William (1616) Faithorne Sold at Auction Prices

copperplate engraver, Miniature painter, b. 1616 - d. 1691

See Artist Details

0 Lots

Sort By:

Categories

Auction Date

Seller

Seller Location

Price Range

to
  • WILLIAM FAITHORNE - The Entombment of Christ
    Mar. 30, 2025

    WILLIAM FAITHORNE - The Entombment of Christ

    Est: $120 - $150

    WILLIAM FAITHORNE (English, 1616-1691) "The Entombment of Christ" 1693 (after a painting by Raphael) - Antique engraving on paper. Unframed. 8.25 x 6 inches (21 cm x 15.5 cm). Very good condition with typical wear. From the Gary Robertson Historical Print Collection (Regina). This piece is also in the collection of the British Library (London) and Yale University (New Haven, CT).

    Saskatchewan Network for Art Collecting
  • Faithorne d. Ä., William
    Nov. 29, 2024

    Faithorne d. Ä., William

    Est: €120 - €180

    (London 1616-1691 ebda.), Die vier Evangelisten mit ihren Symbolen. 4 Kupferstiche. In den Platten sign. und dat. 1653. Je ca. 25 x 20,2 cm. - Auf Trägerkarton mont. Nicht bei Le Blanc. - Jeweils mit englischem Fußtext. - 2 Blätter oben bis knapp innerhalb der Einfassungslinie beschnitten (minimaler Bildverlust), sonst tls. bis knapp an die Einfassungslinie beschnitten, leicht fleckig und gebräunt. - Selten.

    Zisska & Lacher
  • Faithorne d. Ä., William (London 1616-1691 ebda.),
    Jun. 19, 2024

    Faithorne d. Ä., William (London 1616-1691 ebda.),

    Est: €160 - €250

    Die vier Evangelisten mit ihren Symbolen. 4 Kupferstiche. In den Platten sign. und dat. 1653. Je ca. 25 x 20,2 cm. - Auf Trägerkarton mont. - Nicht bei Le Blanc. - Jeweils mit englischem Fußtext. - 2 Blätter oben bis knapp innerhalb der Einfassungslinie beschnitten (minimaler Bildverlust), sonst tls. bis knapp an die Einfassungslinie beschnitten, leicht fleckig und gebräunt. - Selten.

    Zisska & Lacher
  • Faithorne d. Ä., William (London 1616-1691 ebda.),
    Jun. 07, 2024

    Faithorne d. Ä., William (London 1616-1691 ebda.),

    Est: €160 - €250

    Die vier Evangelisten mit ihren Symbolen. 4 Kupferstiche. In den Platten sign. und dat. 1653. Je ca. 25 x 20,2 cm. - Auf Trägerkarton mont. - Nicht bei Le Blanc. - Jeweils mit englischem Fußtext. - 2 Blätter oben bis knapp innerhalb der Einfassungslinie beschnitten (minimaler Bildverlust), sonst tls. bis knapp an die Einfassungslinie beschnitten, leicht fleckig und gebräunt. - Selten.

    Zisska & Lacher
  • VARIOUS RELIGIOUS PRINTS.
    Apr. 27, 2023

    VARIOUS RELIGIOUS PRINTS.

    Est: €100 - €140

    72 engravings, c. 13,4 x 7,5 cm, laid paper (toned, occ. foxing). - 72 engravings (of 85) depicting scenes from the New Testament originating from Jeremy Taylor's "The Great Exemplar of Sanctity and Holy Life according to the Christian Institution", published by Richard Royston. William Faithorne (1616-1691) based his style upon Dutch printmakers such as Collaert or Visscher. Each engraving is accompanied by a quote from the Gospels.

    Arenberg Auctions
  • VARIOUS RELIGIOUS PRINTS.
    Mar. 26, 2021

    VARIOUS RELIGIOUS PRINTS.

    Est: €80 - €120

    72 (of 85) engravings, 14 x 7 cm, laid paper (toned, occ. foxing). - Incomplete set of engravings depicting scenes from the New Testament originating from Jeremy Taylor's "The Great Exemplar of Sanctity and Holy Life according to the Christian Institution", published by Richard Royston. William Faithorne (1616-1691) based his style upon Dutch printmakers such as Collaert or Visscher. Each engraving is accompanied by a quote from the Gospels.

    Arenberg Auctions
  • WILLIAM FAITHORNE (BRITISH, C. 1616-1691) Oval, 80 mm. high, gilt-metal fr
    Nov. 25, 2014

    WILLIAM FAITHORNE (BRITISH, C. 1616-1691) Oval, 80 mm. high, gilt-metal fr

    Est: £800 - £1,200

    WILLIAM FAITHORNE (BRITISH, C. 1616-1691) Oval, 80 mm. high, gilt-metal frame, the reverse engraved with monogram JR Bart

    Christie's
  • William Faithorne (c. 1620-1691), after Robert
    Jun. 29, 2010

    William Faithorne (c. 1620-1691), after Robert

    Est: £120 - £180

    William Faithorne (c. 1620-1691), after Robert Walker (d. 1658) Portrait of Thomas Fairfax, third Baron Fairfax of Cameron (1612-1671) line engraving, with two collectors' marks verso 28 x 19 cm (11 x 7 1/2 in), unframed together with approximately 40 other 17th, 18th and 19th century portrait engravings

    Holloway's
  • William Faithorne (British, circa 1616-1691) James Boddington (1630-1708), wearing cloak and lace cravat, his hair worn long
    Nov. 21, 2007

    William Faithorne (British, circa 1616-1691) James Boddington (1630-1708), wearing cloak and lace cravat, his hair worn long

    Est: -

    James Boddington (1630-1708), wearing cloak and lace cravat, his hair worn long. Plumbago on vellum, backed with playing card (nine of hearts), silver-gilt frame. Oval, 86mm ( 3 3/8in) high Provenance: Francis Wellesley, Sotheby's, 1920, lot 309 Limner Antiques, September 1993 Exhibited: Victoria & Albert Museum, 1914-1918, no.354

    Bonhams
  • William Faithorne (the Elder)
    Nov. 18, 2006

    William Faithorne (the Elder)

    Est: $100 - $200

    William Faithorne (the Elder) British (1616-1691) ST MARKE, MARKES LION.... inscribed, signed & dated in plate: lower margin, 1653 H11 1/8" W7 7/8" *Note: Full inscription reads, ST MARKE /MARKES LION, (AS HIS GOSPEL) DOTH BEGINNE/A CRIERS VOICE THE WILDERNESS WITHIN/MAKE STRAIGHT HIS PATHES, THIS SAME IS ONLY HEE/ OF JUDAH'S TRIBE WHO WAS FORETOLD TO BEE. It is complete with printer's instructions, PLACE THIS FIG: SECT. P:115. *Artist biography: William Faithorne was the first engraver to work in England that was not imported from the Continent. He studied painting and engraving in London under Robert Peake, a strong supporter of King Charles I. During the Civil War, both Faithorne and his teacher served the King. Faithorne was a member of the Royal Garrison and fought at the siege of Basing House from 1643-5. After the surrender, he was imprisoned for two years and was released on the condition that he leave the country. He lived and worked in Paris for the next three years, where he met Robert Nanteuil, the famed French engraver. He refined his own technique through the exposure to Nanteuil among other great portrait engravers. In 1650, he was able to return from exile and to resume a career as the leading engraver and printseller in London, where he worked for the next thirty years. This original engraving entitled, SAINT MARKE, was published as part of an edition of the Bible.

    Charlton Hall
Lots Per Page:

Popular Artists

Devices

Get Invaluable on Your Phone

Download the app via text link to get instantly notified if you’re outbid and receive auction reminders so you never miss out!

Bid On-the-Go!

Download the Invaluable app and never miss an auction from your iOS or Android device.

App Store badgeGoogle Play badge
Invaluable Logo

As the world's leading online auction marketplace, thousands of auction houses use Invaluable to deepen relationships with millions of clients around the world. Stay connected to the things you love with curated items and auctions sent to your inbox.

You can unsubscribe at any time. View ourPrivacy Policy.

© 1986-2025 Invaluable, LLC. and participating auction houses. All Rights Reserved.

TermsSubscription AgreementPrivacy PolicyCopyrightGDPR InfoPrivacy ChoiceYour Privacy ChoicesSite Map