unbez.
    Nov. 21, 2020

    Barbara Regina Dietzsch, unbez.

    Est: -

    Nürnberg 1706 - 1783 daselbst, 'Vögel', zwei Gouachen, aufgezogen, 28 x 20 cm (PP-A.), restauriert, Lichtschaden, fleckig

    Auktionshaus Arnold
  • Barbara Regina Dietzsch, zugeschrieben
    Nov. 21, 2020

    Barbara Regina Dietzsch, zugeschrieben

    Est: -

    Nürnberg 1706 - 1783 daselbst, 'Kirschkernbeißer' und 'Vogel', zwei Gouachen, aufgezogen, 28 x 21 cm und 22 x 18 cm (PP-A.), restauriert, knittrig, fleckig

    Auktionshaus Arnold
  • Barbara Regina Dietzsch, zugeschrieben
    Nov. 21, 2020

    Barbara Regina Dietzsch, zugeschrieben

    Est: -

    Nürnberg 1706 - 1783 daselbst, 'Kirschkernbeißer' und 'Sittich', zwei Gouachen, aufgezogen, 29 x 21,5 cm, Farbfehlstellen, restauriert, Lichtschaden, fleckig

    Auktionshaus Arnold
  • Dietzsch & Wirsing - Canary. 18
    Jun. 13, 2020

    Dietzsch & Wirsing - Canary. 18

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - Finch. 19
    Jun. 13, 2020

    Dietzsch & Wirsing - Finch. 19

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - Bird; Grauer Kukuk. 38
    Jun. 13, 2020

    Dietzsch & Wirsing - Bird; Grauer Kukuk. 38

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Barbara Regina Dietzsch, Gouache Painting
    Jan. 30, 2020

    Barbara Regina Dietzsch, Gouache Painting

    Est: $4,000 - $6,000

    Barbara Regina Dietzsch (German, 1706-1783), Tulip with Insects, gouache on parchment/paper, no signature visible, 10 1/2" x 7 1/4", framed and glazed

    Millea Bros Ltd
  • Barbara Regina Dietzsch (manner of), gouache
    Jan. 30, 2020

    Barbara Regina Dietzsch (manner of), gouache

    Est: $500 - $700

    Manner of Barbara Regina Dietzsch (German, 1706-1783), Tulips and Peonies, c. 1750, gouache on paper, back-board with illegible ink inscription and bears the paper label of "Jas. Trepass - Picture-Frame-Maker, Gilder & Undertaker", 13" h x 10" w, framed and glazed

    Millea Bros Ltd
  • Dietzsch Gouache Watercolor Wild Poppy
    Nov. 16, 2019

    Dietzsch Gouache Watercolor Wild Poppy

    Est: $12,000 - $18,000

    DIETZSCH, Barbara Regina (1706-1783). A Wild Poppy, A Fly on one Leaf. Body color on prepared vellum and black ink framing lines. Inscribed: No.3. 10 3/4" x 8" sheet, 21" x 17 3/4" framed.

    Arader Galleries
  • Dietzsch Gouache Convulvulus Flowers
    Nov. 16, 2019

    Dietzsch Gouache Convulvulus Flowers

    Est: $25,000 - $40,000

    DIETZSCH, Barbara Regina (1706-1783). Convulvulus Flowers with Butterfly. Gouache on vellum. c. 1765. 10 7/8" x 8" sheet.

    Arader Galleries
  • BARBARA REGINA DIETZSCH (GERMAN 1706-1783) SET OF FOUR STILL LIFES WITH BUTTERFLIES
    Oct. 30, 2019

    BARBARA REGINA DIETZSCH (GERMAN 1706-1783) SET OF FOUR STILL LIFES WITH BUTTERFLIES

    Est: £8,000 - £12,000

    Gouache on paper laid to panel (Dimensions: 28cm x 20cm (11in x 8in) (4)) (Qty: 4) (28cm x 20cm (11in x 8in) (4))

    Lyon & Turnbull
  • Barbara Regina Dietzsch (German, 1706-1783) Pair of Botanical Studies gouache and watercolor on vellum 12 x 8 ½ in. (30.5 x 21.6 cm.) (2)
    Oct. 16, 2019

    Barbara Regina Dietzsch (German, 1706-1783) Pair of Botanical Studies gouache and watercolor on vellum 12 x 8 ½ in. (30.5 x 21.6 cm.) (2)

    Est: $3,000 - $4,000

    Barbara Regina Dietzsch (German, 1706-1783) Pair of Botanical Studies gouache and watercolor on vellum 12 x 8 ½ in. (30.5 x 21.6 cm.) (2)

    Christie's
  • Dietzsch & Wirsing - 3 Bird Engravings
    Aug. 03, 2019

    Dietzsch & Wirsing - 3 Bird Engravings

    Est: $600 - $1,200

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - 3 Bird Engravings
    Aug. 03, 2019

    Dietzsch & Wirsing - 3 Bird Engravings

    Est: $600 - $1,200

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - 4 Bird Engravings
    Aug. 03, 2019

    Dietzsch & Wirsing - 4 Bird Engravings

    Est: $600 - $1,200

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - African Grey Parrot. 43
    Jul. 20, 2019

    Dietzsch & Wirsing - African Grey Parrot. 43

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - Grosbeak. 6
    Jul. 20, 2019

    Dietzsch & Wirsing - Grosbeak. 6

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - Bird of Prey. 46
    Jul. 20, 2019

    Dietzsch & Wirsing - Bird of Prey. 46

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - Bird. 20
    Jul. 20, 2019

    Dietzsch & Wirsing - Bird. 20

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - Bird. 35
    Jul. 20, 2019

    Dietzsch & Wirsing - Bird. 35

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - Young Cuckoo. 40
    Jul. 20, 2019

    Dietzsch & Wirsing - Young Cuckoo. 40

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - Brown Cuckoo. 39
    Jul. 20, 2019

    Dietzsch & Wirsing - Brown Cuckoo. 39

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
  • Dietzsch & Wirsing - Bird. 33
    Jul. 20, 2019

    Dietzsch & Wirsing - Bird. 33

    Est: $400 - $800

    This exceedingly rare, exquisitely hand-colored folio engraving is from Barbara Regina Dietzschin's Sammlung meistens Deutscher Vogel or Collection of Mostly German Birds. The work was published in Nuremberg for Wirsing between 1772 and 1777. The illustrations were done by Barbara Regina Dietzsch. Adam Ludwig Wirsing completed the engravings for the work. Each engraving features stunning hand-coloring on super quality, chain-linked watermarked paper. This work is considered the best publication on German birds in the 18th century. Adding only to this work's desirability and scarcity, is that the illustrations were completed by a female artist in a time period where there work was very rarely published let alone credited. Barbara Regina Dietzsch was from a family of noted artists (her father was Johann Israel Dietzsch), but her work became the most celebrated over time. Her flower and animal paintings found collectors all over the world and remain higly collectible to this day. This work was also likely able to be published due to the financial stimulus of Dr. Christoph Jakob Trew. Trew assembled young artists and scientists in Nuremberg making it a have for some of the best publications in this time include the work of Maria Sibylla Merian, Georg Dionysius Ehret, and G. W. Knorr. Heidrun Ludwig noted of Dietzsch's work "Die Starke dieser Vogelbilder liegt vor allem in der meisterhaften, haptischen Wiedergabe der Gefieder, die Dietzsch so uberzeugend imitierte, dass ihre Stucke einen Vergleich mit den grossen Jagtstilleben von Jan Baptiste Weenix oder Willem van Aelst nicht zu scheuen brauchen? Die Schonheit der Vogelbilder Barbara Regina Dietzsch und ihre getreue Nachahmung naturlichen Vogelgefieders wurden von den zeitgenössischen Betrachtern bewundert." (Nurnberger naturgeschichtliche Malerei im 17. Und 18. Jahrhundert' pages 45-46) The translation of this is essentially "The strength of these bird pictures lies above all in the masterful, haptic reproduction of the plumage, which Dietzsch so convincingly imitated that her pieces need not shy away from a comparison with the great hunting still lifes of Jan Baptiste Weenix or Willem van Aelst. The beauty of bird images Barbara Regina Dietzsch and her faithful imitation of natural bird plumage were admired by contemporary observers."

    Trillium Antique Prints & Rare Books
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