Preben Fabricius Sold at Auction Prices

b. 1931 - d. 1984

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  • Preben FABRICIUS (1931-1984) & Jørgen KASTHOLM (1938-2007). Bureau.
    Mar. 26, 2025

    Preben FABRICIUS (1931-1984) & Jørgen KASTHOLM (1938-2007). Bureau.

    Est: €1,500 - €2,000

    Preben FABRICIUS (1931-1984) & Jørgen KASTHOLM (1938-2007). Bureau. Bois, acier nickelé. Date de création : vers 1970. H70 L220 P110 cm

    Francois EPIN Auction
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) and JORGEN KASTHOLM (Denmark, 1931 - 2007) for Bo-Ex. Footrest model BO4391. Brushed stainless steel frame, tensioned with braided straps.
    Mar. 25, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) and JORGEN KASTHOLM (Denmark, 1931 - 2007) for Bo-Ex. Footrest model BO4391. Brushed stainless steel frame, tensioned with braided straps.

    Est: €2,500 - €2,800

    PREBEN FABRICIUS (Denmark, 1931 - 1984) and JORGEN KASTHOLM (Denmark, 1931 - 2007) for Bo-Ex. Footrest model BO4391. Brushed stainless steel frame, tensioned with braided straps. Two cushions included, upholstered with vegetable leather and natural canvas. Frame with burnt Bo-Ex seal. Exhibition model, with minimal signs of use. Measurements: 64 x 49 cm; Seat height: 40 cm. This model created by designers Preben Fabricius and Jørgen Kastholm consists of a lightweight chrome-plated steel frame in blade, and a stretched fabric that serves as a support for the seat. Its sober, light and elegant design, with simple lines, results in a timeless product that at the same time captures the genuine spirit of the era. It is a piece of furniture that brings together design, quality materials and functionality in a single object. Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they showed a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. A pair of "Conversation Chairs", model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with manufacturer's labels.
    Mar. 25, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. A pair of "Conversation Chairs", model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with manufacturer's labels.

    Est: €3,200 - €3,400

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. A pair of "Conversation Chairs", model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with manufacturer's labels. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. Small marks of use. As a true classic, Fabricius tells the story of the furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.
    Mar. 25, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Base with logo. Made at Walter Knoll, with maker's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. As a true classic, Fabricius tells the story of furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details
    Mar. 25, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Interior upholstery with logo. Made at Walter Knoll, with manufacturer's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82.
    Mar. 25, 2025

    PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82.

    Est: €3,200 - €3,500

    PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82. Frame in spring steel, back and seat upholstered in red-brown leather, armrests wrapped with leather cord. Designed in 1967. Produced by Kill International. Signs of use due to age and use. Measurements: 82 x 80 x 75 cm. 38 cm. (seat height). Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia Furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Together they also created this light and beautiful lounge chair, the FK 82 X-Chair. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for KILL INTERNATIONAL. Desk, late 1960s/early 1970s design.
    Mar. 25, 2025

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for KILL INTERNATIONAL. Desk, late 1960s/early 1970s design.

    Est: €6,000 - €6,200

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for KILL INTERNATIONAL. Desk, late 1960s/early 1970s design. Freestanding desk, with matt chromed steel base and handles, wenge top and cabinet, black lacquered drawer. Minimal signs of use considering its age. Produced by Kill International Measurements: 70 x 220 x 110 cm. The tender desk, the result of a collaboration between designers Kastholm and Fabricius, is distinguished by its elegant and balanced lines. It combines metal feet, with a stylized and simple design, and a wenge top with expressive veining, with no moldings or reliefs to interrupt it. A drawer with a metal handle is housed under the top. The lightness of the piece of furniture is enhanced by the hollow spaces resulting from the asymmetrical arrangement of the drawer.

    Setdart Auction House
  • Preben FABRICIUS (1931-1984) et Jørgen KASTHOLM (Né en 1938)
    Mar. 08, 2025

    Preben FABRICIUS (1931-1984) et Jørgen KASTHOLM (Né en 1938)

    Est: €400 - €600

    Preben FABRICIUS (1931-1984) et Jørgen KASTHOLM (Né en 1938) Alfred Kill International Editeur Modèle « Bird » ou « FK 6725 », créé en 1968 Paire de hauts fauteuils pivotants sur une base tripode en fonte d’aluminium, assises coques découpées garnies de cuir blanc Déchirures, manques, en l’état 99 x 71 x 62 cm

    Osenat
  • JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for KILL INTERNATIONAL. Desk, late 1960s/early 1970s design.
    Feb. 24, 2025

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for KILL INTERNATIONAL. Desk, late 1960s/early 1970s design.

    Est: €6,000 - €6,200

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for KILL INTERNATIONAL. Desk, late 1960s/early 1970s design. Freestanding desk, with matt chromed steel base and handles, wenge top and cabinet, black lacquered drawer. Minimal signs of use considering its age. Produced by Kill International Measurements: 70 x 220 x 110 cm. The tender desk, the result of a collaboration between designers Kastholm and Fabricius, is distinguished by its elegant and balanced lines. It combines metal feet, with a stylized and simple design, and a wenge top with expressive veining, with no moldings or reliefs to interrupt it. A drawer with a metal handle is housed under the top. The lightness of the piece of furniture is enhanced by the hollow spaces resulting from the asymmetrical arrangement of the drawer.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) and JORGEN KASTHOLM (Denmark, 1931 - 2007) for Bo-Ex. Footrest model BO4391. Brushed stainless steel frame, tensioned with braided straps.
    Feb. 24, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) and JORGEN KASTHOLM (Denmark, 1931 - 2007) for Bo-Ex. Footrest model BO4391. Brushed stainless steel frame, tensioned with braided straps.

    Est: €2,500 - €2,800

    PREBEN FABRICIUS (Denmark, 1931 - 1984) and JORGEN KASTHOLM (Denmark, 1931 - 2007) for Bo-Ex. Footrest model BO4391. Brushed stainless steel frame, tensioned with braided straps. Two cushions included, upholstered with vegetable leather and natural canvas. Frame with burnt Bo-Ex seal. Exhibition model, with minimal signs of use. Measurements: 64 x 49 cm; Seat height: 40 cm. This model created by designers Preben Fabricius and Jørgen Kastholm consists of a lightweight chrome-plated steel frame in blade, and a stretched fabric that serves as a support for the seat. Its sober, light and elegant design, with simple lines, results in a timeless product that at the same time captures the genuine spirit of the era. It is a piece of furniture that brings together design, quality materials and functionality in a single object. Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they showed a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. A pair of "Conversation Chairs", model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with manufacturer's labels.
    Feb. 24, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. A pair of "Conversation Chairs", model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with manufacturer's labels.

    Est: €3,200 - €3,400

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. A pair of "Conversation Chairs", model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with manufacturer's labels. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. Small marks of use. As a true classic, Fabricius tells the story of the furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.
    Feb. 24, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Interior upholstery with logo. Made at Walter Knoll, with manufacturer's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.
    Feb. 24, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Base with logo. Made at Walter Knoll, with maker's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. As a true classic, Fabricius tells the story of furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.
    Feb. 24, 2025

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.

    Est: €7,000 - €8,000

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967. Chrome-plated steel, canvas fabric, loose cushions and neck pillow upholstered in black aniline leather. Laced armrests in harness leather. Lange Production Editor. Brand new, Delivered in original packaging. With photos of the model. Measurements: 81 x 150 cm. This design was created by designers Preben Fabricius and Jørgen Kastholm, consisting of a lightweight chromed steel structure, whose shape resembles a grasshopper, and a stretched fabric that serves as a support for the cushion that is loose on it, plus a dyed leather headrest. Its sober, light and elegant design, with simple lines, results in a timeless product that at the same time captures the genuine spirit of the era. It is a piece of furniture that brings together design, quality materials and functionality in a single object. Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82.
    Feb. 24, 2025

    PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82.

    Est: €3,200 - €3,500

    PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82. Frame in spring steel, back and seat upholstered in red-brown leather, armrests wrapped with leather cord. Designed in 1967. Produced by Kill International. Signs of use due to age and use. Measurements: 82 x 80 x 75 cm. 38 cm. (seat height). Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia Furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Together they also created this light and beautiful lounge chair, the FK 82 X-Chair. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • Preben Fabricius & Jørgen Kastholm for Nordisk Sol…
    Feb. 12, 2025

    Preben Fabricius & Jørgen Kastholm for Nordisk Sol…

    Est: -

    Preben Fabricius & Jørgen Kastholm for Nordisk Solar Compagni, 1964 Kastholm pendel model P376, made of aluminum Denmark, 1960s Diameter: 47 cm

    Subastas Segre
  • PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Canapé FK 6720
    Jan. 21, 2025

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Canapé FK 6720

    Est: €4,000 - €6,000

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Canapé FK 6720 Création en 1967 Edition Kill International Acier chromé et cuir Bank 'FK 6720' Ontwerp 1967 Uitvoering Kill International Verchroomd metaal en leder A 'FK 6720' sofa in chrome-plated steel and leather by Preben Fabricius and Jørgen Kastholm designed in 1967 and edited by Kill International. H: 73 cm. (28.3/4in.); L: 214 cm. (84.1/4in.); P: 77 cm. (30.1/4in.)

    Bonhams
  • PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Chauffeuse BO 561
    Jan. 21, 2025

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Chauffeuse BO 561

    Est: €800 - €1,200

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Chauffeuse BO 561 Création en 1963 Edition Bo-Ex Acier et cuir Lage stoel 'BO 561' Ontwerp 1963 Uitvoering Bo-Ex Metaal en leder A 'BO 561' low chair in steel and leather by Preben Fabricius & Jørgen Kastholm designed in 1963 and edited by Bo-Ex. H: 76 cm. (29.7/8in.); L: 77 cm. (30.1/4in.); P: 76 cm. (29.7/8in.)

    Bonhams
  • PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Fauteuil Plico FK10
    Jan. 21, 2025

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Fauteuil Plico FK10

    Est: €750 - €950

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Fauteuil Plico FK10 Création en 1964 Edition Carl Hansen & Søn Bois, cuir, métal et tissu Leunstoel 'Plico FK10' Ontwerp 1964 Uitvoering Carl Hansen & Søn Hout, leder, metaal en stoffering A 'Plico FK10' armchair in wood, leather, metal and fabric designed by Preben Fabricius & Jørgen Kastholm in 1964 and edited by Carl Hansen & Søn. H: 86 cm. (33.7/8in.); L: 74,5 cm. (29.3/8in.); P: 91,5 cm. (36in.)

    Bonhams
  • PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Fauteuil Plico FK10
    Jan. 21, 2025

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Fauteuil Plico FK10

    Est: €750 - €950

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Fauteuil Plico FK10 Création en 1964 Edition Carl Hansen & Søn Bois, cuir, métal et tissu Leunstoel 'Plico FK10' Ontwerp 1964 Uitvoering Carl Hansen & Søn Hout, leder, metaal en stoffering A 'Plico FK10' armchair in wood, leather, metal and fabric designed by Preben Fabricius & Jørgen Kastholm in 1964 and edited by Carl Hansen & Søn. H: 86 cm. (33.7/8in.); L: 74,5 cm. (29.3/8in.); P: 91,5 cm. (36in.)

    Bonhams
  • JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.
    Jan. 20, 2025

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.

    Est: €8,000 - €8,500

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967. Chrome-plated steel, canvas fabric, loose cushions and neck cushion upholstered in cognac aniline leather. Laced armrests in harness leather. Lange Production Editor. Brand new, Delivered in original packaging. With photos of the model. Measurements: 81 x 150 cm. This design is composed of a light chromed steel structure, whose shape resembles a grasshopper, and a stretched fabric that serves as a support for the cushion that is loose on it, plus a cognac leather headrest. Its sober, light and elegant design, with simple lines, results in a timeless product that at the same time captures the genuine spirit of the era. It is a piece of furniture that brings together design, quality materials and functionality in a single object. Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they showed a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 and the Scimitar. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather.
    Jan. 20, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather.

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Interior upholstery with logo. Made at Walter Knoll, with manufacturer's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.
    Jan. 20, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Base with logo. Made at Walter Knoll, with maker's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. As a true classic, Fabricius tells the story of furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. A pair of "Conversation Chairs", model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with manufacturer's labels.
    Jan. 20, 2025

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. A pair of "Conversation Chairs", model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with manufacturer's labels.

    Est: €3,200 - €3,400

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. A pair of "Conversation Chairs", model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with manufacturer's labels. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. Small marks of use. As a true classic, Fabricius tells the story of the furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.
    Jan. 20, 2025

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.

    Est: €7,000 - €8,000

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967. Chrome-plated steel, canvas fabric, loose cushions and neck pillow upholstered in black aniline leather. Laced armrests in harness leather. Lange Production Editor. Brand new, Delivered in original packaging. With photos of the model. Measurements: 81 x 150 cm. This design was created by designers Preben Fabricius and Jørgen Kastholm, consisting of a lightweight chromed steel structure, whose shape resembles a grasshopper, and a stretched fabric that serves as a support for the cushion that is loose on it, plus a dyed leather headrest. Its sober, light and elegant design, with simple lines, results in a timeless product that at the same time captures the genuine spirit of the era. It is a piece of furniture that brings together design, quality materials and functionality in a single object. Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for KILL INTERNATIONAL. Desk, late 1960s/early 1970s design.
    Jan. 20, 2025

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for KILL INTERNATIONAL. Desk, late 1960s/early 1970s design.

    Est: €6,000 - €6,200

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for KILL INTERNATIONAL. Desk, late 1960s/early 1970s design. Freestanding desk, with matt chromed steel base and handles, wenge top and cabinet, black lacquered drawer. Minimal signs of use considering its age. Produced by Kill International Measurements: 70 x 220 x 110 cm. The tender desk, the result of a collaboration between designers Kastholm and Fabricius, is distinguished by its elegant and balanced lines. It combines metal feet, with a stylized and simple design, and a wenge top with expressive veining, with no moldings or reliefs to interrupt it. A drawer with a metal handle is housed under the top. The lightness of the piece of furniture is enhanced by the hollow spaces resulting from the asymmetrical arrangement of the drawer.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82.
    Jan. 20, 2025

    PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82.

    Est: €3,200 - €3,500

    PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82. Frame in spring steel, back and seat upholstered in red-brown leather, armrests wrapped with leather cord. Designed in 1967. Produced by Kill International. Signs of use due to age and use. Measurements: 82 x 80 x 75 cm. 38 cm. (seat height). Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia Furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Together they also created this light and beautiful lounge chair, the FK 82 X-Chair. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • Preben Fabricius (1931-1984) & Jørgen Kastholm (1931-2007) for Bo-Ex: Stool model BO4391
    Dec. 12, 2024

    Preben Fabricius (1931-1984) & Jørgen Kastholm (1931-2007) for Bo-Ex: Stool model BO4391

    Est: kr18,000 - kr19,000

    Preben Fabricius (1931-1984) & Jørgen Kastholm (1931-2007) for Bo-Ex: Stool model BO4391. Brushed stainless steel frame, stretched with braided straps. Two cushions are included, covered with vegetable leather and canvas. H. 40, L. 64.3, W. 49.2 cm. Designed in 1963. Manufactured at Bo-Ex with laser burned stamp from here. Unused. The stool has, until now, been in the private ownership of Bo-Ex's owner and is the last one made by Bo-Ex, which closed approx. 10 years ago.

    Lauritz.com
  • Preben Fabricius (1931-1984) & Jørgen Kastholm (1931-2007) for Bo-Ex: 'Scimitar' armchair
    Dec. 12, 2024

    Preben Fabricius (1931-1984) & Jørgen Kastholm (1931-2007) for Bo-Ex: 'Scimitar' armchair

    Est: kr46,000 - kr48,000

    Preben Fabricius (1931-1984) & Jørgen Kastholm (1931-2007) for Bo-Ex: 'Scimitar' armchair. Frame of stainless, brushed steel, seat/back cover upholstered in burgundy core leather. Designed in 1963. Manufactured and laser marked No. 26 with 16-digit chassis number from Bo-Ex. H. 66, W. 83, D. 69 cm. The chair has, until now, been in the private ownership of Bo-Ex's owner and is the last of a total of approx. 148 Scimitar chairs made at Bo-Ex, which finally closed for approx. 10 years ago.

    Lauritz.com
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Pair of "Conversation" chairs, model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with maker's labels. Small marks of use.
    Dec. 11, 2024

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Pair of "Conversation" chairs, model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with maker's labels. Small marks of use.

    Est: €4,200 - €4,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Pair of "Conversation" chairs, model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with maker's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. As a true classic, Fabricius tells the story of the furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather
    Dec. 11, 2024

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Interior upholstery with logo. Made at Walter Knoll, with manufacturer's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather.
    Dec. 11, 2024

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather.

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Base with logo. Made at Walter Knoll, with maker's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. As a true classic, Fabricius tells the story of furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.
    Dec. 11, 2024

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.

    Est: €7,000 - €8,000

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967. Chrome-plated steel, canvas fabric, loose cushions and neck pillow upholstered in black aniline leather. Laced armrests in harness leather. Lange Production Editor. Brand new, Delivered in original packaging. With photos of the model. Measurements: 81 x 150 cm. This design was created by designers Preben Fabricius and Jørgen Kastholm, consisting of a lightweight chromed steel structure, whose shape resembles a grasshopper, and a stretched fabric that serves as a support for the cushion that is loose on it, plus a dyed leather headrest. Its sober, light and elegant design, with simple lines, results in a timeless product that at the same time captures the genuine spirit of the era. It is a piece of furniture that brings together design, quality materials and functionality in a single object. Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82.
    Dec. 11, 2024

    PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82.

    Est: €3,200 - €3,500

    PREBEN FABRICIUS (Denmark, 1931- 1984) og JØRGEN KASTHOLM (Denmark, 1931-2007) for KILL INTERNATIONAL. X-Chair, model FK-82. Frame in spring steel, back and seat upholstered in red-brown leather, armrests wrapped with leather cord. Designed in 1967. Produced by Kill International. Signs of use due to age and use. Measurements: 82 x 80 x 75 cm. 38 cm. (seat height). Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia Furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Together they also created this light and beautiful lounge chair, the FK 82 X-Chair. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984). A pair of Tulip lounge chairs with armrests. Brown leather upholstery, mounted on swivelling tripod base in aluminum. Produced by Walter Knoll, Germany.
    Dec. 11, 2024

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984). A pair of Tulip lounge chairs with armrests. Brown leather upholstery, mounted on swivelling tripod base in aluminum. Produced by Walter Knoll, Germany.

    Est: €3,000 - €3,200

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984). A pair of Tulip lounge chairs with armrests. Brown leather upholstery, mounted on swivelling tripod base in aluminum. Produced by Walter Knoll, Germany. Embossed in leather. Measurements: 85 x 82 x 65 cm. 41 cm. (seat height). Minor traces of use. Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia Furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • Preben Fabricius (1931-1984) et Jørgen Kastholm (1931-2007) CHAISE LONGUE '
    Dec. 10, 2024

    Preben Fabricius (1931-1984) et Jørgen Kastholm (1931-2007) CHAISE LONGUE '

    Est: €5,000 - €7,000

    Preben Fabricius (1931-1984) et Jørgen Kastholm (1931-2007) CHAISE LONGUE 'FK87' DITE 'GRASSHOPPER' 82 x 148 x 71.5 cm. Le modèle créé en 1968, réalisée par Alfred Kill.

    Christie's
  • PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Rare chaise BO 591 dite Sculpture
    Nov. 28, 2024

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Rare chaise BO 591 dite Sculpture

    Est: €4,000 - €6,000

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Rare chaise BO 591 dite Sculpture Création en 1964 Edition Bo-Ex Acier chromé et cuir H: 64 cm. (25.1/4in.); L: 68,5 cm. (27in.); P: 46 cm. (18.1/8in.) A 'BO 591' armchair, also called 'Sculpture' in chrome-plated steel and leather by Preben Fabricius and Jørgen Kastholm, designed in 1964 and edited by Bo-Ex.

    Bonhams
  • PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Canapé FK 6720
    Nov. 28, 2024

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Canapé FK 6720

    Est: €4,000 - €6,000

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Canapé FK 6720 Création en 1967 Edition Kill International Acier chromé et cuir H: 73 cm. (28.3/4in.); L: 214 cm. (84.1/4in.); P: 77 cm. (30.1/4in.) A 'FK 6720' sofa in chrome-plated steel and leather by Preben Fabricius and Jørgen Kastholm designed in 1967 and edited by Kill International.

    Bonhams
  • PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Chauffeuse BO 561
    Nov. 28, 2024

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Chauffeuse BO 561

    Est: €1,000 - €1,500

    PREBEN FABRICIUS (1931-1984) & JØRGEN KASTHOLM (1931-2007) Chauffeuse BO 561 Création en 1963 Edition Bo-Ex Acier et cuir H: 76 cm. (29.7/8in.); L: 77 cm. (30.1/4in.); P: 76 cm. (29.7/8in.) A 'BO 561' low chair in steel and leather by Preben Fabricius & Jørgen Kastholm designed in 1963 and edited by Bo-Ex.

    Bonhams
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Pair of "Conversation" chairs, model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with maker's labels. Small marks of use.
    Nov. 21, 2024

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Pair of "Conversation" chairs, model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with maker's labels. Small marks of use.

    Est: €4,200 - €4,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Pair of "Conversation" chairs, model 710. Designed in 1972. Dark chromed steel frame, black leather upholstery. Made at Walter Knoll, with maker's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. As a true classic, Fabricius tells the story of the furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather.
    Nov. 21, 2024

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather.

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation' chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Interior upholstery with logo. Made at Walter Knoll, with manufacturer's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.
    Nov. 21, 2024

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details.

    Est: €2,200 - €2,500

    PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. Conversation chair, model 710. Designed in 1972. Dark chromed steel frame, loose cushions upholstered in black leather. Armrests with leather details. Base with logo. Made at Walter Knoll, with maker's labels. Small marks of use. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. As a true classic, Fabricius tells the story of furniture. The "Conversation Chair" combines Scandinavian design tradition and functional aesthetics with the charm of casual seating comfort. Precise metal processing, superior surface quality: the armrests and supporting structure frame the sliding seat. The result is lightness and simplicity. Whether alone or together, it is made for living rooms, foyers and lounges. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.
    Nov. 21, 2024

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967.

    Est: €7,000 - €8,000

    JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984) for LANGE PRODUCTION. Chaise longue "Grasshopper", Model FK-87, design 1967. Chrome-plated steel, canvas fabric, loose cushions and neck pillow upholstered in black aniline leather. Laced armrests in harness leather. Lange Production Editor. Brand new, Delivered in original packaging. With photos of the model. Measurements: 81 x 150 cm. This design was created by designers Preben Fabricius and Jørgen Kastholm, consisting of a lightweight chromed steel structure, whose shape resembles a grasshopper, and a stretched fabric that serves as a support for the cushion that is loose on it, plus a dyed leather headrest. Its sober, light and elegant design, with simple lines, results in a timeless product that at the same time captures the genuine spirit of the era. It is a piece of furniture that brings together design, quality materials and functionality in a single object. Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984). A pair of Tulip lounge chairs with armrests. Brown leather upholstery, mounted on swivelling tripod base in aluminum. Produced by Walter Knoll, Germany.
    Nov. 21, 2024

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984). A pair of Tulip lounge chairs with armrests. Brown leather upholstery, mounted on swivelling tripod base in aluminum. Produced by Walter Knoll, Germany.

    Est: €3,000 - €3,200

    JØRGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984). A pair of Tulip lounge chairs with armrests. Brown leather upholstery, mounted on swivelling tripod base in aluminum. Produced by Walter Knoll, Germany. Embossed in leather. Measurements: 85 x 82 x 65 cm. 41 cm. (seat height). Minor traces of use. Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met cabinetmaker Preben Fabricius, who would later become his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia Furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly thereafter, they made the international breakthrough at the 1966 Cologne trade fair, where they exhibited a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two creators worked together between 1961 and 1968, a seven-year period in which they produced numerous designs now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 or the Scimitar. Also during this period, their furniture was part of important international exhibitions, held in such prominent centers as the MOMA in New York (1967) or the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

    Setdart Auction House
  • Preben FABRICIUS & Jørgen KASTHOLM
    Nov. 20, 2024

    Preben FABRICIUS & Jørgen KASTHOLM

    Est: €4,000 - €6,000

    Preben FABRICIUS & Jørgen KASTHOLM (1931-1984 & Né en 1931) Fauteuil de bureau mod. FK-84 Circa 1960 Piètement pivotant sur roulettes en métal chromé, structure en palissandre, coussin d'assise et de dossier en cuir noir, accoudoirs en métal chromé partiellement recouverts de cuir noir Édition Alfred Kill International 85 × 72 × 68,5 cm A chromed metal, rosewood and leather mod. FK-84 swivel desk chair by Preben Fabricius & Jørgen Kastholm for Alfred Kill International - circa 1960 33.46 × 28.35 × 26.77 in. Lot composé de matériaux organiques en provenance d'espèces en voie de disparition, des restrictions quant à l'importation ou l'exportation peuvent s'appliquer ou un certificat CITES peut-être nécessaire. Pour une sortie de l'UE, un CITES de ré-export peut être nécessaire, celui-ci étant à la charge du futur acquéreur. Cette information est donnée à titre indicatif. L'absence de ce symbole ne garantit pas qu'il n'y ait pas de restriction quant à l'importation ou l'exportation d'un lot.   Import or Export restrictions may apply or a CITES Licennce might be needed as this lot contains organic material from endangered species. This information is given for indicative purpose. The absence of this symbol is not a warranty that there are no restrictions regarding import or export of a lot. Preben FABRICIUS & Jørgen KASTHOLM (1931-1984 & Né en 1931)

    Artcurial
  • Preben Fabricius & Jorgen Kastholm
    Nov. 13, 2024

    Preben Fabricius & Jorgen Kastholm

    Est: €1,000 - €2,000

    Preben Fabricius & Jorgen Kastholm A cognac brown leather armchair with aluminum base, model FK85, Kill International version, design from the 1960s.

    Vendu Rotterdam
  • Preben Fabricius & Jorgen Kastholm
    Nov. 13, 2024

    Preben Fabricius & Jorgen Kastholm

    Est: €1,500 - €3,000

    Preben Fabricius & Jorgen Kastholm A chrome-plated steel and aluminum armchair, model FK-84, made by Alfred Kill International, 1960s. With padded green leather upholstery in wooden shell.

    Vendu Rotterdam
  • Preben Fabricius and Jorgen Kastholm, Grasshopper chaise lounge
    Nov. 07, 2024

    Preben Fabricius and Jorgen Kastholm, Grasshopper chaise lounge

    Est: $5,000 - $7,000

    Preben Fabricius and Jorgen Kastholm Grasshopper chaise lounge Alfred Kill Denmark / Germany, c. 1968 leather upholstery, chrome-plated steel, canvas, leather cord 32.5 h x 28.5 w x 57 d in (83 x 72 x 145 cm) Literature: Kill International, manufacturer's catalog, c. 1970, unpaginated This work will ship from Lambertville, New Jersey.

    Wright
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