Loading Spinner

Ethel May Dixie Sold at Auction Prices

Illustrator

See Artist Details

0 Lots

Sort By:

Categories

Auction Date

Seller

Seller Location

Price Range

to
  • Ethel May Dixie; Wild Flowers of The Cape of Good Hope (from the original w
    Sep. 18, 2017

    Ethel May Dixie; Wild Flowers of The Cape of Good Hope (from the original w

    Est: R2,000 - R3,000

    Ethel May Dixie; Wild Flowers of The Cape of Good Hope (from the original watercolours), four

    Strauss & Co
  • Ethel May Dixie (South African 1876-1973) GLADIOLU
    Oct. 18, 2016

    Ethel May Dixie (South African 1876-1973) GLADIOLU

    Est: R3,000 - R5,000

    Ethel May Dixie (South African 1876-1973) GLADIOLUS SPATHACENS; ANEMONE CAPENSIS and NERINE SARNIENSIS, three each signed with the artit's initials watercolour over pencil on paper 24,5 by 16,5cm (3)

    Stephan Welz & Co
  • Ethel May Dixie, South African, 1876-1923-
    Aug. 04, 2009

    Ethel May Dixie, South African, 1876-1923-

    Est: £100 - £200

    Ethel May Dixie, South African, 1876-1923- "Anemone Capensis"; watercolour and bodycolour, titled and with initials, 27x17cm. Note: Ethel Dixie was largely self-taught (her sister enjoyed the benefits of tuition of Thomas Bowler) She was the principal artist for Rudolf Marloth's The Flora of South Africa. Many of the original plates for this work, were destroyed by a fire at the publishers. She was also a lecturer at the Cape Town School of Art. Her work can be found at the Brenthurst Library in Johannesburg the Carnegie Library archives at the University of Stellenbosch, MuseumAfrica in Johannesburg, National Botanical Institutes in Cape Town and Pretoria, the South African embassies in London, Rome and New York.

    Roseberys
  • Ethel May Dixie, South African, 1876-1923-
    May. 12, 2009

    Ethel May Dixie, South African, 1876-1923-

    Est: £150 - £250

    Ethel May Dixie, South African, 1876-1923- "Anemone Capensis"; watercolour and bodycolour, titled and initialed, 27x17cm. Note: Ethel Dixie was largely self-taught (her sister enjoyed the benefits of tuition of Thomas Bowler) She was the principal artist for Rudolf Marloth's The Flora of South Africa. Many of the original plates for this work, were destroyed by a fire at the publishers. She was also a lecturer at the Cape Town School of Art. Her work can be found at the Brenthurst Library in Johannesburg the Carnegie Library archives at the University of Stellenbosch, MuseumAfrica in Johannesburg, National Botanical Institutes in Cape Town and Pretoria, the South African embassies in London, Rome and New York.

    Roseberys
Lots Per Page: