Johannes Eissenhardt Sold at Auction Prices

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  • J. EISSENHARDT (*1824) after TERBURG (*1608), The wine drinker, around 1860, Etching
    Dec. 07, 2024

    J. EISSENHARDT (*1824) after TERBURG (*1608), The wine drinker, around 1860, Etching

    Est: €120 - €200

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Gerhard Terburg (1608 - 1681 ): The wine drinker, c. 1860, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "J. Eissenhardt rad.". lower left inscribed in the printing plate: "Terburg pinx.". Date: c. 1860 Description: Sitting at a table in an interior room, the viewers catch sight of a young woman who has just put a glass to her mouth. Holding a carafe in her hand, the contents of the glass appear to have once been wine. In front of her on a wooden table lies a letter, next to it a quill and inkwell. She seems to be attempting to write a letter, her gaze betraying that this is unlikely to succeed. Keywords: 19th century, Romanticism, Portraits, Germany, Size: Paper: 31,4 cm x 41,0 cm (12,4 x 16,1 in), Plate: 17,0 cm x 21,3 cm (6,7 x 8,4 in), Depiction: 10,7 cm x 13,3 cm (4,2 x 5,2 in)

    Fichter Kunsthandel
  • J. EISSENHARDT (*1824) after STEINLE (*1810), Mother with playing child, around 1860, Steel engravin
    Aug. 31, 2024

    J. EISSENHARDT (*1824) after STEINLE (*1810), Mother with playing child, around 1860, Steel engravin

    Est: €120 - €200

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Edward Jakob von Steinle (1810 Vienna - 1886 Frankfurt on the Main): Mother with playing child, c. 1860, Steel engraving Technique: Steel engraving on Paper Stamp: Collector's stamp, Lugt no.: 1367. Heinrich Stiebel (1851-1928). Frankfurt on the Main. 19th century Date: c. 1860 Description: Signed below the depiction "E. Steinle gez. / J. Eissenhardt gest.", inscribed below "Verlag von C.E.G. Prestel in Frankfurt /Main / O.Felsing gedr.". Edward von Steinle was an Austrian painter of the 19th century, student of the Academy of Fine Arts in Vienna and stayed in Rome from 1828 to 1834, where he consorted with Friedrich Overbeck and Philipp Veit; 1850 first professor at the Städel Institute; large number of drawings and watercolours, most of them with a romantic touch, which he had adopted through his intercourse with Clemens Brentano. In 1839 he moved to Frankfurt am Main and joined the Nazarene circle around Veit. Steinle is one of the leading representatives of Catholic church art after the middle of the 19th century. Literature: Alphons M. von Steinle, Edward von Steinle. The Master's Complete Works in Illustrations. Kempten/Munich 1910. Keywords: 19th century, Romanticism, Leisure, Germany, Size: Paper: 29,1 cm x 39,4 cm (11,5 x 15,5 in), Depiction: 9,0 cm x 14,0 cm (3,5 x 5,5 in)

    Fichter Kunsthandel
  • J. EISSENHARDT (*1824) after STEINLE (*1810), Mater Dolorosa, Mother of Sorrows, Steel engraving
    Aug. 31, 2024

    J. EISSENHARDT (*1824) after STEINLE (*1810), Mater Dolorosa, Mother of Sorrows, Steel engraving

    Est: €75 - €125

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Edward Jakob von Steinle (1810 Vienna - 1886 Frankfurt on the Main): Mater Dolorosa, Mother of Sorrows Mary, Marian prayer, 19th century, Steel engraving Technique: Steel engraving on Paper Stamp: Collector's stamp, Lugt no.: 1367. Heinrich Stiebel (1851-1928). Frankfurt on the Main. 19th century Date: 19th century Description: Signed below the depiction "Prof. E. Steinle del. / Felsing imp. / J. Eissenhardt radirt.", inscribed below the depiction "O Mary, immaculate Virgin and sorrowful Mother, commend our children to the adorable heart of Jesus, who denies nothing to his mother, pray for them!". With depictions of St John, St Aloisius, St Augustine and St Monica and St Elizabeth, among others. Edward von Steinle was an Austrian painter of the 19th century, a pupil of the Academy of Fine Arts in Vienna and stayed in Rome from 1828 to 1834, where he associated with Friedrich Overbeck and Philipp Veit; in 1850 he became the first professor at the Städel Institute. He created numerous mostly religious easel paintings but also portraits and romantic genre paintings. He created a large number of drawings and watercolours, most of them with a romantic touch, which he had adopted through his intercourse with Clemens Brentano. Johannes Eissenhardt was a pupil of the Städel Institute under E.E. Schaeffer from 1839 to 1846; he belonged to the circle around Jakob von STEINLE and Johann VEITH, as his early works show; he stayed in Darmstadt and Russia (St. Petersburg); since 1873 Eissenhardt had his studio in the Städelsches Institut and was also active there as a teacher until 1889; in the last years of his life he also worked as a painter; his graphic oeuvre is almost completely available in the Städelsches Institut; his portrait was painted not only by A. Göbel but also by Hans Thoma. Keywords: 19th century, Romanticism, Religious, Germany, Size: Paper: 29,4 cm x 19,8 cm (11,6 x 7,8 in), Plate: 18,7 cm x 15,0 cm (7,4 x 5,9 in), Depiction: 14,8 cm x 8,7 cm (5,8 x 3,4 in)

    Fichter Kunsthandel
  • J. EISSENHARDT (*1824) after SASSOFERRATO (*1609), Mary, adoring the child, Etching
    Aug. 31, 2024

    J. EISSENHARDT (*1824) after SASSOFERRATO (*1609), Mary, adoring the child, Etching

    Est: €75 - €125

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Sassoferrato: Giovanni Battista Salvi (1609 - 1685 ): Mary, adoring the child, 19th century, Etching Technique: Etching on Paper Date: 19th century Description: Printed by Otto FELSING (1831 Darmstadt-1878 Berlin), after the painting "Maria, adoring the Child" by the Baroque painter Sassoferrato (Giovanni Battista Salvi), created around 1640-1660? Signed below the image in the printing plate "J. Eissenhardt sc. / Imp. O. Felsing", inscribed "Sassoferrato" at the top. Johannes Eissenhardt was a pupil of the Städel Institute under E.E. Schaeffer from 1839 to 1846; he belonged to the circle around Jakob von STEINLE and Johann VEITH, as his early works show; stays in Darmstadt and Russia (St. Petersburg), where a.o. Eissenhardt had his studio in the Städelsches Institut since 1873 and worked there as a teacher until 1889; in the last years of his life he also worked as a painter; his graphic oeuvre is almost complete in the Städelsches Institut; his portrait was painted by A. Göbel and Hans Thoma. Keywords: 19th century, Baroque, Religious, Italy, Size: Paper: 24,0 cm x 15,8 cm (9,4 x 6,2 in), Plate: 15,0 cm x 10,0 cm (5,9 x 3,9 in), Depiction: 9,5 cm x 8,0 cm (3,7 x 3,1 in)

    Fichter Kunsthandel
  • J. EISSENHARDT (*1824) after TERBURG (*1608), The wine drinker, around 1860, Etching
    Apr. 20, 2024

    J. EISSENHARDT (*1824) after TERBURG (*1608), The wine drinker, around 1860, Etching

    Est: €120 - €200

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Gerhard Terburg (1608 - 1681 ): The wine drinker, c. 1860, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "J. Eissenhardt rad.". lower left inscribed in the printing plate: "Terburg pinx.". Date: c. 1860 Description: Sitting at a table in an interior room, the viewers catch sight of a young woman who has just put a glass to her mouth. Holding a carafe in her hand, the contents of the glass appear to have once been wine. In front of her on a wooden table lies a letter, next to it a quill and inkwell. She seems to be attempting to write a letter, her gaze betraying that this is unlikely to succeed. Keywords: 19th century, Romanticism, Portraits, Germany,

    Fichter Kunsthandel
  • J. EISSENHARDT (*1824) after HOBBEMA (*1638), In a wooded area, around 1860, Etching
    Apr. 20, 2024

    J. EISSENHARDT (*1824) after HOBBEMA (*1638), In a wooded area, around 1860, Etching

    Est: €120 - €200

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Meindert Hobbema (1638 Amsterdam - 1709 ibid.): In a wooded area, c. 1860, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "J. Eissenhardt rad.". lower left inscribed in the printing plate: "Hobbema pinx". On the right, another figure that almost seems to disappear in the dense branches. Date: c. 1860 Description: In the middle ground, the viewer sees a small forest. The deciduous trees stand close together here. Two figures can be made out on a narrow path, possibly coming from the village on the horizon, in the centre of the depiction. Keywords: 19th century, Romanticism, Landscape, Germany,

    Fichter Kunsthandel
  • J. EISSENHARDT (*1824), Mary with the Child, around 1860, Steel engraving
    Jul. 15, 2023

    J. EISSENHARDT (*1824), Mary with the Child, around 1860, Steel engraving

    Est: €75 - €125

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.): Mary with the Child in a Landscape, c. 1860, Steel engraving Technique: Steel engraving on Paper Stamp: Collector's stamp, Lugt no.: 1367. Heinrich Stiebel (1851-1928). Frankfurt on the Main. 19th century Inscription: Signed on the left below the picture "J. EISSENHARDT etiert 60/ Druck v. H. Siedentopf S", inscribed above the picture "Prof. Ed. Steinle (Frankfurt a/M). Johannes Eissenhardt was a student at the Städelschen Institut under E.E. Schaeffer from 1839 to 1846; he belonged to the circle around Jakob von STEINLE and Johann VEITH, as his early works show; stays in Darmstadt and Russia (St. Petersburg); since 1873 Eissenhardt had his studio at the Städelsches Institut and also worked there as a teacher until 1889; in the last years of his life he also worked as a painter; his graphic oeuvre is almost complete in the Städelsches Institut; his portrait was painted not only by A. Göbel but also by Hans Thoma. Date: c. 1860 Keywords: 19th century, Romanticism, Religious, Germany,

    Fichter Kunsthandel
  • JOHANNES KASPAR EISSENHARDT 1824 - Frankfurt/M. - 1896: Philipp Veit - Johannes Veit.
    May. 07, 2022

    JOHANNES KASPAR EISSENHARDT 1824 - Frankfurt/M. - 1896: Philipp Veit - Johannes Veit.

    Est: €140 - €180

    JOHANNES KASPAR EISSENHARDT 1824 - Frankfurt/M. - 1896 Philipp Veit - Johannes Veit. Brustbildnisse der Maler-Brüder. 2 Bll. Radierungen nach dem Selbstbildnis bzw. nach einer Zeichnung Ph. Veits. Vgl. Philipp Veit (1793–1877): Leben und Werk eines Nazareners. Monographie und Werkverzeichnis. Weinheim, 1991, GV 12 mit Abb. 1 und Z 7 mit Abb. 105 (Gemälde bzw. Zeichnung). - Beide mit den Namenszügen der Künstler (Bl. 2 fälschlich Johannes Veit), der faksimilierten Signatur des Dargestellten sowie Bl. 1 mit dem Signet Ph. Veits (vgl. Franz Goldstein, Monogramm Lexikon. Internationales Verzeichnis der Monogramme Bildender Künstler seit 1850. Berlin, 1964, S. 751) und der Druckeradresse von F. Kirchheim, Mainz. Auf aufgewalztem China. 15,5 x 12 und 16,5 x 11,5 cm. Beide auf Unterlage montiert. Bl. 2 hauptsächlich an den Rändern etwas stockfleckig. Sammlung H. Stiebel, Frankfurt/M. (Lugt 1367). [bg]

    Winterberg-Kunst
  • J.EISSENHARDT (*1824) after LEYDEN (*1494), Crucifixion group, 1879, Etching
    Mar. 20, 2022

    J.EISSENHARDT (*1824) after LEYDEN (*1494), Crucifixion group, 1879, Etching

    Est: €75 - €125

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Lucas van Leyden (1494 Leiden - 1530 ibid.): Crucifixion group with St Mary Magdalene at the foot of the cross, printed by Otto FELSING, 1879, Etching Technique: Etching on Paper Date: 1879 Description: Printed by Otto FELSING (1831 Darmstadt-1878 Berlin). Signed and dated below the image in the printing plate "J. Eissenhardt sc. 79 / Frankfurt am Main / O. Felsing imp.", inscribed at the top "L.van Leyden". Lucas van Leyden was the most important Dutch engraver of the Northern European Renaissance. Johannes Eissenhardt was a pupil of the Städel Institute under E.E. Schaeffer from 1839 to 1846; he belonged to the circle around Jakob von STEINLE and Johann VEITH, as his early works show; stays in Darmstadt and Russia (St. Petersburg), where a.o. Eissenhardt had his studio in the Städelschen Institut since 1873 and worked there as a teacher until 1889; in the last years of his life he also worked as a painter; his graphic oeuvre is almost complete in the Städelschen Institut; his portrait was painted by A. Göbel and Hans Thoma. Keywords: 19th century, Renaissance, Religious, Netherlands, Size: 24,0 cm x 15,8 cm (9,4 x 6,2 in), Plate: 15,0 cm x 8,8 cm (5,9 x 3,5 in), Depiction: 10,6 cm x 6,5 cm (4,2 x 2,6 in) Condition: Good condition. The image is freshly preserved and makes a perfect impression. The sheet is browned along the edges due to its age, minimally foxed.

    Fichter Kunsthandel
  • J.EISSENHARDT (*1824) after TERBURG (*1608), The Wine Drinker, around 1860, Etching
    Mar. 20, 2022

    J.EISSENHARDT (*1824) after TERBURG (*1608), The Wine Drinker, around 1860, Etching

    Est: €120 - €200

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Gerhard Terburg (1608 - 1681 ): The Wine Drinker, c. 1860, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "J. Eissenhardt rad.". lower left inscribed in the printing plate: "Terburg pinx.". Date: c. 1860 Description: Sitting at a table in an interior room, the viewers catch sight of a young woman who has just put a glass to her mouth. Holding a carafe in her hand, the contents of the glass appear to have once been wine. In front of her on a wooden table lies a letter, next to it a quill and inkwell. She seems to be attempting to write a letter, her gaze betraying that this is unlikely to succeed. Keywords: 19th century, Romanticism, Portraits, Germany, Size: 31,4 cm x 41,0 cm (12,4 x 16,1 in), Plate: 17,0 cm x 21,3 cm (6,7 x 8,4 in), Depiction: 10,7 cm x 13,3 cm (4,2 x 5,2 in) Condition: Good condition. Isolated pale discolourations, the corners of the sheet are weakly bumped. The image is not affected by this.

    Fichter Kunsthandel
  • J.EISSENHARDT (*1824) after STEINLE (*1810), Mater Dolorosa, Mother of Sorrows Mary, Steel engraving
    Mar. 20, 2022

    J.EISSENHARDT (*1824) after STEINLE (*1810), Mater Dolorosa, Mother of Sorrows Mary, Steel engraving

    Est: €75 - €125

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Edward Jakob von Steinle (1810 Vienna - 1886 Frankfurt on the Main): Mater Dolorosa, Mother of Sorrows Mary, Marian prayer, 19th century, Steel engraving Technique: Steel engraving on Paper Stamp: Collector's stamp, Lugt no.: 1367. Heinrich Stiebel (1851-1928). Frankfurt on the Main. 19th century Date: 19th century Description: Signed below the depiction "Prof. E. Steinle del. / Felsing imp. / J. Eissenhardt radirt.", inscribed below the depiction "O Mary, immaculate Virgin and sorrowful Mother, commend our children to the adorable heart of Jesus, who denies nothing to his mother, pray for them!". With depictions of St John, Aloisius, Augustine and St Monica and St Elisabeth, among others. Edward von Steinle was a 19th-century Austrian painter, a student at the Academy of Fine Arts in Vienna, and stayed in Rome from 1828 to 1834, where he associated with Friedrich Overbeck and Philipp Veit; first professor at the Städel Institute in 1850. He created numerous mostly religious easel paintings but also portraits and romantic genre paintings. He created a large number of drawings and watercolours, most of them with a romantic touch, which he had adopted through his intercourse with Clemens Brentano. Johannes Eissenhardt was a pupil of the Städel Institute under E.E. Schaeffer from 1839 to 1846; he belonged to the circle around Jakob von STEINLE and Johann VEITH, as his early works show; stays in Darmstadt and Russia (St. Petersburg); since 1873 Eissenhardt had his studio in the Städelsches Institut and was also active there as a teacher until 1889; in the last years of his life he also worked as a painter; his graphic oeuvre is almost complete in the Städelsches Institut; his portrait was painted not only by A. Göbel but also by Hans Thoma. Keywords: 19th century, Romanticism, Religious, Germany, Size: 29,4 cm x 19,8 cm (11,6 x 7,8 in), Plate: 18,7 cm x 15,0 cm (7,4 x 5,9 in), Depiction: 14,8 cm x 8,7 cm (5,8 x 3,4 in) Condition: Very good condition. Pale foxing spots are visible in isolated places. Light light damage is also visible on the sheet margin.

    Fichter Kunsthandel
  • J.EISSENHARDT (*1824), Mary with the Child in a Landscape, around 1860, Steel engraving
    Mar. 20, 2022

    J.EISSENHARDT (*1824), Mary with the Child in a Landscape, around 1860, Steel engraving

    Est: €75 - €125

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.): Mary with the Child in a Landscape, c. 1860, Steel engraving Technique: Steel engraving on Paper Stamp: Collector's stamp, Lugt no.: 1367. Heinrich Stiebel (1851-1928). Frankfurt on the Main. 19th century Inscription: Signed on the left below the picture "J. EISSENHARDT etiert 60/ Druck v. H. Siedentopf S", inscribed above the picture "Prof. Ed. Steinle (Frankfurt a/M). Johannes Eissenhardt was a student at the Städelschen Institut under E.E. Schaeffer from 1839 to 1846; he belonged to the circle around Jakob von STEINLE and Johann VEITH, as his early works show; stays in Darmstadt and Russia (St. Petersburg); since 1873 Eissenhardt had his studio in the Städelsches Institut and was also active there as a teacher until 1889; in the last years of his life he also worked as a painter; his graphic oeuvre is almost complete in the Städelsches Institut; his portrait was painted not only by A. Göbel but also by Hans Thoma. Date: c. 1860 Keywords: 19th century, Romanticism, Religious, Germany, Size: 13,5 cm x 19,0 cm (5,3 x 7,5 in), Depiction: 9,5 cm x 13,2 cm (3,7 x 5,2 in) Condition: Good condition. The image makes a very good impression. The sheet is slightly discoloured due to its age, fingerstained at the left margin, with isolated traces of glue at the upper edge; at the back side's upper edge with traces of an earlier mounting.

    Fichter Kunsthandel
  • J.EISSENHARDT (*1824) after STEEN (*1626), The intrusive guest, Etching
    Feb. 19, 2022

    J.EISSENHARDT (*1824) after STEEN (*1626), The intrusive guest, Etching

    Est: €45 - €75

    Johannes Eissenhardt (1824 Frankfurt on the Main - 1896 ibid.) after Jan Steen (1626 - 1679 ): Inn with guest and barmaid "The pushy guest", 19th century, Etching Technique: Etching on Paper Date: 19th century Description: Dutch genre depiction in an inn with a drunken guest who approaches the barmaid intrusively. The etching bears the signature of the painter "Steen" in the upper right corner of the picture. The name of the etcher is indicated in pencil on the lower left margin. Keywords: 19th century, Romanticism, Fashion, Netherlands, Size: 32,2 cm x 25,5 cm (12,7 x 10 in), Plate: 21,7 cm x 17,1 cm (8,5 x 6,7 in), Depiction: 14,2 cm x 11,6 cm (5,6 x 4,6 in) Condition: Very good condition. The colours seem fresh. The sheet margins have discoloured according to their age. Pale foxing is visible here. The sheet corners are minimally bumped. A grey stripe is visible along the right sheet margin.

    Fichter Kunsthandel
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