Anton Faistauer Paintings & Artwork for Sale | Anton Faistauer Art Value Price Guide

Nov. 28, 2024
ANTON FAISTAUER (St. Martin bei Lofer 1887 - 1930 Vienna)
Est: €10,000 - €20,000
ANTON FAISTAUER (St. Martin bei Lofer 1887 - 1930 Vienna) St. Notburga, 1923 oil/canvas 138,7 x 94,5 cm signed A. Faistauer, dated 1923 SCHÄTZPREIS / ESTIMATE € 10000 - 20000 STARTPREIS / STARTING PRICE € 10000 Austrian painter of the 20th century. Considered the most important Salzburg modern painter. 1904 to 1906 at R. Scheffers' private painting school, 1906 to 1909 at the Academy of Fine Arts Vienna with Alois Delug and Christian Griepenkerl. In 1909 the Neukunstgruppe was founded together with Egon Schiele, Anton Kolig, Robin Christian Andersen and Franz Wiegele. Exhibitions in the Pisko art salon, in Budapest, Munich and in Vienna at the Hagenbund. 1913 Marriage to Robin Christian Andersen's sister, exhibition in the Miehtke Gallery in the same year. In 1919, the Wassermann artist group was founded in Salzburg with Felix A. Harta. Design of the frescoes for the Salzburg Festival Hall. Intensive examination of the works of Paul Cezanne, development of a moderate expressionism. He mainly created landscapes, still lifes and portraits. Designed the poster for the 1917 exhibition of Austrian art at Liljevalchs Kunsthalle in Stockholm, Sweden. Exhibited there alongside Gustav Klimt, Egon Schiele, Oskar Kokoschka and Anton Hanak as the main representatives of Austrian art. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 19, 2024
Anton Faistauer
Est: €22,000 - €40,000
(St. Martin/Lofer 1887–1930 Vienna) “Stilleben mit Krug” (Still life with jug), c. 1912, on the stretcher titled and dated 1912 and further inscribed “Faistauer Privatbesitz, Wien” and “Eigentumer Lehrer Grasmayr, Salzburg Mönchsberg”, oil on canvas (mounted upside down on stretcher), 60 x 75 cm, framed Provenance: Magda Mautner von Markhof (Vienna 1881–1944 Salzburg), married since 1914 to Alois Grasmayr (1876 Hohenzell – 1953 Salzburg) - passed to his heirs - Family Collection We are grateful to Dr. Nikolaus Schaffer, Salzburg for confirming the authenticity and the information on the provenance. Faistauer only got to know Alois Grasmayr around 1920, but was well acquainted with his wife, Magda Mautner-Markhof from an early age. She may have acquired the painting earlier. Compare: Franz Fuhrmann, Anton Faistauer, Residenz Verlag, 1972, cat. no. 83: Still life with beer jug, very similar in composition and with the same jug. It is a real stroke of luck that full consciousness is unnecessary in order to absorb. Quite unconsciously, what I had seen sank into my inner self and now, often conveyed by present experience, it emerges into consciousness from an unsuspected reservoir. I experienced a Gauguin exhibition at Miethke's in the last year of the academy course which made an uncannily strong impression on me. I couldn't fully grasp things, it was all too new and strange. I carried the things around in me for a long time. At the same time I met Franz Wiegele and Kolig, who also studied at the Academy in Vienna. They inspired extraordinary respect in me. I had the feeling that they were already very much involved in what I yet longed for. I was impressed by Wiegele's strict classical drawing and the extraordinary strength and tenacity of his endeavours. I learned a lot from him about art books. His studio always had photos of ancient and Gothic sculpture. I was able to learn about pictures from him. Until then, I had only viewed as a connoisseur. From then on, I focused museums and became sceptical of one-day exhibitions. Kolig was much closer to my own problem at the time. He was concerned with colour as was I, and approached the material boldly and with great extravagance. Later I would get more out of Wiegele. I saw the first two very important Viennese art shows with him as well as everything French worth seeing at Miethke's and later at Arnot's. I only observed Kokoschka's development from a distance. He had a big head start. I initially rejected him altogether. Early Kokoschka was rather embarrassing for me. I was organised quite differently and couldn't make anything of an analytical big-city psyche. Nevertheless, he held our first important exhibition in the Hagenbund in 1910: the special exhibition that launched the new approach to painting in Vienna, leaving Klimt’s influence behind. My first large painting was shown at this exhibition: a Nativity 3:3 [= 3 x 3 m], in which I strove for a goal that I still pursue today. At that time, I had the great Venetians in mind, their colourfulness, their colour composition, their earthly nature. Two years later I discovered Cézanne, and then tried very hard to imitate only him... Anton Faistauer, from: Anton Faistauer. Catalog for the special exhibition of the Salzburg Museum Carolino Augusteum, 2005
Dorotheum
Sep. 07, 2024
Faistauer, Anton (1887-1930) "Seated Lady with Page's Head (Liesl Schöller)" 1927, oil/canvas, top right sign./dat., verso on stretcher and canvas inscr., frame and stretcher with stamp (Hamburg/Bundesadler), magnificent frame, cat raisonné Fuhrmann
Est: -
Faistauer, Anton (1887-1930) "Seated Lady with Page's Head (Liesl Schöller)" 1927, oil/canvas, top right sign./dat., verso on stretcher and canvas inscr., frame and stretcher with stamp (Hamburg/Bundesadler), magnificent frame, cat raisonné Fuhrmann 329, 96x82,5cm (w.f. 117x101,5cm), Cf. https://digi.ub.uni-heidelberg.de/diglit/dkd1930/0026/image, Prov.: Glaspalast Munich 1927, Carlo Thomsen 1930, afterwards Hamburg private property Faistauer, Anton (1887-1930) "Sitzende Dame mit Pagenkopf (Liesl Schöller)“ 1927, Öl/Leinwand, o.r. sign./dat., verso auf Keilrahmen und Leinwand bez., Rahmen und Keilrahmen mit Stempel (Hamburg/Bundesadler), Prunkrahmen, WVZ Fuhrmann 329, 96x82,5cm (m.R. 117x101,5cm), Vgl. https://digi.ub.uni-heidelberg.de/diglit/dkd1930/0026/image, Prov.: Glaspalast München 1927, Carlo Thomsen 1930, danach Hamburger Privatbesitz
Kendzia
Jul. 21, 2024
TABLEAU "PAYSAGE DE NEIGE" d'Anton Faistauer (1887-1930)
Est: €4,000 - €6,000
TABLEAU "PAYSAGE DE NEIGE" d'Anton Faistauer (1887-1930) Huile sur toile encadrée, signée et datée en bas à droite "1927". Porte également une inscription au dos "A.Faistauer". Dim : 30 x 60 cm Bon état, petite restauration en bas à droite. Il est l'auteur d'une fresque de la Maison de Mozart, salle d’opéra située à Salzbourg ,et de portraits (Archiduchesse Rosemary Zu Salm und Salm-Salm). En 1916, Anton Faistauer participe avec Gustav Klimt, Egon Schiele, Kokoschka à l'exposition du Bund Österreichischer Künstler à la Sécession de Berlin.
Paris Oise Enchères
May. 28, 2024
ANTON FAISTAUER (St. Martin bei Lofer 1887 - 1930 Vienna)
Est: €150 - €300
ANTON FAISTAUER (St. Martin bei Lofer 1887 - 1930 Vienna) Bundle of two prints Zilli offset lithography/paper, 37,2 x 29,2 cm titled Zilli, mounted on paper Family offset lithography/paper, 47,6 x 31,6 cm signed Faistauer ESTIMATE °€ 150 - 300 STARTING PRICE °€ 150 Austrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the ceramic workshops Schleiß in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Art Nouveau and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpeAustrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the ceramic workshops Schleiß in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Art Nouveau and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpets, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. ts, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
May. 22, 2024
Anton Faistauer
Est: €18,000 - €30,000
(St. Martin/Lofer 1887–1930 Vienna) Stillleben, Schale mit Äpfeln (Still life, bowl with apples), signed and dated A. Faistauer 1919, oil on canvas laid on cardboard, 30 x 38.7 cm, framed Provenance: Ing. Hans Weller, Vienna Sale, Dorotheum, 29 November 2000, lot 47 Private Collection, Vienna Literature: Franz Fuhrmann, Anton Faistauer 1887–1930. Werkverzeichnis, Salzburg 1972, no. 189, ill. “Everyone can see the material; only those who have something to do find the content, and the form is a mystery to most.” Goethe, quoted by Faistauer in a field postcard from 1916
Dorotheum
Feb. 16, 2024
Anton Faistaur (Austrian, 1887-1930) Oil on Canvas Mounted to Board, Ca. 1924, "Riverside Austrian Village", H 18" W 24"
Est: $4,000 - $6,000
Signed and dated in the lower right. Depicting a bridge over a river in an Austrian village. Hungarian export and Banská Bystrica ink stamps on board verso. Having a carved giltwood frame, H 26.75", W 32.5". Provenance: From the Estate of Dr. Nathan Jacks, Windsor, Ontario, by descent to a Private Collection, Windsor, Ontario
DuMouchelles
Dec. 15, 2023
Anton Faistaur (Austrian, 1887-1930) Oil on Canvas Mounted to Board, Ca. 1924, "Riverside Austrian Village", H 18" W 24"
Est: $6,000 - $9,000
Signed and dated in the lower right. Depicting a bridge over a river in an Austrian village. Hungarian export and Banská Bystrica ink stamps on board verso. Having a carved giltwood frame, H 26.75", W 32.5". Provenance: From the Estate of Dr. Nathan Jacks, Windsor, Ontario, by descent to a Private Collection, Windsor, Ontario
DuMouchelles
Nov. 28, 2023
Anton Faistauer
Est: €30,000 - €50,000
(St. Martin/Lofer 1887–1930 Vienna) “Sitzende Dame mit Pagenkopf” (Lisl Schöller), signed and dated A Faistauer 1927, inscribed on the stretcher and on the canvas A Faistauer Wien Damenbild L. Sch., oil on canvas, 82 x 96 cm, framed Registered and illustrated in: Franz Fuhrmann, Anton Faistauer 1987–1930 mit einem Werkverzeichnis der Gemälde, Residenz Publisher 1972, p. 160, no. 329 Provenance: Carlo Thomsen (1930) Hamburg (mentioned in the catalog raisonné) Private Collection, Germany Man cannot invent. The ‘he’ belongs to ‘Him’. Man finds, this is enough. Anton Faistauer
Dorotheum
Nov. 27, 2023
ANTON FAISTAUER: BLUMEN IN HENKELKRUG VOR BILD
Est: €25,000 - €50,000
Anton Faistauer Blumen in Henkelkrug vor Bild 1915 oil on canvas; framed 67 x 53 cm signed and dated on the upper right: A. Faistauer / 1915 private property, Austria Franz Fuhrmann, Anton Faistauer 1887-1930, mit einem Werkverzeichnis der Gemälde, Salzburg 1972, no. 29 (b/w-ill., wrong dimensions) Anton Faistauer was one of those artists who found their artistic path at an early age. Already before the First World War, Anton Faistauer had become very successful and had a good contact network of important collectors and art lovers. In 1909, together with Egon Schiele, Anton Peschka, Robin Christian Andersen, Franz Wiegele, Hans Böhler and others, he founded the "Neukunst-Gruppe" ("New Art Group"), who all left the Academy of Fine Arts in Vienna in protest against the conservative art establishment. In December 1909, the first exhibition of the young avant-garde group, led by Faistauer and Schiele, was held at the Pisko Gallery at Schwarzenbergplatz, Vienna. Further exhibitions of the Neukunst-Gruppe were held in Prague in 1910, and in Vienna in 1911 as part of the Hagenbund’s spring exhibition, which was a groundbreaking event for modernism. The Österreichische Galerie first purchased a painting by this important Austrian Expressionist in 1913. After turning away from the two-dimensional style of Art Nouveau, Faistauer studied the work of Paul Cezanne, the most prominent proponent of French modernism, and thus found his own artistic language. His portraits, landscapes and still lifes draw their power from expressive colours, a preference for dark, mysterious hues with agitated, dynamic brushstrokes. Our flower still life from 1915 is characterised by the illusionist artifice of the picture-within-a-picture motif. Faistauer cleverly places his signature and the date in the upper right corner, in the still life of fruit that is hanging on the wall and partly cut off by the edge of the picture – a finely calculated, self-reflective reference to the painter and his oeuvre. (Claudia Mörth-Gasser)
Im Kinsky
Nov. 27, 2023
Anton Faistauer: Portrait of Peter Paul (son of the artist)
Est: €5,000 - €10,000
Anton Faistauer Portrait of Peter Paul (son of the artist) 1918 coloured chalk on paper; framed 44.5 x 29.5 cm (cut-out), 48 x 31.7 cm (sheet size) monogrammed and dated on the lower right: af 1918 inscribed in the right centre: PP private property, Austria
Im Kinsky
Nov. 27, 2023
Anton Faistauer: Lady in a red dress
Est: €2,000 - €4,000
Anton Faistauer Lady in a red dress 1918 coloured chalk on paper; framed 42 x 26 cm signed and dated on the lower right: A. Faistauer / 1918 sketch of a man's head on the reverse private property, Austria
Im Kinsky
Nov. 27, 2023
Anton Faistauer: Self-portrait
Est: €3,500 - €7,000
Anton Faistauer Self-portrait 1918 coloured chalk on paper; framed 48 x 32 cm monogrammed and dated on the upper left: af 1918 Collector's stamp Viktor Fogarassy on the lower left on the reverse collection Viktor Fogarassy; private property, Austria
Im Kinsky
Nov. 27, 2023
Anton Faistauer: Portrait of a woman
Est: €3,500 - €7,000
Anton Faistauer Portrait of a woman 1925 pastel on paper; framed 49 x 32.8 cm signed and dated in the right centre: A. Faistauer / Paris / Nov. 1925 private property, Austria
Im Kinsky
Nov. 26, 2023
FAISTAUER Anton 1887-1930 : Paysage fluvial en hiver, 1929 Huile sur to
Est: €8,000 - €12,000
FAISTAUER Anton 1887-1930 : Paysage fluvial en hiver, 1929 Huile sur toile SBD et datée, contresignée au dos 30x60 cm
Chaville Enchères
Nov. 14, 2023
Anton Faistauer, Sankt Martin bei Lofer 1887 - 1930 Vienna, Circle of, Flower piece
Est: €400 - €600
Anton Faistauer Sankt Martin bei Lofer 1887 - 1930 Vienna, Circle of Flower piece Oil on cardboard 52 x 45 cm, with frame 66 x 60 cm Inscribed & dated 1921 b.r.
Tiberius Auctions
Nov. 09, 2023
Flowers in a Vase
Est: €10,000 - €15,000
Property of a Lady Anton Faistauer Austrian 1887 - 1930 Flowers in a vase oil on canvas 51 by 61cm., 20 by 24in.
Sotheby's
Jun. 22, 2023
ANTON FAISTAUER: MOUNTAIN LANDSCAPE NEAR MAISHOFEN
Est: €25,000 - €50,000
Anton Faistauer Mountain landscape near Maishofen c. 1915/16 oil on canvas; framed 42 x 72 cm signed on the upper right: A. Faistauer private property, Austria Franz Fuhrmann, Anton Faistauer 1887-1930, mit einem Werkverzeichnis der Gemälde, Salzburg 1972, no. 121 (with b/w-ill., different measurements there: 58 x 100 cm)
Im Kinsky
May. 23, 2023
Anton Faistauer
Est: €35,000 - €50,000
(St. Martin/Lofer 1887–1930 Vienna) Blumen- und Früchtestillleben / Still life with flowers and fruits, signed and dated 1921 A. Faistauer, oil on canvas, 67 x 90 cm, framed Provenance: Sale, Grogan & Company, Boston, 20 May 2012, lot 55 Private Collection, Vorarlberg Registered in: Franz Fuhrmann, Anton Faistauer. 1887–1930, with a catalogue raisonné, Salzburg 1972, cat. rais. no. 228 Exhibition: 1921, Neue Galerie, Salzburg We are grateful to Dr. Nikolaus Schaffer for his help in cataloguing this work. Within early Austrian modernism, Anton Faistauer sought a balance between sober form and emotional colour, between spatial plasticity and abstracting flatness, like no other artist and subordinated every motif to this painterly problem. Faistauer’s “harmonism functions in such a way that the components do not merge completely with each other but keep each other in check like weight and counterweight. It is a harmony gained from contradictions.” Nikolaus Schaffer, quoted in: exhibition catalogue, Salzburg Museum, 2005, p. 51
Dorotheum
May. 22, 2023
ANTON FAISTAUER (St. Martin bei Lofer 1887 - 1930 Vienna)
Est: €150 - €300
ANTON FAISTAUER (St. Martin bei Lofer 1887 - 1930 Vienna) Zilli offset lithography/paper, 37,3 x 29 cm titled Zilli addition: Anton Faistauer, family, offset lithography/paper, 47,5 x 31,5 cm, signed Faistauer ESTIMATE °€ 150 - 300 STARTING PRICE °€ 150 Austrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the ceramic workshops Schleiß in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Art Nouveau and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpeAustrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the ceramic workshops Schleiß in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Art Nouveau and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpets, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. ts, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Mar. 30, 2023
Anton Faistauer ( 1887-1930)-attributed
Est: €280 - €560
Anton Faistauer ( 1887-1930)-attributed,Female Nude standing, black chalk on paper, signed upper right and dated 1913, framed under glass, 48x33cm
Deutsch Auktionen
Mar. 25, 2023
Faistauer, Anton (1887-1930) "Sitzende Dame mit Pagenkopf (Liesl Schöller)“ 1927, Öl/Leinwand, o.r. sign./dat., verso auf Keilrahmen und Leinwand bez., Rahmen und Keilrahmen mit Stempel (Hamburg/Bundesadler), Prunkrahmen, WVZ Fuhrmann 329, 96x82,5c
Est: -
Faistauer, Anton (1887-1930) "Sitzende Dame mit Pagenkopf (Liesl Schöller)“ 1927, Öl/Leinwand, o.r. sign./dat., verso auf Keilrahmen und Leinwand bez., Rahmen und Keilrahmen mit Stempel (Hamburg/Bundesadler), Prunkrahmen, WVZ Fuhrmann 329, 96x82,5cm (m.R. 117x101,5cm), Vgl. https://digi.ub.uni-heidelberg.de/diglit/dkd1930/0026/image, Prov.: Glaspalast München 1927, Carlo Thomsen 1930, danach Hamburger Privatbesitz Faistauer, Anton (1887-1930) "Seated Lady with Page's Head (Liesl Schöller)" 1927, oil/canvas, top right sign./dat., verso on stretcher and canvas inscr., frame and stretcher with stamp (Hamburg/Bundesadler), magnificent frame, cat raisonné Fuhrmann 329, 96x82,5cm (w.f. 117x101,5cm), Cf. https://digi.ub.uni-heidelberg.de/diglit/dkd1930/0026/image, Prov.: Glaspalast Munich 1927, Carlo Thomsen 1930, afterwards Hamburg private property
Kendzia
Dec. 08, 2022
ANTON FAISTAUER: MOTHER WITH CHILD
Est: €1,500 - €3,000
Anton Faistauer Mother with child 1919 charcoal on paper; framed 32.5 x 41 cm (cut-out) monogrammed and dated on the lower left: af / 1919 private property, Austria
Im Kinsky
Dec. 08, 2022
ANTON FAISTAUER: MOUNTAIN LANDSCAPE NEAR MAISHOFEN
Est: €35,000 - €70,000
Anton Faistauer Mountain landscape near Maishofen c. 1915/16 oil on canvas; framed 42 x 72 cm signed on the upper right: A. Faistauer private property, Austria Franz Fuhrmann, Anton Faistauer 1887-1930, mit einem Werkverzeichnis der Gemälde, Salzburg 1972, no. 121 (with b/w-ill., different measurements there 58 x 100 cm)
Im Kinsky
Nov. 29, 2022
Anton Faistauer
Est: €40,000 - €70,000
(St. Martin/Lofer 1887–1930 Vienna) “Blaues Bildnis in blauem Fauteuil”, signed, dated A. Faistauer 1919, inscription on the reverse on the stretcher: Blaues Bildnis in blauem Fauteuil A Faistauer Wien Biberstr. 2, oil on canvas, 89 x 67 cm, framed Illustrated and registered: Franz Fuhrmann, Anton Faistauer, Residenz Verlag 1972, cat. rais. no. 187, registered on p. 142 - there with title “Junge Frau en face in Lehnstuhl” Exhibited: CIV. Ausstellung der Vereinigung Bildender Künstler, Wiener Secession, 23 February – 1 April 1929, no. 47 - there with title “Dame im blauen Fauteuil” special exhibition, Anton Faistauer, Carl Moll, Herta Strzygawski, Vienna, Mährischer Kunstverein, Brno, 5 May – 26 May 1929, no. 58 – there with title “Blaues Bildnis in blauem Fauteuil” Provenance: Galerie Hasenöhrl, Getreidegasse, Salzburg, c. 1974 Private Collection, Salzburg Anton Faistauer is one of the most important representatives of Austrian Expressionism, in which he strove less for the exaggeration of colour and more for its deepening in form and space. He understood his painting as an intermediate stage where random appearances meet the objective realm of ideas. Particularly in his portraits of women, the fine balance between autonomous, powerful application of paint and subtle as well as unambiguous boundaries of form is evident. Clear, "lawful" structures versus haunting tonal colour painting lead to that special melancholy of the indeterminate that gives Faistauer's female portraits their own poetry of rapt sensuality.
Dorotheum
Nov. 29, 2022
Anton Faistauer
Est: €30,000 - €50,000
(St. Martin/Lofer 1887–1930 Vienna) “Salzburg vom Mönchsberg mit Heuberg, Kapuzinerberg und Gaisberg”, signed, dated A. Faistauer 1922, oil on canvas, on canvas, 57 x 93 cm, framed Illustrated and registered: Franz Fuhrmann. Anton Faistauer, Residenz Verlag 1972, cat. rais. no. 238, registered on p. 147 - there also mentioned: Im Mittelgrund die neugotische Andräkirche Exhibited: Galerie Victor Hartberg, Berlin, 1929 (with the title: Berglandschaft mit Stadt) Illustrated: Kunst und Künstler, illustrierte Monatsschrift, Verlag Bruno Cassirer, Berlin, 1929, p. 163 Provenance: Private Collection, Vienna Dorotheum, Vienna, 17 March 1978, lot 1072 Private Collection, Salzburg Anton Faistauer, who studied at the Academy of Fine Arts in Vienna from 1906 to 1909 and founded the "Neukunstgruppe" with Egon Schiele, returned to Salzburg after the war, where he lived in the so-called Leitner Villa between 1920 and 1927. This former annexe of Mönchsberg Castle, demolished in 1930, offered him a wide panoramic view of the city, which is captured in this painting. “Pictures have the task of opening up the mystery of nature to mankind. They should be able to appropriate the richness, the space, the depth and heaviness of the cosmos for mankind, to arbitrate the chaos and to open paths into the spirit of creation.“ Anton Faistauer
Dorotheum
Nov. 28, 2022
ANTON FAISTAUER (St. Martin near Lofer 1887 - 1930 Vienna)
Est: €30,000 - €40,000
ANTON FAISTAUER (St. Martin near Lofer 1887 - 1930 Vienna) Still life with apples, 1918 oil/canvas/cardboard, 23.3 x 30.2 cm signed A. Faistauer, dated 1918 verso exhibition label provenance: private collection Vienna ESTIMATE °€ 30.000 - 40.000 STARTING PRICE °€ 30.000 Austrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the ceramic workshops Schleiß in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Art Nouveau and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpets, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Sep. 04, 2022
Anton Faistauer
Est: €3,300 - €6,600
(1887 St. Martin bei Lofer/Salzburg - 1930 Wien) attr.; Sommerliches Alpental Mit breitem, weich-pastosem Duktus gemalte, flächig angelegte Darstellung. Faistauer gehörte neben Kokoschka zu den bedeutendsten Repräsentanten der Moderne in Österreich zwischen den beiden Weltkriegen. Nach dem Besuch einer privaten Kunstschule studierte Faistauer 1906 - 1908/09 an der Akademie in Wien bei Christian Griepenkerl und Alois Delug. 1909 gründete er mit Robin Christian Andersen, der später sein Schwager wurde, und Egon Schiele aus Protest gegen den konservativen Kunstbetrieb die "Neukunstgruppe". Entscheidend beeinflusst wurde er ab 1910 von Cézanne, was sich auch in diesem temperamentvollen Werk wiederspiegelt. 1915 hatte Faistauer seine erste große und zugleich erfolgreiche Kollektiv-Ausstellung in der Galerie Miethke mit 33 Ölgemälden. Nach dem I. Weltkrieg war Faistauer ab 1919 in Salzburg, wo er zusammen mit Felix A. Harta und anderen die radikale Künstlervereinigung "Der Wassermann" gründete. In den 1920er Jahren beteiligte er sich überdies an den Frühjahrs- und Herbstausstellungen der Wiener Secession. Öl/Malkarton. R. u. sowie l. u. in der Darstellung monogr.; 21 cm x 33,5 cm. Rahmen. Attributed to Anton Faistauer (1887 - 1930). Oil on cardboard. Signed twice with monogram.
Kunstauktionshaus Schloss Ahlden
May. 19, 2022
ANTON FAISTAUER (St. Martin bei Lofer 1887 - 1930 Vienna)
Est: €1,500 - €3,000
ANTON FAISTAUER (St. Martin bei Lofer 1887 - 1930 Vienna) Design for a Poster, 1917 pastel/paper, 27,5 x 21 cm dated Sept 1917 design for a poster for the austrian exhibition in the Liljevachs-Art Gallery, 1917 Provenance: collection Gusel Austria, private property Vienna ESTIMATE °€ 1.500 - 3.000 Austrian painter of the 20th century. Considered the most important Salzburg painter of modernism. 1904 to 1906 at the private painting school of R. Scheffers, 1906 to 1909 at the Academy of Fine Arts Vienna with Alois Delug and Christian Griepenkerl. 1909 together with Egon Schiele, Anton Kolig, Robin Christian Andersen udn Franz Wiegele founded the Neukunstgruppe. Exhibitions at the Kunstsalon Pisko, in Budapest, Munich and in Vienna at the Hagenbund. 1913 Marries Robin Christian Andersen's sister, in the same year exhibits at the Miehtke Gallery. 1919 in Salzburg with Felix A. Harta founding of the artist group Wassermann. Design of the frescoes for the Salzburg Festspielhaus. Intensive study of the works of Paul Cezanne, development of a moderate Expressionism. Created mainly landscapes, still lifes and portraits. Designed the poster for the 1917 exhibition of Austrian art at Liljevalchs Kunsthalle in Stockholm, Sweden. Exhibited there alongside Gustav Klimt, Egon Schiele, Oskar Kokoschka and Anton Hanak as the main representatives of the Austrian moeder. The design shows a simplified version of a portrait of his wife Ida. At the end of August 1917, a train journey lasting several days brought six travelers from Vienna to the capital of neutral Sweden, a playground for agents, reformers and revolutionaries and a few weeks earlier the scene of the Peace Conference of the Second International, which had remained ineffective. The tour group consisted of key protagonists of the Austrian art scene: Albin Egger-Lienz, Anton Faistauer, Gustav Klimt, Oskar Kokoschka, Egon Schiele and Anton Hanak. Under the guidance of the architect Josef Hoffmann, the artists worked from September 3rd to 6th on the construction of the "Österrikisk Konstutställning", consisting of approx. 650 exhibits, which is scheduled to open on September 8th in the new Liljevalchs Konsthall for contemporary art and is part of a "Austrian Week” with readings, concerts and fashion shows. This largely forgotten charm offensive by the young Emperor Karl's government was intended to show that Austria had lost none of its creative power despite the war. The propaganda show was organized by Karl Bittner, commercial attaché of the Austro-Hungarian Embassy, originally not on behalf of the k. u.k. (“imperial and royal”, referring to the Habsburgs dual monarchy Austria-Hungary) Ministry of Foreign Affairs, but of the k. u.k. Ministry of War, or the War Press Quarters. Organization and selection of the works of art were entrusted to Josef Hoffmann. After an initial wrangling over competences between civil and military authorities, the project was finally handed over completely to civilian hands through Bittner's mediation. In order to save face, the War Ministry put forward the much-invoked Austro-Hungarian parity as the alleged reason. Anton Faistauer was entrusted with designing the exhibition poster. The final version, a lithograph, shows a young woman in a high-necked dress, seated, in semi-profile, her hands resting loosely on her thighs. She looks serious but confident. Faistauer's design comes very close to the end result; except that the dress is blue instead of red and the woman bows her head shyly. Faistauer has not yet completely mastered the draft of the Swedish text. It simply doesn't fit all the letters of "ÖSTERRIKISK KONSTUTSTÄLLNING i Liljevachs-Konsthall". He blurred the word "SEPTEMBER" and thus already corrected it to the final "SEPT". The daily opening hours will be shortened to “10 a.m. – 4 a.m.”. The bourgeois simplicity of the seated female figure and the poster design as a whole are an example of the conflict between civil society and the military power that was becoming increasingly apparent in the penultimate year of the war, as well as the longing for peace of the population oppressed by the war. Faistauer's pastel drawing is a fascinating historical document of this little-known major cultural and political offensive of the tottering empire. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° in the catalog), a premium of 24% is added to the highest bid. The mandatory sales tax of 13% is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Dec. 16, 2021
Anton Faistauer Darstellung im Tempel mit Greis Simeon - Entwurf für die Deckenfresken in der Morzger Kirche
Est: €2,500 - €5,000
Anton Faistauer Presentation in the temple with Simeon - design for the ceiling frescoes in the church in Morzg, Salzburg c. 1922/23 pencil and pastel on paper 60.5 x 47.5 cm Dorotheum Vienna, 25 November 2008, no. 12; private property, Austria cf.: Salzburger Museum Carolino Augusteum (ed.), Anton Faistauer. 1887-1930, exhibition catalogue, Museum Carolino Augusteum, Salzburg 2005, ill. p. 171 (ceiling frescoes in the church in Morzg, Salzburg, 1922/23)
Im Kinsky
Dec. 16, 2021
Anton Faistauer Ruhe auf der Flucht
Est: €25,000 - €50,000
Anton Faistauer Rest on the Flight c. 1922/23 oil on canvas 33 x 40.5 cm signed on the upper right: A. Faistauer private property, Austria cf.: Salzburger Museum Carolino Augusteum (ed.), Anton Faistauer. 1887-1930, exhibition catalogue, Museum Carolino Augusteum, Salzburg 2005, ill. p. 174 (Rest on the Flight, ceiling frescoes in the church in Morzg, Salzburg, 1922/23)
Im Kinsky
Jul. 08, 2021
Anton Faistauer Ruhe auf der Flucht
Est: €2,500 - €5,000
Anton Faistauer Rest on the flight 1923 watercolour, chalk on paper 55 x 44.5 cm (cut-out) dedicated, signed and dated on the lower right: Anton Faistauer / 21. Nov. 1923 private property, Austria
Im Kinsky
Jul. 08, 2021
Anton Faistauer Stillleben mit Äpfeln und Trauben
Est: €25,000 - €50,000
Anton Faistauer Still-life with apples and grapes c. 1922 oil on cardboard 53 x 63 cm cut-out of a probably originally full-figure portrait on the reverse art dealer Reinhold Hofstätter, Vienna; acquired there on 13.11.1989, since then private property, Austria
Im Kinsky
Jul. 08, 2021
Anton Faistauer Landschaft mit Steinernem Meer
Est: €25,000 - €50,000
Anton Faistauer Landscape with "Steinernes Meer" 1910 oil on canvas on cardboard 40.5 x 60 cm monogrammed and illegibly dated on the upper right: A. F. 1910 private property, Salzburg Franz Fuhrmann, Anton Faistauer 1887-1930, mit einem Werkverzeichnis der Gemälde, Salzburg 1972, cat.-no. 22, b/w-ill. (dated there: 1910); Anton Faistauer 1887-1930, Katalog zur Sonderausstellung des Salzburger Museums Carolino Augusteum, 11 February to 22 May 2005, cat.-no. 38, ill. p. 267 (dated there: 1916)
Im Kinsky
May. 29, 2021
Anton Faistauer, attr., Heilige Dreifaltigkeit
Est: -
Anton Faistauer, attr., Heilige Dreifaltigkeit Gottvater, Jesus und der Heilige Geist in Form einer weißen Taube, im unteren Bereich Engel mit leerem Schriftband, unter der Darstellung betitelt "Tu, Trinitatis Unitas", expressive Arbeit, um 1920-25, rechts unten in Blei bezeichnet "A. Faistauer", auf Rahmenrückseite ungeprüfte Zuschreibung "Anton Faistauer Entwurf zu einem Wandgemälde", und biographische Daten, faltspurig und fleckig, unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitt ca. 38 x 28 cm. Künstlerinfo: österr. Maler (1887 Sankt Martin bei Lofer bis 1930 Wien), während seiner Gymnasialzeit Beschäftigung mit der Malerei, 1904-06 Besuch der privaten Malschule R. Scheffers in Wien, 1906-09 Studium an der Akademie in Wien bei Christian Griepenkerl und Alois Delug, 1909 Austritt aus der Akademie und aus Protest Gründung der Neukunstgruppe unter anderem mit Robin Christian Andersen, Anton Kollig und Egon Schiele, 1909 und 1912 Reise ins Tessin, nach Oberitalien und nach Berlin, 1915 Übersiedlung nach Maishofen, während des 1. Weltkriegs zusammen mit Egon Schiele Organisation von Kriegsbilderausstellung, ab 1919 in Salzburg und 1921 Teilnahme an der Frühjahrs- und Herbstausstellung der Wiener Sezession, mit Felix A. Harta Gründung der radikalen Künstlergruppe Der Wassermann, 1924-25 mehrmalig Aufenthalte in Bozen, 1925 Teilnahme an der Internationalen Kunstausstellung in Zürich, Ausmalung des Salzburger Festspielhauses, 1927 Umzug nach Wien, Quelle: Vollmer und Wikipedia.
Auktionshaus Mehlis GmbH
May. 06, 2021
FAISTAUER, ANTON: Theaterszene in einer Festung.
Est: CHF600 - CHF1,000
FAISTAUER, ANTON (Salzburg 1887 - 1930 Wien) : Theaterszene in einer Festung; Tusche, Farbkreide und Kohle; 47x63 cm (BG); verso Nachlass-Stpl.
Dobiaschofsky Auktionen AG
Feb. 25, 2021
Anton Faistauer (1887-1930), Neue Malerei in Oesterreich
Est: €30 - €60
Anton Faistauer (1887-1930), Neue Malerei in Oesterreich, Betrachtungen eines Malers, Amalthäer Verlag 1923, 86 pages with illustrated annex and index, 42 full page illustrations with hand written and signed dedication by Anton Faistauer 1922, original hardcover with gild and black printed design by Josef Hoffmann (1870-1956).
Deutsch Auktionen
Feb. 25, 2021
Anton Faistauer (1887-1930), Neue Malerei in Oesterreich
Est: €30 - €60
Anton Faistauer (1887-1930), Neue Malerei in Oesterreich, Betrachtungen eines Malers, Amalthäer Verlag 1923, 86 pages with illustrated annex and index, 42 full page illustrations with dedication, original hardcover with gilding and black printed design by Josef Hoffmann (1870-1956)
Deutsch Auktionen
Dec. 17, 2020
Anton Faistauer; Lady wearing a negligee
Est: €1,000 - €2,000
Anton Faistauer (St. Martin bei Lofer 1887-1930 Wien) Lady wearing a negligee black chalk, watercolour on paper; 40 x 27.5 cm (cut-out) signed on the lower right: AFaistauer Provenance private property, Austria
Im Kinsky
Jun. 23, 2020
Anton Faistauer
Est: €35,000 - €50,000
Please note the exact Buyer’s Premium charges which can be found in the Conditions of Sale in the Terms below. (St. Martin/Lofer 1887–1930 Vienna) Still life with lidded vessel, apples and bottle, c. 1912, signed A. Faistauer, oil on cardboard, 38.5 x 52 cm, framed Compare: Franz Fühmann, Anton Faistauer, Residenz Verlag, 1972, cat. rais. no. 37 (same lidded vessel) We are grateful to Dr. Nikolaus Schaffer who confirmed this painting as a work by Anton Faistauer (email 8 October 2019) Provenance: Private Collection, Vienna “... My fighting spirit has disappeared after I gave up trying to win the market over. My wares cost me a lot more than they can be worth to the buyer. Now I would rather perish than go out into the street; I would rather perish than let Mr so-and-so hang one of my paintings, even a small one, on a free nail on the wall above his desk, so that it fits in with the surrounding kitsch. I hate the market, the piecework for the buyer. I’d rather strangle myself with my own hands than have a bad painting bought cheaply. I may value others very highly because they do not buy juvenile works. I respect those who do not overestimate my work. I mock anyone who talks about its originality, genius, temperament or even power. Youth work in the arts is a sport. It should be: watch and practice. Every jump can bring death. So plausible! Only a lame man can claim that the youth possess motor power. I don’t want to break a leg or bend over and jump to the delight of a stupid old man who notes the jump, and goes to write that he has seen a young old man. Our shortcomings are our assets.” A. Faistauer to Arthur Roessler, in: Arthur Roessler, Der Maler Anton Faistauer. Beiträge zur Lebens- und Schaffensgeschichte eines österreichischen Künstlers, Wiener Volksbuchverlag 1947
Dorotheum
Feb. 08, 2020
ANTON FAISTAUER AUSTRIAN 1887-1930
Est: $1,500 - $3,000
Still Life Flowers in a Gold Vase, oil on canvas board, 12 x 10 in (30.1 x 25.4 cm), signed upper right, PROVENANCE: From a private collector New York
Trinity International Auctions & Appraisals, LLC
Nov. 21, 2017
Anton Faistauer (1887-1930)-attributed
Est: €800 - €1,500
Anton Faistauer (1887-1930)-attributed, Still life with apples and a tea pot; oil on canvas, framed.
Deutsch Auktionen
Nov. 21, 2017
Anton Faistauer (Austrian, 1887-1930) 'Salzburg vom Mönchsberg gegen Heuberg, im Spätwinter'
Est: £15,000 - £20,000
ANTON FAISTAUER (AUSTRIAN, 1887-1930) ‘Salzburg vom Mönchsberg gegen Heuberg, im Spätwinter’ signed and dated ‘a.faistauer/1920’ (lower right) oil on board 45.7 x 64.2cm (18 x 25 1/4in). painted in 1920
Bonhams
Nov. 21, 2017
Anton Faistauer (Austrian, 1887-1930) 'Blumenstrauss in weisser Vase'
Est: £30,000 - £50,000
ANTON FAISTAUER (AUSTRIAN, 1887-1930) ‘Blumenstrauss in weisser Vase’ signed and dated ‘A.Faistauer/22.7/20’ (centre right) oil on canvas laid to board 41 x 64.2cm (16 1/8 x 25 1/4in). painted in 1920
Bonhams
Jun. 10, 2016
Wilhelm Busch â€“ Zwei Kumpane mit Krug
Est: €8,000 - €10,000
Ã–l auf Pappe. (Um 1890). 18,8 x 14 cm. Signiert unten links. Gerahmt. Gmelin/Brunngraber-Malottke 1027. Provenienz: Privatbesitz, USA; Sotheby's, New York, Auktion 8.3.2000, Los 192; Privatbesitz, Belgien; Villa Grisebach, Berlin, Auktion 113, 29.11.2003, Los 102; Sammlung Rehmert, Lippstadt.
Karl & Faber
Apr. 05, 2016
(Attributed to) FAISTAUER, ANTON
Est: -
(Attributed to) FAISTAUER, ANTON Sankt Martin bei Lofer 1887 - 1930 Wien A lying nude and old woman, oil on panel, inscribed to verso, 19.3x26.4cm, framed.
Sigalas
Mar. 19, 2016
Faistauer, Anton (1887-1930, probably) - Sunflowers in a Vase on a colorful
Est: €12 - €15
GERMAN Faistauer,Anton (1887-1930,wohl) - Sonnenblumen in Vase auf bunt gestreifter Tischdecke,Öl/Holz,unten rechts in Rot signiert ''A.Faistauer'',mit Rahmung -Anton Feistauer (geb.1887 in St. Martin bei Lofer auf Schloss Grubhof/gest.1930 in Wien),bis heute ei ENGLISH Faistauer, Anton (1887-1930, probably) - Sunflowers in a Vase on a colorful striped tablecloth, oil on wood, lower right signed "A.Faistauer", with frame -Anton Feistenauer (born in 1887 in St. Martin near Lofer / died in 19
Auktionshaus Blank
Jul. 16, 2015
Anton Faistauer (1887-1930) - Study for Presentation in the Temple, with Simeon the God-receiver
Est: £1,500 - £2,000
red chalk, signed with initials and dated 1920 in graphite lower right, further inscription verso, on thin wove paper 44 x 32 cm. (17 1/4 x 12 1/2 in) Provenance: Ex-collection of Emmanuel Schlesinger; Thence by descent to the present owner.
Dreweatts 1759