Burhan Dogançay Paintings & Artwork for Sale | Burhan Dogançay Art Value Price Guide

Apr. 29, 2025
BURHAN CAHIT DOGANCAY, TURKISH/AMERICAN 1929-2013, R.O., Watercolor and graphite on Arches paper, Sheet: 20 1/2 x 16 3/4 in. (52.1 x 42.5 cm.) Sight: 18 7/8 x 14 5/8 in. (47.9 x 37.1 cm.), Frame: 26 x 21 3/8 in. (66 x 54
Est: $10,000 - $15,000
BURHAN CAHIT DOGANCAY TURKISH/AMERICAN, 1929-2013 R.O. Watercolor and graphite on Arches paper Lower left signed: B Dogancay Catalogue note: Born in Istanbul in 1929, Burhan Dogançay began his artistic training with his father, the well-known painter Adil Dogançay, and the Turkish artist Arif Kaptan. In 1950, Dogançay earned a law degree from the University of Ankara, Turkey, and in 1953 he was awarded a doctorate of economics from the University of Paris, while attending art courses at the Académie de la Grande Chaumière (1950–55). Dogançay's expansive practice mixed collage with abstraction, deploying painting, photojournalism, and the calligraphic in an enormous oeuvre that includes graphic art, sculpture, paintings, and photographs. He is best known for his fascination with urban walls as tableaux suggesting an imaginary history, recording the passage of time through the marks left by the elements and by anonymous city-dwellers. In 1955, after a period spent making artwork in a naturalist vein, Dogançay left France for Ankara to serve in Turkey's Ministry of Commerce. But it was living as a diplomat in New York in the early 1960s that would spark the transformation of Dogançay's artistic practice. Specifically, while walking on 86th Street in 1963, Dogançay encountered what he called "the most beautiful abstract painting I have ever seen."¹ In fact, it was a wall with the remains of a poster, a constellation of broken patterns that Dogançay immediately sketched (and later reworked into a painting). In 1964, he gave up his diplomatic career in order to dedicate himself to an art that often used the urban wall as a means of exploring the visual experience of texture, place, and memory. He also adopted a mode of photojournalistic social commentary in his photographs of cities all over the world. In addition to the major series of works on canvas General Urban Walls (1963–2013), he created the sculptural assemblages Doors (1965–2010), for which he made doors that look like dilapidated found objects. Other thematic series also offer perspectives on urban life, among them New York Subway Walls (1967–2002), Blue Walls of New York (1998–2004), and Alexander's Walls (1995–2000). The latter was inspired by Dogançay's visits to Alexander's, an abandoned department store in midtown New York. The posters and graffiti that adorned this enormous boarded-up building were covered by black paper to make the structure less of an eyesore, but soon holes in the paper revealed what lay beneath. Dogançay's interest in this spectral emergence of pattern and collage led him to create a series of sixty large, predominantly black paintings. Other variations on the urban wall include Detours (1966–95), a series of mixed media works of wood panels and canvas featuring signs and arrows, and Ribbons (1972–89), for which Dogançay painted tendrils of paper casting calligraphic shadows in an interplay of geometric forms. Solo exhibitions of Dogançay's work have been held at the Centre Georges Pompidou, Paris (1982); Köln Baukunst-Galerie, Cologne (1982); Seibu Museum of Art, Tokyo (1989); State Russian Museum, Saint Petersburg (1992); Brooklyn Historical Society, New York (2000); Kennedy Museum of Art, Athens, Ohio (2001); Dolmabahçe Cultural Center, Istanbul (2001); Siegerlandmuseum, Siegen, Germany (2003); and Ohio University Art Gallery, Athens, Ohio, (2010). In 2012, Istanbul Modern organized a major retrospective of Dogançay's work. He received various awards, including a Medal of Appreciation from the Russian Ministry of Culture (1992) and the Turkish National Medal of the Arts for Lifetime Achievement and Cultural Contribution (1995). The Dogançay Museum opened in Istanbul in 2004 and features the work of the artist and that of his father. Dogançay died on January 16, 2013, in Istanbul. 1. Quoted in Brandon Taylor, "Dogançay's World," in Burhan Dogançay: Fifty years of Urban Walls, eds. Angela Dogançay and Birnur Temel, exh. cat. (Munich: Prestel, 2012), p. 18. (Guggenheim Museum, New York)
Potomack Company
Apr. 29, 2025
BURHAN CAHIT DOGANCAY, TURKISH/ AMERICAN 1929-2013, UNTITLED FROM RIBBON SERIES, Watercolor, gouache and mixed media on Arches paper, Sheet: 29 7/8 x 22 3/8 in. (75.9 x 56.8 cm.); Sight: 29 3/4 x 22 in. (75.6 x 55.9 cm.)
Est: $10,000 - $15,000
BURHAN CAHIT DOGANCAY TURKISH/ AMERICAN, 1929-2013 UNTITLED FROM RIBBON SERIES Watercolor, gouache and mixed media on Arches paper Lower right signed and dated: B. Dogancay / 1980 Catalogue note: Born in Istanbul in 1929, Burhan Dogançay began his artistic training with his father, the well-known painter Adil Dogançay, and the Turkish artist Arif Kaptan. In 1950, Dogançay earned a law degree from the University of Ankara, Turkey, and in 1953 he was awarded a doctorate of economics from the University of Paris, while attending art courses at the Académie de la Grande Chaumière (1950–55). Dogançay's expansive practice mixed collage with abstraction, deploying painting, photojournalism, and the calligraphic in an enormous oeuvre that includes graphic art, sculpture, paintings, and photographs. He is best known for his fascination with urban walls as tableaux suggesting an imaginary history, recording the passage of time through the marks left by the elements and by anonymous city-dwellers. In 1955, after a period spent making artwork in a naturalist vein, Dogançay left France for Ankara to serve in Turkey's Ministry of Commerce. But it was living as a diplomat in New York in the early 1960s that would spark the transformation of Dogançay's artistic practice. Specifically, while walking on 86th Street in 1963, Dogançay encountered what he called "the most beautiful abstract painting I have ever seen."¹ In fact, it was a wall with the remains of a poster, a constellation of broken patterns that Dogançay immediately sketched (and later reworked into a painting). In 1964, he gave up his diplomatic career in order to dedicate himself to an art that often used the urban wall as a means of exploring the visual experience of texture, place, and memory. He also adopted a mode of photojournalistic social commentary in his photographs of cities all over the world. In addition to the major series of works on canvas General Urban Walls (1963–2013), he created the sculptural assemblages Doors (1965–2010), for which he made doors that look like dilapidated found objects. Other thematic series also offer perspectives on urban life, among them New York Subway Walls (1967–2002), Blue Walls of New York (1998–2004), and Alexander's Walls (1995–2000). The latter was inspired by Dogançay's visits to Alexander's, an abandoned department store in midtown New York. The posters and graffiti that adorned this enormous boarded-up building were covered by black paper to make the structure less of an eyesore, but soon holes in the paper revealed what lay beneath. Dogançay's interest in this spectral emergence of pattern and collage led him to create a series of sixty large, predominantly black paintings. Other variations on the urban wall include Detours (1966–95), a series of mixed media works of wood panels and canvas featuring signs and arrows, and Ribbons (1972–89), for which Dogançay painted tendrils of paper casting calligraphic shadows in an interplay of geometric forms. Solo exhibitions of Dogançay's work have been held at the Centre Georges Pompidou, Paris (1982); Köln Baukunst-Galerie, Cologne (1982); Seibu Museum of Art, Tokyo (1989); State Russian Museum, Saint Petersburg (1992); Brooklyn Historical Society, New York (2000); Kennedy Museum of Art, Athens, Ohio (2001); Dolmabahçe Cultural Center, Istanbul (2001); Siegerlandmuseum, Siegen, Germany (2003); and Ohio University Art Gallery, Athens, Ohio, (2010). In 2012, Istanbul Modern organized a major retrospective of Dogançay's work. He received various awards, including a Medal of Appreciation from the Russian Ministry of Culture (1992) and the Turkish National Medal of the Arts for Lifetime Achievement and Cultural Contribution (1995). The Dogançay Museum opened in Istanbul in 2004 and features the work of the artist and that of his father. Dogançay died on January 16, 2013, in Istanbul. 1. Quoted in Brandon Taylor, "Dogançay's World," in Burhan Dogançay: Fifty years of Urban Walls, eds. Angela Dogançay and Birnur Temel, exh. cat. (Munich: Prestel, 2012), p. 18. (Guggenheim Museum, New York)
Potomack Company
Apr. 29, 2025
BURHAN CAHIT DOGANCAY, TURKISH/AMERICAN 1929-2013, UNTITLED FROM RIBBON SERIES, Watercolor and gouache on Arches paper, 29 7/8 x 22 1/4 in. (75.9 x 56.5 cm.); Sheet: 29 3/4 x 22 in. (75.6 x 55.9 cm.), Frame: 41 x 31 1/8
Est: $10,000 - $15,000
BURHAN CAHIT DOGANCAY TURKISH/AMERICAN, 1929-2013 UNTITLED FROM RIBBON SERIES Watercolor and gouache on Arches paper Lower right signed and dated: B. Dogancay 1978; upper left blind stamp Catalogue note: Born in Istanbul in 1929, Burhan Dogançay began his artistic training with his father, the well-known painter Adil Dogançay, and the Turkish artist Arif Kaptan. In 1950, Dogançay earned a law degree from the University of Ankara, Turkey, and in 1953 he was awarded a doctorate of economics from the University of Paris, while attending art courses at the Académie de la Grande Chaumière (1950–55). Dogançay's expansive practice mixed collage with abstraction, deploying painting, photojournalism, and the calligraphic in an enormous oeuvre that includes graphic art, sculpture, paintings, and photographs. He is best known for his fascination with urban walls as tableaux suggesting an imaginary history, recording the passage of time through the marks left by the elements and by anonymous city-dwellers. In 1955, after a period spent making artwork in a naturalist vein, Dogançay left France for Ankara to serve in Turkey's Ministry of Commerce. But it was living as a diplomat in New York in the early 1960s that would spark the transformation of Dogançay's artistic practice. Specifically, while walking on 86th Street in 1963, Dogançay encountered what he called "the most beautiful abstract painting I have ever seen."¹ In fact, it was a wall with the remains of a poster, a constellation of broken patterns that Dogançay immediately sketched (and later reworked into a painting). In 1964, he gave up his diplomatic career in order to dedicate himself to an art that often used the urban wall as a means of exploring the visual experience of texture, place, and memory. He also adopted a mode of photojournalistic social commentary in his photographs of cities all over the world. In addition to the major series of works on canvas General Urban Walls (1963–2013), he created the sculptural assemblages Doors (1965–2010), for which he made doors that look like dilapidated found objects. Other thematic series also offer perspectives on urban life, among them New York Subway Walls (1967–2002), Blue Walls of New York (1998–2004), and Alexander's Walls (1995–2000). The latter was inspired by Dogançay's visits to Alexander's, an abandoned department store in midtown New York. The posters and graffiti that adorned this enormous boarded-up building were covered by black paper to make the structure less of an eyesore, but soon holes in the paper revealed what lay beneath. Dogançay's interest in this spectral emergence of pattern and collage led him to create a series of sixty large, predominantly black paintings. Other variations on the urban wall include Detours (1966–95), a series of mixed media works of wood panels and canvas featuring signs and arrows, and Ribbons (1972–89), for which Dogançay painted tendrils of paper casting calligraphic shadows in an interplay of geometric forms. Solo exhibitions of Dogançay's work have been held at the Centre Georges Pompidou, Paris (1982); Köln Baukunst-Galerie, Cologne (1982); Seibu Museum of Art, Tokyo (1989); State Russian Museum, Saint Petersburg (1992); Brooklyn Historical Society, New York (2000); Kennedy Museum of Art, Athens, Ohio (2001); Dolmabahçe Cultural Center, Istanbul (2001); Siegerlandmuseum, Siegen, Germany (2003); and Ohio University Art Gallery, Athens, Ohio, (2010). In 2012, Istanbul Modern organized a major retrospective of Dogançay's work. He received various awards, including a Medal of Appreciation from the Russian Ministry of Culture (1992) and the Turkish National Medal of the Arts for Lifetime Achievement and Cultural Contribution (1995). The Dogançay Museum opened in Istanbul in 2004 and features the work of the artist and that of his father. Dogançay died on January 16, 2013, in Istanbul. 1. Quoted in Brandon Taylor, "Dogançay's World," in Burhan Dogançay: Fifty years of Urban Walls, eds. Angela Dogançay and Birnur Temel, exh. cat. (Munich: Prestel, 2012), p. 18. (Guggenheim Museum, New York)
Potomack Company
Apr. 29, 2025
BURHAN CAHIT DOGANCAY, TURKISH/AMERICAN 1929-2013, UNTITLED, Watercolor and gouache on Arches paper, Sheet: 20 3/8 x 14 in. (51.8 x 35.6 cm.); Sight: 17 1/2 x 11 3/4 in. (44.5 x 29.8 cm.), Frame: 25 x 18 5/8 in. (63.5 x
Est: $8,000 - $12,000
BURHAN CAHIT DOGANCAY TURKISH/AMERICAN, 1929-2013 UNTITLED Watercolor and gouache on Arches paper Lower left signed: B. Dogancay Catalogue note: Born in Istanbul in 1929, Burhan Dogançay began his artistic training with his father, the well-known painter Adil Dogançay, and the Turkish artist Arif Kaptan. In 1950, Dogançay earned a law degree from the University of Ankara, Turkey, and in 1953 he was awarded a doctorate of economics from the University of Paris, while attending art courses at the Académie de la Grande Chaumière (1950–55). Dogançay's expansive practice mixed collage with abstraction, deploying painting, photojournalism, and the calligraphic in an enormous oeuvre that includes graphic art, sculpture, paintings, and photographs. He is best known for his fascination with urban walls as tableaux suggesting an imaginary history, recording the passage of time through the marks left by the elements and by anonymous city-dwellers. In 1955, after a period spent making artwork in a naturalist vein, Dogançay left France for Ankara to serve in Turkey's Ministry of Commerce. But it was living as a diplomat in New York in the early 1960s that would spark the transformation of Dogançay's artistic practice. Specifically, while walking on 86th Street in 1963, Dogançay encountered what he called "the most beautiful abstract painting I have ever seen."¹ In fact, it was a wall with the remains of a poster, a constellation of broken patterns that Dogançay immediately sketched (and later reworked into a painting). In 1964, he gave up his diplomatic career in order to dedicate himself to an art that often used the urban wall as a means of exploring the visual experience of texture, place, and memory. He also adopted a mode of photojournalistic social commentary in his photographs of cities all over the world. In addition to the major series of works on canvas General Urban Walls (1963–2013), he created the sculptural assemblages Doors (1965–2010), for which he made doors that look like dilapidated found objects. Other thematic series also offer perspectives on urban life, among them New York Subway Walls (1967–2002), Blue Walls of New York (1998–2004), and Alexander's Walls (1995–2000). The latter was inspired by Dogançay's visits to Alexander's, an abandoned department store in midtown New York. The posters and graffiti that adorned this enormous boarded-up building were covered by black paper to make the structure less of an eyesore, but soon holes in the paper revealed what lay beneath. Dogançay's interest in this spectral emergence of pattern and collage led him to create a series of sixty large, predominantly black paintings. Other variations on the urban wall include Detours (1966–95), a series of mixed media works of wood panels and canvas featuring signs and arrows, and Ribbons (1972–89), for which Dogançay painted tendrils of paper casting calligraphic shadows in an interplay of geometric forms. Solo exhibitions of Dogançay's work have been held at the Centre Georges Pompidou, Paris (1982); Köln Baukunst-Galerie, Cologne (1982); Seibu Museum of Art, Tokyo (1989); State Russian Museum, Saint Petersburg (1992); Brooklyn Historical Society, New York (2000); Kennedy Museum of Art, Athens, Ohio (2001); Dolmabahçe Cultural Center, Istanbul (2001); Siegerlandmuseum, Siegen, Germany (2003); and Ohio University Art Gallery, Athens, Ohio, (2010). In 2012, Istanbul Modern organized a major retrospective of Dogançay's work. He received various awards, including a Medal of Appreciation from the Russian Ministry of Culture (1992) and the Turkish National Medal of the Arts for Lifetime Achievement and Cultural Contribution (1995). The Dogançay Museum opened in Istanbul in 2004 and features the work of the artist and that of his father. Dogançay died on January 16, 2013, in Istanbul. 1. Quoted in Brandon Taylor, "Dogançay's World," in Burhan Dogançay: Fifty years of Urban Walls, eds. Angela Dogançay and Birnur Temel, exh. cat. (Munich: Prestel, 2012), p. 18. (Guggenheim Museum, New York)
Potomack Company
Apr. 29, 2025
BURHAN CAHIT DOGANCAY, TURKISH/AMERICAN 1929-2013, GREGO HATES BOMBS, Acrylic, collage and mixed media on canvas, 40 x 40 in.
Est: $30,000 - $60,000
BURHAN CAHIT DOGANCAY TURKISH/AMERICAN, 1929-2013 GREGO HATES BOMBS Acrylic, collage and mixed media on canvas Lower right signed and dated: B. Dogancy / 1993 Catalogue note: Born in Istanbul in 1929, Burhan Dogançay began his artistic training with his father, the well-known painter Adil Dogançay, and the Turkish artist Arif Kaptan. In 1950, Dogançay earned a law degree from the University of Ankara, Turkey, and in 1953 he was awarded a doctorate of economics from the University of Paris, while attending art courses at the Académie de la Grande Chaumière (1950–55). Dogançay's expansive practice mixed collage with abstraction, deploying painting, photojournalism, and the calligraphic in an enormous oeuvre that includes graphic art, sculpture, paintings, and photographs. He is best known for his fascination with urban walls as tableaux suggesting an imaginary history, recording the passage of time through the marks left by the elements and by anonymous city-dwellers. In 1955, after a period spent making artwork in a naturalist vein, Dogançay left France for Ankara to serve in Turkey's Ministry of Commerce. But it was living as a diplomat in New York in the early 1960s that would spark the transformation of Dogançay's artistic practice. Specifically, while walking on 86th Street in 1963, Dogançay encountered what he called "the most beautiful abstract painting I have ever seen."¹ In fact, it was a wall with the remains of a poster, a constellation of broken patterns that Dogançay immediately sketched (and later reworked into a painting). In 1964, he gave up his diplomatic career in order to dedicate himself to an art that often used the urban wall as a means of exploring the visual experience of texture, place, and memory. He also adopted a mode of photojournalistic social commentary in his photographs of cities all over the world. In addition to the major series of works on canvas General Urban Walls (1963–2013), he created the sculptural assemblages Doors (1965–2010), for which he made doors that look like dilapidated found objects. Other thematic series also offer perspectives on urban life, among them New York Subway Walls (1967–2002), Blue Walls of New York (1998–2004), and Alexander's Walls (1995–2000). The latter was inspired by Dogançay's visits to Alexander's, an abandoned department store in midtown New York. The posters and graffiti that adorned this enormous boarded-up building were covered by black paper to make the structure less of an eyesore, but soon holes in the paper revealed what lay beneath. Dogançay's interest in this spectral emergence of pattern and collage led him to create a series of sixty large, predominantly black paintings. Other variations on the urban wall include Detours (1966–95), a series of mixed media works of wood panels and canvas featuring signs and arrows, and Ribbons (1972–89), for which Dogançay painted tendrils of paper casting calligraphic shadows in an interplay of geometric forms. Solo exhibitions of Dogançay's work have been held at the Centre Georges Pompidou, Paris (1982); Köln Baukunst-Galerie, Cologne (1982); Seibu Museum of Art, Tokyo (1989); State Russian Museum, Saint Petersburg (1992); Brooklyn Historical Society, New York (2000); Kennedy Museum of Art, Athens, Ohio (2001); Dolmabahçe Cultural Center, Istanbul (2001); Siegerlandmuseum, Siegen, Germany (2003); and Ohio University Art Gallery, Athens, Ohio, (2010). In 2012, Istanbul Modern organized a major retrospective of Dogançay's work. He received various awards, including a Medal of Appreciation from the Russian Ministry of Culture (1992) and the Turkish National Medal of the Arts for Lifetime Achievement and Cultural Contribution (1995). The Dogançay Museum opened in Istanbul in 2004 and features the work of the artist and that of his father. Dogançay died on January 16, 2013, in Istanbul. 1. Quoted in Brandon Taylor, "Dogançay's World," in Burhan Dogançay: Fifty years of Urban Walls, eds. Angela Dogançay and Birnur Temel, exh. cat. (Munich: Prestel, 2012), p. 18. (Guggenheim Museum, New York)
Potomack Company
Apr. 28, 2025
DOGANÇAY BURHAN (1929-2013)
Est: €10,000 - €15,000
Composition
Campo & Campo
Apr. 12, 2025
BURHAN DOGANCAY, 42ND AND FIFTH AVE (LARGE), POSTER
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: 42nd and Fifth Ave (large) Year: circa 1964 Medium: Poster Image Size: 27.25 x 23 inches Size: 33.75 in. x 24.75 in. (85.73 cm x 62.87 cm)
RoGallery
Mar. 27, 2025
Burhan DOGANÇAY (1929-2013)
Est: €2,000 - €3,000
Burhan DOGANÇAY (1929-2013) Mao in Montréal (1981) Photographie,sigée en bas à droite,numérotée en bas à gauche 1/5 Tirage au gélatino-bromure d'argent sur papier Ilford Ed. 1 / 5 152,4 x 101,6 cm
Maison Verneuil
Mar. 20, 2025
Burhan Dogancay Abstract Composition Lithograph
Est: $800 - $1,200
Burhan Dogancay (Turkish/American, 1929-2013), Abstract Composition, Lithograph in Colors, circa 1970, from the Wall series, numbered edition "59/120" lower left, signed in pencil lower right, silver-tone frame. Image: 30" H x 22" W; frame: 32.5" H x 24.5" W. Provenance: From a New York City Corporate Collection. Keywords: Prints, Multiples, Abstraction, Torn paper, Paper rip, Bold, Graphic, Posters, Duvarlar Serisi, 20th Century School, Post-War and Contemporary Art
Auctions at Showplace
Feb. 22, 2025
BURHAN DOGANCAY, A CORNER IN BROOKLYN (LARGE), POSTER
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: A Corner in Brooklyn (large) Year: 1964 Medium: Poster Image Size: 28 x 20.25 inches Size: 33.75 in. x 24.25 in. (85.73 cm x 61.6 cm)
RoGallery
Feb. 20, 2025
Burhan Dogancay Green & Red Composition Lithograph
Est: $800 - $1,200
Burhan Dogancay (Turkish, 1929-2013), Green and Red Composition, Lithograph in Colors, signed in pencil lower right, numbered edition "27/120" lower left, silver-tone frame. 30" H x 21.75" W; frame: 33.75" H x 24.75" W. Provenance: From a New York City Corporate Collection. Keywords: Prints, Modern Multiples, Graphic, Typography, Letter R, Polychrome, 20th Century School, Post-War and Contemporary Art
Auctions at Showplace
Nov. 12, 2024
BURHAN DOGANÇAY (1929 - 2013, TURKISH/AMERICAN) Untitled.
Est: $10,000 - $15,000
BURHAN DOGANÇAY (1929 - 2013, TURKISH/AMERICAN) Untitled. Watercolor on Arches paper, 1983. Signed, B Dogancay, dated, 1983, and inscribed to Roy / New York City, lower right. 305x380 mm; 12x15 inches, (image). 762x570 mm; 30x22½ inches, (sheet). Provenance: Private collection, gifted directly from the artist; Private collection.
Swann Auction Galleries
Oct. 29, 2024
DOGANÇAY BURHAN (1929-2013)
Est: €8,000 - €10,000
Composition
Campo & Campo
Oct. 06, 2024
BURHAN DOGANCAY, 42ND AND FIFTH AVE (LARGE), POSTER
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: 42nd and Fifth Ave (large) Year: circa 1964 Medium: Poster Image Size: 27.25 x 23 inches Size: 33.75 in. x 24.75 in. (85.73 cm x 62.87 cm)
RoGallery
Oct. 06, 2024
BURHAN DOGANCAY, A CORNER IN BROOKLYN (LARGE), POSTER
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: A Corner in Brooklyn (large) Year: 1964 Medium: Poster Image Size: 28 x 20.25 inches Size: 33.75 in. x 24.25 in. (85.73 cm x 61.6 cm)
RoGallery
Jun. 05, 2024
Burhan Cahit DOGANÇAY
Est: €7,000 - €9,000
Burhan Cahit DOGANÇAY Sans titre - 1983 Encre et gouache sur papier Signé, daté et situé en bas à droite "BDogancay, 1983, NYC" H : 76.0 cm, L : 57.0 cm Provenance : Collection particulière, Paris A réencadrer h : 76.0 cm, w : 57.0 cm Burhan Cahit DOGANÇAY H : 76.0 cm, L : 57.0 cm h : 76.0 cm, w : 57.0 cm Ink and gouache on paper; signed, dated and located lower right
Artcurial
Jun. 05, 2024
Burhan Cahit DOGANÇAY
Est: €7,000 - €9,000
Burhan Cahit DOGANÇAY Sans titre - 1985 Encre et gouache sur papier Signé et daté en bas à droite "BDogancay, 1985" H : 56.5 cm, L : 75.5 cm Provenance : Collection particulière, Paris h : 56.5 cm, w : 75.5 cm Burhan Cahit DOGANÇAY H : 56.5 cm, L : 75.5 cm h : 56.5 cm, w : 75.5 cm Ink and gouache on paper; signed and dated lower right
Artcurial
Jun. 04, 2024
Burhan Doğancay, Untitled (from the Ribbon Series)
Est: $800 - $1,000
Burhan Doğancay Untitled (from the Ribbon Series) c. 1978 lithograph in colors image: 18.125 h x 24.375 w in (46 x 62 cm) sheet: 19.875 h x 25.625 w in (50 x 65 cm) Signed and numbered to lower edge 'Epreuve d'artiste Burhan Doğancay'. This work is an artist's proof apart from the edition of 15. This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
May. 02, 2024
BURHAN DOGANÇAY (1929 - 2013, TURKISH/AMERICAN) Untitled.
Est: $7,000 - $9,000
BURHAN DOGANÇAY (1929 - 2013, TURKISH/AMERICAN) Untitled. Gouache on paper, 1974. Signed, B Dogancay, dated, 1974, and inscribed, to Susan, lower right. 292x280 mm; 11½x11 inches, (sheet size). Provenance: The artist; Private collection.
Swann Auction Galleries
May. 01, 2024
BURHAN DOGANCAY, WALLS 70 (14), LITHOGRAPH ON ARCHES
Est: $1,000 - $1,500
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: Walls 70 (14) Year: 1970 Medium: Lithograph on Arches, Signed and numbered in pencil Edition: 52/120 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)
RoGallery
Apr. 28, 2024
Burhan Doğançay Oil Paint
Est: ₺20,000 - ₺30,000
Burhan Doğançay Print, Walls, Ed No: 97/100, Fineart Print on Paper 77 x 51 cm.
Clar Auction
Apr. 25, 2024
Burhan DOGANÇAY (1929-2013)
Est: €12,000 - €15,000
Burhan DOGANÇAY (1929-2013) Défense d'afficher, 1994 Mixed media and collage on paper 56 x 75 cm Signed and dated lower left Provenance Sotheby's sale, Paris, February 23, 2017, lot 260 Private collection Défense d'afficher, 1994 Technique mixte et collage sur papier 56 x 75 cm Signé et daté en bas à gauche Provenance Vente Sotheby's, Paris, 23 février 2017, lot 260 Collection privée
Maison Verneuil
Apr. 13, 2024
BURHAN DOGANCAY, 42ND AND FIFTH AVE (LARGE), POSTER
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: 42nd and Fifth Ave (large) Year: circa 1964 Medium: Poster Image Size: 27.25 x 23 inches Size: 33.75 in. x 24.75 in. (85.73 cm x 62.87 cm)
RoGallery
Mar. 06, 2024
Burhan Dogancay
Est: $7,000 - $9,000
Turkish/American 1929-2013 Untitled, 1983 Signed, dated, and inscribed BDogancay 1983 NYC (lr) Gouache on paper 30 x 22 1/4 inches (76.2 x 56.5 cm) Provenance: Acquired directly from the artist (Framed 40 1/4 x 32 1/4 inches) In overall good condition. Hinged to mat at top verso edge.
DOYLE Auctioneers & Appraisers
Feb. 25, 2024
Burhan Doğançay Printing
Est: ₺20,000 - ₺25,000
Burhan Doğançay, signed print, serial number 15/15, 48x64 cm
Clar Auction
Jan. 21, 2024
Burhan Dogancay "Untitled" (Walls V-VI) Lithograph
Est: $800 - $1,200
Burhan Dogancay (American, 1929-2013), "Untitled" (Walls V-VI), Lithograph in Colors, printed by Charles Ringness (American, b. 1946), wood frame. Image: 23" H x 19" W; frame: 30" H x 24" W. Provenance: From a 177 75th Street collection. Keywords: Multiples, Prints, Peel, Illusion, Polychrome, Primary colors
Auctions at Showplace
Dec. 15, 2023
BURHAN DOGANCAY, 42ND AND FIFTH AVE (LARGE), POSTER
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: 42nd and Fifth Ave (large) Year: circa 1964 Medium: Poster Image Size: 27.25 x 23 inches Size: 33.75 in. x 24.75 in. (85.73 cm x 62.87 cm)
RoGallery
Dec. 15, 2023
BURHAN DOGANCAY, A CORNER IN BROOKLYN (LARGE), POSTER
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: A Corner in Brooklyn (large) Year: 1964 Medium: Poster Image Size: 28 x 20.25 inches Size: 33.75 in. x 24.25 in. (85.73 cm x 61.6 cm)
RoGallery
Dec. 06, 2023
Burhan Dogancay
Est: $7,000 - $9,000
Turkish/American 1929-2013 Untitled, 1983 Signed, dated, and inscribed BDogancay 1983 NYC (lr) Gouache on paper 30 x 22 1/4 inches (76.2 x 56.5 cm) Provenance: Acquired directly from the artist (Framed 40 1/4 x 32 1/4 inches) In overall good condition. Hinged to mat at top verso edge.
DOYLE Auctioneers & Appraisers
Dec. 06, 2023
Burhan Dogancay
Est: $7,000 - $9,000
Turkish/American 1929-2013 Untitled, 1983 Signed, dated, and inscribed BDogancay 1983 NYC (lr) Gouache on paper 30 x 22 1/4 inches (76.2 x 56.5 cm) Provenance: Acquired directly from the artist (Framed 40 1/4 x 32 1/4 inches) Some loss in blue pigment. Very slight undulation to paper near some of the edges. Small crease in the upper left corner. Hinged to mat at top verso edge.
DOYLE Auctioneers & Appraisers
Nov. 30, 2023
BURHAN DOGANÇAY (1929 - 2013, TURKISH/AMERICAN) Untitled, (Splashed Wall).
Est: $5,000 - $7,000
BURHAN DOGANÇAY (1929 - 2013, TURKISH/AMERICAN) Untitled, (Splashed Wall). Gouache and ink on illustration board, c. 1963. Signed, B Dogançay, lower right. 770x1020 mm; 30x40 inches. Provenance: Private collection, NY.
Swann Auction Galleries
Nov. 16, 2023
BURHAN DOGANÇAY Two color lithographs.
Est: $1,500 - $2,500
BURHAN DOGANÇAY Two color lithographs. Both 1969. Both 485x385 mm; 19x15 1/4 inches (sheet), full margins. Both artist's proofs, aside from the edition of 20. Both signed, dated and inscribed "color trial proof" in pencil, lower margin. Printed and published by the Tamarind Institute, University of New Mexico. Very good impressions. Tamarind 2650 and 2651.
Swann Auction Galleries
Nov. 04, 2023
Burhan Dogancay (Turkish, 1929-2013) Purple O, Signed and dated 1972 lower right, gouache on Arches paper, Image-8 1/2" x 8 1/4", Sheet-11 7/8" x 11", Good Condition, Unframed.
Est: $10,000 - $15,000
Burhan Dogancay (Turkish, 1929-2013) Purple O, Signed and dated 1972 lower right, gouache on Arches paper, Image-8 1/2" x 8 1/4", Sheet-11 7/8" x 11", Good Condition, Unframed.
Auction Gallery of the Palm Beaches
Oct. 19, 2023
BURHAN DOGANCAY (1929-2013)
Est: $50,000 - $100,000
Included in artist catalogue raisonne titled "Major Breakthrough". Large-scale abstract acrylic on canvas. Signed, dated 1973 and inscribed NYC verso. Provenance: Gimpel Weitzenhoffer Gallery, N.Y.C. With original price list and artist's bio published by the gallery. Dimensions: H 60.5" x W 60" Condition: Unframed. Light surface dust; a few rubs to canvas edges. Provenance: From a long-established family estate in Little Compton, RI.
Westport Auction
Sep. 22, 2023
(3) BURHAN DOGANCAY (1929-2013) WALLS LITHOGRAPHS
Est: $800 - $1,200
(lot of 3) Framed color lithographs on paper, Burhan Cahit Dogancay (Turkish-American, 1929-2013), from "Walls 70" series, including: (1) signed lower right, inscribed AP (artist's proof), (2) signed lower right, numbered 43/ 120, sheet: approx 30"h, 22"w, overall: 31.25"h, 23.25"w; 25.5lbs total Start Price: $600.00
Austin Auction Gallery
May. 13, 2023
Burhan Dogancay, A Corner in Brooklyn (large), Poster
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: A Corner in Brooklyn (large) Year: 1964 Medium: Poster Image Size: 28 x 20.25 inches Size: 33.75 in. x 24.25 in. (85.73 cm x 61.6 cm)
RoGallery
May. 13, 2023
Burhan Dogancay, 42nd and Fifth Ave (large), Poster
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: 42nd and Fifth Ave (large) Year: circa 1964 Medium: Poster Image Size: 27.25 x 23 inches Size: 33.75 in. x 24.75 in. (85.73 cm x 62.87 cm)
RoGallery
May. 13, 2023
Burhan Dogancay, Empire State Building, Poster
Est: $262 - $350
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: Empire State Building Year: 1964 Medium: Poster Image Size: 16.5 x 10.5 inches Size: 19.25 in. x 14 in. (48.9 cm x 35.56 cm)
RoGallery
Apr. 27, 2023
BURHAN DOGANCAY (1929-2013) Brooklyn Bridge.
Est: $2,000 - $3,000
BURHAN DOGANCAY (1929-2013) Brooklyn Bridge. Platinum print, the image measuring 6 1/2x9 7/8 inches (16.5x25.1 cm.), the sheet 14x17 inches (35.6x43.2 cm.), with Dogançay's signature and edition notation 1/25 in pencil on recto. 1986; printed 1999 Provenance: Private Collection, New York In 1986–87, Following the centennial of the Brooklyn Bridge, a major reconstruction was undertaken. Dogançay was permitted to accompany the bridge workers while they worked (and climbed!) and created a magnificent suite of photographs of the workers, the bridge, and the surreal protective netting. Dogançay published a book of this work, titled Bridge of Dreams, with an introduction by Philip Lopate, in 1999. This image was featured on the cover.
Swann Auction Galleries
Mar. 15, 2023
Burhan Dogancay Turkish/American, 1929-2013 Western Heart, 1973
Est: $6,000 - $9,000
Burhan Dogancay Turkish/American, 1929-2013 Western Heart, 1973 Signed and dated B. Dogancay 1973 (lr) Watercolor on paper 15 1/8 x 22 1/4 inches (38.4 x 56.5 cm) Provenance: Sneed Hillman Gallery, Rockford, Illinois Thence by descent to the current owner C
DOYLE Auctioneers & Appraisers
Mar. 15, 2023
Burhan Dogancay Turkish/American, 1929-2013 Heartful of Soul, 1973
Est: $5,000 - $7,000
Burhan Dogancay Turkish/American, 1929-2013 Heartful of Soul, 1973 Signed and dated B. Dogancay 1973 (lr) Watercolor on paper 15 x 17 5/8 inches (38.1 x 44.8 cm) Provenance: Sneed Hillman Gallery, Rockford, Illinois Thence by descent to the current owner C
DOYLE Auctioneers & Appraisers
Mar. 11, 2023
BURHAN DOGANCAY, A CORNER IN BROOKLYN (LARGE), POSTER
Est: $350 - $450
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: A Corner in Brooklyn (large) Year: 1964 Medium: Poster Image Size: 28 x 20.25 inches Size: 33.75 in. x 24.25 in. (85.73 cm x 61.6 cm)
RoGallery
Mar. 11, 2023
BURHAN DOGANCAY, EMPIRE STATE BUILDING, POSTER
Est: $260 - $350
Artist: Burhan Dogancay, Turkish/American (1929 - 2013) Title: Empire State Building Year: 1964 Medium: Poster Image Size: 16.5 x 10.5 inches Size: 19.25 in. x 14 in. (48.9 cm x 35.56 cm)
RoGallery
Feb. 16, 2023
BURHAN DOGANCAY - 3 PRINTS
Est: $300 - $500
Lot 146 Burhan Dogancay Turkish (1929-2013) 3 prints serigraph lot includes: Untitled (Yellow, Red, and Black,Composition), signed lower right, artist proof Untitled (Red, Black, and White Composition), signed lower right, editioned 25/120 Untitled (Purple and Yellow A), signed lower right, editioned 83/120 sheet (each): 30 x 22 inches frame dimensions (each): 37 1/2 x 29 1/8 x 1 1/2 inches, wood frame with acrylic glazing Provenance: From a Long Island Collection
Capsule Gallery Auction
Feb. 15, 2023
Burhan Doğancay, Untitled
Est: $1,000 - $1,500
Burhan Doğancay Untitled c. 1978 lithograph in colors image: 18.375 h x 24.25 w in (47 x 62 cm) sheet: 20 h x 25.625 w in (51 x 65 cm) Signed and numbered to lower edge 'Epreuve d'Artiste Doğancay'. This work is an artist's proof apart from the edition of 75. This work will ship from Rago in Lambertville, New Jersey.
Rago Arts and Auction Center
Jul. 12, 2022
Burhan DOGANCAY (1929- 2013)
Est: €35,000 - €40,000
Burhan DOGANCAY (1929- 2013) AC 1970 Technique mixte et collages sur toile signée et dédicacée en bas à droite 121.9 x 121.9 cm - 48 x 48 in. Mixed media on collage on canvas signed and inscribed lower right Ce lot est en provenance hors CEE, il convient d'ajouter la TVA à l'importation de 5,5% du prix d'adjudication.
Maison Verneuil
Jul. 12, 2022
Burhan DOGANCAY (Turkish, 1929-2013)
Est: €6,000 - €8,000
Burhan DOGANCAY (Turkish, 1929-2013) Twin Towers, 1986 Tirage argentique Signé en bas à droite Numéroté 3/5 40 in. x 60 in. - 101.6 x 152.4 cm. Ce lot est en provenance hors CEE, il convient d'ajouter la TVA à l'importation de 5,5% du prix d'adjudication.
Maison Verneuil
Jun. 14, 2022
Burhan Dogancay Turkish/American, 1929-2013 Park Ave. & 54th, 1964
Est: $3,000 - $5,000
Burhan Dogancay Turkish/American, 1929-2013 Park Ave. & 54th, 1964 Signed, dated and titled B. Dogancay/1964/Park Ave. & 54th Christmas Night (ll) Watercolor and gouache on paper 27 1/2 x 22 1/2 inches (69.8 x 57.2 cm) Provenance: Collection of Mr. and Mrs. Robert Coleman Purnell School, Pottersville, NJ, Gift from the above Dec. 1997 Literature: Vine, Richard, Burhan Dogancay: Works on Paper 1950-2000, New York: Hudson Hills Press, 2003, p. 88 Zeynep Rona (ed.), Burhan Dogancay: A Retrospective, Istanbul: Duran Editions, 2001, p. 57 C
DOYLE Auctioneers & Appraisers