Marlene Dumas Paintings & Artwork for Sale | Marlene Dumas Art Value Price Guide

Nov. 20, 2024
Marlene Dumas (South Africa 1953-) Evidence of Virtue
Est: R15,000 - R20,000
Marlene Dumas (South Africa 1953-) Evidence of Virtue lithograph on grey vellum adhered to vellum Artwork date: 1992 Signature details: signed, dated, numbered 7/45 and inscribed with the title in pencil in the margin; printed with the artist's name, title, the date, medium and size on a João Ferreira Gallery label on the reverse
Aspire Art
Nov. 07, 2024
DUMAS, MARLENE: "Collateral Damage".
Est: CHF1,250 - CHF2,500
DUMAS, MARLENE (Kapstadt 1953) : "Collateral Damage"; Lichtdruck; 45x34 cm (BG), gerahmt; handsig. u. dat. 2006 u.r., num. 79/80
Dobiaschofsky Auktionen AG
Oct. 17, 2024
Marlene Dumas (née en 1953). Feathered Stola. huile sur toile 100 x 56 cm.
Est: €1,000,000 - €1,500,000
Marlene Dumas (née en 1953). Feathered Stola. huile sur toile 100 x 56 cm. Peint en 2000..
Christie's
Oct. 16, 2024
Marlene Dumas (1953)
Est: €800 - €1,200
Semite, signed and dated in pencil 'MDumas 2004' (lower right), titled (lower centre) and numbered '35/100 (lower left), silkscreen on wove paper, unframed, full sheet 45x35 cm, Published in 2004 by Vrienden van het S.M.A.K. (Friends of the Stedelijk Museum voor Actuele Kunst), Ghent as part of the portfolio ‘Eerbetoon aan Jan Hoet’ (Tribute to Jan Hoet I),
Venduehuis der Notarissen
Oct. 16, 2024
Marlene Dumas, Purple Pose
Est: $4,000 - $6,000
Marlene Dumas Purple Pose 1999 lithograph in colors image: 47 h x 21 w in (119 x 53 cm) sheet: 47.75 h x 26.5 w in (121 x 67 cm) Signed, titled and dated to lower edge 'Purple Pose 39/50 M Dumas 1999'. This work is number 39 from the edition of 50 published by Edition Marcel Kalksma, Amsterdam. Provenance: Tilton Gallery, New York | Acquired from the previous in 2005, Private Collection Exhibited: Rise Up!: Social Justice in Art from the Collection of J. Michael Bewley, 8 June - 30 September 2018, San Jose Museum of Art | Marlene Dumas: Against the Wall, 18 March - 24 April 2010, David Zwirner, New York This work will ship from Los Angeles, California.
Rago Arts and Auction Center
Oct. 16, 2024
Marlene Dumas (South African/British, born 1953) 'Billy Holiday, 1993'
Est: £80,000 - £120,000
Marlene Dumas (South African/British, born 1953) 'Billy Holiday, 1993' i) ink on paper 35 x 31cm ii) ink on paper 35 x 31cm iii) signed and dated 'MD. 1993.' (lower right) ink on paper 34.5 x 31cm iv) ink on paper 35 x 31cm v) titled 'Billy Holiday' (lower left) ink on paper 35 x 31cm vi) ink on paper 35 x 31cm (mounted in two groups of three)
Bonhams
Sep. 21, 2024
Marlene Dumas (1953 Kapstadt – lebt in Amsterdam)
Est: €400 - €600
Doorn Rosie. 1989. Lithografie auf Velin. Unterhalb der Darstellung mit Bleistift signiert, betitelt und datiert: Dumas, Doorn Rosie, 1989. Blattmaß: 51 x 64,8 cm.
AaG Auktionshaus am Grunewald
Sep. 20, 2024
Marlene Dumas (1953 Kapstadt – lebt in Amsterdam)
Est: €1,500 - €2,000
The Black Man, the Jew, and the Girl. 1993. Drei handbearbeitete Farblithografien auf chamoisefarbenem Velin, zum Triptychon gefaltet. Am unteren Blattrand mit schwarzem Buntstift signiert, datiert, nummeriert und bezeichnet: m Dumas, 1993, 42/60, The Black Man is Tired The Jewish Nose Doesn’t Exist The Girl can't help it. Blattmaß: 63 x 25,5 cm. Im Objektrahmen und unter Glas gerahmt: 33 x 69 cm. Hrsg. von: Parkett, Zürich and New York, No. 38., 1993.
AaG Auktionshaus am Grunewald
Sep. 20, 2024
Marlene Dumas (1953 Kapstadt – lebt in Amsterdam)
Est: €1,500 - €2,000
Faceless. 1993. Offset auf Bütten. Am unteren Blattrand mit Bleistift signiert, datiert und nummeriert: mDumas, 1993, 165/200. Blattmaß: 29 x 20 cm. Im Passepartout freigestellt und unter Glas gerahmt: 42,5 x 32 cm.
AaG Auktionshaus am Grunewald
Sep. 20, 2024
Marlene Dumas (1953 Kapstadt – lebt in Amsterdam)
Est: €2,000 - €3,000
Magdalena. 1995. Farblithografie auf Bütten. Am unteren Blattrand mit Bleistift signiert, betitelt, datiert und nummeriert: marlene dumas, Magdalena, 95, 27/40. Blattmaß: 48,5 x 38 cm. Im Passepartout freigestellt und unter Glas gerahmt: 59,7 x 70,2 cm.
AaG Auktionshaus am Grunewald
Jul. 21, 2024
Marlene Dumas; South African/Dutch 1953-; Ecco Pier Paolo Pasolini Maria Chailloux, Amsterdam, triptych
Est: R80,000 - R120,000
Marlene Dumas South African/Dutch 1953- Ecco Pier Paolo Pasolini Maria Chailloux, Amsterdam, triptych (1) signed and dated 1988 in pencil; (2) signed with the artist's initials, dated '88 and numbered II/VII in pencil, from an edition of 40; (3) signed and inscribed with the title in pencil handcoloured lithographs, monotypes and woodcuts on Rives creative paper each sheet size: 121 by 81cm; 38,5 by 97,5 by 4cm including frame
Strauss & Co
Jun. 25, 2024
Marlene Dumas (1953)
Est: €2,000 - €4,000
Ecco Pier Paolo Pasolini (1988) Published by Maria Chailloux, Amsterdam Printed by Marcel Kalksma, Amsterdam The complete set of 3 lithographs, monotypes and woodcuts on paper, with title and introduction page and the original canvas covered portfolio The 3 lithographs signed and dated '88, one numbered 4/40 (from the total edition of 47) and one titled, each 122.5 x 81.5 cm (all 5 prints framed) Provenance: Private collection, the Netherlands (6x) Note: Marlene Dumas draws inspiration for her work from the images around her, ranging from personal snapshots and news photographs to literature. Through her composite compositions, sometimes accompanied by text, she comments on societal issues and social role patterns. The present set of lithographs visually interprets Pier Paolo Pasolini's poem "Le Ceneri di Gramsci," capturing its themes and essence through artistic expression. Through vivid imagery and introspection, the poem critiques bourgeois values, celebrates the legacy of Antonio Gramsci, and grapples with the search for meaning in a world marked by contradiction and nostalgia. Ecco Pier Paolo Pasolini is part of the collections of the Rijksmuseum, Stedelijk Museum Amsterdam, and the Art Institute of Chicago.
AAG Auctioneers
Jun. 25, 2024
Marlene Dumas (1953)
Est: €5,000 - €10,000
Fear of Babies (1986): - Collaborator's Son - Tripoli Baby - Chernobyl Child - Intolerant Boy - Sweety Pie The complete portfolio with 5 lithographs on paper and a poem by the artist Each lithograph signed, dated 1986 and numbered 5/20 (the edition also includes 3 HC) lower left and titled lower centre Published by De Expeditie, Amsterdam Each lithograph on wove paper, each 76.3 x 56.7 cm In the original folder with ribbons, 81.9 x 62.5 cm Literature: Marlene Dumas, Sweet Nothings. Notes and Texts, Galerie Paul Andriesse & De Balie Publishers, Amsterdam, 1998, p. 30 Note: 'Fear of Babies' by Marlene Dumas is a thought-provoking series that challenges conventional perceptions of childhood and parenthood. The artist's depictions of children as distorted, uncanny, and discomforting creatures evoke a sense of fear, prompting viewers to confront the darker and more complex aspects of the human experience. Dumas, despite being a mother herself, does not shy away from portraying her own children in a way that deviates from the traditional portrayal of innocence. The series seems to delve into the unsettling nature of parenthood, questioning the idealized notion of children as purely innocent and angelic. By presenting children in a more ambiguous and sometimes even disturbing light, Dumas challenges societal expectations and norms surrounding childhood. The use of fear in the title suggests a deliberate attempt to provoke a visceral and emotional response from the viewer, pushing them to reconsider preconceived notions about the nature of children. Furthermore, Dumas incorporates political commentary into her work, as seen in pieces like 'Collaborator's Son' and 'Chernobyl Child', where she addresses historical and societal issues. This adds another layer of complexity to the series, inviting viewers to reflect not only on the personal aspects of parenthood but also on broader socio-political themes. In essence, 'Fear of Babies' encourages viewers to question and reevaluate their understanding of childhood, parental relationships, and societal expectations. The series challenges the comfortable narratives surrounding innocence and prompts a more nuanced exploration of the multifaceted and sometimes unsettling aspects of the human experience. Both the Stedelijk Museum in Amsterdam and the Centraal Museum in Utrecht have this series in their collection.
AAG Auctioneers
Jun. 10, 2024
Marlene Dumas (South African, Dutch 1953). Billie, 1994.
Est: €4,000 - €6,000
Marlene Dumas (South African, Dutch 1953) Billie, 1994 lithograph on Lana Pur signed and dated 'M Dumas 1994' (lower right), titled and numbered '17/20 AP' (lower left), aside from the regular edition of 60 + 13 in Roman numerals, published by Marcel Kalksma Handmade Prints, Amsterdam 660 x 525 mm. To be sold with a separate frame.
Adams Amsterdam Auctions
Jun. 07, 2024
Marlene Dumas (née en 1953) Art is/Always/Having to Say/GOODBYE encre sur p
Est: €5,000 - €7,000
Marlene Dumas (née en 1953) Art is/Always/Having to Say/GOODBYE encre sur papier 24.5 x 21.4 cm. Réalisée en 2017, cette œuvre porte le numéro vingt d’une édition de trente-cinq exemplaires tous uniques.
Christie's
Jun. 05, 2024
Marlene Dumas, Barbie (with pearl necklace), 1997
Est: €4,000 - €6,000
Signed, dated, titled and numbered. Edition Texte zur Kunst, Berlin. Proof 49/100 (+20 A.P.).
Kunsthaus Lempertz KG
May. 18, 2024
Dumas Marlene - Little monster (1989)
Est: €10,000 - €14,000
Watercolour on paper - Monogram '89 with title
De Vuyst
May. 18, 2024
Dumas Marlene - The Fog of War (2006)
Est: €1,000 - €1,400
Digital colour print - Sig. 2006 with title in pencil - Ex. nr. 10/80
De Vuyst
May. 04, 2024
Marlene Dumas (1953 Kapstadt – lebt in Amsterdam)
Est: €800 - €1,200
Genußschein, Portikus Frankfurt am Main. 2000. Aquarell und Bleistift auf Offset-Druck. Am unteren Blattrand mit schwarzem Fineliner signiert: m. Dumas. Passepartoutausschnitt: 28,5 x 20 cm. Unter Passepartout und Glas gerahmt: 40,5 x 31,5 cm.
AaG Auktionshaus am Grunewald
May. 03, 2024
Marlene Dumas (1953 Kapstadt – lebt in Amsterdam)
Est: €600 - €800
Doorn Rosie. 1989. Lithografie auf Velin. Unterhalb der Darstellung mit Bleistift signiert, betitelt und datiert: Dumas, Doorn Rosie, 1989. Blattmaß: 51 x 64,8 cm.
AaG Auktionshaus am Grunewald
Apr. 23, 2024
Marlene Dumas (1953) - Fear of Babies
Est: €13,000 - €15,000
Marlene Dumas (1953) Fear of Babies, the complete portfolio with five lithographs on paper and a hand-written poem by the artist, each print signed, dated, and numbered in pencil '19/20 MDumas 1986' (lower left), and titled respectively 'Collaborators son', 'Tripoli Baby', 'Chernobyl Child', 'Intolerant boy', and 'Sweety Pie' (lower centre), the sheets framed separately, with the original portfolio, full sheets 76, 5x57cm (92, 5x86 cm incl. frame), Published in1986 by De Expeditie, Amsterdam, in an edition of 20 copies plus three hors commerce proofs Provenance: Acquired from Galerie Paul Andriesse, Amsterdam, by the present owner.Literature: Marlene Dumas, 'Sweet Nothings. Notes and Texts', Amsterdam 1998, p. 30,
Venduehuis der Notarissen
Mar. 19, 2024
Marlene Dumas; South African/Dutch 1953-; Pre-Language Pretence
Est: R300,000 - R400,000
Marlene Dumas South African/Dutch 1953- Pre-Language Pretence signed with the artist's initials, dated 2001 and inscribed with the title in pencil in the margin ink and conté on paper 25 by 16cm excluding frame; 55,5 by 46 by 3cm including frame
Strauss & Co
Mar. 16, 2024
Marlene Dumas
Est: €450 - €600
Marlene Dumas 1953 Kapstadt - "A long silence" - Farblithografie/Papier. 25,7 x 24,9 cm, 50,5 x 44,7 cm. Sign. und dat. r. u.: M Dumas 1989. Das Blatt liegt lose. Ränder leicht angeschmutzt und im rechten oberen Bereich etwas knickspurig. Leichte Griffknicke.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Mar. 06, 2024
Marlene Dumas (South Africa 1953-), Existential Doubt
Est: R1,200,000 - R1,800,000
oil and collage on canvas
Aspire Art
Dec. 11, 2023
Marlene Dumas (South African, Dutch 1953). Het hart van een meermin [The heart of a mermaid], 1984.
Est: €1,500 - €2,000
Marlene Dumas (South African, Dutch 1953) Het hart van een meermin [The heart of a mermaid], 1984 lithograph on paper with a paper clipping signed and dated 'M Dumas 1984.' (lower right), numbered '7/30' (lower left) and titled (lower centre) image size 548 x 725 mm., frame size 74 x 90 cm.
Adams Amsterdam Auctions
Dec. 11, 2023
Marlene Dumas (South African, Dutch 1953). En die sterre van die hemel val op die aarde [And the star falls from heaven to the earth], 1983/1984.
Est: €800 - €1,200
Marlene Dumas (South African, Dutch 1953) En die sterre van die hemel val op die aarde [And the star falls from heaven to the earth], 1983/1984 lithograph and colour crayons on paper signed, numbered and dated 'M Dumas 83/84 a.e.' (lower right), printed by Steendrukkerij, Amsterdam sheet size 644 x 507 mm., frame size 76.5 x 67 cm.
Adams Amsterdam Auctions
Dec. 11, 2023
Marlene Dumas (South African, Dutch 1953). Portrait of a young Nelson Mandela, 2008.
Est: €3,000 - €5,000
Marlene Dumas (South African, Dutch 1953) Portrait of a young Nelson Mandela, 2008 offset lithograph on Hahnemühle signed and dated 'MDumas 2008' and titled (lower right), numbered '147/250' (lower left), printed by Bernhard Ruygrok, Amsterdam sheet size 450 x 350 mm.
Adams Amsterdam Auctions
Dec. 11, 2023
Marlene Dumas (South African, Dutch 1953). Slapende baby Helena [Sleeping baby Helena], 1989.
Est: €6,000 - €8,000
Marlene Dumas (South African, Dutch 1953) Slapende baby Helena [Sleeping baby Helena], 1989 ink and watercolour on paper signed, dated and titled 'Marlene 12 sept 89' (lower right) sheet size 41.5 x 59 cm., frame size 62 x 77 cm.
Adams Amsterdam Auctions
Dec. 11, 2023
MARLENE DUMAS
Est: €600 - €1,000
Marlene Dumas (1953) Incubatie (incubation) (1991) Signed and dated 1991 lower right Titled lower centre and numbered 24/40 lower left Lithograph on wove paper, 32.9 x 31 cm Provenance: - Marcel Kalksma Handmade Prints, Amsterdam - Collection Cornelia Weijsenfeld, de Wittenberg, Garderen Note: Through works like 'Incubation', she ventures into provocative and controversial territory. In these pieces, Dumas confronts the viewer with unsettling imagery, prompting contemplation and sparking dialogue about complex and often uncomfortable subjects. Marlene Dumas' willingness to provoke and challenge through her art adds a dynamic and thought-provoking dimension to her body of work, making her a trailblazer in the exploration of the intersection between art and social commentary. * Please note: condition reports and additional photos are available upon request. For more information please visit our website: www.aagauctioneers.com
AAG Auctioneers
Dec. 11, 2023
MARLENE DUMAS
Est: €10,000 - €20,000
Marlene Dumas (1953) Fear of Babies (1986): - Collaborators son - Tripoli Baby - Chernobyl Child - Intolerant boy - Sweety Pie The complete portfolio with five lithographs on paper and a poem by the artist Each lithograph signed, dated 1986 and numbered 5/20 (the edition also includes 3 HC) lower left and titled lower centre Published by De Expeditie, Amsterdam Each lithograph on wove paper, each 76.3 x 56.7 cm In the original folder with ribbons, 81.8 x 62.4 cm Literature: Marlene Dumas, Sweet Nothings. Notes and Texts, Galerie Paul Andriesse & De Balie Publishers, Amsterdam, 1998, p. 30 Note: 'Fear of Babies' by Marlene Dumas is a thought-provoking series that challenges conventional perceptions of childhood and parenthood. The artist's depictions of children as distorted, uncanny, and discomforting creatures evoke a sense of fear, prompting viewers to confront the darker and more complex aspects of the human experience. Dumas, despite being a mother herself, does not shy away from portraying her own children in a way that deviates from the traditional portrayal of innocence. The series seems to delve into the unsettling nature of parenthood, questioning the idealized notion of children as purely innocent and angelic. By presenting children in a more ambiguous and sometimes even disturbing light, Dumas challenges societal expectations and norms surrounding childhood. The use of fear in the title suggests a deliberate attempt to provoke a visceral and emotional response from the viewer, pushing them to reconsider preconceived notions about the nature of children. Furthermore, Dumas incorporates political commentary into her work, as seen in pieces like 'Collaborator's Son' and 'Chernobyl Child', where she addresses historical and societal issues. This adds another layer of complexity to the series, inviting viewers to reflect not only on the personal aspects of parenthood but also on broader socio-political themes. In essence, 'Fear of Babies' encourages viewers to question and reevaluate their understanding of childhood, parental relationships, and societal expectations. The series challenges the comfortable narratives surrounding innocence and prompts a more nuanced exploration of the multifaceted and sometimes unsettling aspects of the human experience. Both the Stedelijk Museum in Amsterdam and the Centraal Museum in Utrecht have this series in their collection. * Please note: condition reports and additional photos are available upon request. For more information please visit our website: www.aagauctioneers.com
AAG Auctioneers
Dec. 11, 2023
MARLENE DUMAS
Est: €4,000 - €6,000
Marlene Dumas (1953) Billie (Holiday) (1994) Signed lower right Numbered Definitief Proefdruk (the only definitive artist proof, aside the edition of 60 + 20 artist's proofs) lower left Published by Marcel Kalksma Handmade Prints, Amsterdam Handprinted lithograph, in four separate runs, on Lana Royal paper, 66 x 52.2 cm Provenance: - Handmade prints, Amsterdam, 2010 - Collection Cornelia Weijsenfeld, de Wittenberg, Garderen Note: Crafted in 1995, 'Billie Holiday' is a lithograph by Marlene Dumas that shows her distinctive and melancholic aesthetic. The piece provides a unique lens through which to view the legendary jazz singer. Held within the prestigious collection of the Stedelijk Museum in Amsterdam, the artwork showcases Dumas' ability to evoke emotion and complexity in her subjects. Notably different from Dumas' iconic oil portrait of Billie Holiday from the same year, this lithograph offers a fresh and, perhaps, more introspective perspective on the celebrated vocalist. The interplay of refinement and melancholy within the lithograph adds layers of emotional depth, encouraging viewers to immerse themselves in the nuanced interpretation of Billie Holiday's persona by the artist. * Please note: condition reports and additional photos are available upon request. For more information please visit our website: www.aagauctioneers.com
AAG Auctioneers
Dec. 11, 2023
MARLENE DUMAS
Est: €6,000 - €10,000
Marlene Dumas (1953) The Supermodel (1995) Signed and dated 1995 lower right Titled and numbered PP (the only printer's proof, aside the edition of 100 + 15 artist's proofs) lower left Published by the Institute of Contemporary Art, Philadelphia Handprinted lithograph, in four separate runs, on Lana Royal paper, 66 x 51.7 cm Provenance: - Handmade prints, Amsterdam, 2010 - Collection Cornelia Weijsenfeld, de Wittenberg, Garderen Note: The lithograph 'The Supermodel' by Marlene Dumas stands as a notable piece in her body of work, depicting the iconic supermodel Naomi Campbell. Housed in the collection of the Stedelijk Museum in Amsterdam, this artwork serves as a captivating testament to Dumas' distinctive and refined artistic style. Through the lens of her lithographic technique, Dumas captures not only the external glamour associated with supermodels but also infuses the portrayal with a subtle undercurrent of melancholy. The work not only showcases Dumas' technical skill but also invites viewers to engage with the complex interplay between beauty, celebrity, and the underlying emotions that permeate her subjects. 'The Supermodel' thus becomes a poignant exploration of both the allure and the vulnerabilities inherent in the world of supermodels, encapsulating the nuanced storytelling that characterizes Dumas' artistic approach. * Please note: condition reports and additional photos are available upon request. For more information please visit our website: www.aagauctioneers.com
AAG Auctioneers
Dec. 08, 2023
Marlene Dumas (née en 1953) Forced affection huile sur toile montée sur pan
Est: €30,000 - €50,000
Marlene Dumas (née en 1953) Forced affection huile sur toile montée sur panneau 30.4 x 24.7 cm.
Christie's
Dec. 08, 2023
Marlene DUMAS (1953), A long silence (1989), Lithographie, sign., Bogen an den Randungen leicht gequetscht, leicht gedunkelt, marginal vergilbt, Gebrauchsspuren.
Est: -
Marlene DUMAS (1953), A long silence (1989), Lithographie, signiert u. dat., Druckmass: ca. 25,8 x 25 cm. Bogen an den Randungen leicht gequetscht, leicht gedunkelt, marginal vergilbt, Gebrauchsspuren.
Auktionshaus Königstein GmbH
Dec. 06, 2023
Marlene Dumas (South African/British, born 1953) Faceless Lithograph, 1993, on wove paper, signed, dated and numbered 181/200 in pencil, published by the Institute of Contemporary Art, London, the full sheet, framedSheet 289 x 205mm (11 3/8 x 8 1/...
Est: £800 - £1,200
Marlene Dumas (South African/British, born 1953) Faceless Lithograph, 1993, on wove paper, signed, dated and numbered 181/200 in pencil, published by the Institute of Contemporary Art, London, the full sheet, framed Sheet 289 x 205mm (11 3/8 x 8 1/8in)
Bonhams
Dec. 01, 2023
MARLENE DUMAS
Est: €600 - €1,200
MARLENE DUMAS 1953 Cape Town 'EVIDENCE OF VIRTUE' (1992) Colour lithograph on grey vellum, mounted on vellum. Print size 29,5 x 19,5 cm, sheet size 65 x 50 cm (f. 73 x 57,5 x 3 cm). Titled below the lithograph, signed and dated by hand lower right and numbered '15/45' lower left. Mounted on cardboard and framed behind glass (unopened). Provenance: Private collection Ruhrgebiet. MARLENE DUMAS 1953 Kapstadt 'EVIDENCE OF VIRTUE' (1992) Farblithografie auf grauem Velin, auf Velin montiert. DM 29,5 x 19,5 cm, BM 65 x 50 cm (R. 73 x 57,5 x 3 cm). Unter der Lithografie betitelt, unten rechts handsigniert und datiert sowie unten links nummeriert '15/45'. Auf Karton montiert und hinter Glas gerahmt (ungeöffnet). Provenienz: Privatsammlung Ruhrgebiet. Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
Hargesheimer Kunstauktionen Düsseldorf
Nov. 27, 2023
Marlene Dumas, 1953, Open Ended
Est: CHF10,000 - CHF15,000
Signed lower right, dated and titled: Marlene, 1989, Open Ended. (Frame).
Germann Auction House Ltd
Nov. 27, 2023
Marlene Dumas, 1953, A Dead Man
Est: CHF4,500 - CHF5,500
Signed and dated lower right: Marlene, 87. (Frame).
Germann Auction House Ltd
Nov. 21, 2023
MARLENE DUMAS (B. 1953) - Dorothy D-lite
Est: €6,000 - €8,000
MARLENE DUMAS (B. 1953) Dorothy D-lite lithograph in colour with bronze powder on paper 122 x 68cm.
Christie's
Nov. 21, 2023
MARLENE DUMAS (B. 1953) - An older, more unhappy version/ Still doing the same old thing
Est: €12,000 - €16,000
MARLENE DUMAS (B. 1953) An older, more unhappy version/ Still doing the same old thing ink, watercolour and wax crayons on paper 29.5 x 21cm.
Christie's
Nov. 10, 2023
MARLENE DUMAS (B. 1953) Stage Fright oil on canvas 12 x 16 in. (30 x 40 cm.
Est: $300,000 - $500,000
MARLENE DUMAS (B. 1953) Stage Fright oil on canvas 12 x 16 in. (30 x 40 cm.)
Christie's
Nov. 07, 2023
Marlene Dumas; South African/Dutch 1953-; Pre-Language Pretence
Est: R400,000 - R600,000
Marlene Dumas South African/Dutch 1953- Pre-Language Pretence signed with the artist's initials, dated 2001 and inscribed with the title in pencil in the margin ink and conté on paper 25 by 16cm excluding frame; 55,5 by 46 by 3cm including frame
Strauss & Co
Nov. 04, 2023
Dumas, Marlene: a long silence
Est: €1,000 - €1,200
Marlène Dumas 1953 Kapstadt a long silence Lithograph on wove paper, 1989; H 505 mm, W 445 mm; signed and dated lower right ''m Dumas 1989''
Peter Karbstein - Kunst und Auktionshaus
Oct. 31, 2023
Twister
Est: €190,000 - €300,000
Marlene Dumas b. 1953 Twister, 2001 Ink and acrylic on paper 197 x 114 cm; 77 ½ x 44 ⅞ in. Executed in 2001. ________________________________ Marlene Dumas n. 1953 Twister, 2001 Encre et acrylique sur papier 197 x 114 cm; 77 ½ x 44 ⅞ in. Exécuté en 2001.
Sotheby's
Oct. 31, 2023
Art is/ Always/ Having to say/ Goodbye (for Parkett 100/101)
Est: €4,000 - €6,000
DUMAS, MARLENE 1953 Cape Town Title: Art is/ Always/ Having to say/ Goodbye (for Parkett 100/101). Date: 2017. Technique: India ink on vellum. Matted. Depiction Size: 24,5 x 21cm. Notation: Signed, dated, numbered and titled. Publisher: Parkett-Verlag, Zurich (publisher). Number: 3/35. Frame: Framed. Condition: Verso mounted. Otherwise the work is in very good condition. With Parkett magazine. "Engaged equally with painting's history as with the image world that surrounds and informs us, Dumas's painting practice is always mediated and self-relexive, it emerges - tenderly, knowingly, tentatively - as an engagement and encounter with a world already mired in multiple meditations and reflections." Tamar Garb, Parkett no. 100/101, 2017. Article on work and artist from Parkett edition no. 100/101. Explanations to the Catalogue
Van Ham Kunstauktionen
Oct. 31, 2023
The Black Man, the Jew, and the Girl (for Parkett 38)
Est: €1,000 - €2,000
DUMAS, MARLENE 1953 CAPE TOWN Title: The Black Man, the Jew, and the Girl (for Parkett 38). Subtitle: 3-parts work. Date: 1993. Technique: Colour woodcut and colour lithograph. chamois-coloured laid paper, folded as fan. In notebook Measurement: 24,5 x 50 x 26 x 62cm. Notation: Signed, dated, numbered and inscribed. Publisher: Parkett-Verlag, Zurich (publisher). Number: 1/60. Condition: One minimal trace of handling. Otherwise in very good condition. With Parkett magazine. "Ever-enquiring into what is reflection, what is real, what is love, what is violence, what is pain, what is lust, what is presence, what is absence, Marlene Dumas constructs, like a piece of architecture, a feeling with corridors, doors, rooms, and empty spaces, many empty spaces, but without a single resting-place for the banal which is perhaps the beginning of evil: the banality of self-deception." Anna Tilroe, Parkett no. 38, 1993. Article on work and artist from Parkett edition no. 38. Explanations to the Catalogue
Van Ham Kunstauktionen
Oct. 18, 2023
Marlene Dumas (1953)
Est: €13,000 - €15,000
Marlene Dumas (1953), Fear of Babies, the complete portfolio with five lithographs on paper with a hand-written poem by the artist, each print signed, dated, and numbered in pencil '19/20 MDumas 1986' (lower left), and titled respectively 'Collaborators son', 'Tripoli Baby', 'Chernobyl Child', 'Intolerant boy', and 'Sweety Pie' (lower centre), the sheets framed separately, with the original portfolio, full sheets 76,5x57cm, overall 82x63x1cm, Published in1986 by De Expeditie, Amsterdam, in an edition of 20 copies plus three hors commerce proofs, Provenance: Acquired from Galerie Paul Andriesse, Amsterdam, by the present owner.Literature: Marlene Dumas, 'Sweet Nothings. Notes and Texts', Amsterdam 1998, p. 30,
Venduehuis der Notarissen
Oct. 15, 2023
LITHOGRAPHIE"AMY BACK TO" de Marlene DUMAS (née en 1953)
Est: €1,800 - €3,000
LITHOGRAPHIE"AMY BACK TO" de Marlene DUMAS (née en 1953) Épreuve en couleur sur papier encadré sous verre Signé, numéroté 60/150, titré, légendé et daté "2015" au crayon en bas à gauche 40 x 47 cm Provenance : Fondation Beyeler, Rihen Bâle, Suisse, 2015
Paris Oise Enchères