John Duncan Fergusson Sold at Auction Prices

Painter, Illustrator, Etcher, Sculptor, b. 1874 - d. 1961

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            • JOHN DUNCAN FERGUSSON (1874-1961). Mademoiselle O. oil on board 26 x 22 ½ i
              Oct. 17, 2024

              JOHN DUNCAN FERGUSSON (1874-1961). Mademoiselle O. oil on board 26 x 22 ½ i

              Est: £50,000 - £80,000

              JOHN DUNCAN FERGUSSON (1874-1961). Mademoiselle O. oil on board 26 x 22 ½ in. (66 x 57.2 cm.).

              Christie's
            • John Duncan Fergusson RBA (British, 1874-1961) Portrait of an actor, c. 1900
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Portrait of an actor, c. 1900

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) Portrait of an actor, c. 1900 conté 29.5 x 24cm (11 5/8 x 9 7/16in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Female nude with arms raised
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Female nude with arms raised

              Est: £600 - £800

              John Duncan Fergusson RBA (British, 1874-1961) Female nude with arms raised conté 22.5 x 13cm (8 7/8 x 5 1/8in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Portrait of a man smoking
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Portrait of a man smoking

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) Portrait of a man smoking conté 20 x 12cm (7 7/8 x 4 3/4in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Standing nude, Paris, 1911
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Standing nude, Paris, 1911

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) Standing nude, Paris, 1911 conté 20.5 x 13.5cm (8 1/16 x 5 5/16in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Portrait of a lady in a wide-brimmed hat
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Portrait of a lady in a wide-brimmed hat

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) Portrait of a lady in a wide-brimmed hat conté 20 x 12cm (7 7/8 x 4 3/4in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Standing figure and head study
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Standing figure and head study

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) Standing figure and head study conté 20 x 12.5cm (7 7/8 x 4 15/16in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) A couple believed to be Anne Estelle Rice and J. D. Fergusson, Paris, c. 1908-09
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) A couple believed to be Anne Estelle Rice and J. D. Fergusson, Paris, c. 1908-09

              Est: £1,000 - £1,500

              John Duncan Fergusson RBA (British, 1874-1961) A couple believed to be Anne Estelle Rice and J. D. Fergusson, Paris, c. 1908-09 conté 17 x 10.5cm (6 11/16 x 4 1/8in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Christina Fergusson, the artist's mother, c. 1897
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Christina Fergusson, the artist's mother, c. 1897

              Est: £800 - £1,200

              John Duncan Fergusson RBA (British, 1874-1961) Christina Fergusson, the artist's mother, c. 1897 conté 29.5 x 19.5cm (11 5/8 x 7 11/16in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Harlech storm clouds, c. 1921
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Harlech storm clouds, c. 1921

              Est: £800 - £1,200

              John Duncan Fergusson RBA (British, 1874-1961) Harlech storm clouds, c. 1921 conté 20 x 12cm (7 7/8 x 4 3/4in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Fantasy Dance, Paris, 1908
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Fantasy Dance, Paris, 1908

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) Fantasy Dance, Paris, 1908 conté 12 x 14cm (4 3/4 x 5 1/2in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Figures promenading, Paris, 1909
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Figures promenading, Paris, 1909

              Est: £1,000 - £1,500

              John Duncan Fergusson RBA (British, 1874-1961) Figures promenading, Paris, 1909 conté 11.5 x 13cm (4 1/2 x 5 1/8in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Head of a Girl
              Oct. 09, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Head of a Girl

              Est: £12,000 - £18,000

              John Duncan Fergusson RBA (British, 1874-1961) Head of a Girl signed and dated 'J.D.FERGUSSON/1914' (verso) oil on board 34.8 x 27cm (13 11/16 x 10 5/8in).

              Bonhams
            • λ JOHN DUNCAN FERGUSSON (SCOTTISH 1874-1961), LADY IN A HAT
              Jul. 11, 2024

              λ JOHN DUNCAN FERGUSSON (SCOTTISH 1874-1961), LADY IN A HAT

              Est: £800 - £1,200

              λ JOHN DUNCAN FERGUSSON (SCOTTISH 1874-1961)LADY IN A HAT Black crayon 20 x 12cm (7¾ x 4½ in.)Provenance:Direct from the artist Thence by descent to Margaret Morris Private Collection

              Dreweatts 1759 Fine Sales
            • λ JOHN DUNCAN FERGUSSON (SCOTTISH 1874-1961), FIGURES AT A BAR
              Jul. 11, 2024

              λ JOHN DUNCAN FERGUSSON (SCOTTISH 1874-1961), FIGURES AT A BAR

              Est: £1,000 - £1,500

              λ JOHN DUNCAN FERGUSSON (SCOTTISH 1874-1961)FIGURES AT A BAR Black crayon 20 x 12cm (7¾ x 4½ in.)Provenance:Direct from the artist Thence by descent to Margaret Morris Private Collection

              Dreweatts 1759 Fine Sales
            • † John Duncan Fergusson (1874-1961) Scottish, Still Life, charcoal, image 9 cm x 18 cm, framed 32.5 cm x 40 cm, glazed.
              Jun. 27, 2024

              † John Duncan Fergusson (1874-1961) Scottish, Still Life, charcoal, image 9 cm x 18 cm, framed 32.5 cm x 40 cm, glazed.

              Est: £400 - £600

              † John Duncan Fergusson (1874-1961) Scottish, Still Life, charcoal, image 9 cm x 18 cm, framed 32.5 cm x 40 cm, glazed.

              Dawsons Auctioneers
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £10,000 - £15,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) THE ARTIST'S SISTER Oil on board 26cm x 31cm (10.25in x 12.25in) Sotheby's Glasgow, Scottish and Sporting Pictures, 1 February 1994, Lot 177, where acquired by the father of the present owner  Fergusson was the eldest of four siblings, along with Elizabeth, Christina and Robert. His sisters sat for him regularly during the early years of his career. The Artist's Sister is an early example of how Fergusson related female beauty with the natural world, exemplified by placing flowers in his sibling's hair; this theme was to assume great importance within his practice. Fergusson’s enjoyment of his material, applying oil in thick brushstrokes, is evident in this painting. Related portraits of the artist's sisters are held in the collection of Culture Perth & Kinross.

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)

              Est: £20,000 - £30,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961) MONTGERON Signed, inscribed and indistinctly dated verso, oil on panel 27.5cm x 35cm (10.75in x 13.75) Margaret Morris Fergusson, the Artist's widow;Private Collection, Scotland;Ewan Mundy Fine Art, Glasgow;Private Collection, Scotland.Exhibited: Duncan Miller Fine Arts, London, J. D. Fergusson: The Scottish Colourist, 22 June-8 July 2011, no.19  This work is believed to date from 1909, a key year in Fergusson’s career. He exhibited at the Venice Biennale for the first time and moved to the inspiring environment of a new light and orderly studio, at 83 rue Notre Dame des Champs. Moreover, his involvement with the heady creativity of pre-World War One Paris was epitomised by election to the avant-garde Salon d’Automne that year.Montgeron is a commune some 19 kilometres to the south-east of Paris. Fergusson is known to have painted there during the summer of 1909. In this work he uses a favoured conceit of trees placed in the frontal plane to frame a scene within. Architecture is reduced to its geometric essence and planes of colour are outlined in black, showing the dramatic progress he had made since moving to Paris two years earlier. A larger version of this work, painted on canvas and dated 1909, is in the collection of Glasgow Life (Kelvingrove Art Gallery and Museum, acc.no.3172). 

              Lyon & Turnbull
            • ◆ § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              ◆ § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £60,000 - £80,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) BLONDE IN THE SOUTH Signed, dated and inscribed ‘Paris 28 Nov. ’37' verso, further inscribed with title to contemporary label verso, oil on canvas 64cm x 54cm (25.25in x 21.25in) Exhibited:The Fine Art Society Ltd, London, J. D. Fergusson 1874-1961, 10 September-4 October 1974, no.86 and tour to Kelvingrove Art Gallery & Museum, Glasgow, 12 October-3 November 1974 and The Fine Art Society Ltd, Edinburgh, 9 November-30 November 1974Lyon & Turnbull, Glasgow, John Duncan Fergusson: Selected Works from Private Collections, 4-28 February 2014Lyon & Turnbull, London, Colourists at Connaught, September 2017  Fergusson’s love affair with the south of France really began in 1913, when he left Paris and moved to the then little-known Cap d’Antibes. He later explained “I had grown tired of the north of France; I wanted more sun, more colour; I wanted to go south, to Cassis.” (J. D. Fergusson, ‘Memories of Peploe’, Scottish Art Review, vol.viii, no.3, 1962, p.31) His future wife, Margaret Morris, visited him there for Christmas 1913 and during the summer of 1914. However, the outbreak of World War One prompted her return to London, where she had a dance school and theatre. Fergusson joined her in the English capital shortly afterwards, where he was to live until a return to Paris in 1929 for a further decade.Morris held her Summer School in Antibes for the first time in 1923 and, such was the couple’s love of the region, they returned there for many summers until a final visit in 1960, the year before Fergusson’s death. Blonde in the South encapsulates the sun-kissed, outdoor lifestyle that they enjoyed in the south of France, revelling in its climate, quality of light and natural beauty. Morris’s pupils danced barefoot on the beaches and in the forests and provided inspiration, subject matter and sitters for Fergusson, who captured their youth, beauty and joie de vivre in drawings and watercolours that, like Blonde in the South, he later worked up into fully-realised paintings in his studio. The 1930s was a propitious decade for Fergusson, not least with the acquisition of his painting La Déesse de la Rivière (River Goddess) by the French state in 1931. By 1936 Fergusson was President of Le Groupe d’Artistes Anglo-Américains, whilst four solo exhibitions in London meant he also maintained a high profile in Britain. Blonde in the South is infused with the optimism of much of Fergusson’s oeuvre. It combines his appreciation of beautiful women with his love of the south of France, where carefree summer months resulted in many of his most joyful paintings. 

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £3,000 - £5,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) GOAT, 1921 (CAST 1991) Bronze 10cm (4in) high Acquired from the Artist's widow, Margaret Morris and thence by descent to the present owner This sculpture was inspired by a distinctive breed of goat owned by Fergusson and Morris’s patron, the businessman George Davison. Morris’s Summer School of 1919 was held at his home, Wern Fawr, in Harlech, north Wales and she recalled: ‘There were mountain goats, used to living and breeding among rocky crags…What fascinated Fergus [sic] was the way their hair grew…it was long but stood out in frills round their legs, like trousers. Fergus made endless sketches of them….[and]…when back in London he got a lump of plasticine and…carved it into a goat he called Trousers and got it cast in brass.’ ((Margaret Morris, The Art of J. D. Fergusson: A Biased Biography, Blackie, Glasgow, 1974)

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B A. (SCOTTISH 1874-1961)

              Est: £6,000 - £8,000

              JOHN DUNCAN FERGUSSON R.B A. (SCOTTISH 1874-1961) TORSE DE FEMME (TORSO OF A WOMAN) 1918 (CAST 1991) Numbered 10/10, bronze with green patina 14cm x 7cm x 5cm excluding base (32.5cm x 15cm x 15cm including base) Acquired from Margaret Morris, the Artist’s wife, by the father of the present owner  Torse de Femme embodies key themes in Fergusson’s sculptural practice, namely the appreciation of an idealised, cropped female form and a sleek modernism, based on curves and planes, with particular attention paid to the breasts, bottom and the base of the spine. It pays testament to the sculptors with whose work he would have been familiar in pre-war Paris, such as Constantin Brancusi, Alexander Archipenko and Jacob Epstein. Its angularity also speaks to Vorticism, whose members Wyndham Lewis, Christopher Nevinson and Edward Wadsworth Fergusson knew through the Margaret Morris Club that Morris ran alongside her dance school and theatre in London. 

              Lyon & Turnbull
            • ◆ § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              ◆ § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £100,000 - £150,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) ROSE IN THE HAIR, 1908 Signed, titled, inscribed and dated verso, oil on board 64cm x 53.5cm (25in x 21in) Acquired from Margaret Morris, the Artist’s wife, by the father of the present ownerExhibited: T. & R. Annan & Sons Ltd, Glasgow, Exhibition of Paintings by John Duncan Fergusson, September-October 1949, no.25;L'Institut Français d'Ecosse, Edinburgh, Paintings of France and Scotland by John Duncan Fergusson, 1 February-10 March 1950, no.21;Royal Scottish Academy, Edinburgh, J. D. Fergusson 1874-1961: Memorial Exhibition of Paintings and Sculpture, 11 November - 2 December 1961 and tour, no.39  Rose in the Hair of 1908 is a tour de force example of how Fergusson’s practice flourished in the context of the very birth of modern art, following his move from Edinburgh to Paris. Indeed, his reputation is based on the seven years he spent in the French capital between 1907 and 1913, where he occupied a unique position amongst British artists within the avant-garde art scene. Fergusson absorbed and evolved the latest developments in the work of artists including Pablo Picasso, Henri Matisse and André Derain. In fact, the undiluted colour and unrefined technique of the Fauves, or ‘wild beasts’ was of great interest to him. He and his then partner, the artist Anne Estelle Rice, became key figures in the Anglo-American ‘Rhythmist’ group, known for their progressive arts journal Rhythm, of which he was founding Art Editor in 1911and whose works were shown in group exhibitions in London and Cologne in 1912.The controlled, realist technique of the portraits Fergusson had made in Edinburgh, which were full of Edwardian sophistication, gave way to the bold, gestural and suggestive brushstrokes seen in Rose in the Hair, which evoke a far more modern concept of womanhood. Feminine confidence, beauty and style remain but are now celebrated by way of layered colours and a sense of spontaneity. The combination of a female figure with a decorative background was to inform much of his future work, whilst the simplification of form, structural use of outlining and bright palette show why Fergusson was elected a member of the cutting-edge Salon d’Automne the year after it was painted, in recognition of his contribution to the modern movement.During this period, Fergusson preferred to paint friends and lovers. It has been suggested that the sitter for Rose in the Hair is Anne Estelle Rice, but this has not been proven. Other possibilities could be the American writer Elizabeth Dryden or the haute couture business-owner Yvonne de Kerstratt, who also sat for him frequently; all three women feature in major works created between 1907 and 1910. What is clear is the rapport between model and artist, and that it was through paintings such as this that Fergusson threw off the shackles of conservative Edinburgh, emerged as an artist of daring originality and embarked upon the journey which was to culminate in his masterpiece, Les Eus of c.1913 (Hunterian Art Gallery, University of Glasgow). Fergusson kept Rose in the Hair all his life and selected it for inclusion in solo exhibitions of his work staged by T. & R. Annan & Sons Ltd in Glasgow in 1949 (priced at £100) and at L’Institut Français d’Ecosse in Edinburgh in 1950. It also featured in the touring Memorial Exhibition organised by the Arts Council Scottish Committee of 1961-62, following the artist’s death in Glasgow.We are grateful to Susan Moore and to Amy Waugh, Culture Perth & Kinross, for their help with our research.

              Lyon & Turnbull
            • ◆ § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              ◆ § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £40,000 - £60,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) BOULEVARD EDGAR QUINET Signed, inscribed and dated ‘Paris 1909’ verso, oil on board 36cm x 27cm (14in x 10.5in) In 1907, Fergusson decided to move from Edinburgh to Paris, where he was to live until 1913. This was made possible thanks to an inheritance following his father’s death the year before and was encouraged by meeting the American artist, Anne Estelle Rice, in Paris-Plage in the summer. He declared ‘Paris is simply a place of freedom’ and rented a studio at 18 boulevard Edgar Quinet in Montparnasse, the celebrated artists’ quarter. His wife, Margaret Morris, explained that ‘it overlooked the cemetery, [was] very peaceful and …[had]… a rent at that time of £12 a year.’ (Margaret Morris, The Art of J. D. Fergusson, J. D. Fergusson Art Foundation, 2010, p. 55).Fergusson himself recalled:“My studio at 18 Bd. Edgar Quinet was comfortable, modern and healthy. My concierge most sympathetic. Life was as it should be and I was very happy. The Dôme, so to speak, round the corner; L’Avenue quite near; the ‘Concert Rouge’ not far away – I was very much interested in music; the Luxembourg Gardens to sketch in; Colarossi’s class if I wanted to work from the model. In short, everything a young painter could want.” (Quoted in Morris, op.cit., p.55)He captured the neighbourhood in a hand-drawn map that survives in the artist’s archive held by Culture Perth & Kinross (acc.no. 1994.1244.7) in which many of these places are noted (see figure illustration).Boulevard Edgar Quinet comes from of a series of vibrant Parisian street scenes which Fergusson began shortly after arriving in the French capital. His excitement about his new surroundings is clear, as he revelled in the depiction of the city’s architecture and citizens. His brushwork became bolder and his palette brighter in deftly captured scenes of daily life.Anchored between the shop blind on the left and the boundary provided by the tree on the right, in the present painting Fergusson presents us with a setting through which the viewer’s gaze is drawn, from empty foreground to a tree-centred bustle of activity and over roofs to a hazy sky. With a confident command of modernist technique, form is indicated by way of distinct brushstrokes, whilst highlights of bright colours, including red and turquoise, enliven the composition and suggest a response to the brighter light of France compared to that of Scotland. Further examples of contemporary Parisian street scenes can be found in the collections of Culture Perth & Kinross, Manchester Art Gallery and the Royal Academy of Music, London.

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)

              Est: £5,000 - £7,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961) SELF-PORTRAIT (WITHIN A SKETCHBOOK CONTAINING APPROXIMATELY 55 PENCIL DRAWINGS) One of approximately 55 pencil drawings of heads, figures etc. within a sketchbook with dark blue cover 21cm x 13.5cm (8.25in x 5.25in) Acquired from the Artist's widow, Margaret Morris and thence by descent to the present owner An artist’s sketchbook, such as the present lot, gives an intimate glimpse into their ideas and working process. It is of Fergusson’s favourite brand, bought from The Paris American Art Company on boulevard du Montparnasse, style (with navy covers) and size (slightly narrower than A5). It could be tucked into a jacket pocket alongside a conté crayon or two, carried around all of the time and retrieved as soon as a scene or subject caught his eye. As someone who revelled in Paris’s social scene, from its parks and gardens to its numerous cafés, Fergusson was rarely short of a subject to capture at speed and with spontaneity.This example contains mainly head and shoulder sketches of men and women, caught in attitudes from smiling to smoking and with varying degrees of observation and humour. A bowler-hatted gentleman is seen seated at a table, enjoying a drink, the glasses and trimmed moustache and beard of another man are delineated in short, distinct lines, whilst the profiles of a range of hats worn by women celebrate Parisian chic. Dispersed throughout are a number of self-portraits, as Fergusson drew himself in part-profile, with a focus on his neckwear, distinctive hair parting and hairline, before he was drawn to another model.Further examples of similar sketchbooks can be found in the collection of Culture Perth & Kinross.

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £4,000 - £6,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) THE PLAGE AND CLIFFS, POURVILLE Charcoal and watercolour 33cm x 27cm (13in x 10.5in) Margaret Morris, the artist's wife, from whom purchased by the present owner's fatherExhibited:Glasgow University Print Room, Glasgow, J. D. Fergusson Watercolours and Drawings, 25 April - 26 May 1961, no.30;Pitlochry Festival Theatre, Pitlochry, J. D. Fergusson (1874-1961) Memorial Exhibition, 21 April - 7 July 1962, no.11  The entry for this work in the 1961 exhibition catalogue states that it is 'signed, dated and inscribed on reverse 'J. D. Fergusson 1926 "The plage and cliffs'". An inscription to label verso also suggests a date of 1926.

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £1,000 - £1,500

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) IN A PARIS CAFÉ Charcoal 20cm x 10.5cm (7.75in x 4.5in) Exhibited: St. Andrews Fine Art, Annual Exhibition, 1989, no.64

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)

              Est: £800 - £1,200

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961) SEATED NUDE Charcoal on brown paper 21cm x 18.5cm (8.25in x 7.25in)

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £2,000 - £3,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) FIGURES AMONGST THE PALM TREES Watercolour 17.5cm x 14cm (7in x 5.5in)

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £800 - £1,200

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) PORTRAIT STUDY Watercolour 20cm x 15cm (8in x 6in)

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £800 - £1,200

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) SEATED LADY Conté 25.5cm x 19cm (10in x 7.5in) Acquired from the Artist's widow, Margaret Morris and thence by descent to the present owner

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)

              Est: £700 - £900

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) WOMAN IN A BONNET WITH FLOWERS Conté 21cm x 13.5cm (8.25in x 5.25in) Acquired from the Artist's widow, Margaret Morris and thence by descent to the present ownerExhibited:Alexander Meddowes Fine Art Broker, Edinburgh, Unseen Works by the Scottish Colourist John Duncan Fergusson 1871-1964, 2 December 2013-10 January 2014, no.30

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)

              Est: £700 - £900

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961) NUDE Conté 14cm x 8.5cm (5.5in x 3.25in) Acquired from the Artist's widow, Margaret Morris and thence by descent to the present ownerExhibited:Alexander Meddowes Fine Art Broker, Edinburgh. no. 16 (as ‘Nude, Paris, 1910’)

              Lyon & Turnbull
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)
              Jun. 06, 2024

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961)

              Est: £1,500 - £2,000

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1864-1961) DANCER Conté 28cm x 12.5cm (11in x 5in)

              Lyon & Turnbull
            • John Duncan Fergusson RBA (British, 1874-1961) Head of a Girl
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Head of a Girl

              Est: £20,000 - £30,000

              John Duncan Fergusson RBA (British, 1874-1961) Head of a Girl signed and dated 'J.D.FERGUSSON/1914' (verso) oil on board 34.8 x 27cm (13 11/16 x 10 5/8in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Paris-Plage Le Touquet, c. 1907
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Paris-Plage Le Touquet, c. 1907

              Est: £600 - £800

              John Duncan Fergusson RBA (British, 1874-1961) Paris-Plage Le Touquet, c. 1907 conté 20.5 x 16cm (8 1/16 x 6 5/16in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) How to draw a rose, c. 1929
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) How to draw a rose, c. 1929

              Est: £600 - £800

              John Duncan Fergusson RBA (British, 1874-1961) How to draw a rose, c. 1929 conté 21 x 16cm (8 1/4 x 6 5/16in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Le Touquet Paris-Plage, c. 1907
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Le Touquet Paris-Plage, c. 1907

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) Le Touquet Paris-Plage, c. 1907 conté 12.5 x 19.5cm (4 15/16 x 7 11/16in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) From the veranda, Royan, c. 1910
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) From the veranda, Royan, c. 1910

              Est: £600 - £800

              John Duncan Fergusson RBA (British, 1874-1961) From the veranda, Royan, c. 1910 conté 17 x 12.5cm (6 11/16 x 4 15/16in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) A couple in a Paris café, c. 1909
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) A couple in a Paris café, c. 1909

              Est: £600 - £800

              John Duncan Fergusson RBA (British, 1874-1961) A couple in a Paris café, c. 1909 conté 17.5 x 12cm (6 7/8 x 4 3/4in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) A woman in a jaunty hat, c. 1907
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) A woman in a jaunty hat, c. 1907

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) A woman in a jaunty hat, c. 1907 conté 19.5 x 10.5cm (7 11/16 x 4 1/8in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Portrait of a woman in a large hat, c. 1910-14
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Portrait of a woman in a large hat, c. 1910-14

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) Portrait of a woman in a large hat, c. 1910-14 conté 19.5 x 12cm (7 11/16 x 4 3/4in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Female figure studies
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Female figure studies

              Est: £700 - £1,000

              John Duncan Fergusson RBA (British, 1874-1961) Female figure studies pen and ink 18 x 14cm (7 1/16 x 5 1/2in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Jennifer, London, c. 1918
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Jennifer, London, c. 1918

              Est: £800 - £1,200

              John Duncan Fergusson RBA (British, 1874-1961) Jennifer, London, c. 1918 conté 22 x 19cm (8 11/16 x 7 1/2in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) Sculptural head, c. 1920
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) Sculptural head, c. 1920

              Est: £800 - £1,200

              John Duncan Fergusson RBA (British, 1874-1961) Sculptural head, c. 1920 conté 25 x 19.5cm (9 13/16 x 7 11/16in).

              Bonhams
            • John Duncan Fergusson RBA (British, 1874-1961) A figure by the sea
              May. 15, 2024

              John Duncan Fergusson RBA (British, 1874-1961) A figure by the sea

              Est: £800 - £1,200

              John Duncan Fergusson RBA (British, 1874-1961) A figure by the sea watercolour 15 x 10cm (5 7/8 x 3 15/16in).

              Bonhams
            • JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) WAITING, PARIS (NO.37)- 1908-09
              Feb. 13, 2024

              JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) WAITING, PARIS (NO.37)- 1908-09

              Est: £700 - £900

              JOHN DUNCAN FERGUSSON WAITING, PARIS (NO.37)- 1908-09 Conté 9.25cm x 9cm (3.75in x 3.5in) Alexander Meddowes Fine Art, Edinburgh, J. D. Fergusson: Unseen Works, December 2013

              Lyon & Turnbull
            • JOHN DUNCAN FERGUSON
              Feb. 06, 2024

              JOHN DUNCAN FERGUSON

              Est: €50 - €70

              JOHN DUNCAN FERGUSON Leith, 1874 ; Glasgow, 1961 Scorcio di via orientale Firmato D Ferguson in basso a sinistra Olio su masonite, cm 61X50

              Wannenes Art Auctions
            • § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) SUMMER, CAP D'ANTIBES
              Dec. 07, 2023

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) SUMMER, CAP D'ANTIBES

              Est: £4,000 - £6,000

              § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) SUMMER, CAP D'ANTIBES Inscribed verso, pencil, pastel and watercolour (17cm x 21cm (.75in x 8.25in)) Provenance: Bourne Fine Art, Edinburgh and London

              Lyon & Turnbull
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