Ray (1912) Eames Sold at Auction Prices

b. 1912 - d. 1988

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  • CHARLES AND RAY EAMES ROSEWOOD LOUNGE CHAIR AND OTTOMAN
    Mar. 29, 2025

    CHARLES AND RAY EAMES ROSEWOOD LOUNGE CHAIR AND OTTOMAN

    Est: $3,500 - $5,000

    Charles Eames (1907-1978) | Ray-Bernice Alexandra Kaiser Eames (1913-1988) Third quarter of the 20th century The laminated rosewood-shell lounge chair with black leather coverings and enameled aluminum base, model number 670, has a circular Herman Miller tag and related paper label underside of the seat. The matching ottoman number 671 is unmarked. Chair measures 33 x 32 x 30 and the ottoman is 16.5 x 25.5 x 22.5 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.

    Dirk Soulis Auctions
  • Charles (1907-1978) and Ray (1912-1988) Eames Lounge Chair and Ottoman, Design for Herman Miller, Models 670 and 671, Introduced 1956, Circa 1999
    Mar. 28, 2025

    Charles (1907-1978) and Ray (1912-1988) Eames Lounge Chair and Ottoman, Design for Herman Miller, Models 670 and 671, Introduced 1956, Circa 1999

    Est: $2,000 - $4,000

    Charles (1907-1978) and Ray (1912-1988) Eames Lounge Chair and Ottoman Design for Herman Miller, Models 670 and 671, Introduced 1956, Circa 1999 Black leather upholstered teak laminate and powder-coated steel construction; undersides with black elongated label with maker's mark and herman miller ®.

    Weschler's
  • 4 Eames for Herman Miller MCM Molded Plastic Chairs
    Mar. 26, 2025

    4 Eames for Herman Miller MCM Molded Plastic Chairs

    Est: $600 - $1,200

    Charles Eames (American, 1907-1978) & Ray Eames (American, 1912-1988) for Herman Miller, United States. Set of four mid-century modern molded plastic shell-form dining or side chairs atop chrome "Eiffel" bases, mid-20th century. Featuring Herman Miller's discontinued "Aqua Sky" color. With "Eames" and additional maker's marks in relief along the underside of each chair.

    Revere Auctions
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra. Table "Segmented". White laminate top with black rubber edge, chrome/black steel base. Made by Vitra, from 2003, with label. Shows signs of wear.
    Mar. 25, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra. Table "Segmented". White laminate top with black rubber edge, chrome/black steel base. Made by Vitra, from 2003, with label. Shows signs of wear.

    Est: €1,300 - €1,400

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra. Table "Segmented". White laminate top with black rubber edge, chrome/black steel base. Made by Vitra, from 2003, with label. Shows signs of wear. Measurements: diameter 130 cm, height 73 cm. The "Eames Segmented Tables" line was born in 1964, when Charles and Ray Eames developed a system of base elements that accommodates many table sizes and shapes, resulting in elegant designer furniture. The versatility of the system allowed Vitra not only to offer six standard table sizes, but also to cater to individual requirements to offer completely customized solutions. Charles and Ray Ames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Set of six Soft Pad armchairs, model EA-208, design 1969. Black leather seat and back.
    Mar. 25, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Set of six Soft Pad armchairs, model EA-208, design 1969. Black leather seat and back.

    Est: €7,000 - €7,500

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Set of six Soft Pad armchairs, model EA-208, design 1969. Black leather seat and back. Polished aluminum swivel base and armrests. Signs of wear considering the age. Produced in Vitra, with labels. Measurements: 83 x 58 x 58 cm, seat height 52. The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It features an ergonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. Office chair, model EA-117. Designed in 1958.
    Mar. 25, 2025

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. Office chair, model EA-117. Designed in 1958.

    Est: €2,000 - €2,500

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. Office chair, model EA-117. Designed in 1958. Black leather 'Full leather'. Latest generation with chrome ring, polished aluminum frame, rotating stem and five-step foot with wheels, black leather covering both front and rear, tilting function, height adjustable with gas cartridge. Manufactured by Vitra. It has slight marks of use. Measurements: 82/93 cm (height); 43/55 cm (seat height). The model EA-117 office chair by Charles and Ray Eames was launched in 1958 for Vitra. It has an ergonomic shape that easily adapts to the contours of the body, and is in line with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine arts and cinema, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio tackling residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, directing the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his Cranbrook colleague, Ray Kaiser. Together they settled in Los Angeles, where they will remain for the rest of their lives. In the late 1940s, Ray and Charles together designed their home, known as the “Eames House,” considered today a masterpiece of modern architecture. In the 1950s, the couple continued working in architecture and furniture design, being pioneers in the use of new techniques and materials such as fiberglass or plastic resin for the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra. Set of six DAX chairs, designed in 1948. Original plastic shell and H-base frame, original, Chairs with minimal signs of use. Produced by Vitra, marked 2018.
    Mar. 25, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra. Set of six DAX chairs, designed in 1948. Original plastic shell and H-base frame, original, Chairs with minimal signs of use. Produced by Vitra, marked 2018.

    Est: €1,800 - €2,000

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra. Set of six DAX chairs, designed in 1948. Original plastic shell and H-base frame, original, Chairs with minimal signs of use. Produced by Vitra, marked 2018. Measurements: 81 x 63 x 60 cm, seat height: 44 cm. Charles and Ray Eames designed the DAX armchair in 1950 as part of the collection of their famous Plastic Chairs. Produced by Herman Miller, the Eames fiberglass armchairs feature integrated armrests that streamline the shell design. They are elevated on metal supports with a star-shaped base. The Eames were the first to mass-produce plastic chairs. They are versatile and multifunctional. This is a range of chairs with a one-piece shell molded to fit the contours of the human body that uniquely combines three basic concepts of interior design: lightness, elegance and structural strength. "Getting more of the best for more people for less" is the motto of husband and wife team Charles and Ray Eames, designers whose architectural innovations contributed to the advancement of furniture, design and industrial manufacturing. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. They were pioneers in the use of new techniques and materials such as fiberglass or plastic resin for the manufacture of chairs, and their creations can be seen in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for ICF. Pair of Soft Pad chairs, 1969 design. Vintage 1970's edition. Chromed metal and brown leather upholstery. Height adjustable.
    Mar. 25, 2025

    CHARLES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for ICF. Pair of Soft Pad chairs, 1969 design. Vintage 1970's edition. Chromed metal and brown leather upholstery. Height adjustable.

    Est: €3,000 - €4,000

    CHARLES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for ICF. Pair of Soft Pad chairs, 1969 design. Vintage 1970's edition. Chromed metal and brown leather upholstery. Height adjustable. With casters. With publisher's label. Exhibits wear consistent with age and use. The hydraulics need to be overhauled. The upholstery shows wear and faults due to use and the passage of time. Measurements: 87 x 55 x 50 cm. The Soft Pad office chair by Charles and Ray Eames was created in 1969 for Vitra. It has an ergonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he became a professor and headed the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. LCW" chair, design 1945. Press-molded and strip-cut ash veneer. Minimal signs of wear. Produced by Vitra with label in 2018.
    Mar. 25, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. LCW" chair, design 1945. Press-molded and strip-cut ash veneer. Minimal signs of wear. Produced by Vitra with label in 2018.

    Est: €1,200 - €1,300

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. LCW" chair, design 1945. Press-molded and strip-cut ash veneer. Minimal signs of wear. Produced by Vitra with label in 2018. Measurements: 67 x 56 x 65 cm. Seat height 39 cm. The LWC chair grew out of Charles and Ray Eames' experimentation with wood molding techniques. Their discoveries led them to be commissioned by the U.S. Navy to produce several heat and pressure molded pieces, which were successfully used in World War II. It is an ergonomic chair whose structure adapts perfectly to the human body. It was originally published and distributed by Herman Miller, but in 1957 Vitra signed a licensing agreement and began producing the LCW chair in Europe and the Middle East. Charles and Ray Ames, married and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • Charles and Ray Eames (American, 1907-1978 and 1912-1988) Pair of PAC Armchairs, designed 1953, height 80 cm (each)
    Mar. 25, 2025

    Charles and Ray Eames (American, 1907-1978 and 1912-1988) Pair of PAC Armchairs, designed 1953, height 80 cm (each)

    Est: $1,500 - $2,500

    Charles and Ray Eames (American, 1907-1978 and 1912-1988) Pair of PAC Armchairs, designed 1953 manufactured by Herman Miller, textured cream fibre glass shell seat, swivel base, cast aluminium, both retaining manufacturer's labels underneath (2)

    Shapiro Auctioneers
  • Charles and Ray Eames (American, 1907-1978 and 1912-1988) Set of Four Moulded Plastic Armchair, designed c. 1948, height 80 cm
    Mar. 25, 2025

    Charles and Ray Eames (American, 1907-1978 and 1912-1988) Set of Four Moulded Plastic Armchair, designed c. 1948, height 80 cm

    Est: $1,000 - $1,500

    † Charles and Ray Eames (American, 1907-1978 and 1912-1988) Set of Four Moulded Plastic Armchair, designed c. 1948 white polypropylene shell seat, chrome steel Eiffel tower base, retains moulded manufacturer's marks and decal label

    Shapiro Auctioneers
  • CHARLES & RAY EAMES, SOFT PAD CHAIR "EA 222" MIT OTTOMAN "EA 223"
    Mar. 19, 2025

    CHARLES & RAY EAMES, SOFT PAD CHAIR "EA 222" MIT OTTOMAN "EA 223"

    Est: CHF700 - CHF1,000

    (1907 St. Louis 1978) (Sacramento 1912–1988 Los Angeles) Entwurf von 1969 für Herman Miller, Zeeland. Verchromtes Aluminiumgestell mit 4-strahligem Fuss. Graues Lederpolster. Herstelleretikett. Sitzhöhe 38 cm. 66x80x96 cm (Sessel), 55x55x42 cm (Ottoman). - Alters- und Gebrauchsspuren. Leder etwas fleckig (Sitzfläche).

    Schuler Auktionen
  • CHARLES & RAY EAMES, SOFT PAD CHAIR "EA 222"
    Mar. 19, 2025

    CHARLES & RAY EAMES, SOFT PAD CHAIR "EA 222"

    Est: CHF600 - CHF900

    (1907 St. Louis 1978) (Sacramento 1912–1988 Los Angeles) Entwurf von 1969 für Herman Miller, Zeeland. Verchromtes Aluminiumgestell mit 4-strahligem Fuss. Graues Lederpolster. Drehbar. Herstelleretikett. Sitzhöhe 38 cm. 66x80x96 cm. - Alters- und Gebrauchsspuren.

    Schuler Auktionen
  • Charles (1907-1978) et Ray (1912-1988) EAMES
    Mar. 08, 2025

    Charles (1907-1978) et Ray (1912-1988) EAMES

    Est: €80 - €120

    Charles (1907-1978) et Ray (1912-1988) EAMES Mobilier international Editeur Ottoman Lounge Chair en placage de palissandre et cuir brun Etiquette de l’éditeur Accidents, sauts de placage, déchirures et manques 45 x 65 x 54 cm

    Osenat
  • Charles & Ray Eames LCW Lounge Chair
    Mar. 01, 2025

    Charles & Ray Eames LCW Lounge Chair

    Est: $400 - $600

    Artist/Designer; Manufacturer: Charles Eames (American, 1907-1978), Ray Eames (American, 1912-1988); Herman Miller (USA) Marking(s); notes: label Materials: ash plywood Dimensions (H, W, D): 26.5"h, 22"w, 24"d; 15.5" seat height Additional Information: The chair is a 2003-2007 production. Reference: Classic Herman Miller, Leslie Pina, pg. 28.

    Palm Beach Modern Auctions
  • Charles and Ray Eames (1907-1978 and 1912-1988), A "DSS-TA" stacking chair with table arm for Herman Miller, 1950s/1960s
    Feb. 25, 2025

    Charles and Ray Eames (1907-1978 and 1912-1988), A "DSS-TA" stacking chair with table arm for Herman Miller, 1950s/1960s

    Est: $200 - $300

    Charles and Ray Eames (1907-1978 and 1912-1988) A "DSS-TA" stacking chair with table arm for Herman Miller, 1950s/1960s Designed 1955 With partially legible stamp to fiberglass shell possibly reading: 12212 The fiberglass seat in seafoam, raised on a tubular steel frame with side hooks, the legs with plastic self-leveling feet, featuring an articulated plywood tablet table

    John Moran Auctioneers
  • Charles and Ray Eames (1907-1978 and 1912-1988), An "LAR" rocking chair for Herman Miller, 3rd or 4th generation (1957-1962)
    Feb. 25, 2025

    Charles and Ray Eames (1907-1978 and 1912-1988), An "LAR" rocking chair for Herman Miller, 3rd or 4th generation (1957-1962)

    Est: $200 - $400

    Charles and Ray Eames (1907-1978 and 1912-1988) An "LAR" rocking chair for Herman Miller, 3rd or 4th generation (1957-1962) With partial paper patent label to underside: 147 [illegible] The fiberglass chair shell in elephant grey, raised on enameled tubular steel "Cats Cradle" legs with rubber shock mounts

    John Moran Auctioneers
  • Charles and Ray Eames (1907-1978 and 1912-1988), A "DSR" side chair for Herman Miller, circa 1956-1959
    Feb. 25, 2025

    Charles and Ray Eames (1907-1978 and 1912-1988), A "DSR" side chair for Herman Miller, circa 1956-1959

    Est: $300 - $500

    Charles and Ray Eames (1907-1978 and 1912-1988) A "DSR" side chair for Herman Miller, circa 1956-1959 Designed 1951 Marked to metal sticker: Designed by Charles Eames / Herman Miller / Zeeland Mich. / [logo at center]; further marked with paper patent label starting with: D / 147 / 613 The fiberglass seat in seafoam, raised on tubular steel "Eiffel Tower" legs with possibly later generation self-leveling plastic feet/glides

    John Moran Auctioneers
  • Charles and Ray Eames (1907-1978 and 1912-1988), Two "Shell Armchairs" for Herman Miller, 3rd and 4th generations (1955-1993)
    Feb. 25, 2025

    Charles and Ray Eames (1907-1978 and 1912-1988), Two "Shell Armchairs" for Herman Miller, 3rd and 4th generations (1955-1993)

    Est: $1,200 - $1,800

    Charles and Ray Eames (1907-1978 and 1912-1988) Two "Shell Armchairs" for Herman Miller, 3rd and 4th generations (1955-1993) Designed 1948 The brown with partial raised Herman Miller 'H'; the yellow unmarked Each fiberglass chair shell raised on two enameled tubular steel U-form legs joined in an H-stretcher with rubber shock mounts and plastic feet, comprising a 3rd generation (1955-1958) chair in lemon yellow and a 4th generation (1959-1993) chair in brown 2 pieces

    John Moran Auctioneers
  • Charles and Ray Eames (1907-1978 and 1912-1988), A "PAW" swivel armchair with rope edge for Herman Miller, 1st generation (1950-1954)
    Feb. 25, 2025

    Charles and Ray Eames (1907-1978 and 1912-1988), A "PAW" swivel armchair with rope edge for Herman Miller, 1st generation (1950-1954)

    Est: $700 - $900

    Charles and Ray Eames (1907-1978 and 1912-1988) A "PAW" swivel armchair with rope edge for Herman Miller, 1st generation (1950-1954) Designed 1959 With Herman Miller checkboard sticker to underside The fiberglass chair shell with rope edge in red orange with swivel action, raised on wood dowel legs joined by an enameled tubular steel matrix stretcher

    John Moran Auctioneers
  • Charles and Ray Eames (1907-1978 and 1912-1988), An "LCW" molded plywood lounge chair for Herman Miller, 1st Generation (1946-50)
    Feb. 25, 2025

    Charles and Ray Eames (1907-1978 and 1912-1988), An "LCW" molded plywood lounge chair for Herman Miller, 1st Generation (1946-50)

    Est: $500 - $700

    Charles and Ray Eames (1907-1978 and 1912-1988) An "LCW" molded plywood lounge chair for Herman Miller, 1st Generation (1946-50) Designed 1946 With paper Evans sticker to underside: Herman Miller / Evans / Charles Eames The molded veneered plywood body with rubber shock mounts, set on two U-form legs, the underside screws in 5-2-5 formation

    John Moran Auctioneers
  • Charles and Ray Eames (1907-1978 and 1912-1988), Six Molded Leg Splints by Evans Products Company in box, 1943
    Feb. 25, 2025

    Charles and Ray Eames (1907-1978 and 1912-1988), Six Molded Leg Splints by Evans Products Company in box, 1943

    Est: $1,500 - $2,500

    Charles and Ray Eames (1907-1978 and 1912-1988) Six Molded Leg Splints by Evans Products Company in box, 1943 Designed 1941-1942 Each marked to original sticker: 1 Splint / Leg . Plywood / For Transportation / Stock No. S2-1790 / [Evans logo] / Manufactured by Evan Products Company / Molded Plywood Division / Los Angeles . California; box marked with matching stock number The molded plywood splints, each wrapped in original paper packaging and housed in a cardboard box 6 pieces

    John Moran Auctioneers
  • Charles and Ray Eames (1907-1978 and 1912-1988), A "CTM" coffee table, 3rd generation (1950-1957)
    Feb. 25, 2025

    Charles and Ray Eames (1907-1978 and 1912-1988), A "CTM" coffee table, 3rd generation (1950-1957)

    Est: $500 - $700

    Charles and Ray Eames (1907-1978 and 1912-1988) A "CTM" coffee table, 3rd generation (1950-1957) Designed 1946 Unmarked The black dyed molded plywood circular table with central depression set on a chromed tubular metal X-form frame with aluminum "Domes of Silence" feet

    John Moran Auctioneers
  • CHARLES EAMES (1907-1978) & RAY EAMES (1912-1988) FOR HERMAN MILLER PAIR OF TIME LIFE STOOLS IN
    Feb. 25, 2025

    CHARLES EAMES (1907-1978) & RAY EAMES (1912-1988) FOR HERMAN MILLER PAIR OF TIME LIFE STOOLS IN

    Est: $600 - $800

    Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller pair of Time Life stools in Walnut C 1960.

    Kamelot Auctions
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. Office chair "Soft-pad EA 219", 2015. Polished steel and leather upholstery. Adjustable height. Features labels.
    Feb. 24, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. Office chair "Soft-pad EA 219", 2015. Polished steel and leather upholstery. Adjustable height. Features labels.

    Est: €2,300 - €2,500

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. Office chair "Soft-pad EA 219", 2015. Polished steel and leather upholstery. Adjustable height. Features labels. Measurements: 99 x 60 x 60 x 60 cm. The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It has an ergonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Such an enthusiastic design was perfectly received by both critics and the public, giving way to a complete range of models for the Eames Aluminium Group: the Aluminium Chairs EA 101, 103 and 104 (especially suitable as dining chairs), the models EA 105, 107 and 108 (used more in meeting rooms), the Aluminium Chairs EA 115, 116 and EA 124, 125 form two groups of armchairs and the versions EA 117, 118 and 119 are the work chairs of this product family. The seat tilt mechanism can be adjusted to the user's weight for optimum comfort. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others. Adjustable height. Presents labels.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Modernica, Los Angeles. Pair of chairs model DSR, design 1948. Chromed steel frame. Seat in cream-colored fiberglass.
    Feb. 24, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Modernica, Los Angeles. Pair of chairs model DSR, design 1948. Chromed steel frame. Seat in cream-colored fiberglass.

    Est: €1,000 - €1,200

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Modernica, Los Angeles. Pair of chairs model DSR, design 1948. Chromed steel frame. Seat in cream-colored fiberglass. Reissued by Modernica, Los Angeles. With stamped stamp. Edition 2000. In good condition. Measurements: 80 x 47 x 50 cm. The DSR (or "Shell" or "Shell" chair) is a range of chairs whose shell has been made in a single molded piece, designed to adapt to the contours of the human body, and is combined with an intricate and elegant design that interweaves in an exceptional way three basic concepts within interior design: lightness, elegance and structural strength. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Herman Miller. Aluminium Chair EA124, design 1950-1955. Upholstered in white leatherette (PU). Steel frame. Stamped and numbered Herman Miller.
    Feb. 24, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Herman Miller. Aluminium Chair EA124, design 1950-1955. Upholstered in white leatherette (PU). Steel frame. Stamped and numbered Herman Miller.

    Est: €800 - €1,000

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Herman Miller. Aluminium Chair EA124, design 1950-1955. Upholstered in white leatherette (PU). Steel frame. Stamped and numbered Herman Miller. The chair has patina and signs of wear. Measurements: 101 x 64 x 75 cm. Seat height: 43 cm. The Aluminium Chair EA 124 is the par excellence lounge chair model of the Aluminium Group by Charles and Ray Eames. Its superb comfort is due to the extraordinarily high backrest and headrest cushion together with the tilting mechanism that can be adjusted to the weight of the user. It is a swivel chair. Now considered a classic of 20th century design, the Aluminum Chair by Charles and Ray Eames was created in 1958 and has been in continuous production ever since. It was created for a private home in Columbus, USA, built by architects Saarinen and Girard. In the Aluminium Chair, the Eameses adapted the shape of the seat to the structure of the chair itself by stretching the fabric or leather between the two parts of the structure, thus making it rigid, but maintaining its elasticity. This elastic form allows it to adapt easily to the contours of the body, gradually, thus increasing the comfort of the seat. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine arts and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Herman Miller. Aluminium Chair EA124, design 1950-1955. Upholstered in white artificial leather (PU). Dark painted steel frame.
    Feb. 24, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Herman Miller. Aluminium Chair EA124, design 1950-1955. Upholstered in white artificial leather (PU). Dark painted steel frame.

    Est: €800 - €1,000

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Herman Miller. Aluminium Chair EA124, design 1950-1955. Upholstered in white artificial leather (PU). Dark painted steel frame. Stamped and numbered Herman Miller. The chair has patina and signs of wear. Measurements: 101 x 64 x 75 cm. Seat height: 43 cm. The Aluminium Chair EA 124 is the quintessential lounge chair from the Aluminium Group by Charles and Ray Eames. Its superb comfort is due to the extraordinarily high backrest and headrest cushion together with the tilting mechanism that can be adjusted to the weight of the user. It is a swivel chair. Now considered a classic of 20th century design, the Aluminum Chair by Charles and Ray Eames was created in 1958 and has been in continuous production ever since. It was created for a private home in Columbus, USA, built by architects Saarinen and Girard. In the Aluminium Chair, the Eameses adapted the shape of the seat to the structure of the chair itself by stretching the fabric or leather between the two parts of the structure, thus making it rigid, but maintaining its elasticity. This elastic form allows it to adapt easily to the contours of the body, gradually, thus increasing the comfort of the seat. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine arts and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented coffee table. Top in black varnished ash tree, chromed aluminium legs. Produced by Vitra, with label.
    Feb. 24, 2025

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented coffee table. Top in black varnished ash tree, chromed aluminium legs. Produced by Vitra, with label.

    Est: €600 - €800

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented coffee table. Top in black varnished ash tree, chromed aluminium legs. Produced by Vitra, with label. Measurements: Height 45 cm. Diam. 70 cm. In 1964, Charles and Ray Eames developed a system of base elements that enables many different table sizes and shapes, resulting in the elegant Eames Segmented Tables. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he would end up teaching, heading the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. EA-117 chair from the "Aluminium Group" series, design 1958.
    Feb. 24, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. EA-117 chair from the "Aluminium Group" series, design 1958.

    Est: €1,800 - €2,000

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. EA-117 chair from the "Aluminium Group" series, design 1958. Chrome-plated aluminium frame. Upholstery in green wool. Swivel base, with castors. With Vitra stamp. Measurements: 80 cm (height). Now considered a classic of 20th century design, the Aluminium Chair by Charles and Ray Eames was created in 1958 and has been in continuous production ever since. It was created for a private home in Columbus, USA, built by architects Saarinen and Girard. In the Aluminium Chair, the Eameses adapted the shape of the seat to the actual structure of the chair by stretching the fabric or leather between the two parts of the structure, thus making it rigid while maintaining its elasticity. This elastic form allows it to adapt easily to the contours of the body, gradually, thus increasing the comfort of the seat. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • EAMES HERMAN MILLER "MKX" WIRE BIKINI COVER CHAIR
    Feb. 20, 2025

    EAMES HERMAN MILLER "MKX" WIRE BIKINI COVER CHAIR

    Est: $300 - $500

    Charles and Ray Eames (American, 1907-1978; 1912-1988) for Herman Miller (American, founded 1923). MKX-2 wire dining chair with a brown vinyl "Bikini" cover, "Herman Miller" label to underside of cover. Approximate dimensions: h. 28.25" (only one boot glide), w. 19", d. 22

    Ahlers & Ogletree Inc.
  • CHARLES EAMES (1907 - 1978) & RAY EAMES (1912 - 1988). AFTER MODELS BY CHARLES EAMES (1907 - 1978) & RAY EAMES (1912 - 1988). FOR COFEMO. ARMCHAIR WITH OTTOMAN.
    Feb. 13, 2025

    CHARLES EAMES (1907 - 1978) & RAY EAMES (1912 - 1988). AFTER MODELS BY CHARLES EAMES (1907 - 1978) & RAY EAMES (1912 - 1988). FOR COFEMO. ARMCHAIR WITH OTTOMAN.

    Est: €1,200 - €2,000

    Structure in cherry plywood and upholstered in black leather. The back of the armchair has some chipping. Armchair 79 x 82.5 x 68 cm approx; ottoman 44 x 64 x 53 cm approx.

    Subarna Subastas
  • Charles (1907-1978) & Ray (1912-1988) EAMES
    Feb. 04, 2025

    Charles (1907-1978) & Ray (1912-1988) EAMES

    Est: €1,000 - €1,500

    Fauteuil à bascule, modèle dit RAR - Rope Edge Armchair, modèle créé en 1949 En fibre de verre grise, piètement en métal laqué noir à patins en bois Édition Herman Miller, Étiquette de l'éditeur sous l'assise 68 x 63 x 61 cm A 'RAR Rope edge' armchair by Charles & Ray Eames Bibliographie: Modèle similaire (autres finitions) reproduit in: - Sembach, Leuthauser, Gossel, Le Design du Meuble Au XXe siècle, Taschen, Cologne, 1989, p. 164

    Maurice Auction
  • Charles (1907-1978) & Ray (1912-1988) EAMES
    Feb. 04, 2025

    Charles (1907-1978) & Ray (1912-1988) EAMES

    Est: €1,200 - €1,500

    Suite de quatre chaises, modèle DCM, modèle créé vers 1950 Dossiers et assises en bois, piètement en métal chromé Édition Herman Miller, Étiquette de l'éditeur sous 3 assises A restaurer A set of 4 wooden 'DCM' chairs by Eames - to restore

    Maurice Auction
  • Charles (1907-1978) & Ray (1912-1988) EAMES
    Feb. 04, 2025

    Charles (1907-1978) & Ray (1912-1988) EAMES

    Est: €400 - €600

    Deux chaises, modèle DSW, modèle créé vers 1950 Coque en fibre de verre orange, piètement en métal laqué noir et bois L'une à refixer sur son piètement Edition Herman Miller, Estampées sous la coque 80,5 x 46,5 x 50 cm 2 fiberglass chairs, model 'DSW' by Charles and Ray Eames

    Maurice Auction
  • Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988),
    Jan. 28, 2025

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988),

    Est: £400 - £600

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), an 'EA 208' swivel office chair, 58.5cm wide 54cm deep 85cm high, seat 51cm high

    Sworders
  • Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988),
    Jan. 28, 2025

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988),

    Est: £400 - £600

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), an 'EA 208' swivel office chair, 58.5cm wide 54cm deep 85cm high, seat 51cm high

    Sworders
  • CHARLES (1907-1978) & RAY EAMES (1912-1988) Paire de fauteuils Lounge Chair
    Jan. 21, 2025

    CHARLES (1907-1978) & RAY EAMES (1912-1988) Paire de fauteuils Lounge Chair

    Est: €3,000 - €5,000

    CHARLES (1907-1978) & RAY EAMES (1912-1988) Paire de fauteuils Lounge Chair Création en 1956 Edition Herman Miller Etiquette de l'éditeur Palissandre de Madagascar, métal et cuir Paar leunstoelen 'Lounge Chair' Ontwerp 1956 Uitvoering Herman Miller Gemerkt door de fabrikant Madagascar palissander, metaal en leder A labeled pair of 'Lounge Chairs' in Madagascar rosewood, metal and leather by Charles and Ray Eames designed in 1956 and edited by Herman Miller. Chacun/elk : H: 82,5 cm. (32.1/2in.); L: 87 cm. (34.1/4in.); P: 87 cm. (34.1/4in.)

    Bonhams
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. LCW" chair, design 1945. Press-molded and strip-cut ash veneer. Minimal signs of wear. Produced by Vitra with label in 2018.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. LCW" chair, design 1945. Press-molded and strip-cut ash veneer. Minimal signs of wear. Produced by Vitra with label in 2018.

    Est: €1,200 - €1,300

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. LCW" chair, design 1945. Press-molded and strip-cut ash veneer. Minimal signs of wear. Produced by Vitra with label in 2018. Measurements: 67 x 56 x 65 cm. Seat height 39 cm. The LWC chair grew out of Charles and Ray Eames' experimentation with wood molding techniques. Their discoveries led them to be commissioned by the U.S. Navy to produce several heat and pressure molded pieces, which were successfully used in World War II. It is an ergonomic chair whose structure adapts perfectly to the human body. It was originally published and distributed by Herman Miller, but in 1957 Vitra signed a licensing agreement and began producing the LCW chair in Europe and the Middle East. Charles and Ray Ames, married and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery. Designed in 1958.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery. Designed in 1958.

    Est: €2,400 - €2,600

    CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery, backside with black hopsak, armrests and five-star base in clome-plated aluminium, with castors. Designed in 1958. Slight traces of wear. Measurements: 102/115 x 58 x 58 cm; 43/56 cm. (seat height). Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of eight Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered black leather.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of eight Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered black leather.

    Est: €10,000 - €12,000

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of eight Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered black leather. Swivel base and armrests in chromed aluminium. Made at Vitra, with labels. Slight marks of use. Measurements: 85 x 58 x 58 cm. The Soft Pad office chair by Charles and Ray Eames was created in 1969 for Vitra. It has an argonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the fifties and sixties. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Soft-Pad high back office chair, model EA-219.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Soft-Pad high back office chair, model EA-219.

    Est: €2,800 - €3,000

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Soft-Pad high back office chair, model EA-219. Polished aluminum base and armrests, black leather upholstery, backrest with hopak, five-axis foot with casters. Adjustable height and tilt function. Made in Vitra 2006, with label. It has slight marks of use. Measurements: Height 100-115 cm. Width 58 cm. Dep. 43 cm. Seat height 44-59 cm. The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It features an argonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented coffee table. Top in black varnished ash tree, chromed aluminium legs. Produced by Vitra, with label.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented coffee table. Top in black varnished ash tree, chromed aluminium legs. Produced by Vitra, with label.

    Est: €600 - €800

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented coffee table. Top in black varnished ash tree, chromed aluminium legs. Produced by Vitra, with label. Measurements: Height 45 cm. Diam. 70 cm. In 1964, Charles and Ray Eames developed a system of base elements that enables many different table sizes and shapes, resulting in the elegant Eames Segmented Tables. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he would end up teaching, heading the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. White laminate top with black rubber edge, cromed steel base. Produced by Vitra, with label.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. White laminate top with black rubber edge, cromed steel base. Produced by Vitra, with label.

    Est: €2,600 - €3,000

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. White laminate top with black rubber edge, cromed steel base. Produced by Vitra, with label. Measurements: 72 x 270 x 130 cm. In 1964, Charles and Ray Eames developed a system of base elements that enables many different table sizes and shapes, resulting in the elegant Eames Segmented Tables. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he would end up teaching, heading the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Modernica, Los Angeles. Pair of chairs model DSR, design 1948. Chromed steel frame. Seat in cream-colored fiberglass.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Modernica, Los Angeles. Pair of chairs model DSR, design 1948. Chromed steel frame. Seat in cream-colored fiberglass.

    Est: €1,200 - €1,300

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Modernica, Los Angeles. Pair of chairs model DSR, design 1948. Chromed steel frame. Seat in cream-colored fiberglass. Reissued by Modernica, Los Angeles. With stamped stamp. Edition 2000. In good condition. Measurements: 80 x 47 x 50 cm. The DSR (or "Shell" or "Shell" chair) is a range of chairs whose shell has been made in a single molded piece, designed to adapt to the contours of the human body, and is combined with an intricate and elegant design that interweaves in an exceptional way three basic concepts within interior design: lightness, elegance and structural strength. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988)
    Jan. 14, 2025

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988)

    Est: £100 - £150

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988) a collection of three 'DSX' chairs, orignially designed in 1950, manufactured by Vitra for Herman Miller, the formed plastic seat raised on four bent metal legs, one upholstered in red leather, the other two examples in black and orange felt, stamped 'Herman Miller', 48cm wide 52cm deep 78cm high, seat 45cm high (3) Condition Report: The red example with some surface marks to the leather an scratches to the underside of the plastic seat. The felt upholstered examples with some marks and bobbling, with scratches to the underside of the plastic seat. Otherwise all structurally sound.

    Sworders
  • Charles Eames (1907-1978) e Ray Eames (1912-1988) Armchair and footrest model "670 e 671". Produced by Vitra, Basel, disegno del 1956, produzione recente. Plywood shells, dark brown leather upholstered cushions, black painted die-cast alumi...
    Dec. 19, 2024

    Charles Eames (1907-1978) e Ray Eames (1912-1988) Armchair and footrest model "670 e 671". Produced by Vitra, Basel, disegno del 1956, produzione recente. Plywood shells, dark brown leather upholstered cushions, black painted die-cast alumi...

    Est: €2,500 - €3,000

    Armchair and footrest model "670 e 671". Produced by Vitra, Basel, disegno del 1956, produzione recente. Plywood shells, dark brown leather upholstered cushions, black painted die-cast aluminum bases. Marked under the seat. (armchair cm 84x88x85; footrest cm 65x42x55) IT Poltrona e poggiapiedi modello "670 e 671". Produzione Vitra, Basilea, disegno del 1956, produzione recente. Gusci in compensato, cuscini rivestiti in pelle color testa di moro, basi in alluminio pressofuso verniciato nero. Marcati sotto la seduta. (poltrona cm 84x88x85; poggiapiedi cm 65x42x55)

    Il Ponte Auction House
  • Charles Eames (1907-1978) e Ray Eames (1912-1988) Armchair model “670/B” and footrest model “671/B”. Produced by Herman Miller, Usa, 1950s/1960s. Wood-plated curved plywood shells, leather-covered cushions, cast aluminum bases. Footrest bea...
    Dec. 19, 2024

    Charles Eames (1907-1978) e Ray Eames (1912-1988) Armchair model “670/B” and footrest model “671/B”. Produced by Herman Miller, Usa, 1950s/1960s. Wood-plated curved plywood shells, leather-covered cushions, cast aluminum bases. Footrest bea...

    Est: €1,800 - €2,000

    Armchair model “670/B” and footrest model “671/B”. Produced by Herman Miller, Usa, 1950s/1960s. Wood-plated curved plywood shells, leather-covered cushions, cast aluminum bases. Footrest bearing manufacturer's adhesive label. (armchair cm 80x84.5x70.5; footrest cm 64.5x44.5x53.5) (defects and restorations) IT Poltrona modello "670/B" e poggiapiedi modello "671/B". Produzione Herman Miller, USA, anni '50/'60. Gusci in compensato curvo placcati in legno, cuscini rivestiti in pelle, basi in fusione di alluminio. Poggiapiedi recante etichetta adesiva del produttore. (poltrona cm 80x84,5x70,5; poggiapiedi cm 64,5x44,5x53,5) (difetti e restauri)

    Il Ponte Auction House
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