Ottmar (1666) Elliger Sold at Auction Prices

Ottomar Elliger d. J., 1666 – 1732, zugeschrieben

Früchtestillleben mit Hummer, Zitrone und Nautiluspokal Öl auf Leinwand. Doubliert. 64 x 57 cm. Vor dunklem, fast schwarzem Hintergrund eine halbseitig mit blauem Tuch belegte Tischplatte mit den sorgsam arrangierten Objekten: Eine leicht schräg stehende Fayenceplatte mit Pfirsichen und einem darüber hinausragenden Zweig mit Weintrauben. An der Tischkante liegend eine weitere Weintraubenrispe, eine Zitrone, deren abgeschälte Schale herabhängt, sowie ein rot leuchtender Hummer. Im Hintergrund rechts der prächtige Nautiluspokal neben zwei hohen gefüllten Gläsern. Mehrfach zwischen den Objekten Weinranken, auf denen insgesamt drei kleine Schmetterlinge zu sehen sind, die das Bild zusätzlich beleben. Rest., vereinzelt kleiner Farbabrieb. (1340773) (18)

ATTRIBUÉ À OTTMAR ELLIGER II (1666-1732)

ATTRIBUÉ À OTTMAR ELLIGER II (1666-1732) CÉRÈS Panneau de chêne, une planche, non parqueté Sans cadre Inscriptions au revers : 96 et g.r.i Attr. to O. Elliger, Cérès, oak panel, one plank, not craddled, without frame, inscriptions in the reverse side: 96 and g.r.i 30,5 x 25 cm - 12 x 9,8 in.

Ottmar Elliger (1666 Hamburg - 1735 St. Petersburg) - The death of Sophonisba

Remnants of the signature (on the rest of the throne) lower right. Oil on canvas. 45.5 x 40.3 cm. Relined. Restored. Minor damage to frame. A less refined version by Elliger's hand is kept in the collection of the Hamburger Kunsthalle (inv. no. 684). Ottm

Ottmar Elliger the Younger (Hamburg 1666-1735 Amsterdam) An Allegory of Lent with a lady at a stone arch preparing fish; and An Allegory of Summer with a lady holding a garland of flowers and a boy holding a sheaf of corn (2)

Ottmar Elliger the Younger (Hamburg 1666-1735 Amsterdam) An Allegory of Lent with a lady at a stone arch preparing fish; and An Allegory of Summer with a lady holding a garland of flowers and a boy holding a sheaf of corn the former indistinctly signed (on plinth, lower right) a pair, oil on canvas 49.3 x 38cm (19 7/16 x 14 15/16in). (2) For further information on this lot please visit the Bonhams website

Ottmar Elliger - The death of Sophonisba

Remnants of the signature (on the rest of the throne) lower right. Oil on canvas. 45.5 x 40.3 cm. Relined. Restored. Minor damage to frame. A less refined version by Elliger's hand is kept in the collection of the Hamburger Kunsthalle (inv. no. 684). Ottmar Elliger the Younger was the son and student of his father of the same name (1633-1679), an important still life artist. After the latter's death he moved to Amsterdam. From 1686 he worked with Gérard de Lairesse at extensive projects for picturesque decorations. As an atrist he mainly worked on historical themes, his style shows the classicistic influence of Lairesse. Nevertheless, he differs from Lairesse's works by a much more capricious, 'baroque' way of representation. Provenance: Art dealer Julius Böhler, Munich (1976). - Art trade London (1979). - R. Noortman Gallery, London, 1980, number 15. - Galerie St. Lucas, Vienna. - Alex Wengraf, London. Acquired there in April 1985. - From the estate of a Hessian collector. Literature: The Connoisseur 193 (September 1976), p. 15. - Weltkunst 50th Volume (1980), H. 24, illustration p. 3611. - Roll, Carmen, Ottmar Elliger d. J. (1666-1732) - Leben und Werk, Univ. Diss. Augsburg 2002, p. 69, catalogue raisonné number 22 (with illustration 59).

Ottmar II Elliger, The Younger (1666 - 1735) o/c

Ottmar Elliger ll The Younger (Hamburg Germany, 1666-1735) Oil painting on canvas, This unusual subject is titled "The Banquet of Cleopatra". This subject shows Cleopatra about to remove a pearl from her right ear. She is about place the royal pearl earring in a glass of wine. This action shows the sign of her indifference to wealth. The pearl will dissolve in the wine, which she drinks in honor of the late Anthony of Rome. A similar work is in display at the National Gallery of Victoria, Melbourne and Getty Museum. In overall very good condition with minor frame aging. Painting has monogram date 16" GL 68' on lower right. This masterwork measures 23 5/8 x 28 1/2 in. Overall Size: 28 1/2 x 33 1/2 Provenance: Kuhms Museum, Amsterdam, Netherlands. Peltzer Collection, Aix-la-Chapelle, Germany (acquired from the above) Sale, Antwerp, n.d. Ruys-Orban Collection, Liege, Belgium. Christie's, South Kensington, sale of October 31, 2001, lot 134 Private Collection, Florida Please note that all sales are final. No refunds will be given under any circumstances.

Ottmar Elliger II (1666-1735) (attribué à / toegeschreven aan) - Achilles présentant ses soeurs

Huile sur toile. Dimensions: 64 x 78 cm (sans cadre / zonder lijst).

Ottmar Elliger The Younger The Banquet of Cleopatra

Ottmar The Younger (German, 1666-1735) "The Banquet of Cleopatra" oil on canvas. In overall very good condition with just the frame showing some aging. Measures 23 5/8" x 28 1/2" W39274 Provenance: *Kuhms Museum, Amsterdam, Netherlands. *Peltzer Collection, Aix-la-Chapelle, Germany (acquired from the   above) *Sale, Antwerp, n.d. *Ruys-Orban Collection, Liege, Belgium. *Christie's, South Kensington, sale of October 31, 2001, lot 134 *Private Collection, Florida  

OTTMAR ELLIGER II - (HAMBURG 1666-1735 SAINT PETERSBURG)

OTTMAR ELLIGER II (HAMBURG 1666-1735 SAINT PETERSBURG) 'Sine Baccho et Cerere friget Venus' (Without Ceres and Bacchus, Venus would freeze), an Allegory of Summer(?) indistinctly signed 'O[...]m[...] / Ellig[er]' (lower right) oil on canvas 19 5/8 x 16 3/8 in. (49.8 x 41.5 cm.)

OTTOMAR II ELLIGER (1666-1732), ATTRIBUE Lucrèce

OTTOMAR II ELLIGER (1666-1732), ATTRIBUE Lucrèce Huile sur toile rentoilée Usures et petits manques Dimensions : 80 x 60 cm

OTTMAR ELLIGER THE YOUNGER, (GERMAN 1666-1735), THE BANQUET OF CLEOPATRA

OTTMAR ELLIGER THE YOUNGER (german 1666-1735) THE BANQUET OF CLEOPATRA Signed with conjoined initials and dated ''16 GL 68'' bottom center right, oil on canvas 23 5/8 x 28 1/2 in. (60 x 72.4cm) provenance: Kuhms Museum, Amsterdam, Netherlands. Peltzer Collection, Aix-la-Chapelle, Germany (acquired from the above). Sale, Antwerp, n.d. Ruys-Orban Collection, Liege, Belgium. Desoer-Orban Collection. With Léon Seyffers, Brussels, Belgium. Christie''s, South Kensington, sale of October 31, 2001, lot 134. Private Collection, Florida. note: This painting may be compared with Elliger''s ''Achilles discovered amongst the daughters of King Lycommedes'' and the ''Dance of Salome'' in the Hermitage, St. Petersburg.

DRAWING - ELLIGER, O. (Ottomar II) (1666-1732).

DRAWING - ELLIGER, O. (Ottomar II) (1666-1732). (Jesus heals the Gadarene Demoniacs). - (Jesus blesses little children). 2 ORIGINAL DRAWINGS in black ink & grey wash. Both signed "O: Elliger fecit". Both ca. 13,5 x 20,5 cm. and tipped onto a mount. (2) Cf. Poortman II, p. 100. Nice drawings depicting two scenes from the life of Jesus, resp. "The exorcism of the Gerasene demoniac" (or "The Miracle of the Gadarene Swine", as described in Matthew 8:28-32) and "Jesus blesses the children" (as described in Matthew 19:13-15). Both drawings were engraved (in reverse) by resp. Abraham de Blois (1655-1717) & Joseph Mulder (1659/60-ca.1718) and published in the famous print-bible of Pieter Mortier ("Historie des Ouden en Nieuwen Testaments", 1700). Ad 2: Sl. (ink-)stained on verso, but else in good condition.

Ottmar Elliger d. J., 1666 – 1732, zug.

FRUCHTSTILLLEBEN MIT KREBS, ZITRONE UND NAUTILUSPOKAL Öl auf Leinwand. 64 x 57 cm. Die Gegenstände dicht zusammengestellt, mit dazwischenliegendem Weinblattwerk mit grünen Trauben vor nahezu schwarzem Hintergrund, von dem sich die Gegenstände wirksam abheben. Links oben ein Schmetterling. (10417569) (11) Ottmar Elliger the Younger, 1666 – 1732, attributed STILL LIFE OF FRUIT WITH CRAB,LEMON AND NAUTILUS SHELL Oil on canvas. 64 x 57 cm.

Ottmar Elliger, 1666 - 1732, zug.

Ottmar Elliger, 1666 - 1732, zug. FRUCHTSTILLLEBEN MIT KREBS, ZITRONE UND NAUTILUSPOKAL Öl auf Leinwand. 64 x 57 cm. Die Gegenstände dicht zusammengestellt, mit dazwischenliegendem Weinblattwerk mit grünen Trauben vor nahezu schwarzem Hintergrund, von dem sich die Gegenstände wirksam abheben. Links oben ein Schmetterling. (10417569) (11) Ottmar Elliger, 1666 - 1732, attributed STILL LIFE OF FRUIT WITH CRAB,LEMON AND NAUTILUS SHELL Oil on canvas. 64 x 57 cm.

Ottmar Elliger,1666 - 1732, zug.

FRUCHTSTILLLEBEN MIT KREBS, ZITRONEUND NAUTILUSPOKAL Öl auf Leinwand. 64 x 57 cm. Die Gegenstände dicht zusammengestellt, mit dazwischenliegendem Weinblattwerk mit grünen Trauben vor nahezu schwarzem Hintergrund, von dem sich die Gegenstände wirksam abheben. Links oben ein Schmetterling. (10417569) (11) Ottmar Elliger, 1666 - 1732, attributed STILL LIFE OF FRUIT WITH CRAB,LEMON AND NAUTILUS SHELL Oil on canvas. 64 x 57 cm.

The Feast of Cleopatra

Elliger d.J., Ottomar Hamburg 1666 - St. Petersburg 1732 The Feast of Cleopatra Oil/canvas/wood, 58 x 69 cm, lo. le. inv. no. 128, some rest. - We are grateful to Dr. Justus Lange, Gemäldegalerie Alte Meister Kassel, for confirming the provenance from the collection of Schloß Wilhelmshöhe in Kassel. Schloß Wilhelmshöhe Kassel, ca. 1749 until ca. 1965.

Ottomar Elliger the Younger (Flemish, 1666-1735) The Death of Alexander the Great, lying upon a bed with his physician Philip and hi...

Ottomar Elliger the Younger (Flemish, 1666-1735) The Death of Alexander the Great, lying upon a bed with his physician Philip and his wife, Roxana signed and dated lower left "O Elliger" on the stone plinth oil on canvas h:56 w: 72 cm Provenance: From a Hertfordshire country house.

Attribué à Ottmar Elliger II Hambourg, 1666 - Amsterdam, 1732 Laissez venir à moi les petits enfants Huile sur toile

Attribué à Ottmar Elliger II Hambourg, 1666 - Amsterdam, 1732 Laissez venir à moi les petits enfants Huile sur toile h: 34 w: 41 cm Commentaire : Porte une ancienne attribution à Gerard Hoet.

Attribué à Ottmar Elliger II Hambourg, 1666 - Amsterdam, 1732 Laissez venir à moi les petits enfants Huile sur toile

Attribué à Ottmar Elliger II Hambourg, 1666 - Amsterdam, 1732 Laissez venir à moi les petits enfants Huile sur toile h: 34 w: 41 cm Commentaire : Porte une ancienne attribution à Gerard Hoet.

Attribué à Ottmar Elliger II Hambourg, 1666 - Amsterdam, 1732 Laissez venir à moi les petits enfants Huile sur toile

Attribué à Ottmar Elliger II Hambourg, 1666 - Amsterdam, 1732 Laissez venir à moi les petits enfants Huile sur toile h: 34 w: 41 cm Commentaire : Porte une ancienne attribution à Gerard Hoet.

RUSSLAND - ST.PETERSBURG.- Ottmar Elliger (Hamburg

RUSSLAND - ST.PETERSBURG.- Ottmar Elliger (Hamburg 1666 - 1735 St. Petersburg). Prospect de l'Amiraute du Cote de la Riviere, 1729. Kupferstich, 51 x 68 cm. - Schöner, kräftiger und gleichmässiger Druck. Die breiten Ränder mit Läsuren und kleineren Papierverlusten. Die Darstellung in guter Erhaltung. - Selten. RUSSIA - ST.PETERSBURG.-Ottmar Elliger (Hamburg 1666 - 1735 St. Petersburg). Prospect de l'Amiraute du Cote de la Riviere, 1729. Copper engraving, 51 x 68 cm. - Fine strong and even impression. The broad margins with tears and small paper losses. The images in good condition. - Rare.

ELLIGER OTTMAR II DIT LE JEUNE (HAMBOURG 1666 - SAINT - PETERSBOURG 1735).

ELLIGER Ottmar II dit le Jeune (Hambourg 1666 - Saint - Petersbourg 1735). Le Christ met un petit enfant devant ses disciples (Matthieu XVIII, v. 2). Plume, encre noire et lavis de gris. Repassé à la pointe à sec. Double filets d'encadrement à la plume et encre brune. Collé sur feuille (petites rousseurs ; quelques piqûres). Signé à la plume et encre brune en bas à droite O Elliger fecit. Haut. : 13,9 cm. - Larg. : 20,5 cm. Etude préparatoire pour la gravure. Sur la série des dessins consacrés à la Vie du Christ, en rapport avec leurs gravures, on se reportera au catalogue de la maison Paul Prouté (Automne 1992)

ATTRIBUTED TO OTTMAR ELLIGER THE YOUNGER

ATTRIBUTED TO OTTMAR ELLIGER THE YOUNGER HAMBURG 1666 - 1735 ST PETERSBURG DEATH OF CLEOPATRA oil on canvas 21 3/4 by 27 1/4 in.; 55.4 by 69.3 cm. 55.2 by 69.2 cm

Ottmar Elliger II (Hamburg 1666-1735 St. Petersburg)

Ottmar Elliger II (Hamburg 1666-1735 St. Petersburg) An allegory of virtuous life red chalk, black ink and grey wash, on paper 123 x 74 mm. offered together with a drawing by Abraham van Diepenbeeck ('s Hertogenbosch 1596-1675 Antwerp) and another drawing, French School, 17th Century. (3)

Follower of Ottomar Elliger II 1666-1735- "The

Follower of Ottomar Elliger II 1666-1735- "The Sacrifice of Iphigenia"; oil on canvas, 100x124cm

Attributed to Ottmar Elliger II (Hamburg 1666-1735 Saint Petersburg)

Attributed to Ottmar Elliger II (Hamburg 1666-1735 Saint Petersburg) An Allegory of Scent oil on canvas 38.2 x 32.4 cm.

Attributed to Ottmar Elliger II (Hamburg 1666-1735 Saint Petersburg)

Attributed to Ottmar Elliger II (Hamburg 1666-1735 Saint Petersburg) An Allegory of Taste oil on panel 37.4 x 31 cm.

Attributed to Ottmar Elliger II (Hamburg 1666-1735 Saint Petersburg)

Attributed to Ottmar Elliger II (Hamburg 1666-1735 Saint Petersburg) An Allegory of Scent oil on canvas 38.2 x 32.4 cm.

Attributed to Ottmar Elliger II (Hamburg 1666-1735 Saint Petersburg)

Attributed to Ottmar Elliger II (Hamburg 1666-1735 Saint Petersburg) An Allegory of Taste oil on panel 37.4 x 31 cm.

OTTMAR ELLIGER THE YOUNGER , attributed to 1666

OTTMAR ELLIGER THE YOUNGER , attributed to 1666 Hamburg - 1732 St. Petersburg ALLEGORY OF TASTE OR AUTUMN

OTTMAR ELLIGER THE YOUNGER , attributed to 1666

OTTMAR ELLIGER THE YOUNGER , attributed to 1666 Hamburg - 1732 St. Petersburg ALLEGORY OF SMELL OR SPRING

Allegory of summer, with camping bacchants.

Oil on canvas. Relined. 52 x 43cm. Framed.

Ottmar Elliger d. J. (Hamburg 1666 - 1735 St. Petersburg)

Das Gastmahl der Kleopatra, Öl auf Leinwand, 55 x 67 cm, gerahmt, (Wo) Provenienz: österreichische Privatsammlung Gutachten: Dr. Carmen Roll,Verfasserin des Werksverzeichnisses über Ottmar Elliger, 18. Februar 2005. Frau Dr. Roll war über die Entdeckung dieses bisher unbekannten Gemäldes von Elliger “sehr überrascht und auf das angenehmste erfreut”. Sie setzt es in Beziehung zu einer ähnlichen, signierten Variante in Schweizer Privatbesitz, aber auch zu einer Emailarbeit von Georg Friedrich Dinglinger im Grünen Gewölbe in Dresden. Dr. Roll vermutet aufgrund des Porträts Elligers von August dem Starken, einen engen Kontakt Elligers zum sächsischen Kurfürstenhof. Ottmar Elliger d. J. war Schüler seines Vaters Ottmar Elliger d.Ä., anschließend in Amsterdam bei Michiel van Musscher und seit 1686 bei Gérard de Lairesse, der ihn wesentlich beeinflusste. 1716 ernannte ihn der Kurfürst von Mainz zu seinem Hofmaler. Seit 1726 war er an der Kunstakademie in St. Petersburg tätig.

OTTMAR ELLIGER II (HAMBOURG 1666-1735 SAINT-PETERSBOURG)

Une Bacchanale: allégorie de l'automne signé 'O.Elliger' (en bas à droite) Huile sur toile, non encadrée 49,5 x 41,3 cm. (19 1/2 x 16 1/4 in.)

Ottmar Elliger the Younger (Hamburg 1666-1735 Saint Petersburg)

An allegory of the five senses oil on panel, unframed 143/4 x 11 7/8 in. (37.5 x 30.4 cm.) PROVENANCE Acquired in Saint Petersburg by the present owner c. 1950. NOTES We are grateful to Dr. J.W. Niemeijer for suggesting the attribution on the basis of a photograph (private communication).

Ottmar Elliger II (Hamburg 1666-1735 St. Petersburg)

The Banquet of Cleopatra with initials and date '16 GL 68' (GL linked, lower right) oil on canvas 231/2 x 281/2 (60 x 72.5 cm.) PROVENANCE Peltzer Collection, Aix-la-Chapelle, purchased from the Kuhms Museum. Sale, Antwerp (according to the label on the reverse). Ruys-Orban Collection, LiŠge (according to the label on the reverse). Desoer-Orban Collection (according to the label on the reverse). With L‚on Seyffers, Brussels. NOTES The picture may be compared with the Achilles discovered amongst the daughters of King Lycomedes and the Dance of Salome by Elliger in the Hermitage, St. Petersburg.

Ottmar Elliger the Younger German, 1666 - 1735 JOHN THE BAPTIST IN PRISON and BEHEADING OF JOHN THE BAPTIST: TWO