Victorio Edades Paintings & Artwork for Sale | Victorio Edades Art Value Price Guide

Dec. 02, 2023
Victorio Edades (1895 - 1985) - Lady in Maria Clara (Juliet Reyes)
Est: ₱4,000,000 - ₱5,200,000
PROPERTY FROM A VERY DISTINGUISHED COLLECTOR Lady in Maria Clara (Juliet Reyes) signed and dated 1978 (lower right) oil on canvas 38” x 32” (97 cm x 81 cm) EXHIBITED The Museum of Philippine Art, Edades in Retrospect: 1927 to 1980, Manila, April - June 1980. LITERATURE Letters of request to loan the artwork for the Edades In Retrospect, from the Museum of Philippine Art Director Arturo R. Luz, the artist himself Victorio Edades and the curator, Petty Benitez. WRITE UPIf we are to pick one figure to put at the forefront of the modernist movement in the Philippines, Victorio Edades would perhaps be the best choice. Spending a good chunk of his younger years in the United States as a worker, Edades eventually ventured out into the art world, earning a Master of Fine Arts in Painting at the University of Washington in Seattle. In the US, he came across a traveling exhibition of several European surrealists which included masters like Pablo Picasso, Paul Gauguin, and other surrealists. This exhibit steered his interests away from the classical academic art that pervades contemporary Philippine art and into modernism. This affinity for modernism is evident when he came back to the Philippines in 1928, where he shocked the art world with an exhibit featuring his distorted figures and his unconventionally somber color palette. In an era full of austere paintings, bright colors, and outstanding balance, Edades’s unorthodox art resonated for years to come despite not selling a single painting at the time. In this 1978 portrait, Edades portrays a classic Filipina in his signature muted color scheme. Portraits are an integral part of Edades’s portfolio and he has the medium mastered. Painted with a mottled green background, the subject – a young woman – sits on a yellow chair and is dressed in a plain white Filipiniana. Combined with the woman’s warm brown skin and her gold accessories, the viewer’s eyes are drawn straight to the cool white figure. The subject demands undivided attention, striking quite a powerful presence and is a clear testament of Edades’s genius. (Hannah Valiente)
Leon Gallery
Jun. 17, 2023
Victorio Edades (1895 - 1985)
Est: ₱2,400,000 - ₱3,120,000
Muslim Waving Goodbye signed and dated 1982 (lower right) oil on canvas 38 1/2" x 33" (98 cm x 84 cm) PROVENANCE: Genluna Gallery, Davao City Among the pioneers of Filipino Modernism, one individual arguably holds the title of having truly pushed the movement and the boundaries of art forward. Often hailed as the father of Philippine modern art, Edades subversive philosophy was a result of the artist’s desire to go beyond the dominance of classic and genre scenes that dominated the local art scene during his time. Edades challenged traditional artistic norms, introduced modern techniques, and inspired generations of Filipino artists to explore new artistic expressions. This desire was further exacerbated by his studies abroad. This exposure to international art played a crucial role in shaping Edades' artistic vision and fueling his desire to LEFT: Edades in front of Modern Art Museum. RIGHT: A sticker from GenLuna Gallery is attached verso. break away from the confines of conventionalism. Edades introduced a radical artistic approach that challenged the prevailing academic style. He rejected the romanticized depictions of Philippine landscapes and traditional subject matter, instead embracing a more realistic and critical representation of Filipino society. This particular piece is emblematic of that novel approach to art. Wherein older schools and disciplines of art were focused on recreation, Edades wanted to push the limits of the medium. Effectively creating works that went against tradition and fostered a much more critical disposition towards the role of art in society and perhaps even in life. (J.D.)
Leon Gallery
Dec. 03, 2022
Victorio Edades (1895 - 1985) En Route to Cebu
Est: ₱600,000 - ₱780,000
PROPERTY FROM THE LLITA TORRALBA LOGARTA COLLECTION En Route to Cebu signed and dated 1971 (lower right) oil on masonite board 24" x 28" (61 cm x 71 cm) PROVENANCE Acquired directly from the artist Our mother was very much drawn to Edades’ night scene of passengers in slumber aboard a ship sailing for Cebu. The painting evoked memories of our family trips to Cebu, our father’s hometown, aboard the Sweet Faith, the finest ship of Sweet Lines, the most popular inter island shipping lines at the time. Our oldest brother Luis remembers trips to Cebu in the 1970s on the Sweet Faith, which, he said, once navigated the fjords of Norway. The sleeping human forms on white cots depict the typical scene in third class berth of the ship. My sister and I remember sleeping on exactly those same cots with our yayas. It was more fun out there than in the first class cabins. On the deck, the winds whipped; and the night sky was full of stars. Our mother loved the night for the quiet and mystery it held. And that, plus happy memories of journeys past, came to fore in this Edades painting. But most of all, she loved this painting because it took her to Cebu, a place she and our father loved.
Leon Gallery
Oct. 22, 2022
Victorio Edades (1895 - 1985)
Est: ₱100,000 - ₱130,000
PROPERTY FROM THE ZAFFY LEDESMA COLLECTION Victorio Edades (1895 - 1985) Nude signed and dated 1980 (lower right) charcoal on brown paper 18” x 21 1/2” (46 cm x 55 cm)
Leon Gallery
Oct. 22, 2022
a) Victorio Edades (1895 - 1985) b) Cesar Buenaventura (1922 - 1983) c) Simeon Saulog (1916 - 1995)
Est: ₱30,000 - ₱39,000
a) Victorio Edades (1895 - 1985) Study signed and dated 1958 (lower right) graphite on paper 12” x 9” (30 cm x 23 cm) b) Cesar Buenaventura (1922 - 1983) Sabong signed (lower left) oil on canvas 29” x 29” (74 cm x 74 cm) c) Simeon Saulog (1916 - 1995) Evening Catch signed and dated 1956 (lower right) watercolor on paper 9 1/2” x 12 1/2” (24 cm x 31 cm)
Leon Gallery
Sep. 10, 2022
Victorio Edades (1895 - 1985) - The Elegant Debutante
Est: ₱3,000,000 - ₱3,900,000
Victorio Edades (1895 - 1985) The Elegant Debutante signed and dated 1963 (lower right) oil on wood 78" x 48" (198 cm x 122 cm) Painted from the Heart of the Artist Edades Presents a Gift to a Debutante by LISA GUERRERO NAKPIL Victorio Edades would be anointed in 1976 as the Father of Philippine Modern Art with his recognition as National Artist. It would require him to travel four long decades from the time he was given his first commission in 1936 by the architect Juan Nakpil for the Rufino’s film palace, the Capitol Theater. He would recruit for it, a protege, Carlos Botong Francisco and his best friend, Galo Ocampo. The mural was called, suitably, “Rising Philippines” and would establish them as a triumvirate of modern art with voices to be reckoned with. Edades would eventually settle in at the University of Santo Tomas where he established not only the Department of Architecture but also the College of Fine Arts, recruiting like-minded individuals for the faculty — Manansala, for one — and teaching many other future stars including Nena Saguil, Anita Magsaysay Ho. He would become the art world’s beloved and eternal mentor — at one point, even becoming the president of the Philippine Art Gallery, the country’s first gallery dedicated to the cause of abstract art. At the UST he would also school entire generations of Filipinos with a sense of culture and the arts; and it is also here where he would meet Miss Carmen Kierulf Fletcher, to whom he made a gift of this painting. “Edades was her professor,” her family recalls, “and he treated her like she was his favorite student.” One day, as family lore has it, when she was in the studio of Edades, she admired a very large painting of his. He told her that the title was “Elegant Debutante” and gave her the painting, going so far as personally delivering it to the family residence in Retiro, La Loma, Quezon City. It would thenceforth have a place of honor in their home since Miss Fletcher much admired Edades and loved the painting very much since it reminded her of her professor and represented his kindness towards her during her UST days. The work at hand is of a bare-shouldered young lady dressed in the purest of white with two roses decorating the frock; one is in full bloom, the other is only just beginning to blossom. She carries a traditional debutante’s bouquet of more red roses in her right hand. The fullness of the figure has the sensibility of Cezanne’s figures that Edades would introduce to Manila when he first returned to Manila, brimming with the notion of modern art. It is the perfect paean to a young woman Edades admired, embellished with a title he himself chose.
Leon Gallery
Jul. 30, 2022
Victorio Edades (1895 - 1985)
Est: ₱500,000 - ₱650,000
Victorio Edades (1895 - 1985) Woman signed and dated 1981 (lower right) oil on canvas 16” x 12” (41 cm x 30 cm) Accompanied by a certificate issued by the National Museum Philippines confirming the authenticity of this lot
Leon Gallery
Jul. 30, 2022
Victorio Edades (1895 - 1985)
Est: ₱80,000 - ₱104,000
Victorio Edades (1895 - 1985) Untitled signed and dated 1974 (lower right) dated 10.24.74 (lower left) pastel and graphite on paper 11” x 17” (28 cm x 43 cm)
Leon Gallery
Jun. 11, 2022
Victorio Edades (1895 - 1985)
Est: ₱2,000,000 - ₱2,600,000
Victorio Edades (1895 - 1985) Poinsettia Girl signed and dated 1976 (lower right) oil on wood board 28" x 24" (71 cm x 61 cm) PROPERTY FROM THE COLLECTION OF A DISTINGUISHED GENTLEMAN PROVENANCE: Acquired directly from the artist by the present owner EXHIBITED: The Museum of Philippine Art, Edades in Retrospect: 1927 to 1980, Manila, April - June 1980 LITERATURE: Kalaw-Ledesma, Purita, and Amadis Ma. Guerrero. Edades: National Artist. Filipinas Foundation, Inc. Makati City. 1979. Full-color illustration on page 172. Duldulao, Manuel D. The Philippine Art Scene. Maber Books, Inc. Manila. 1977. Full-color illustration on page 112. Edades in Retrospect: 1927 to 1980. The Museum of Philippine Art. Manila. 1980. Exhibition Catalog. Black-and-white illustration on page 3. Edades was one of a long line of OFWs — Filipino Overseas Workers who had immigrated to the United States to work, to can fish in particular, settling in Seattle where he found the climate relatively mild. And then something happened : he discovered Cezanne, Gauguin and Diego Rivera — then decided to come home. He was stunned that Filipino art at the time was dominated by Fernando Amorsolo and his tribe and in 1928, put together what was thought to be the first exhibition of modern art. It was nothing short of remarkable although Edades said that it did not make a ripple. The art cognoscenti did not know exactly what to think: There were no brightly lit landscapes, no lithe women nor smiling dalaga. Instead, Edades painted solid, substantial figures, in dour colors, browns, tans and earth colors. It would take him nearly 8 years to make a dent, when the winds of change would blow into the country; A new constitution in 1935, the inauguration of the commonwealth in the following year, and the prospect of self-governance, suffrage granted to women. These were exciting times indeed. He was given in 1936 his first commission by the architect Juan Nakpil for the Rufino’s film palace, the Capitol Theater. He would recruit for it, a protege, Carlos Botong Francisco and his best friend, Galo Ocampo. It was called, suitably, “Rising Philippines.” It would establish them as a triumvirate of modern art, voices to be reckoned with and their platform was the most-visited location in Manila. Edades would eventually settle in at the University of Santo Tomas where he established not only the Department of Architecture but also the College of Fine Arts, recruiting likeminded individuals for the faculty — Manansala, for one — and teaching many other future stars including Nena Saguil, Anita Magsaysay Ho, he would become the art world’s beloved and eternal mentor — at one point, even becoming the president of the Philippine Art Gallery, the country’s first gallery dedicated to the cause of abstract art. In 1976, on March 4, 1976 to be exact, he would have his 5th solo show — and “only his fifth” considering that his very first had been almost 50 years or half a century before — held at the Metro Gallery in Makati. It was an auspicious date since on opening night he received word that he would be named the fifth National Artist for the Visual Arts. It has also remained in a single collector’s hands until fairly recently : That of Mr. Vicente Puyat. Poinsettia Girl has become one of Edades’ most iconic works: It has been documented in multiple works and was the star of the ‘Edades in Retrospect” at the Museum of Philippine Art in 1980. It features an unsmiling woman who is however festooned, impervious, to the flowers of Christmas, also known as the pascua, that surround her. The intense ruby color is repeated in her frock and maquillage. The poinsettia, which came to the Philippines like Edades from across the seas, is originally from Mexico and traveled here on the Manila galleons. The legend goes that it was an offering of a poor boy to the Child Jesus on Christmas day, not finding a suitable gift, he cut a branch of a plant on his way to church. As he laid it at the feet of the Child, the plant’s leaves turned bright red, the stars twinkled and lit up the entire village. The same can be said for Edades’ gift to Philippine modern art. Through his teachings and mentorships, he would “create the environment for Modern Art, pre-figuring in theory as well as in practice the “reigning ‘international style’ of contemporary Philippine painting.” His citation for National Artist reads further, “ending decisively the isolation of Philippine art from the currents of International culture;” he would put together a group that he called the Thirteen Moderns… he would be the hub that connected the spokes of the wheel of modern Philippine art — and “would live to see Philippine painting transformed through his teachings.” That group would inspire Robert Chabet, the next-gen mentor who would found the 13 Artist Awards for the CCP and blaze new trails and forge new visions. It was after all, Edades greatest contribution — like the poinsettia brought light to that birth, was his emphasis on new perceptions as the true spirit of art.
Leon Gallery
Mar. 12, 2022
Untitled (Commune)
Est: ₱800,000 - ₱850,000
Victorio Edades (1895 - 1985) Untitled (Commune) Signed and dated '1961' (lower right) Oil on canvas 40.5 x 53.5 cm (16 x 21 in)
Salcedo Auctions
Mar. 05, 2022
Victorio Edades (1895 - 1985) - Kargadores at Davao Port
Est: ₱800,000 - ₱1,040,000
Kargadores at Davao Port signed and dated 1980 (lower right) oil on canvas 28 1/4" x 26" (72 cm x 66 cm) PROVENANCE: Liongoren Gallery, Quezon City THE DOCK WORKERS OF DAVAO PAINTED BY THE FIRST MODERNIST, VICTORIO EDADES Heralded as the “Father of Philippine Modern Art”, Victorio Edades’ works signified an epochal shift within the canons of Filipino art. By introducing modern ideas into the Philippine art scene, Edades managed to revolutionize the conventions of Filipino art by broadening the possibilities of artistic practice and aesthetic value beyond the likes of the Classical and Traditional schools of art. His defiance to what the Conservatives structured as “art” was a conscious call for real artistic expression. Thus, his pieces were in stark opposition to the bright, nostalgic, and idyllic scenes that pervaded the hegemonic artistic canon. His pieces often featured roughly constructed figures of laborers burdened by the realities of their work. He attested that “art is ever the expression of man’s emotion, and not a mere photographic likeness of nature.” To express his individual emotion, the artist is privileged to create in that distinctive form that best interprets his own experience. To quote curator Ditas Samson: “What was the first exposure of Filipino artists to modernism? Aside from photographs from Life magazine and conversations with each other, it had to be from the works of Victorio Edades.” Although he was born in Bolosan, Pangasinan, Edades would retire with his family to Davao City in 1962; and would live there, continuing to paint until his death.
Leon Gallery
Mar. 05, 2022
Victorio Edades (1895 - 1985) - Untitled
Est: ₱600,000 - ₱780,000
Untitled signed and dated 1979 (lower right) oil on canvas 9" x 17 1/2" (23 cm x 44 cm) PROVENANCE León Gallery, The Kingly Treasures Auction 2015, Makati City, 5 December 2015, Lot 32 LITERATURE The Art and Times of the Seventies, by Corazon S. Alvina, Augusto MR Gonzalez III, Jaime C. Laya, Lisa Guerrero Nakpil, Marian Pastor Reyes; Januarius Holdings, Inc. 2020. Page 54 with a Full Color Illustration on page 119. This work from 1979 recalls the human contours of 1928’s “The Builders” with hints of the angularity of Cezanne, to whom Victorio Edades looked up to. As a flashback, in 1922, when Edades was working in the United States, the traveling exhibit of the Armory show opened his eyes and that of the American public to the artistic ferment of Europe in the twenties. Edades was also to find inspiration in the modernist idiom of Cezanne, Picasso, and Gauguin. Modernism as a movement in the Philippines opened formally in 1928 at the Columbian Club in Manila with a bang—an exhibition of works by Edades. The most controversial painting in this landmark exhibition was The Builders, a dark and heavily textured work depicting men working in a quarry. His works departed entirely from the classicism of de la Rosa and the pastoral style of Amorsolo. Both as an artist and a writer, he waged a tireless campaign through endless debates carried on in the press with conservative writers and artists for the cause of modern art. Edades not only introduced Modernism in Philippine art. He also gave it its earnest guidance.
Leon Gallery
Jan. 29, 2022
Victorio Edades (1895 - 1985)
Est: ₱150,000 - ₱195,000
Victorio Edades (1895 - 1985) Davao City signed and dated 1981 (upper left and verso) oil on canvas 12” x 16” (30 cm x 41 cm)
Leon Gallery
Jul. 16, 2021
Victorio Edades (1895 - 1985) - Untitled (Portrait)
Est: ₱30,000 - ₱39,000
Victorio Edades (1895 - 1985) Untitled (Portrait) signed and dated 1971 (lower right) charcoal on paper 14 1/2” x 11 1/2” (37 cm x 29 cm)
Leon Gallery
Jan. 23, 2021
Victorio Edades (1895 - 1985) Untitled (By the Sea)
Est: ₱150,000 - ₱195,000
Victorio Edades (1895 - 1985) Untitled (By the Sea) signed and dated 1981 (lower right) 18” x 22” (46 cm x 56 cm) This piece by the Father of Modern Philippine Painting, Victorio Edades, was created a few years after he was proclaimed National Artist in 1976, and most likely around the time he retired to Davao City with his family where he continued painting. It gives the viewer a glimpse of how he defied the academic tradition and instead lobbied for the acceptance of modernist approaches to art-making both in discourses and in his craft. This depiction of the rural seaside is in contrast to the classical approach championed by Fernando Amorsolo. In the fashion of modernist expressionism, Edades also used lighter colors, compared to his earlier paintings with darker, subdued hues. Here, he presented another way of looking at pictorial elements and instead focused on individual vision made universal.
Leon Gallery
Nov. 28, 2020
Victorio Edades (1895 - 1985) - Landscape
Est: ₱600,000 - ₱780,000
Victorio Edades (1895 - 1985) - Landscape signed and dated 1969 (lower right) * Inscirbed “University of Santo Tomas, 1969” in verso oil on canvas Estimate USD : $12000-$15600 Estimate Euros : €10000-€13000
Leon Gallery
Sep. 19, 2020
Victorio Edades (1895 - 1985) - Untitled
Est: ₱700,000 - ₱910,000
Victorio Edades (1895 - 1985) Untitled ca. 1937 signed (lower right) oil on canvas Heralded as the “Father of Philippine Modern Art”, Victorio Edades’ works signified an epochal shift within the canons of Filipino art. By introducing modern ideas into the Philippine art scene, Victorio Edades managed to revolutionize the conventions of Filipino art by broadening the possibilities of artistic practice and aesthetic value beyond the likes of the Classical and Traditional schools of art. His defiance to what the Conservatives structured as ‘art’ was a conscious call for real artistic expression. Thus, his pieces were in stark opposition to the bright, nostalgic, and idyllic scenes that pervaded the hegemonic artistic canon. His pieces often featured roughly constructed figures of laborers burdened by the realities of their work. He attested that “art is ever the expression of man’s emotion, and not a mere photographic likeness of nature.” Thus, to express his individual emotion, the artist is privileged to create in that distinctive form that best interprets his own experience. To quote curator Ditas Samson: “What was the first exposure of Filipino artists to modernism? Aside from photographs from Life magazine and conversations with each other, it had to be from the works of Victorio Edades.” Estimate in USD $14000-$18200
Leon Gallery
Jul. 18, 2020
Victorio Edades (1895 - 1985) - Portrait
Est: ₱70,000 - ₱91,000
Victorio Edades (1895 - 1985) Portrait signed and dated 1980 (lower right) charcoal on paper 25” x 18 1/2” (64 cm x 47 cm) Victorio Edades’ portraits are significant parts of his oeuvre, as these reveal his modernist approach to portraiture. Far from the traditional Amorsolo portraits with idealized, flawless, and regal subjects, Edades created portrait sketches and paintings that challenged the romantic depictions of the Amorsolo School. Estimate: USD $1400-$1820 Euros €1166.66-€1516.66
Leon Gallery
Jun. 20, 2020
Victorio Edades (1895 – 1985) - Sacadas
Est: ₱400,000 - ₱520,000
Victorio Edades (1895 – 1985) Sacadas signed and dated 1971 (lower right) oil on canvas 24” x 28” (61 cm x 71 cm) Estimate USD $8000-$10400 Estimate Euros €6666.66-€8666.66
Leon Gallery
Jun. 20, 2020
Victorio Edades (1895 - 1985) - Ikebana
Est: ₱400,000 - ₱520,000
Victorio Edades (1895 - 1985) Ikebana signed and dated 1971 (lower right) oil on masonite board 27” x 23” (69 cm x 58 cm) Estimate USD $8000-$10400 Estimate Euros €6666.66-€8666.66
Leon Gallery
Feb. 22, 2020
Victorio Edades , (1895 – 1985), Portrait of a Woman, Ca. 1960, signed (lower right), oil on canvas
Est: ₱400,000 - ₱520,000
Victorio Edades , (1895 – 1985) , Portrait of a Woman , Ca. 1960 signed (lower right) , oil on canvas 28” x 24” (71 cm x 61 cm), PROPERTY OF A DISTINGUISHED LADY,
Leon Gallery
Jan. 18, 2020
Victorio Edades (1895 - 1985) - Seated Lady
Est: ₱50,000 - ₱65,000
Victorio Edades (1895 - 1985) Seated Lady signed and dated 1974 (lower right) charcoal on paper 17” x 11 1/2” (43 cm x 29 cm)
Leon Gallery
Apr. 13, 2019
Victorio Edades(1895 - 1985), Mending Nets, signed and dated 1977 (lower ri
Est: ₱120,000 - ₱156,000
Victorio Edades(1895 - 1985), Mending Nets, signed and dated 1977 (lower right), watercolor on paper11” x 14 1/2” (28 cm x 37 cm)
Leon Gallery
Mar. 29, 2019
Victorio Edades (Filipino, 1895-1985) Landscape, 1980
Est: HKD50,000 - HKD70,000
Victorio Edades (Filipino, 1895-1985) Landscape, 1980 signed and dated 'Edades '80', lower right; numbered 'P-1263', on the reverse.oil on canvas66.7 x 72.7 cm. (26 1/4 x 28 5/8 in.) 維克多里奧·愛達德斯風景油彩畫布一九八零年作Provenance:Private Collection, USA
Bonhams
Oct. 19, 2018
Victorio Edades
Est: ₱100,000 - ₱130,000
Nude signed and dated 1980 (lower right) oil on canvas 16” x 18” (41 cm x 46 cm)
Leon Gallery
Oct. 19, 2018
Victorio Edades
Est: ₱60,000 - ₱78,000
Untitled signed and dated 1981 (lower right) oil on canvas 18” x 22” (46 cm x 56 cm)
Leon Gallery
Sep. 22, 2018
Victorio C. Edades (1895-1985)
Est: ₱850,000 - ₱950,000
House Under Shady Trees
Salcedo Auctions
Aug. 12, 2018
Painting, Victorio Edades
Est: $2,500 - $4,500
Victorio Edades (Filipino/American, 1895-1985), The Fisherman, oil on canvas, signed lower left, canvas: 15.5"h x 11.75"w, overall(with frame): 19.5"h x 16"w
Clars Auctions
Mar. 10, 2018
Victorio Edades (1895 1995)
Est: ₱480,000 - ₱600,000
Davao Fruits
Salcedo Auctions
Jan. 20, 2018
Victorio Edades - Nude
Est: ₱40,000 - ₱52,000
Victorio Edades Nude signed and dated 1964 (middle) charcoal on paper 27”x 18” (69 cm x 46 cm)
Leon Gallery
Dec. 02, 2017
Victorio Edades (1895-1985) Nude
Est: ₱100,000 - ₱130,000
Victorio Edades (1895-1985) Nude signed and dated 1973 (lower right) pastel on paper 11 1/2” x 17” (29 cm x 43 cm)
Leon Gallery
Nov. 21, 2017
Victorio C. Edades (1895-1985)-attributed
Est: €300 - €600
Victorio C. Edades (1895-1985)-attributed, Portrait of an Asian honorable; oil on canvas, signed bottom right.
Deutsch Auktionen
Sep. 09, 2017
Una Guapa
Est: ₱300,000 - ₱390,000
Victorio Edades (1895-1985) Quantity: 1
Leon Gallery
Mar. 11, 2017
Victorio Edades (1895–1985)
Est: ₱600,000 - ₱750,000
Davao Landscape
Salcedo Auctions
Sep. 17, 2016
Victorio Edades (1895–1985)
Est: ₱600,000 - ₱700,000
Untitled
Salcedo Auctions
Sep. 17, 2016
Victorio Edades (1895–1985)
Est: ₱600,000 - ₱750,000
Untitled (Woman with Garland)
Salcedo Auctions
Feb. 20, 2016
Victorio Edades (1895-1985) a.) Untitled 1
Est: ₱500,000 - ₱650,000
Victorio Edades (1895-1985) a.) Untitled 1 signed and dated 1980 (lower right) oil on canvas 9 x 15 (23 cm x 38 cm) b.) Untitled 2 signed and dated 1980 (lower right) oil on canvas 9 x 15 (23 cm x 38 cm) c.) Untitled 3 signed and dated 1980 (lower right) oil on canvas 9 x 15 (23 cm x 38 cm)
Leon Gallery
Dec. 05, 2015
Victorio Edades (1895-1985
Est: ₱800,000 - ₱1,040,000
Victorio Edades (1895-1985 Esther's Two Profiles signed and dated 1965 (lower left) oil on masonite board 25 1/2” x 28 1/2” (65 cm x 72 cm)
Leon Gallery
Dec. 05, 2015
Victorio Edades (1895-1985)
Est: ₱120,000 - ₱156,000
Victorio Edades (1895-1985) Untitled signed and dated 1979 (lower right) oil on canvas 9” x 17 1/2” (23 cm x 44 cm)
Leon Gallery
Sep. 12, 2015
Victorio Edades (1895-1985)
Est: ₱300,000 - ₱390,000
Victorio Edades (1895-1985) Camille signed and dated 1983 (lower right) oil on canvas 18 1/2” x 16” (47 cm x 41 cm)
Leon Gallery
Jun. 13, 2015
Victorio Edades (1895-1985)
Est: ₱70,000 - ₱91,000
Untitled
Leon Gallery
Feb. 07, 2015
Victorio Edades (1895 -1985) The Lady in Maria Clara
Est: ₱1,000,000 - ₱1,300,000
Victorio Edades (1895 -1985) The Lady in Maria Clara signed and dated 1971 (lower right)
Leon Gallery
Jun. 21, 2014
Victorio Edades
Est: ₱70,000 - ₱91,000
Victorio Edades The Happy Bride signed (lower right) dedicated and dated (verso) 1976
Leon Gallery
Feb. 17, 2013
Victorio Edades, Portrait of Woman, oil on canvas
Est: $3,000 - $5,000
Victorio Edades (Filipino, 1895-1985), Portrait of Woman, oil on canvas, signed lower right, canvas: 18"h x 14"w, overall (frame): 21.25"h x 17.25"w
Clars Auctions
Apr. 10, 2005
VICTORIO EDADES (1895-1985)
Est: S$15,000 - S$24,000
VICTORIO EDADES (1895-1985) THE GATHERERS Signed and dated 1965 lower left Oil on panel 46 by 35.5 cm.; 18 by 14 in. US$9370-15000
Sotheby's
Apr. 25, 2004
VICTORIO EDADES (The Philippines 1895-1985)
Est: $60,000 - $95,000
Landscape signed and dated 'Edades, 76' (lower right) oil on canvas laid down on board 12 x 16 in. (30 x 41 cm.)
Christie's

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