Cornelis Engebrechtsz. Sold at Auction Prices

Painter, b. 1460 - d. 1527

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    • Christ and the Woman taken in Adultery
      Jul. 06, 2023

      Christ and the Woman taken in Adultery

      Est: £30,000 - £50,000

      Property from a Collection formed by Dr Hinrich Bischoff Workshop of Cornelis Engelbrechtsz. Leiden 1460/65–1527 Christ and the Woman taken in Adultery oil on oak panel unframed: 46.8 x 36.6 cm.; 18⅜ x 14⅜ in. framed: 60.5 x 50 cm.; 23⅞ x 19¾ in.

      Sotheby's
    • Cornelis Engebrechtsz, attributed to, The Presentation in the Temple
      May. 21, 2022

      Cornelis Engebrechtsz, attributed to, The Presentation in the Temple

      Est: €12,000 - €14,000

      Certificate Alfred Stange, Tutzing, 24.7.1968. Alfred Stange attributes the present work to the Leiden based artist Cornelis Engebrechtsz. and dates it to around 1510. “The Mannerist tendencies that lent the artist's late works such an unsettled appearance are as yet barely noticeable in this work. The origin in the older Leiden school, however, is clearly visible.“

      Kunsthaus Lempertz KG
    • Cornelis Engebrechtsz, attributed to, The Presentation in the Temple
      Jun. 05, 2021

      Cornelis Engebrechtsz, attributed to, The Presentation in the Temple

      Est: €20,000 - €25,000

      Certificate Alfred Stange, Tutzing, 24.7.1968. In this work, the Biblical theme of the Presentation in the Temple (Luke 2:22-38) is set in late Gothic architectural surroundings. The Virgin Mary is shown kneeling to the left beside the altar, Joseph stands behind her with the sacrificial doves. The priest Simeon bends over Christ, holding him with covered hands. Alfred Stange attributes the present work to the Leiden based artist Cornelis Engebrechtsz. and dates it to around 1510. “The Mannerist tendencies that lent the artist's late works such an unsettled appearance are as yet barely noticeable in this work. The origin in the older Leiden school, however, is clearly visible.“

      Kunsthaus Lempertz KG
    • ENGEBRECHTSZ Cornelis (1468 - 1533) Huile sur panneau de chêne "The man of Cana attacked" (?)
      Oct. 06, 2020

      ENGEBRECHTSZ Cornelis (1468 - 1533) Huile sur panneau de chêne "The man of Cana attacked" (?)

      Est: €1,000 - €1,200

      ENGEBRECHTSZ Cornelis (1468 - 1533) Huile sur panneau de chêne "The man of Cana attacked" (?). Attribué à Cornelis Engebrechtsz ou à son atelier. Ecole hollandaise. Dim.:25x19,5cm.

      Vanderkindere
    • TABLEAUX
      Jun. 16, 2020

      TABLEAUX

      Est: €2,000 - €3,000

      Huile sur panneau de chêne "The man of Cana attacked" (?). Attribué à Cornelis Engebrechtsz ou de son atelier. Ecole hollandaise. Dim.:25x19,5cm.

      Vanderkindere
    • CIRCLE OF CORNELIS ENGEBRECHTSZ (DUTCH, 1460-1527), THE LIFE AND PASSION OF
      Nov. 24, 2019

      CIRCLE OF CORNELIS ENGEBRECHTSZ (DUTCH, 1460-1527), THE LIFE AND PASSION OF

      Est: £5,000 - £7,000

      CIRCLE OF CORNELIS ENGEBRECHTSZ (DUTCH, 1460-1527), THE LIFE AND PASSION OF CHRIST, THE FLIGHT INTO EGYPT, THE LAMENTATION, THE PRESENTATION, THE CRUCIFIXION, THE ENTOMBMENT, CHRIST BEARING HIS CROSS AND CHRIST IN HIS TEMPLE, seven oils on panel, tondo, (seven in five frames). Each panel approximately 7cm in diameter

      Elstob Auctioneers
    • WORKSHOP OF CORNELIS ENGEBRECHTSZ. - (?LEIDEN 1460/5-1527)
      Apr. 27, 2017

      WORKSHOP OF CORNELIS ENGEBRECHTSZ. - (?LEIDEN 1460/5-1527)

      Est: $120,000 - $180,000

      WORKSHOP OF CORNELIS ENGEBRECHTSZ. (?LEIDEN 1460/5-1527) Saint Christopher oil on panel 21 5/8 x 19 in. (54.9 x 48.2 cm.)

      Christie's
    • ENGEBRECHTSZ, CORNELIS
      Mar. 22, 2016

      ENGEBRECHTSZ, CORNELIS

      Est: CHF4,000 - CHF6,000

      ENGEBRECHTSZ, CORNELIS (1462 Leiden 1527), CIRCLE OF The Mystical Marriage of Saint Catherine Pen and brown ink. 18 x 17 cm. Framed. --------------- ENGEBRECHTSZ, CORNELIS (1462 Leiden 1527), UMKREIS Mystische Vermählung. Feder in Braun. 18 x 17 cm. Gerahmt.

      Koller Auctions
    • CORNELIS ENGEBRECHTSZ.
      Dec. 07, 2011

      CORNELIS ENGEBRECHTSZ.

      Est: £100,000 - £150,000

      THE PROPERTY OF A FAMILY LEIDEN 1460/65 - 1527 THE CRUCIFIXION WITH THE VIRGIN MARY, SAINTS MARY MAGDALENE, JOHN THE BAPTIST, PETER, AND AN UNIDENTIFIED MALE SAINT oil on oak panel 61 by 53 cm.; 24 by 20 3/4 in.

      Sotheby's
    • ENGEBRECHTSZ, CORNELIS(1460 Leiden 1527)Two wings
      Apr. 01, 2011

      ENGEBRECHTSZ, CORNELIS(1460 Leiden 1527)Two wings

      Est: CHF10,000 - CHF15,000

      ENGEBRECHTSZ, CORNELIS (1460 Leiden 1527) Two wings of a triptych with Saint Martha with a dragon and a saint with a bishop's staff. Oil on panel. Each 34.8 x 14.6 cm. Our thanks to Ludwig Meyer, of the Art History Archive, for confirming the authenticity of this painting on the basis of a photograph. 31.1.2011 ENGEBRECHTSZ., CORNELIS (1460 Leiden 1527) Zwei Flügel eines kleinen Triptychons mit der Heiligen Martha mit dem Drachen und einem Heiligen mit Bischofsstab. Öl auf Holz. Je 34,8 x 14,6 cm. Wir danken Ludwig Meyer vom Archiv für Kunstgeschichte für die Bestätigung der Eigenhändigkeit anhand einer Fotografie (Schreiben vom 31. 1. 2011).

      Koller Auctions
    • Cornelis Engelbrechtsz. (active Leiden 1460/5-1527)
      Apr. 06, 2006

      Cornelis Engelbrechtsz. (active Leiden 1460/5-1527)

      Est: $350,000 - $450,000

      The Crucifixion with the Virgin Mary, Saints Mary Magdalen, John the Baptist and Peter oil on panel 24 1/4 x 21 1/2 in. (62.5 x 54.5 cm.)

      Christie's
    • CORNELIS ENGEBRECHTSZ. 1460/65 - 1527
      Jan. 26, 2006

      CORNELIS ENGEBRECHTSZ. 1460/65 - 1527

      Est: $80,000 - $120,000

      PROPERTY FROM A FAMILY COLLECTION CHRIST ON THE ROAD TO CALVARY CHRIST ON THE ROAD TO CALVARY measurements note 10 1/8 by 7 1/2 in.; 25.7 by 19 cm. oil on panel PROVENANCE With Newhouse Galleries, New York, There purchased by the family of the present owner circa 1970. NOTE The turbulent energy and exaggerated emotionalism of this composition, populated with small slender figures in contrapposto poses, dressed in elegant clothing, and painted in a colorful palette, became hallmark traits of the mature, Mannerist style of Cornelis Engebrechtsz. As demonstrated in this delicate panel he favored warm colors and enameled glazes applied in many layers to create glistening surfaces. Costumes are fanciful and Engebrechtsz. enjoyed painting exaggerated draperies as a means to illustrate his refined technical skills. One of the leading painters of sixteenth-century Leiden and the teacher and collaborator of Lucas van Leyden, Engebrechtsz. adapted some of the dramatic power of the Antwerp Mannerists to develop a uniquely expressive character in his work. Little is known of Engebrechtsz.'s training, and few of his early works survive. As Leiden's preeminent painter, Engebrechtsz. earned commissions from the town council and other important institutions, though he painted mainly biblical subjects. His large, prolific workshop trained many leading painters, and Engebrechtsz.'s acclaim seems to have attracted students from outside Leiden. When these students brought to Leiden the Mannerist style then popular in Antwerp, Engebrechtsz. incorporated selected elements into his own art.

      Sotheby's
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