Joost Cornelisz. Droochsloot Paintings & Artwork for Sale | Joost Cornelisz. Droochsloot Art Value Price Guide

Dec. 04, 2024
Joost Cornelisz. Droochsloot, zugeschrieben Busy village street
Est: €5,000 - €7,000
Joost Cornelisz. Droochsloot, zugeschrieben 1586 Utrecht - 1666 ebenda Busy village street Monogrammed CDS and dated 1659 lower left. Oil auf panel. 47 x 63 cm. Restored. Minor damage. Minor damage to frame (64 x 81 cm). Provenienz: Neumeister, Munich, Auction 244, 16 March 1988, catalogue number 417. - Private collection, South Germany.
Neumeister
Nov. 16, 2024
Joost Cornelisz. Droochsloot, Daily life in a Dutch village
Est: €6,000 - €8,000
Monogrammed lower left: JC DS (ligated)
Kunsthaus Lempertz KG
Nov. 16, 2024
Joost Cornelisz. Droochsloot, Festivities in a Village Square
Est: €9,000 - €10,000
Signed and dated lower left: DroogSloot 1642 The present work is a characteristic example of the village and town views of the Utrecht painter Joost Cornelisz. Droochsloot. These vedute usually feature a street leading into the distance, lined on one or both sides by houses, inns or walls. As always with Droochsloot, the painting is enlivened by a multitude of precisely rendered and varied figures.
Kunsthaus Lempertz KG
Nov. 13, 2024
DROOCHSLOOT Joost Cornelisz (1586 - 1666) Tableaux Huile sur panneau de chê
Est: €3,500 - €4,500
DROOCHSLOOT Joost Cornelisz (1586 - 1666) Tableaux Huile sur panneau de chêne renforcé "Scène de vie quotidienne au village". Signature peu lisible en bas au milieu pour Joost Cornelisz Droochsloot. École Hollandaise. Époque: XVIIème. Voir au dos, une trace de cachet à la cire rouge. Dim.:+/-52x73,5cm.
Vanderkindere
Nov. 12, 2024
Joost Cornelisz. Droochsloot (1586-1666)
Est: €20,000 - €30,000
The disbanding of the 'waardgelders' by Maurits, Prince of Orange, on the Neude in Utrecht, 31 July 1618, signed and dated 'JC. Drooch Sloot. 1629.' (lower right), oil on canvas, 98x143 cm , Exhibited:-Delft, Legermuseum (nowadays the Nationaal Militair Museum, Soest), inv. no. 117443.Literature:-Jos Hilkhuijsen, ‘De afdanking van de waardgelders te Utrecht in 1618’, in ‘Armamentaria', Jaarboek Legermuseum 2003-2004, inv. no. 38, ill. pp. 311-329.Provenance:-Collection Kasteel Linschoten, Utrecht, 18th century (listed in the collection inventory).-By descent in collection of physician Dr J. Roosenburg, 's-Hertogenbosch, 19th century.-By descent in collection of his daughter L.A.A. van Roosenburg, married to Mr F.H. Fentener van Vlissingen, Huize Bergen in Vught, late 19th century.-By descent in collection of their son Dr F.H. Fentener van Vlissingen, Beukenhort in Vught, early 20th century.-Gifted by the above to Ir. W.P.C. Knuttel, Huize Meyendael in Deventer, 1952. -Thence by descent to the present owner, in 2002 given in long-term loan to the Legermuseum in Delft (nowadays the Nationaal Militair Museum, Soest), The dismissal of the waardgelders (mercenaries of the time) in 1618 was a historical event of crucial significance for the military authority of Maurits, Prince of Orange (1567-1625) - stadholder and military commander of the Republic of the Seven United Netherlands - and left a lasting impact on politics. On the Neude square in Utrecht, the waardgelders, under the watchful eyes of Prince Maurits, his brother Frederik Hendrik, Ernest Casimir van Nassau, and Deputies of the States General, laid down their arms. Further along are officers, pikemen, musketeers and flag bearers. The background shows a topographically accurate depiction of Utrecht’s Neude, surrounded by stone and wooden stepped gable houses, the waardgelders' guardhouse, and the Cecilia Monastery. Given the great importance of this event, multiple versions were produced in the workshop of the Utrecht painter Joost Cornelisz. Droochsloot, several of which are now housed in major collections, including the Koninklijke Museum voor Schone Kunsten van België, Brussels (dated 1618, inv. no. 2551), the Rijksmuseum, Amsterdam (dated 1625, inv. no. SK-A-606), and the Centraal Museum, Utrecht (dated 1629, inv. no. 2520). Commissions for these paintings came from noblemen, the Utrecht city council, army officers, and wealthy individuals, both domestic and foreign, who had been directly involved in the dismissal.Source, Jos Hilkhuijsen, ‘Armamentaria’, Jaarboek Legermuseum 2003-2004, pp. 311-329.
Venduehuis der Notarissen
Sep. 20, 2024
JOOST CORNELISZ. DROOCHSLOOT
Est: CHF6,000 - CHF10,000
JOOST CORNELISZ. DROOCHSLOOT (1586 Utrecht 1666) Village landscape by a river. Oil on panel. Signed lower left: J C (ligature) D S. fec. 48 × 63.8 cm. Provenance: - Sale Parke-Bernet Galleries, London, 17.12.1969, Lot 42. - With Brian Koetser, London, 1970. - European private collection. ------------------------------------------------- JOOST CORNELISZ. DROOCHSLOOT (1586 Utrecht 1666) Dorflandschaft an einem Fluss. Öl auf Holz. Unten links signiert: J C (legiert) D S. fec. 48 × 63,8 cm. Provenienz: - Auktion Parke-Bernet Galleries, London, 17.12.1969, Los 42. - Kunsthandel Brian Koetser, London, 1970. - Europäische Privatsammlung.
Koller Auctions
Sep. 10, 2024
Tableaux DROOCHSLOOT Joost Cornelisz (1586 - 1666)
Est: €5,000 - €8,000
Huile sur panneau de chêne renforcé "Scène de vie quotidienne au village". Signature peu lisible en bas au milieu pour Joost Cornelisz Droochsloot. École Hollandaise. Époque: XVIIème. Voir au dos, une trace de cachet à la cire rouge. Dim.:+/-52x73,5cm.
Vanderkindere
Sep. 07, 2024
Joost Cornelisz. Droochsloot
Est: €26,000 - €52,000
(1586 Utrecht - 1666 ebenda) Dorfansicht mit ausgelassenen Bauern zur Kirchweih Blick auf einen von Bäumen umstandenen Platz vor einer Kirche. In vielen Szenen wird erzählerisch das parallel stattfindende rege Treiben aus sich vielfältig amüsierenden, tanzenden, trinkenden, raufenden und spielenden Bauern, Paaren in Zweisamkeit sowie dazwischen herumtollenden Kindern und Hunden dargestellt, während vor der Kirche einige Zeltbuden aufgebaut sind. In Komposition, Motiv und Stil repräsentatives Hauptwerk aus der reifen Schaffensphase Droochsloots Mitte des 17. Jhs., als er insbesondere Dorfszenen mit ausgelassenen Kirmesfesten darstellte. Diese Gemälde zeigen meist einen im Vordergrund belebten Platz und eine in die Tiefe führende Straße mit flankierenden Häusern und Kirche; in dem von Gelb- und Brauntönen dominierten Kolorit leuchten einzelne rote Akzente hervor. Vergleichbare, vom RKD in Den Haag dokumentierte Werke befinden sich u.a. im Frans Hals Museum in Haarlem und Museum Boijmans Van Beuningen, Rotterdam (1649 dat.). Droochsloot lernte 1610-1615 wahrscheinlich bei David Vinckbooms d. Ä. in Amsterdam und ließ sich nach kurzem Aufenthalt in Den Haag (1615) und schließlich 1616 in Utrecht nieder, wo er noch im selben Jahr Mitglied der Lukasgilde wurde. In Utrecht gehört er zu den angesehenen Bürgern der Stadt, der in mehreren Funktionen tätig war, 1623-1641 wählte man ihn außerdem viermal zum Dekan der Lukasgilde. Öl/Eichenholztafel. R. u. sign. u. dat. 1647. Verso zwei alte Klebezettel/Etiketten mit Bez.; 60 cm x 85 cm. Rahmen. Beigefügt: Gutachten von Dr. Walter Bernt, München, 30.10.1972 (auf umseitiger Fotografie). Provenienz: Westdeutsche Kunstmesse, Köln 1973; deutsche Privatsammlung; Auktion Düsseldorfer Auktionshaus, 04.12.2021, Lot 1229; deutsche Privatsammlung. Oil on oak panel. Signed and dated 1647. Two old labels with inscriptions on the reverse. Accompanied by an expertise from Dr. Walter Bernt, Munich, 30th of October 1972.
Kunstauktionshaus Schloss Ahlden
Jul. 25, 2024
JOOST CORNELISZ DROOCHSLOOT (Holland, 1586-1666). "Kermesse". Oil on oak panel. Cradled. Signed in the central area.
Est: €7,000 - €8,000
JOOST CORNELISZ DROOCHSLOOT (Holland, 1586-1666). "Kermesse". Oil on oak panel. Cradled. Signed in the central area. Measurements: 48,5 x 64 cm. This is a work attributed to the Dutch painter Joost Cornelisz, whose productive corpus echoed the achievements of genre painting during the Dutch Golden Age. It is a theme frequently treated by the artist (a lively village view), achieving here to integrate with masterful naturalness the lively human groups in different levels of depth, through a skillful handling of lights and chromatic sieves, proportions and perspective. The houses, some of them stately, are lined up on both sides of the street to escape towards a cloudy horizon. With descriptive eagerness, peasants and bourgeois are typified, thus distinguishing their different social backgrounds. Liveliness animates gestures and gestures. Joost Cornelisz was a painter of the Dutch Golden Age. It is believed that he was born in Utrecht. It is possible that he spent some years in The Hague. The documentation starts in 1616 when he was enrolled as a master in the guild of St. Luke in Utrecht, of which in 1623, 1641 and 1642 he was elected dean. A respected member of his community, in 1638 he was elected regent of the Sint Jobs hospital, deacon of the Reformed Church in 1642 and officer of the schutterij or urban militia in 1650 and 1651. In addition, from 1665 to 1666 he was a painter at the University of Utrecht. Prolific painter, the first known works, such as the Good Samaritan of the Centraal Museum of Utrecht, signed and dated 1617, in which it is clear the knowledge of the work of Jan van Scorel of the same subject, or The Seven Works of Mercy of the same museum, dated 1618, are great historical compositions of religious subject, a genre that he would never abandon (parables of the useless servant and the guest at the wedding, 1635, Centraal Museum; new version of the Seven Laws of Mercy, 1644, The Hague, Museum Bredius), but what is most repeated in his production are the urban landscapes or those located in small villages, with a wide avenue arranged diagonally and directed towards the depth, serving as a framework for the development of festive and market scenes or, more occasionally, with motifs of current events and battles. In this order, influences of the Flemish masters, both Pieter Brueghel the Elder and Pieter Brueghel the Younger, and his compatriot David Vinckboons, have been pointed out, although the finish of the works of this type of painting is not always the same as that of the Flemish masters.
Setdart Auction House
Jun. 27, 2024
Joost Cornelisz Droochsloot, 1586 Utrecht – 1666 ebenda
Est: €20,000 - €25,000
STADTBEWOHNER BEOBACHTEN SOLDATEN, DIE AUS DEM STADTPLATZ VON AMERSFOORT REITEN Öl auf Leinwand. 93 x 166 cm. Monogrammiert „JC DS“ sowie datiert 1637. Ein Kavallerieregiment von gut gekleideten Soldaten mit scharlachroten Schärpen reitet aus der Stadt. Zwei Soldaten transportieren zu Fuß die Vorräte in einer großen Truhe, während die Einwohner, darunter zwei Hunde und ihre berittenen Begleiter, bewundernd zusehen. Die Fahne des Regimes wird von der Infanterie in der Mitte getragen. Auf der rechten Seiten des Platzes stehen die imposante Kirche von Sint-Joris und geschwungene Backsteinhäuser umrahmen den Platz, während das alte Stadthaus in der Ferne das Bild abschließt. Es sollte noch elf Jahre dauern, bis die Unabhängigkeit der Niederlande von Spanien durch den Frieden von Münster 1648 am Ende des Dreißigjährigen Krieges anerkannt wurde. Es ist auch möglich, dass es sich um einen Zwischenfall bei der Zerstreuung der Kriegstreiber handelt, dessen Hauptereignis 1618 in Utrecht stattfand, und das auf dem Gemälde von Droochsloot im Centraal Museum, Utrecht, dargestellt ist. In den politisch-religiösen Umwälzungen der Vereinigten Provinzen im 1600 Jahrhundert war Johan van Oldenbarnevelt, der in Amersfoort geboren wurde, der Anführer der kämpferischen Opposition, der Aminier. Es ist möglich, dass unser Gemälde die Aktivitäten einer der Milizen oder der unabhängigen Armee in seinem Geburtsort darstellt, die von Oldenbarnevelt in Opposition zum Stadthalter, Prinz Maurits von Nassau, gegründet worden war. Die Hauptauflösung im Jahr 1618 fand jedoch in Utrecht statt. Oldenbarnevelt wurde daraufhin vor Gericht gestellt und im folgenden Jahr geköpft. Droochsloot wurde 1616 Meister der Utrechter Gilde; er wurde 1623 und 1644 zum Dekan der Gilde ernannt. Sein Werk bestand vor allem aus weitläufigen Dorflandschaften mit Pappeln, Zwingern und Soldaten, aber auch aus historischen und biblischen Motiven. Provenienz: Privatsammlung Turin. Galleria Caretto, 1997. Privatsammlung, Mailand. Anmerkung: RKD (Niederländisches Büro für Kunstgeschichte) unter der Abb. Nr. 0000013330. Ausstellung: Galleria Caretto, Turin, Trentasettima mostra di maestri amminghi e olandesi de XVl-XVIlsecolo, no.l2, November-Dezember 1996. (1402411) (10) Joost Cornelisz Droochsloot, 1586 Utrecht – 1666 ibid. TOWNSPEOPLE WATCHING SOLDIERS RIDING OUT OF THE TOWN SQUARE OF AMERSFOORT Oil on canvas. 93 x 166 cm. Monogrammed “JC DS” and dated “1637”. A cavalry regiment of well-dressed soldiers with scarlet sashes rides out of the town. Two soldiers on foot carry the supplies in a large chest, while the inhabitants, including two dogs and their mounted companions, look on in admiration. The flag of the regime is carried by the infantry in the centre. On the right-hand side of the square stands the imposing church of Sint-Joris and curved brick houses frame the square, while the old town house completes the picture in the distance. It was another eleven years before the independence of the Netherlands from Spain was recognised by the Peace of Münster in 1648 at the end of the Thirty Years' War. It is possible that our painting depicts the activities of one of the militias or the independent army in his birthplace, which was founded by Oldenbarnevelt in opposition to the Stadtholder, Prince Maurits of Nassau. However, the main disbandment in 1618 took place in Utrecht. Oldenbarnevelt was then put on trial and beheaded the following year. Droochsloot became Master of the Utrecht Guild in 1616; he was appointed Dean of the Guild in 1623 and 1644. His work consisted mainly of extensive village landscapes with poplars, kennels and soldiers, but also historical and biblical motifs. Provenance: Private Collection Turin. Galleria Caretto, 1997. Private Collection, Milan. Notes: RKD (Netherlands Art Histoiy Bureau) under illust.no.0000013330. Notes: Galleria Caretto, Turin, Trentasettesima mostra di maestri amminghi e olandesi de XVl-XVIlsecolo, no.l2, novembre-dicembre 1996.
Hampel Fine Art Auctions
May. 29, 2024
Joost Cornelisz. Droochsloot (1586-1666)
Est: €4,000 - €6,000
Village kermesse with figures feasting in the streets, Provenance:-With Kunsthandel A.H. Bies, Eindhoven, 1971, oil on canvas, 55x51 cm, Joost Cornelisz. Droochsloot (1586-1666)
Venduehuis der Notarissen
Apr. 16, 2024
DROOCHSLOOT Joost Cornelisz (1586 - 1666) Huile su…
Est: €500 - €700
DROOCHSLOOT Joost Cornelisz (1586 - 1666) Huile sur panneau de chêne "Vue d'un village animé". Entourage de Joost Cornelisz Droochsloot. Ecole hollandaise. Epoque : XVIIème. (Fissuré). Dim.:+/-42x54cm.
Vanderkindere
Jan. 16, 2024
Tableaux
Est: €2,500 - €3,500
Huile sur panneau de chêne "Vue d'un village animé". Monogrammé en bas au milieu C.D. pour Cornelis Droochsloot et daté 1664 (?). Ecole hollandaise. Dim.:+/-34,5x49cm. DROOCHSLOOT Joost Cornelisz (1586 - 1666)
Vanderkindere
Dec. 13, 2023
DROOCHSLOOT Joost Cornelisz (1586 - 1666) Huile su…
Est: €2,500 - €3,500
DROOCHSLOOT Joost Cornelisz (1586 - 1666) Huile sur panneau "Rue de village animée". Traces de signature en bas à gauche. Par Joost Cornelisz Droochsloot. Ecole hollandaise. Voir au dos une ancienne étiquette. Provenance: anciennes collections des princes de Bethune Hesdigneul et des barons de Moreau. Dim.:+/- 38,5x55cm.
Vanderkindere
Nov. 29, 2023
JOOST CORNELISZ DROOCHSLOOT
Est: €15,000 - €25,000
(Utrecht, 1585/86 - 1666) Veduta della piazza di Amersfoort con soldati Monogrammato JC DS e datato 1637 Olio su tela, cm 92X163 Provenienza: Collezione privata Londra, Philips, 5 dicembre 1995, lotto 34 (come Joost Cornelisz Droochsloot) Torino, Galleria Caretto (1997) Milano, collezione privata Esposizioni: Galleria Luigi Caretto Torino, trentasettesima mostra di maestri fiamminghi e Olandesi del XVI ; XVII Secolo. 96 opere d'autore, collezionismo maggiore, n. 12, novembre-dicembre 1996 Bibliografia: RKD: https://rkd.nl/en/explore/images/record?query=JOOST+CORNELISZ+DROOCHSLOOT&start=135 Monogrammata e datata 1637, altresì registrata dall'RKD, la tela qui presentata è un'opera tipica dell'artista che, durante la sua carriera, ha raffigurato con sapienza diverse città dell'Olanda. Droochsloot nacque probabilmente nel 1586 a Utrecht e nel 1616 è registrato alla Gilda di San Luca e la sua produzione conta prevalentemente paesaggi e vedute, costruiti secondo punti di vista diagonali e sapienti digradazioni prospettiche. L'artista fu indubbiamente un attento narratore della vita popolare dell'epoca e certamente influenzato dalla tradizione di Pieter Brueghel e di David Vinckboons, ma con una maggiore attenzione topografica e narrativa. Bibliografia di riferimento: M. J. Bok, Joost Cornelisz Droochsloot (na 1585-1666) als landschapstekenaar, in De verbeelde wereld. Liber amicorum voor Boudewijn Bakker, Bussum 2008, pp. 56-64 F. Geurdes, Het vroege werk van Joost Cornelisz. Droochsloot. Nieuwe genres in de Domstad: 1615-1630, Oud Holland 127, 2014, pp. 195-214 M. Lassmann, Pragmatiker der feinen Kunst. Bewertung: Joost Cornelisz. Droochsloot, Kunst und Auktionen 43, 2015, pp. 46-49, n. 16
Wannenes Art Auctions
Nov. 18, 2023
Joost Cornelisz. Droochsloot, Festivities in a Village Square
Est: €12,000 - €15,000
Signed and dated lower left: DroogSloot 1642 The present work is a characteristic example of the village and town views of the Utrecht painter Joost Cornelisz. Droochsloot. These vedute usually feature a street leading into the distance, lined on one or both sides by houses, inns or walls. As always with Droochsloot, the painting is enlivened by a multitude of precisely rendered and varied figures.
Kunsthaus Lempertz KG
Oct. 10, 2023
DROOCHSLOOT Joost Cornelisz (1586 - 1666) Huile sur panneau "Rue de village
Est: €5,000 - €7,500
DROOCHSLOOT Joost Cornelisz (1586 - 1666) Huile sur panneau "Rue de village animée". Traces de signature en bas à gauche. Par Joost Cornelisz Droochsloot. Ecole hollandaise. Voir au dos une ancienne étiquette. Provenance: anciennes collections des princes de Bethune Hesdigneul et des barons de Moreau. Dim.:+/- 38,5x55cm.
Vanderkindere
Sep. 19, 2023
JOOST CORNELISZ DROOCHSLOOT (Holland, 1586-1666). "Preaching of St. John the Baptist". 1664. Oil on canvas. Signed and dated Relined 50 years ago. Eighteenth century frame. Rear frame.
Est: €12,000 - €15,000
JOOST CORNELISZ DROOCHSLOOT (Holland, 1586-1666). "Preaching of St. John the Baptist". 1664. Oil on canvas. Signed and dated Relined 50 years ago. Eighteenth century frame. Rear frame. Measurements: 73 x 115 cm; 84 x 125 cm (frame). In this choral scene, of remarkable workmanship, different social classes gather in the shade of a tree to listen to the word of Saint John the Baptist, who preaches the arrival of Jesus. This is an important painting by Joost Cornelisz, signed and dated by the artist. It belongs to his mature period. As Dutch painters of Cornelisz's time, such as Bartholomeus Breenbergh (his "Preaching of John the Baptist" is in the Metropolitan Museum in New York) or Brueghel the Younger in his painting of the same name of 1566, the theme of the sermon is used as an excuse to depict a crowd of varied social backgrounds and origins in order to emphasise the idea of spreading the good news beyond frontiers. Sumptuous costumes of exotic appearance coexist with the humble attire of peasants, the aristocratic classes mingle with the servants. All of them are symbolically levelled by their faith. The landscape depicted is not the typical Dutch one of wide plains, but is dotted with ruins and a landscape reminiscent of Italy. Joost Cornelisz excelled in his recreation of lively scenes set in natural landscapes. Through a skilful use of light and colour nuances, he creates a successful effect of perspective and spaciousness. In addition, each figure has been individualised, characterised in clothing and gestural language. The salmon-coloured lights fluff the clouds in the clear sky. Joost Cornelisz was a painter of the Dutch Golden Age. He is thought to have been born in Utrecht. It is possible that he spent some years in The Hague. Documentation dates from 1616 when he was enrolled as a master in the guild of Saint Luke in Utrecht, of which he was elected dean in 1623, 1641 and 1642. A respected member of his community, in 1638 he was elected regent of the Sint Jobs hospital, a deacon of the Reformed Church in 1642 and an officer in the schutterij or urban militia in 1650 and 1651. In addition, from 1665 to 1666 he was painter to the University of Utrecht. A prolific painter, his earliest known works, such as The Good Samaritan in the Centraal Museum, Utrecht, signed and dated 1617, in which his knowledge of Jan van Scorel's work on the same subject is evident, and The Seven Works of Mercy in the same museum, dated 1618, are large historical compositions on religious themes, a genre he never abandoned (Parables of the Unprofitable Servant and the Guest at the Wedding, 1635, Centraal Museum, Utrecht; The New Version of the Seven Laws of Mercy, 1644, The Hague, Museum Bredius), but what is most common in his production are urban landscapes or landscapes set in small villages, with a wide avenue arranged diagonally and directed towards the depths, serving as a setting for festive and market scenes. Influences of the Flemish masters, both Pieter Brueghel the Elder and Pieter Brueghel the Younger, have been noted.
Setdart Auction House
Sep. 13, 2023
Joost Cornelisz. Droochsloot (Utrecht 1586-1666) Figures merrymaking outside a tavern
Est: £5,000 - £7,000
Joost Cornelisz. Droochsloot (Utrecht 1586-1666) Figures merrymaking outside a tavern signed and dated 'JC.Droochsloot/ .1640' (J and C in ligature, on building, lower centre) oil on canvas 108.5 x 120.3cm (42 11/16 x 47 3/8in).
Bonhams
Sep. 09, 2023
JOOST CORNELISZ DROOCHSLOOT 1586 Utrecht - 14. Mai 1666 Ebe
Est: €10,000 - €20,000
JOOST CORNELISZ DROOCHSLOOT 1586 Utrecht - 14 May 1666 Ibid THE SEVEN WORKS OF MERCY Oil on oak panel. 60 x 106 cm (F. 79 x 125 cm). Monogrammed and indistinctly dated at centre left: 'JC DSf 16 ...'. Verso: On the panel on an old paper label: 'NARODNI GALERIE V PRAZE / O 2880'. Part. slightly old rest., slight losses due to cleaning, min. old retouching. Literature: Jaromír Síp / Vladimir Novotný: Old Dutch Masters, Hanau 1961, no. 30 (with coloured illustrations). Provenance: National Gallery Prague (sold on 01.10.1969). 1969 Art dealer G. Cramer, The Hague. 1972 Private collection Baden-Württemberg. South German private collection. JOOST CORNELISZ DROOCHSLOOT 1586 Utrecht - 14. Mai 1666 Ebenda DIE SIEBEN WERKE DER BARMHERZIGKEIT Öl auf Eichenholztafel. 60 x 106 cm (R. 79 x 125 cm). Links mittig monogrammiert und undeutlich datiert: 'JC DSf 16 ...'. Verso: Auf der Tafel auf altem Papieretikett: 'NARODNI GALERIE V PRAZE / O 2880'. Part. leicht altrest., leichte Reinigungsverluste, min. Altretuschen. Literatur: Jaromír Síp / Vladimir Novotný: Alte Holländische Meister, Hanau 1961, Nr. 30 (mit Farbabb.). . Provenienz: Nationalgalerie Prag (am 01.10.1969 verkauft). 1969 Kunsthandlung G. Cramer, Den Haag. 1972 Privatsammlung Baden-Württemberg. Süddeutsche Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Sep. 09, 2023
JOOST CORNELISZ DROOCHSLOOT 1586 Utrecht - 14. Mai 1666 Ebe
Est: €5,000 - €10,000
JOOST CORNELISZ DROOCHSLOOT 1586 Utrecht - 14 May 1666 Ibid HORSEMEN AT THE GATES OF A VILLAGE AFTER THE PLUNDER Oil on oak panel. 31 x 40 cm (F. 44 x 53 cm). Monogrammed lower right: 'J.DRSL'. Part. slightly old rest. Frame. Provenance: South German private collection. JOOST CORNELISZ DROOCHSLOOT 1586 Utrecht - 14. Mai 1666 Ebenda REITER VOR DEN TOREN EINES DORFES NACH DER PLÜNDERUNG Öl auf Eichenholztafel. 31 x 40 cm (R. 44 x 53 cm). Halb rechts unten monogrammiert: 'J.DRSL'. Part. min. altrest. Rahmen. Provenienz: Süddeutsche Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Jun. 29, 2023
Joost Cornelisz Droochsloot, 1586 Utrecht – 1666 ebenda
Est: €4,000 - €5,000
DORFSTRASSE Öl auf Leinwand. Doubliert. 53 x 62,5 cm. Mittig unten monogrammiert in Ligatur „JC“ und „DS f.“ In dekorativem goldfarbenen Rahmen. Blick auf eine breite, linksseitig in die Tiefe führende Straße mit rechtsseitig stehenden alten, meist strohbedeckten Häusern und dazwischen im Hintergrund eine Kirche mit hohem Turm und rötlicher Kirchweihfahne. Rechts vorne wohl ein Wirtshausgebäude mit fröhlich beisammensitzenden Männern und Frauen, von denen ein Mann ein gefülltes Glas nach oben hält und eine Mutter mit Kind, dem sich einige Männer freudig zuwenden. Links neben dieser Gruppe zwei Männer mit Hunden, eine zusammenstehende Gruppe und im Hintergrund mehrere kleine Figuren entlang der Häuserfront. Der hohe blaue Himmel mit einigen Vögeln und großen bräunlich-weißen Wolken. Malerei in überwiegend beige-brauner Farbgebung, aufgelockert durch rote Kleidungs- und Stoffstücke. (1361871) (18)
Hampel Fine Art Auctions
Jun. 27, 2023
Joost Cornelisz Droochsloot Saccheggio di un villaggio
Est: €8,000 - €12,000
siglato a lettere intrecciate in basso a sinistra: \JD\" \“ (…) Nell'ambito della produzione di Droochsloot che, dato il successo incontrato, va assestandosi su un tipo di composizione standardizzata, con la tipica veduta di villaggio percorsa centralmente da una strada costellata da un popolo minuto, quest'opera rivela una freschezza pittorica ed un'originalità che lasciano pensare ad un momento non troppo avanzato della lunga carriera dell'artista, probabilmente tra gli anni '30 e 40. Le figure, che col tempo diverranno rigide ed un poco legnose nei gesti, sono qui rese con grande scioltezza e minutamente descritte. Il formato verticale, inoltre, costituisce quasi un unicum.¶Evidentemente Droochsloot traeva ispirazione sempre dallo stesso villaggio, dato che il campanile che svetta nel fondo tra i tetti è lo stesso che ricompare in molti altri dipinti.\”"
Cambi Casa d'Aste
Jun. 10, 2023
Joost Cornelisz DROOCHSLOOT (1586-1666), attributed to
Est: CHF1,900 - CHF3,800
Peasant festival Oil on canvas, relined 50 x 80 cm, frame: 66 x 98 cm
Galerie Moenius
Jun. 04, 2023
Joost Cornelisz DROOGSLOOT (1586-1666)
Est: €15,000 - €18,000
Joost Cornelisz DROOGSLOOT (1586-1666) Utrech (1586- 1666) Peintre néerlandais du siècle d'or Fête au village Huile sur panneau parquetée et signée en bas à droite 83 x 58 cm Dans cette forte perspective, les joyeuses activités des personnages nous sont montrées avec cet humour allègre et sain qui est l'un des éléments originaux du style du maître. Un équilibre parfait est ainsi obtenu entre les personnages au premier plan et le paysage au second plan Provenance : Collection privée
Rois & Vauprès
Apr. 27, 2023
JOOST CORNELISZ DROOCHSLOOT (Utrecht, 1585 - 1666)
Est: €5,000 - €7,000
Feeding the hungry Oil on panel, cm. 46x65. Framed PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
Mar. 31, 2023
JOOST CORNELISZ. DROOCHSLOOT
Est: CHF20,000 - CHF30,000
JOOST CORNELISZ. DROOCHSLOOT (1586 Utrecht 1666) Flemish village scene with Saint Martin. 1628. Oil on canvas. Signed and barely legibly dated centre bottom on the branch: JC (ligature) DroogSloot 1628. 68.3 × 100.5 cm. Provenance: - With Oude kunst- en antiekbeurs, Delft, 1956. - Probably sold by von Nijstad, Lochem to the family of the current owner, European private collection. --------------- JOOST CORNELISZ. DROOCHSLOOT (1586 Utrecht 1666) Flämische Dorfszene mit dem Hl. Martin. 1628. Öl auf Leinwand. Unten mittig auf dem Ast signiert und schwer leserlich datiert: JC (ligiert) DroogSloot 1628. 68,3 × 100,5 cm. Provenienz: - Kunsthandel Oude kunst- en antiekbeurs, Delft, 1956. - wohl von Nijstad, Lochem, an die Familie der heutigen Besitzer verkauft, europäische Privatsammlung. Joost Cornelisz. Droochsloot war ein vielseitiger Maler, der für seine Dorfszenen, Landschaften, Genrebilder, moralischen Allegorien und biblischen Szenen bekannt war. In seinen frühen Werken spiegelt sich der Einfluss von Pieter Brueghel d. Ä. (1525–1569), Pieter Brueghel d. J. (1564–1636), David Vinckboons (1576–1632) und Esaias van de Velde (1590-1630) wider. Er stand in der Tradition der flämischen Landschaftsmalerei, insbesondere der Dorfszenen, wie sie von Pieter Brueghel d. Ä. entwickelt wurden, doch seine Figuren sind individualisierter und meist in ausdrucksvoller Haltung dargestellt. Droochsloot widmete den Details in seinen Kompositionen viel Aufmerksamkeit, wie in dem hier angebotenen Gemälde. ---------------
Koller Auctions
Mar. 31, 2023
JOOST CORNELISZ. DROOCHSLOOT
Est: CHF12,000 - CHF18,000
JOOST CORNELISZ. DROOCHSLOOT (1586 Utrecht 1666) Lively village scene. Oil on panel. Signed centre bottom: JC (ligature). v. D (...) fe. 71.8 × 106.5 cm. Provenance: - With Hans Trojanski, Dusseldorf, 1957. - Private collection of Baroness Viktoria Dagmar von Rochow (1931–2022). - By descent, private collection, Switzerland. This painting is registered at the RKD, The Hague as by the hand of Joost Cornelisz. Droochsloot. For provenance information see also the note to Lot 3220. --------------- JOOST CORNELISZ. DROOCHSLOOT (1586 Utrecht 1666) Belebte Dorfszene. Öl auf Holz. Unten mittig signiert: JC (ligiert). v. D (...) fe. 71,8 × 106,5 cm. Provenienz: - Kunsthandel Hans Trojanski, Düsseldorf, 1957. - Privatsammlung Baronin Viktoria Dagmar von Rochow (1931–2022). - Durch Erbschaft, Schweizer Privatbesitz. Das hier angebotene Gemälde ist im RKD, Den Haag, als ein eigenhändiges Werk von Joost Cornelisz. Droochsloot archiviert. Zur bedeutenden Provenienz dieses Gemäldes siehe auch die Katalognotiz zu Los 3220. ---------------
Koller Auctions
Mar. 14, 2023
Huile sur panneau de chêne "Les sept œuvres de miséricordes". Suiveur de Cornelisz Droogsloot. Ecole
Est: €1,300 - €1,600
Huile sur panneau de chêne "Les sept œuvres de miséricordes". Suiveur de Cornelisz Droogsloot. Ecole hollandaise. Epoque: XVIIème. (Panneau fissuré). Dim.:+/-58x84cm. DROOGSLOOT Joost Cornelisz (1586 - 1666). Suiveur de. Tableaux
Vanderkindere
Feb. 11, 2023
Droochsloot, Joost Cornelisz (Utrecht 1586 - 1666 Utrecht, Schüler von David Vinckboons, Mitglied der St. Lukas Gilde in Utrecht, Vater von Cornelis Droochsloot),
Est: -
Droochsloot, Joost Cornelisz (Utrecht 1586 - 1666 Utrecht, Schüler von David Vinckboons, Mitglied der St. Lukas Gilde in Utrecht, Vater von Cornelis Droochsloot), "Die Krankenheilung am Teich Bethesda" Öl auf Leinwand, doubliert, monogrammiert und datiert unten links JC Drooche Sloot.1644, 97 x 137 cm, Farbabplatzungen, Leinwandbeschädigungen, verschmutzte Oberfläche. Provenienz: 31.03.1914 angeboten bei Lepke's Kunst-Auctions-Haus, Sammlung Kummerlé, 1953 von den DDR-Behörden beschlagnahmt und am 15.11.1954 an das Museum der bildenden Künste Leipzig überwiesen, 2012 an Erben restituiert. Literatur: Nicolaisen, Jan, Niederländische Malerei 1430-1800. Museum der bildenden Künste Leipzig, Leipzig 2012, S.92 mit Abb.; Sander, Dietulf, Katalog der Gemälde. Museum der bildenden Künste Leipzig, Stuttgart 1995, S.49 mit Abb. 151.; Heiland, Susanne, Museum der bildenden Künste Leipzig. Katalog der Gemälde, Leipzig 1979, S.51 ohne Abb.; Kat.Verst. Gemälde des XIV. bis XVIII. Jh. sammlungen des ... Sir J.C. Robinson ... und aus anderem Besitz, Rudolph-Lepke's Auctions-Haus, Berlin, 31.3.1914, S. 19, lot 98. Eines der im Johannes Evangelium erwähnten Wunder Christi ist die Krankheilung am Teich Bethesda, nahe der Stadtmauer Jerusalems. Nach langer Krankheit wurde hier ein bettlägeriger Mann von Christus geheilt. Der Legende nach suchte täglich ein Engel den Teich auf und bewegte das Wasser. Die erste Person, die in dieses Wasser trat, wurde geheilt. Der bettlägerige Mann im Johannes-Evangelium würde jedoch nicht durch das Wasser geheilt werden können, da er durch seine Krankheit niemals in der Lage gewesen wäre, das Wasser als Erster zu erreichen. Droochsloot verbildlicht in diesem großformatigen Gemälde den Augenblick des am Himmel erscheinenden Engels. Wartende Kranke eilen zu der vor ihnen liegenden kleinen Wasserquelle in der Hoffnung, Heilung zu erfahren. Das Thema der Krankheilung am Teich Bethesda muss sich im 17. Jahrhundert großer Beliebtheit erfreut haben, denn Droochsloot wiederholte es in leicht abweichender Komposition immer wieder. Mindestens acht Ausführungen aus der Hand des Meisters sind heute bekannt.
Auktionshaus Plückbaum
Feb. 07, 2023
JOOST CORNELISZ DROOCHSLOOT (Holland, 1586-1666). "Preaching of St. John the Baptist". 1664. Oil on canvas. Signed and dated Relined 50 years ago. Eighteenth century frame. Rear frame.
Est: €18,000 - €22,000
JOOST CORNELISZ DROOCHSLOOT (Holland, 1586-1666). "Preaching of St. John the Baptist". 1664. Oil on canvas. Signed and dated Relined 50 years ago. Eighteenth century frame. Rear frame. Measurements: 73 x 115 cm; 84 x 125 cm (frame). In this choral scene, of remarkable workmanship, different social classes gather in the shade of a tree to listen to the word of Saint John the Baptist, who preaches the arrival of Jesus. This is an important painting by Joost Cornelisz, signed and dated by the artist. It belongs to his mature period. As Dutch painters of Cornelisz's time, such as Bartholomeus Breenbergh (his "Preaching of John the Baptist" is in the Metropolitan Museum in New York) or Brueghel the Younger in his painting of the same name of 1566, the theme of the sermon is used as an excuse to depict a crowd of varied social backgrounds and origins in order to emphasise the idea of spreading the good news beyond frontiers. Sumptuous costumes of exotic appearance coexist with the humble attire of peasants, the aristocratic classes mingle with the servants. All of them are symbolically levelled by their faith. The landscape depicted is not the typical Dutch one of wide plains, but is dotted with ruins and a landscape reminiscent of Italy. Joost Cornelisz excelled in his recreation of lively scenes set in natural landscapes. Through a skilful use of light and colour nuances, he creates a successful effect of perspective and spaciousness. In addition, each figure has been individualised, characterised in clothing and gestural language. The salmon-coloured lights fluff the clouds in the clear sky. Joost Cornelisz was a painter of the Dutch Golden Age. He is thought to have been born in Utrecht. It is possible that he spent some years in The Hague. Documentation dates from 1616 when he was enrolled as a master in the guild of Saint Luke in Utrecht, of which he was elected dean in 1623, 1641 and 1642. A respected member of his community, in 1638 he was elected regent of the Sint Jobs hospital, a deacon of the Reformed Church in 1642 and an officer in the schutterij or urban militia in 1650 and 1651. In addition, from 1665 to 1666 he was painter to the University of Utrecht. A prolific painter, his earliest known works, such as The Good Samaritan in the Centraal Museum, Utrecht, signed and dated 1617, in which his knowledge of Jan van Scorel's work on the same subject is evident, and The Seven Works of Mercy in the same museum, dated 1618, are large historical compositions on religious themes, a genre he never abandoned (Parables of the Unprofitable Servant and the Guest at the Wedding, 1635, Centraal Museum, Utrecht; The New Version of the Seven Laws of Mercy, 1644, The Hague, Museum Bredius), but what is most common in his production are urban landscapes or landscapes set in small villages, with a wide avenue arranged diagonally and directed towards the depths, serving as a setting for festive and market scenes. Influences of the Flemish masters, both Pieter Brueghel the Elder and Pieter Brueghel the Younger, have been noted.
Setdart Auction House
Jan. 25, 2023
Joost Cornelisz Droochsloot. country fair
Est: -
Oil on table. The author was registered in 1616 as a teacher in the guild of Saint Luke in Utrecht, of which he was elected dean in 1623, 1641 and 1642. In 1618 he married Agnietgen de Barbary Velt with whom he had at least one son, Cornelius Droochsloot , also a painter. A respected member of his community, he was elected regent of the Sint Jobs Hospital in 1638, a deacon of the Reformed Church in 1642, and an officer in the schutterij, or urban militia, in 1650 and 1651. In addition, from 1665 to 1666 he was a painter at the University of Utrecht. Prolific painter, the first known works, such as the Good Samaritan of the Centraal Museum in Utrecht, signed and dated 1617, in which the knowledge of Jan van Scorel's work on the same subject is evident, or The seven works of Mercy from the same museum, dated 1618, are large historical compositions on religious subjects, a genre that he will never abandon (parables of the useless servant and of the guest at the wedding, 1635, Centraal Museum; new version of the Seven Laws of Mercy, 1644, La Haya, Museum Bredius), but what is most repeated in his production are urban landscapes or landscapes located in small villages, with a wide avenue arranged diagonally and directed towards the depth, serving as a framework for development. development of festive and market scenes or, more occasionally, with current affairs and battles. Influences have been pointed out from the Flemish masters Pieter Brueghel the Elder, Pieter Brueghel the Younger, and his compatriot David Vinckboons.
Duran Arte y Subastas
Jan. 25, 2023
Joost Cornelisz Droochsloot: Bauernszene in einem Dorf
Est: €2,500 - €3,000
DROOCHSLOOT, JOOST CORNELISZ Utrecht 1586 - 1666 Titel: Bauernszene in einem Dorf. Datierung: Um 1650. Technik: Öl auf Holz. Maße: 31,5 x 41,5cm. Rahmen: Rahmen. Provenienz: Privatbesitz, Deutschland. Wir danken Ellis Dullaart, RKD, Den Haag, die die Zuschreibung des vorliegenden Gemäldes auf Grundlage einer hochauflösenden Digitalfotografie bestätig hat. Erläuterungen zum Katalog Voraussichtliche Versandkosten für dieses Los: Deutschland: 44,00 Euro inkl. 7,03 Euro MwSt EU: 70,00 Euro inkl. 11,18 Euro MwSt Weltweit: 120,00 Euro inkl. 19,16 Euro MwSt zzgl. Versandversicherung
Van Ham Kunstauktionen
Dec. 08, 2022
Joost Cornelisz Droochsloot, 1630 – 1673, zugeschrieben
Est: €8,000 - €10,000
Das Pfannkuchenfest Öl auf Holz. Parkettiert. 77 x 114 cm. In ebonisiertem Rahmen mit Goldleiste. Ein hügelige sandige Landschaft mit vereinzeltem Baumbestand und einer am Horizont durch einen Kirchturm sich abzeichnende Stadt; darin vereinzelte Häuser mit einem Gasthof im Vordergrund, vor dem sich eine Menschengruppe versammelt hat. Eine alte Frau backt „Pannekeuken“, die vor allem von den jüngeren Gästen gern genommen werden. Von Droochsloot ist zum Beispiel eine solche 1664 datierte Dorfstraße im Rijksmuseum Amsterdam (SK-A-1920) bekannt, die etwas kleinteiliger gearbeitet ist. (13413319) (1) (13)
Hampel Fine Art Auctions
Nov. 26, 2022
Droogsloot Joost Cornelisz.
Est: CHF3,600 - CHF4,500
Militärlager mit Kantinenmädchen Gerahmt Ausrufdatum: 26.11.2022 Ungefähre Ausrufzeit: 18:59 MEZ
Auktionshaus Zofingen
Nov. 22, 2022
Joost Cornelisz Droochsloot (1586-1666) 'Landscape with figures near a ruin'
Est: €3,000 - €5,000
Joost Cornelisz Droochsloot (1586-1666) 'Landscape with figures near a ruin', monogrammed and dated 1634 lower left, oil on panel. H. 40 cm. W. 60 cm.
Zeeuws Veilinghuis
Nov. 19, 2022
Joost Cornelisz. Droochsloot, Healing of the Sick at the Pool of Bethesda
Est: €12,000 - €15,000
Monogrammed and dated lower left: JC Drooche Sloot. 1644 (J and C conjoined) The subject of this work is derived from the Gospel of John (5:1-17) and was regarded by contemporaries as an exhortation to charity. Droochsloot thus placed himself in the tradition of 16th-century Dutch painting, especially the depictions of beggars by Pieter Bruegel the Elder. The subject and composition must have enjoyed some popularity, as there are several iterations by Droochsloot in his own hand, among others in the Antwerp Museum voor Schone Kunsten, the Utrecht Centraal Museum and the Herzog Anton Ulrich Museum in Braunschweig.
Kunsthaus Lempertz KG
Nov. 17, 2022
JOOST CORNELISZ DROOCHSLOOT (Utrecht, 1585 - 1666)
Est: €4,000 - €6,000
Scene of daily life in a Flemish village (Feeding the hungry) Oil on canvas, cm. 87,5x115,5. Framed. PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
Nov. 16, 2022
Joost Cornelisz. Droochsloot (1586-1666)
Est: €8,000 - €12,000
Joost Cornelisz. Droochsloot (1586-1666), Skaters on the ice near the city walls of Utrecht, oil on panel, 65x95 cm, signed and dated 'JC D[...]sloot 1619' (lower left),
Venduehuis der Notarissen
Nov. 09, 2022
Joost Cornelisz. Droochsloot
Est: €20,000 - €30,000
(Utrecht 1585–1666) A village kermesse with people eating and drinking outside and children fighting on the ground, monogrammed and dated on the tavern shield, on the left: JCDS. 1647, oil on panel, 75.5 x 106.5 cm, framed Provenance: Private European collection The present painting shows a rural kermesse scene, a recurrent motif in the oeuvre of the Dutch painter Joost Cornelisz. Droochsloot. The composition gives a view of a wide road leading away from the spectators in a gentle curve. The street is lined with small houses on both sides, a church with a festive banner is visible in the background. All along the road, people animate the scene and give it a festive character. The figures depicted can be observed in various activities: eating and drinking at a table put up in front of an inn and conversing, children are fighting in the foreground. The compositional scheme of the road meeting a low horizon under a wide sky can be found in numerous paintings by the Dutch artist. The dark house on the left side that emphasises the illusion of depth is also a recurrent feature of Droochsloot’s village scenes. Different shades of brown dominate this representation of rural life, only few accents of colour, especially in the figure’s clothing, enliven the scene. The dominating muted tones of the village contrast with the bright sky, on which clouds are softly illuminated by the sun. Only little is known about the early life of Joost Cornelisz. Droochsloot, however, in 1616 he is reported as a member of the Utrecht Guild of St. Luke. A successful painter, he became dean of the guild in 1623 and in 1641/42. While his earlier works represent generally historical or biblical subjects, he later goes on to depict mostly genre scenes, such as the present painting, dated to 1647.
Dorotheum
Oct. 22, 2022
Joost Cornelisz Droochsloot (1585 – 1666)
Est: €6,000 - €8,000
Joost Cornelisz Droochsloot (Dutch artist, born Utrecht, 1585 – died Utrecht, 1666) “View of a Village with many Peasants and Village people”
Hessink's
Jun. 09, 2022
Joost Cornelisz Droochsloot o Droogsloot (1586-1666)
Est: €1,500 - €1,700
Joost Cornelisz Droochsloot o Droogsloot 1586-1666 attribuito a olio su tela raff.paesaggio con figure . Scuola fiamminga metà del sec XVII cm. 57x51
Casa d'aste Martini
May. 24, 2022
JOOST CORNELISZ DROCHSLOOT - Village Scene
Est: €10,500 - €21,000
JOOST CORNELISZ DROOCHSLOOT Utrecht 1586 - 1666 Village scene. 1649 Oil on panel Signed and dated Size 64 x 107 cm
Subastas Segre
Apr. 06, 2022
Joost Cornelisz Droogsloot 1586–1666
Est: CHF8,000 - CHF12,000
Joost Cornelisz Droogsloot 1586–1666 Militärlager mit Kantinenmädchen Öl auf Leinwand 70 x 94 cm
Artcurial Beurret Bailly Widmer
Apr. 01, 2022
JOOST CORNELISZ. DROOCHSLOOT
Est: CHF5,000 - CHF7,000
JOOST CORNELISZ. DROOCHSLOOT (1586 Utrecht 1666) Two riders resting before an inn. Oil on canvas. 72.5 × 69.5 cm. Provenance: Private collection, Switzerland. Our thanks to Ellis Dullaart of the RKD, The Hague, for her assistance in cataloguing this work. --------------- JOOST CORNELISZ. DROOCHSLOOT (1586 Utrecht 1666) Zwei Reiter bei der Rast vor einem Wirtshaus. Öl auf Leinwand. 72,5 × 69,5 cm. Provenienz: Schweizer Privatsammlung. Wir danken Ellis Dullaart vom RKD, Den Haag, für ihre Hilfe bei der Katalogisierung dieses Gemäldes.
Koller Auctions
Feb. 22, 2022
Joost Cornelisz Droochsloot o Droogsloot (Utrecht 1586 - 1666)
Est: €12,000 - €16,000
Joost Cornelisz Droochsloot o Droogsloot (Utrecht 1586 - 1666) Scena di villaggio Olio su tavola 57 x 92 cm Non si hanno informazioni sulla formazione di Joost Cornelisz Droochsloot: sappiamo che il suo primo dipinto firmato e datato risale al 1615. L’anno seguente entra a far parte della Gilda di San Luca della sua città. Le sue prime opere mostrano come egli sia stato sensibile all’arte di Pieter Brueghel il Vecchio, Pieter Brueghel il Giovane e di Vinckboons David. In seguito, saranno suoi allievi i figli Cornelis Droochsloot e Jacob Duck. Joost Cornelisz Droochsloot or Droogsloot (Utrecht 1586 - 1666) Country scene Oil on panel 57 x 92 cm
Lucas Aste
Jan. 15, 2022
Joost Cornelisz DROOCHSLOOT (1586-1666), Holländische Dorfszene am Flußufer / A Dutch village at a riverbank, um 1643
Est: €600 - €1,200
Technik: Öl auf Holz, Signatur: unten Reste der alten Signatur, Maße: 32 x 22 cm, Zustand: gut
Auktionshaus Schwab
Dec. 16, 2021
Droochsloot, Jost Cornelisz. (attr.)
Est: €6,500 - €8,000
Droochsloot, Jost Cornelisz. (attr.) Utrecht 1586 - 1666 50 x 61 cm Peasants quarreling. Oil/cradled panel, traces of signature lower left, verso old label of Gemeentemuseum Arnheim with inscription. Private collection Aachen, acquired in the 1950s to 1970s.
Nagel Auction