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Marie-Dominique-Joseph Engramelle Sold at Auction Prices

Painter, copperplate engraver

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    • La tonotechnie ou L'art de noter les cylindres, et tout ce qui est susceptible de notage dans les instrumens de concerts méchaniques. Ouvrage nouveau [...].
      Oct. 16, 2020

      La tonotechnie ou L'art de noter les cylindres, et tout ce qui est susceptible de notage dans les instrumens de concerts méchaniques. Ouvrage nouveau [...].

      Est: €200 - €300

      In-8° : [8]-xxvii-[1]-236-[4] pp.; 5 h.-t. (front. manquant). - Édition originale extrêmement rare de cet ouvrage du père augustin Engramelle (1727-1805), concernant la manière de "noter" divers instruments de musique mécaniques (serinettes, carillons, orgues portatifs, automates, pendules...). Ill. d'un bandeau allégorique à la dédicace à Bignon et de 5 pl. dépliantes (I-V) dont 3 de musique; toutes les ill. sont gravées par l'auteur. Les pp. 43-50 sont dépliantes. - réf. Conlon 75:1028 (= NUC). - BnF. - COPAC.

      Arenberg Auctions
    • ENGRAMELLE, MARIE DOMINIQUE JOSEPH.
      Dec. 07, 2010

      ENGRAMELLE, MARIE DOMINIQUE JOSEPH.

      Est: £10,000 - £15,000

      ENGRAMELLE, MARIE DOMINIQUE JOSEPH. PAPILLONS D'EUROPE, PEINTS D'APRÈS NATURE. PARIS : P.M. DELAGUETTE, BASAN & POIGNANT, 1779-1792 First edition , 8 volumes bound in 7, 4to (291 x 230mm.), half-titles (except in volume 8, bound with 7), 3 additional engraved titles, 2 coloured, one plain, engraved dedication leaf, 337 (of 353) engraved plates, all but 3 coloured by hand, contemporary French red straight-grained morocco gilt, gilt fillet borders on covers, flat spines tooled gilt in 5 compartments, gilt turn-ins and edges, later morocco-tipped slipcases, lacks all after volume 8, page 88

      Sotheby's
    • Marie Dominique Joseph Engramelle (1727-1780)
      Nov. 19, 2002

      Marie Dominique Joseph Engramelle (1727-1780)

      Est: $108,500 - $155,000

      J.J.ERNST and others. Insectes d'Europe peints d'apres nature par M.Ernst grav‚ et colori‚s sous sa direction; premiere partie, les chenilles crisalides [...seconde partie, les chenilles crisalides et papillons sphinx, leurs descriptions]. Paris: [n.d. but circa 1779-1791]. Volume I only, 2o (410 x 277mm). ENGRAVED AND PRINTED ON VELLUM THROUGHOUT, 2 titles with integral decorative surrounds, 130 plates by J.J.Juillet and others after J.J.Ernst and others, all finely hand-coloured by a contemporary hand (plates numbered I-LXXXIV, I-VIII.IIIe.Suppl., LXXV-CXXII). Contemporary French red morocco by Ren‚-Pierre Delorme (signed in gilt on front turn-in), covers with triple fillet and roll-tool border, spine in seven compartments with raised bands, green morocco lettering-pieces in the second and fourth, the others with repeat rococco decoration, gilt turn-ins, blue watered-silk endleaves, gilt edges (scuffed, spine rubbed, joints slightly split), 20th-century slip-case. A MAGNIFICENT EXAMPLE OF ROCCOCO NATURAL-HISTORY BOOKMAKING AT ITS ZENITH: PART OF A UNIQUE SET OF ONE OF THE FINEST 18TH-CENTURY WORKS ON ENTOMOLOGY, PRINTED ON VELLUM. The present volume contains just over a third of the complete compliment of plates (the complete suite consisted of 350 plates, numbered from I-CCCXLII, with the eight additional plates numbered I-VIII). This substantial fragment appears to be all that remains of a unique set mentioned by Brunet: 'Il ya quelques exemplaires tir‚s sur pap.[ier] de Holl.[ande] in-fol.[io]: j'en ai m‚me vu un de ce genre, dont les planches ‚taient imprim‚es et peintes sur v‚lin'. Unfortunately he does not record any more details of this set, but logically it should consist of at least one (and probably two) more volumes of plates printed on vellum, together with the folio-format text volumes printed on paper. The provenence of this work is also interesting: the subscribers' list mentions approximately 250 names, amongst whom are members of several royal families. The unique nature of this production suggests that it was produced either for one of the people closely involved in its production, or for one of the most important (i.e. royal) subscribers. The binding, which is of a high quality but simply decorated, perhaps supports the former of these two alternatives. Cf.BM(NH) II,p.539; cf.Brunet II,1048; cf.Nissen ZBI 1300.

      Christie's
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