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Paolozzi Eduardo Sold at Auction Prices

Sculptor, Lithographer, b. 1924 - d. 2005

Sir Eduardo Luigi Paolozzi CBE RA (7 March 1924 – 22 April 2005) was a Scottish sculptor and artist. He is widely considered to be one of the pioneers of pop art. Eduardo Paolozzi was born on 7 March 1924, in Leith in north Edinburgh, Scotland, and was the eldest son of Italian immigrants. In June 1940, when Italy declared war on the United Kingdom, Paolozzi was interned (along with most other Italian men in Britain). During his three-month internment at Saughton prison his father, grandfather and uncle, who had also been detained, were among the 446 Italians who drowned when the ship carrying them to Canada, the Arandora Star, was sunk by a German U-boat.

Paolozzi studied at the Edinburgh College of Art in 1943, briefly at Saint Martin's School of Art in 1944, and then at the Slade School of Fine Art at University College London from 1944 to 1947, after which he worked in Paris. While in Paris from 1947 to 1949, Paolozzi became acquainted with Alberto Giacometti, Jean Arp, Constantin Brâncu?i, Georges Braque and Fernand Léger. This period became an important influence for his later work. For example, the influence of Giacometti and many of the original Surrealists he met in Paris can be felt in the group of lost-wax sculptures made by Paolozzi in the mid-1950s. Their surfaces, studded with found objects and machine parts, were to gain him recognition.

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                    • EDUARDO PAOLOZZI (1924-2005);'VARIATIONS ON A GEOMETRIC THEME' PLATES; DESIGNED IN 1971
                      Nov. 21, 2024

                      EDUARDO PAOLOZZI (1924-2005);'VARIATIONS ON A GEOMETRIC THEME' PLATES; DESIGNED IN 1971

                      Est: £1,000 - £1,500

                      EDUARDO PAOLOZZI (1924-2005)'VARIATIONS ON A GEOMETRIC THEME' - SET OF SIX PLATES; MADE BY WEDGWOOD; DESIGNED IN 1971Bone china, polychrome with gilt, geometric banded decoration. One of a limited edition of 200 sets produced; accompanied by an original pink Lucite storage box, each plate with pink fabric sleeves.Each plate with printed Wedgwood mark, title, and Paolozzi facsimile signature.Each plate; 26.8cm (10½ in.) diameterProvenance:Freda Paolozzi and by descent.

                      Dreweatts 1759 Fine Sales
                    • Sir Eduardo Paolozzi CBE RA, Words from 'Calcium light night', 1977
                      Nov. 21, 2024

                      Sir Eduardo Paolozzi CBE RA, Words from 'Calcium light night', 1977

                      Est: £500 - £700

                      Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005, Words from 'Calcium light night', 1977; screenprint on wove, signed and dated in pencil and numbered 187/200, sheet: 99 x 69 cm, (framed) (ARR)

                      Roseberys
                    • Sir Eduardo Paolozzi CBE RA, Variations on Geometry
                      Nov. 21, 2024

                      Sir Eduardo Paolozzi CBE RA, Variations on Geometry

                      Est: £400 - £500

                      Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Variations on Geometry; screenprint in colours on wove, sheet: 80 x 55 cm, (framed) (ARR)

                      Roseberys
                    • Sir Eduardo Paolozzi (British, 1924-2005) Hermes/Mondrian Head 30 cm. (11 3/4 in.) high
                      Nov. 20, 2024

                      Sir Eduardo Paolozzi (British, 1924-2005) Hermes/Mondrian Head 30 cm. (11 3/4 in.) high

                      Est: £12,000 - £18,000

                      Sir Eduardo Paolozzi (British, 1924-2005) Hermes/Mondrian Head signed, numbered, dated and stamped with Livingston foundry mark '1994 E PAOLOZZI A/C' (on the back of the figure) bronze with a black patina 30 cm. (11 3/4 in.) high

                      Bonhams
                    • Sir Eduardo Paolozzi (British, 1924-2005) The Head - For Man Himself - His Brain & His Machines (Man Smoking) 15 cm. (5 7/8 in.) high
                      Nov. 20, 2024

                      Sir Eduardo Paolozzi (British, 1924-2005) The Head - For Man Himself - His Brain & His Machines (Man Smoking) 15 cm. (5 7/8 in.) high

                      Est: £7,000 - £10,000

                      Sir Eduardo Paolozzi (British, 1924-2005) The Head - For Man Himself - His Brain & His Machines (Man Smoking) bronze with a black patina 15 cm. (5 7/8 in.) high

                      Bonhams
                    • Paolozzi, Eduardo. Who's afraid of Sugar Pink and Lime Green? Farbserigraphie auf festem Papi
                      Nov. 16, 2024

                      Paolozzi, Eduardo. Who's afraid of Sugar Pink and Lime Green? Farbserigraphie auf festem Papi

                      Est: €350 - €500

                      Paolozzi, Eduardo. Who's afraid of Sugar Pink and Lime Green? Farbserigraphie auf festem Papier. Am unteren Rand signiert, datiert und bezeichnet "A/P". 1971. Blattmaße: 154 x 112 cm. "Artist Proof"-Blatt außerhalb der nummerierten Auflage von 100. - Leicht gebräunt, die äußersten Kanten stärker und mit wenigen Papierstauchungen, etwas kratzspurig und berieben, sowie punktuell schmutzfleckig und partiell knickspurig, auf der Rückseite mit kleinen Stockfleckchen.

                      Nosbüsch & Stucke GmbH
                    • Paolozzi, Eduardo. Ohne Titel. (Komposition.) Farbserigraphie auf Bütten. Signiert, datiert u
                      Nov. 16, 2024

                      Paolozzi, Eduardo. Ohne Titel. (Komposition.) Farbserigraphie auf Bütten. Signiert, datiert u

                      Est: €200 - €300

                      Paolozzi, Eduardo. Ohne Titel. (Komposition.) Farbserigraphie auf Bütten. Signiert, datiert und nummeriert. Exemplar: 244/300. 1974. Motivmaße: 84 x 61 cm. Blattmaße: 94 x 69 cm. Herausgegeben von der Kestner Gesellschaft, Hannover. - In sehr gutem Zustand.

                      Nosbüsch & Stucke GmbH
                    • EDUARDO PAOLOZZI, HOW TO SPEND TIME IN HOLLYWOOD FROM GENERAL DYNAMIC F.U.N. PORTFOLIO, PHOTOLITHOGRAPH
                      Nov. 15, 2024

                      EDUARDO PAOLOZZI, HOW TO SPEND TIME IN HOLLYWOOD FROM GENERAL DYNAMIC F.U.N. PORTFOLIO, PHOTOLITHOGRAPH

                      Est: $550 - $750

                      Artist: Eduardo Paolozzi, British (1924 - 2005) Title: How to Spend Time in Hollywood from General Dynamic F.U.N. Portfolio Year: 1970 Medium: Photolithograph, stamp signed verso Edition: 350 Size: 15 in. x 10 in. (38.1 cm x 25.4 cm) Description: Bathed in a pink wash, a playfully-rendered couple reflect the unification of Surrealist tenets and Pop Art elements in Paolozzi's oeuvre.

                      RoGallery
                    • EDUARDO PAOLOZZI, 59 VARIETIES OF PARADISE FROM GENERAL DYNAMIC F.U.N. PORTFOLIO, PHOTOLITHOGRAPH
                      Nov. 15, 2024

                      EDUARDO PAOLOZZI, 59 VARIETIES OF PARADISE FROM GENERAL DYNAMIC F.U.N. PORTFOLIO, PHOTOLITHOGRAPH

                      Est: $550 - $750

                      Artist: Eduardo Paolozzi, British (1924 - 2005) Title: 59 Varieties of Paradise from General Dynamic F.U.N. Portfolio Year: 1970 Medium: Photolithograph, stamp signed verso Edition: 350 Size: 15 in. x 10 in. (38.1 cm x 25.4 cm)

                      RoGallery
                    • EDUARDO PAOLOZZI (1924-2005), ''C
                      Nov. 15, 2024

                      EDUARDO PAOLOZZI (1924-2005), ''C

                      Est: -

                      Eduardo Paolozzi (1924-2005), ''Catalogue for Harmony'', 1974, large color silkscreen on firm wove paper, signed and dated lower right, numbered 46/125 lower left, 90 x 65 cm

                      Historia Auctionata
                    • § EDUARDO PAOLOZZI (BRITISH, 1924-2005)
                      Nov. 12, 2024

                      § EDUARDO PAOLOZZI (BRITISH, 1924-2005)

                      Est: £300 - £500

                      § EDUARDO PAOLOZZI (BRITISH, 1924-2005) EDUARDO PAOLOZZI (BRITISH, 1924-2005) A group of three works plaster each approximatley 15 x 11 cm. (5 7/8 x 4 1/4 in.) (3)

                      Chiswick Auctions
                    • ANNUAL PLATE 1978, ROSENTHAL, STU
                      Nov. 12, 2024

                      ANNUAL PLATE 1978, ROSENTHAL, STU

                      Est: -

                      Annual plate 1978, Rosenthal, Studio-Line, designed by Eduardo Paolozzi (Leith/Edinburgh 1924 - 2005 London), signed, various anonymous machine parts 1978, white bisque, limited edition, 796/3000, 34.5 x 34.5 cm

                      Historia Auctionata
                    • § Sir Eduardo Paolozzi CBE (1924-2005)
                      Oct. 25, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005)

                      Est: £200 - £400

                      § Sir Eduardo Paolozzi CBE (1924-2005) Unikat - Studies on Wittgenstein signed and dated 'Eduardo Paolozzi 1994' (lower right); inscribed 'for Elisabeth & Edward' (lower left) silkscreen 75 x 55cm

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (Scottish 1924-2005)
                      Oct. 25, 2024

                      § Sir Eduardo Paolozzi CBE (Scottish 1924-2005)

                      Est: £400 - £600

                      § Sir Eduardo Paolozzi CBE (Scottish 1924-2005) Studies for forms II, circa 1960s ink, ball point pen and crayon 25 x 17.5cm Provenance: Gifted by the artist Sale; Sotheby's, Made in Britain, 28 September, 2016, lot 6

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005)
                      Oct. 25, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005)

                      Est: £400 - £600

                      § Sir Eduardo Paolozzi CBE (1924-2005) Studies for forms I, circa 1960s pencil, crayon and coloured pencil 25 x 17.5cm Provenance: Gifted by the artist Sale; Sotheby's, Made in Britain, 28 September, 2016, lot 6

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), three cast plaster reliefs,
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), three cast plaster reliefs,

                      Est: £500 - £1,000

                      § Sir Eduardo Paolozzi CBE (1924-2005), three cast plaster reliefs, comprising: Newton (after Blake), 1992, with blue highlighting, signed and dated to reverse, 19 x 23.5cm; Ear, (after Michelangelo's David), traces of signature in red pencil to reverse, 22 x 15cm; and Lip, (after Michelangelo's David), signed to reverse, 9 x 16cm (3) Provenance: Bonhams, Prints Sale, 30 November 2010, Lot 186

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), Untitled (Masked Head),
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), Untitled (Masked Head),

                      Est: £300 - £500

                      § Sir Eduardo Paolozzi CBE (1924-2005), Untitled (Masked Head), a plaster model of an abstracted masked head, unsigned 23cm high

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), Bust,
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), Bust,

                      Est: £200 - £400

                      § Sir Eduardo Paolozzi CBE (1924-2005), Bust, a plaster bust of a cubist style male head, unsigned 21cm high

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), Newton (after Blake), 1995,
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), Newton (after Blake), 1995,

                      Est: £300 - £600

                      § Sir Eduardo Paolozzi CBE (1924-2005), Newton (after Blake), 1995, plaster relief, signed, dated and titled to reverse, 15.5 x 21cm; together with two plaster forearms clenching batons attributed to Paolozzi, 14cm long; and a plaster model of a shell to an integral rectangular plinth base with recessed well, also attributed to Paolozzi, 15.5cm wide (4)

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), Pigeon, 1996,
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), Pigeon, 1996,

                      Est: £300 - £500

                      § Sir Eduardo Paolozzi CBE (1924-2005), Pigeon, 1996, a plaster relief of a bird, signed with initials and dated, 13.5 x 16 x 5.5cm; together with a plaster model of a rabbit by the same hand, unsigned, 8 x 17 x 7cm (2)

                      Cheffins
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), UNTITLED, HISTORY OF NOTHING
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), UNTITLED, HISTORY OF NOTHING

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)UNTITLED, HISTORY OF NOTHING Collage Signed (lower right)Image: 21.5 x 16cm (8¼ x 6¼ in.)Executed in 1960.Provenance:Freda Paolozzi and by descentLiterature:J. Drew, Photographer as Printmaker: 140 Years of Photographic Printmaking, London, 1981M. Middleton, Eduardo Paolozzi, London, 1963, illustrated (page unnumbered) Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), WELCOME PROFESSOR RUHRBERG
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), WELCOME PROFESSOR RUHRBERG

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)WELCOME PROFESSOR RUHRBERGCollage Signed (lower right)Image: 21.5 x 15.5cm (8¼ x 6 in.)Executed in 1960.Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 71 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), FOGGIA
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), FOGGIA

                      Est: £1,000 - £1,500

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)FOGGIA Collage Signed (lower right)19 x 14cm (7¼ x 5½ in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 70 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), OTTO MASCHENFABRIK (LUCIAN BERNHARD)
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), OTTO MASCHENFABRIK (LUCIAN BERNHARD)

                      Est: £1,000 - £1,500

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)OTTO MASCHENFABRIK Collage Signed (lower right)12 x 14.5cm (4½ x 5½ in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 59 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), HARP
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), HARP

                      Est: £1,000 - £1,500

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)HARP (COLLECTION OF G.A. REISNER)Collage Signed (lower right)Image: 15.2 x 12.7cm (5 x 5 in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 57 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), BEDROOM WITH PORTRAIT
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), BEDROOM WITH PORTRAIT

                      Est: £1,500 - £2,500

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)BEDROOM WITH PORTRAIT Collage Signed (lower right)Image 17.8 x 16cm (7 x 6¼ in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 47 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), TABLE OF CHARYBDIS (ARCHITEKT CARL BEYERLEN - BERLIN)
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), TABLE OF CHARYBDIS (ARCHITEKT CARL BEYERLEN - BERLIN)

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)TABLE OF CHARYBDIS Collage Signed (lower right)16 x 13.5cm (6¼ x 5¼ in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 55 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), RUST AND HUMOUR
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), RUST AND HUMOUR

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)RUST AND HUMOUR Collage Signed (lower right)Image: 20 x 16cm (7¾ x 6¼ in.)Executed in 1960.Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 75 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), SPIRIT OF THE MOTHERLAND
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), SPIRIT OF THE MOTHERLAND

                      Est: £3,000 - £5,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)SPIRIT OF THE MOTHERLAND Collage Signed (lower right)22 x 13cm (8½ x 5 in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 25 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), RACHEL'S TOMB, NEAR BETHLEHEM, PALESTINE
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), RACHEL'S TOMB, NEAR BETHLEHEM, PALESTINE

                      Est: £3,000 - £5,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)RACHEL'S TOMB, NEAR BETHLEHEM, PALESTINECollage Signed (lower right)Image: 20.2 x 25cm (7¾ x 9¾ in.)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), THE CITADEL, CAIRO, EGYPT
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), THE CITADEL, CAIRO, EGYPT

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)THE CITADEL, CAIRO, EGYPT Collage Signed (lower right)20 x 25.5cm (7¾ x 10 in.)Executed in 1960.Provenance:Freda Paolozzi and by descent. Exhibited:London, Anthony D'Offay, Eduardo Paolozzi, Collages and Drawings, 23 March - 22 April 1977.Literature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 99 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), LAKE INNOCENCE
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), LAKE INNOCENCE

                      Est: £3,000 - £5,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)LAKE INNOCENCE CollageSigned (lower right)Image 17 x 22.5cm (6½ x 8¾ in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 89 (illus).

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), HORSE STUDY
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), HORSE STUDY

                      Est: £600 - £800

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)HORSE STUDY Pen and ink Signed and dated 1947 (lower right)20.2 x 25.2cm (7¾ x 9¾ in.)Provenance:Freda Paolozzi and by descentThe present lot and lot 104 were drawn while studying at the Slade. Paolozzi felt that the Art School was dominated by middle-class, ex-officer type attitudes with which he was unable to identify and which in his view favoured half-baked, gutless art. Oxford, the focal point of elitist and polite notions of culture made matters worse. (F. Whitford, Eduardo Paolozzi, Exhibition Catalogue, London, Tate Gallery, 22 September - 31 October 1971, p.7)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), BONE STUDIES
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), BONE STUDIES

                      Est: £800 - £1,200

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)BONE STUDIES Pen Signed and dated 1946 (lower right), inscribed Slade School (lower left)28.5 x 38cm (11 x 14¾ in.)Provenance:Freda Paolozzi and by descentThe present lot and lot 105 were drawn while studying at the Slade. Paolozzi felt that the Art School was dominated by middle-class, ex-officer type attitudes with which he was unable to identify and which in his view favoured half-baked, gutless art. Oxford, the focal point of elitist and polite notions of culture made matters worse. (F. Whitford, Eduardo Paolozzi, Exhibition Catalogue, London, Tate Gallery, 22 September - 31 October 1971, p.7) The present work depicting old bones may be a witty swipe at the antiquated, dry ethos of the Slade in the 1940s.

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), MECHANICAL STUDY
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), MECHANICAL STUDY

                      Est: £600 - £800

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)MECHANICAL STUDY Ink Signed, indistinctly inscribed and dated 44 (lower right)25 x 29cm (9¾ x 11¼ in.) Provenance:Freda Paolozzi and by descentDrawn while still serving in the army, the present work shows Paolozzi's early fascination with machine objects and their mechanical aesthetic.

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), PIONEER CORPS
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), PIONEER CORPS

                      Est: £500 - £800

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)PIONEER CORPS PORTRAITSPen and ink Signed (lower centre), inscribed (lower right) and dated 1944 (lower left)29 x 23cm (11¼ x 9 in.)Provenance:Freda Paolozzi and by descent. In 1940 Paolozzi enlisted in the Royal Pioneer Corps. The present work depicts two head studies of fellow soldiers. Signed Pte E. Paolozzi he has inscribed the work with his regiment 270A Pioneer Corps. The A stood for Alien.

                      Dreweatts 1759 Fine Sales
                    • SIR EDUARDO PAOLOZZI, R.A. (1924-2005). Computer Head. bronze with a black
                      Oct. 17, 2024

                      SIR EDUARDO PAOLOZZI, R.A. (1924-2005). Computer Head. bronze with a black

                      Est: £8,000 - £12,000

                      SIR EDUARDO PAOLOZZI, R.A. (1924-2005). Computer Head. bronze with a black patina 9 7⁄8 in. (25 cm.) high.

                      Christie's
                    • SIR EDUARDO PAOLOZZI, R.A. (1924-2005). Time Magazine collage; Medicine is
                      Oct. 17, 2024

                      SIR EDUARDO PAOLOZZI, R.A. (1924-2005). Time Magazine collage; Medicine is

                      Est: £4,000 - £6,000

                      SIR EDUARDO PAOLOZZI, R.A. (1924-2005). Time Magazine collage; Medicine is for People, Not for Profits. collage on card 7 ¾ x 8 ¼ in. (19.7 x 21 cm.).

                      Christie's
                    • § SIR EDUARDO PAOLOZZI CBE RA (SCOTTISH 1924-2005)
                      Oct. 17, 2024

                      § SIR EDUARDO PAOLOZZI CBE RA (SCOTTISH 1924-2005)

                      Est: £300 - £500

                      SIR EDUARDO PAOLOZZI CBE RA (SCOTTISH 1924-2005) Pop Art Redefined 1971 signed and numbered from the 34/100 in pencil screenprint in colours with collage on wove published by Bernard Jacobson Ltd. sheet 56 x 39cm unframed ARR

                      Chiswick Auctions
                    • EDUARDO PAOLOZZI, MEMORY MATRIX, SCREENPRINT
                      Oct. 10, 2024

                      EDUARDO PAOLOZZI, MEMORY MATRIX, SCREENPRINT

                      Est: $1,100 - $1,500

                      Artist: Eduardo Paolozzi, British (1924 - 2005) Title: Memory Matrix Year: circa 1968 Medium: Screenprint, signed and numbered in pencil Edition: AP 9 Image Size: 36 x 24 inches Size: 40 x 27 in. (101.6 x 68.58 cm) Description: Eduardo Paolozzi was a Scottish artist, widely considered to be a pioneer of Pop Art in Scotland. This print is signed and numbered in pencil.

                      RoGallery
                    • ▲ Sir Eduardo Paolozzi RA (1924-2005)
                      Oct. 02, 2024

                      ▲ Sir Eduardo Paolozzi RA (1924-2005)

                      Est: £400 - £600

                      ▲ Sir Eduardo Paolozzi RA (1924-2005) 'Metallization of a Dream' screenprint in colours, signed and dated 'Eduardo Paolozzi March 1963' l.r., inscribed 'E/A' 50.5 x 48cm Condition Report: Framed: 54.5x 52cm Foxing to the sheet, visible especially to the margins. Handling crease to the top edge and small zone of water damp mark to the bottom edge. Not seen out of the glazed frame.

                      Sworders
                    • ▲ Attributed to Sir Eduardo Paolozzi RA (1924-2005)
                      Oct. 02, 2024

                      ▲ Attributed to Sir Eduardo Paolozzi RA (1924-2005)

                      Est: £400 - £600

                      ▲ Attributed to Sir Eduardo Paolozzi RA (1924-2005) Untitled collage on card 36.5 x 43cm, unframed Condition Report: Mount: 47.5 x 53.5cm Age discolouration. Surface dirt with some brown staining which appears to be glue residue. Light surface scratches and abrasions to the brown cardboard background.

                      Sworders
                    • ▲ Sir Eduardo Paolozzi RA (1924-2005)
                      Oct. 02, 2024

                      ▲ Sir Eduardo Paolozzi RA (1924-2005)

                      Est: £200 - £300

                      ▲ Sir Eduardo Paolozzi RA (1924-2005) Untitled signed and dated 'E PAOLOZZI 1975' l.c., pencil, pen and ink 23.5 x 31cm Provenance: With Marlborough Fine Art, London. Condition Report: Framed: 25.5 x 33cm A little discolouration to the paper with some light smudges. There is a light brown stain to the lower left corner and a small faint brown stain to the lower right corner. The frame is unglazed.

                      Sworders
                    • ▲ Sir Eduardo Paolozzi RA (1924-2005)
                      Oct. 02, 2024

                      ▲ Sir Eduardo Paolozzi RA (1924-2005)

                      Est: £500 - £700

                      ▲ Sir Eduardo Paolozzi RA (1924-2005) Rat bronze with black patination and nylon whiskers 9cm wide 5cm deep 3.5cm high Provenance: The artist's estate; thence by descent. Condition Report: Appears to be in good conditon. For a full report please contact the department,

                      Sworders
                    • ▲ Sir Eduardo Paolozzi RA (1924-2005)
                      Oct. 02, 2024

                      ▲ Sir Eduardo Paolozzi RA (1924-2005)

                      Est: £300 - £500

                      ▲ Sir Eduardo Paolozzi RA (1924-2005) Rats a set of two, plaster with nylon whiskers 12cm wide 7cm deep 6.5cm high and smaller (2) Provenance: The artist's estate; thence by descent. Condition Report: A little light surface dirt with small losses to one corner of each. One of the ears on the larger rat appears to have been broken and repaired with glue. For a full report please contact the department.

                      Sworders
                    • ▲ Sir Eduardo Paolozzi RA (1924-2005)
                      Oct. 02, 2024

                      ▲ Sir Eduardo Paolozzi RA (1924-2005)

                      Est: £300 - £500

                      ▲ Sir Eduardo Paolozzi RA (1924-2005) A pair of hands plaster 9cm high (2) Provenance: The artist's estate; thence by descent. Condition Report: The sculptures appear to be in good condition. For a full report please contact the department.

                      Sworders
                    • ▲ Sir Eduardo Paolozzi RA (1924-2005)
                      Oct. 02, 2024

                      ▲ Sir Eduardo Paolozzi RA (1924-2005)

                      Est: £200 - £300

                      ▲ Sir Eduardo Paolozzi RA (1924-2005) Untitled graphite 14.5 x 20cm, unframed Provenance: The artist's estate; thence by descent. Condition Report: Mount 27 x 33cm A few faint smudges of light surface dirt. A small black dot to the upper right. Presents well overall.

                      Sworders
                    • ▲ Sir Eduardo Paolozzi RA (1924-2005)
                      Oct. 02, 2024

                      ▲ Sir Eduardo Paolozzi RA (1924-2005)

                      Est: £200 - £300

                      ▲ Sir Eduardo Paolozzi RA (1924-2005) Untitled graphite and coloured crayon 14.5 x 20cm, unframed Provenance: The artist's estate; thence by descent. Condition Report: Mount 27 x 33cm Faint smudges of light surface dirt. Presents well overall and appears to be in otherwise good condition.

                      Sworders
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