Frans Floris Paintings & Artwork for Sale | Frans Floris Art Value Price Guide

Apr. 17, 2025
Frans Floris, Visus
Est: €750 - €950
Visus, one of the five senses, Engraved by Cornelis Cort (1533-1578) after a drawing, painting of Frans Floris (1519-1570) ca 1561, published by Hieronymus Cock (1518-1570) in Antwerp. References: New Hollstein Dutch 115. Very good dark and early impression with the ruling lines to engrave the text still visible. Printed on good thin laid paper. On the margins and just in the left margin. Some minor traces of aging, not disturbing.
Old Master Print
Apr. 17, 2025
Frans Floris, Gustus
Est: €750 - €950
Gustus, one of the five senses. Engraved by Cornelis Cort (1533-1578) after a drawing, painting of Frans Floris (1519-1570) ca 1561, published by Hieronymus Cock (1518-1570) in Antwerp. References: New Hollstein Dutch 115. Good dark impression of this rare engraving, in good condition, printed on thin laid paper on the margins, image is complete. Some small stains at the left above caused when the engraving was printed. Not disturbing. with a watermark. Some traces of handling in a painters atelier. Only visible at the back.
Old Master Print
Apr. 17, 2025
Frans Floris, Cornelis Cort - Triptolemus, Pastoral God - 1565
Est: €400 - €600
From the set of Six Pastoral Gods in oval. Here a first state with the publishers address of Hieronymous Cock showing Triptolemus, whole-length, holding a corn sifter under his arm and a baton, with a dragon nearby; oval plate. "TRIPTOLEMUS / DISPENSATOR FRUGUM". Below "FFloris inue. / 1565 H. Cock excudebat". Engraving made by Cornelis Cort, after the designs by Frans Floris, with the publishers address of Hieronymus Cock. First state.
Old Master Print
Mar. 28, 2025
Frans Floris, 1533 - 1578, engraving
Est: €300 - €600
Frans Floris 1533 - 1578 Allegory of geometry copper engraving Belgium 1565 16th - 18th century 220 x 270 mm Signed in the plate Damaged
Tiberius Auctions
Jul. 03, 2024
CIRCLE OF FRANS FLORIS (ANTWERP 1515⁄20-1570). Flora. oil on panel, arched
Est: £10,000 - £15,000
CIRCLE OF FRANS FLORIS (ANTWERP 1515⁄20-1570). Flora. oil on panel, arched top 30 ½ x 22 ½ in. (77 x 57 cm.).
Christie's
Jun. 19, 2024
SCHULE VON FONTAINEBLEAU: ALLEGORIE DER EITELKEIT
Est: €15,000 - €30,000
School of Fontainebleau Allegory of vanity 16th/17th century oil on panel; framed 66 x 51 cm on the reverse wax seal; on the reverse old label with description as Frans Floris (1516-1570) private collection, Austria The depicted woman looks directly at the viewer. She wears nothing but a transparent, delicate veil and precious pearl jewellery on her arms and in her blonde hair. The mirror that she holds in her left hand is an iconic symbol of femininity, which points to the significance of beauty. It is also associated with Venus, the goddess of love, often depicted looking at her own reflection. In the Renaissance imagination, love was closely linked to the contemplation of beauty; this theme goes back to Petrarch's sonnet "Il mio adversario", a lament to the mirror that showed the face of his adored Laura. The "School of Fontainebleau", which originated as a group of artists who worked on the decoration of the castle of the same name, from the 16th to the beginning of the 17th century, emerged from these influences of Italian art and thought. However, it was also increasingly characterised by Flemish and French influences, and developed a stylistically independent expression of Mannerism. Complex portraits of (usually lightly clad) graceful ladies were popular subjects – both in the form of depictions of real people, such as the paintings of Gabrielle d'Estrées (around 1570-1599), along with the exemplary "Lady at her Toilette", as well as representations of ancient historical figures, such as in the painting of Sabina Poppea, the wife of Nero. (Cf. Michael Laclotte (ed.), L'École de Fontainebleau, exhibition catalogue, 17 October 1972 - 15 January 1973, Grand Palais, Paris 1972, p. 219)
Im Kinsky
Jun. 13, 2024
Frans Floris 1517 Anversa-1570 Anversa Testa femminile
Est: €15,000 - €20,000
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Cambi Casa d'Aste
May. 21, 2022
Frans Floris, attributed to, A Head Study of a Bearded Man
Est: €3,000 - €4,000
Frans Floris, attributed to, A Head Study of a Bearded Man
Kunsthaus Lempertz KG
Sep. 21, 2021
Floris, Frans I
Est: €400 - €500
Floris, Frans I (1516/20-1570), nach. Lot und seine Töchter. Kupferstich von Philipp Galle (1537-1612). 19:25,4 cm. Wurzbach 2. New Hollstein 10 (Ph. Galle). – Auf Bildkante beschnitten, kleinere Randschäden altunterlegt.
Schneider-Henn
Jun. 26, 2021
Ecole FLAMANDE vers 1600, suiveur de Frans FLORIS (1520 - 1570) le Juge
Est: €1,000 - €1,500
Ecole FLAMANDE vers 1600, suiveur de Frans FLORIS (1520 - 1570) le Jugement de Salomon - panneau de chêne parqueté - Hauteur : 56 cm Largeur : 91 cm - Restaurations anciennes - Reprise d'après la gravure de Coornherts Expert : CABINET TURQUIN - 69, rue Sainte Anne - 75002 PARIS - 01.47.03.48.78
Antoine Petit -Hôtel des ventes d'Epernay
Feb. 11, 2021
Attributed to Frans Floris (1519/20-1570): Exodus
Est: $800 - $1,200
Ink and wash with gouache highlights on beige paper, unsigned. 8 x 9 1/2 in. (sheet), 16 1/2 x 18 in. (frame). Property from the Estate of Emile Wolf
STAIR
Oct. 20, 2020
ATTRIBUTED TO FRANS FLORIS I (ANTWERP 1519/20-1570),
Est: $18,000 - $25,000
ATTRIBUTED TO FRANS FLORIS I (ANTWERP 1519/20-1570) Head of a woman oil on panel 19 x 13 1/4 in. (48.3 x 33.7 cm.) ,
Christie's
Dec. 01, 2018
Frans Floris (1520-1570), Cornelis cort (1533-1578) Lot and his daughters
Est: €1,500 - €2,000
Frans Floris (1520-1570), Cornelis cort (1533-1578) Lot and his daughters. References New Hollsten Dutch 9 1(2) first state of two . Edited by Hiëronymus Cock in Antwerp 1560,
Old Master Print
Mar. 02, 2017
Floris (Frans, 1519/20-1570). Moses showing the tablet of the Ten Commandments, with scenes in the background of Moses receiving the commandments, the dance round the Golden Calf, and Moses breaking the tablets,
Est: £800 - £1,200
pen, brown ink, and grey wash on pale cream laid paper, indistinct watermark (similar to Briquet 1054 and 1379), sheet size 184 x 287 mm (7.25 x 11.3 ins), tipped onto old blue backing paper, and contained in a mid-19th century album containing early prints and engravings on the subject of idols, idolatry, and idol worship, with extensive handwritten notes on the subject of idolatry, all mounted in the album, a few prints loose, original dark green cloth gilt, rubbed and some wear, with upper cover detached, bookplate of Robert Crewe-Milnes, 1st Marquess of Crewe to front pastedown, folio (349 x 265 mm, 13.75 x 10.5 ins) - Quantity (1)
Dominic Winter Auctions
Dec. 12, 2016
ÉCOLE FLAMANDE VERS 1600
Est: €2,000 - €3,000
ÉCOLE FLAMANDE VERS 1600 Suiveur de Frans FLORIS (1517-1570) LES TROIS FEMMES AU TOMBEAU AVEC UN ANGE Panneau de chêne, trois planches, renforcé 67 x 104 cm Manques et restaurations Expert : Cabinet TURQUIN
Marc Arthur Kohn Paris
May. 21, 2016
Frans Floris, follower of, Rebecca and Eliezer at the Well
Est: €14,000 - €16,000
Monogrammed and dated to the well: FF 1552 Christine Van Mulders (Koninklijk Museum voor Schone Kunsten, Antwerp) attributes this work to a direct, contemporary follower of Frans Floris. The back of the panel is branded with the mark of the Antwerp panel maker's guild (two hands and a castle with two towers), guaranteeing the quality of the support.
Kunsthaus Lempertz KG
Nov. 13, 2015
FLORIS, FRANS - Antwerp 1516 - 1570 - circle - St.
Est: €4,000 - €5,000
FLORIS, FRANS Antwerp 1516 - 1570 - circle St. Jerome. Oil on wood. 39 x 28,5cm. Framed.
Van Ham Kunstauktionen
Nov. 09, 2013
Frans Floris (1516/17-1570), circle SUSANNA AND
Est: Kč500,000 - Kč1,000,000
Frans Floris (1516/17-1570), circle SUSANNA AND OLD MEN. Oil on wooden desk, 75,5x107 cm (inside frame measurements). Framed. Frame with a metal label with the name of the author and his life dates. Condition C. Frans Floris (own name Frans de Vriendt) - Flemish painter born in Antwerp. IN 1540 went with his brother to Rome where their learned Italian renaissance art. After returning home they joined the art guild of St. Luke and started their own studio where they soon worked on the art commissioned by Spanish royal court and nobility. Provenance: private collection abroad. Frans Floris (1516/17-1570), okruh ZUZANA A STARCI. Olej na dřevěné desce, 75,5x107 cm (výřez rámu). Rámováno. Na rámu plechový štítek se jménem autora a jeho životními daty. Stav C. Provenience: Soukromá zahraniční sbírka. Frans Floris (vlastním jménem Frans de Vriendt) - vlámský malíř, rodák z Antverp. Kolem r. 1540 se spolu se svým bratrem vydal do Říma, kde získali cenné zkušenosti s italským renesančním uměním. Po návratu do rodného města vstoupili do malířského cechu sv. Lukáše a založili si dílnu, ve které záhy pracovali na významných zakázkách pro španělské příslušníky dvora i domácí šlechtu. Frans Floris (1516/17-1570), Umkreis SUSANNA UND DIE BEIDEN ALTEN. Öl auf Holz, 75,5x107 cm (Maße unter Rahmen). Gerahmt. Auf dem Rahmen Blechetikett mit Namen und Daten des Künstlers. Zustand C. Frans Floris (mit eigenem Namen Frans de Vriendt) war ein flämischer Maler, maßgeblich beteiligt an der Herausbildung der nordischen Renaissance. Zusammen mit seinem Bruder, dem Bildhauer und Architekten Cornelis Floris II., machte sich Floris um 1540 auf die Reise nach Rom, wo er viele wertvolle Erfahrungen mit italienischer Renaissancekunst erwarb. Nachdem die beiden Künstler nach Flandern zurückkehrten, gründeten sie eine Werkstatt, wo sie bald an wichtigen Aufträgen von spanischem Hof und Mitglieder der Aristokratie arbeiteten.
Auction House Zezula
Jul. 29, 2012
ECOLE FLAMANDE circa 1600
Est: €5,500 - €6,500
ECOLE FLAMANDE circa 1600 Danaé et Jupiter Huile sur panneau Entourage de Frans Floris (1516-1570) Ecole flamande fin XVIème-début XVIIème Dimensions : 34 x 49 cm
Accademia Fine Art
Jun. 21, 2012
ECOLE ANVERSOISE VERS 1600, ENTOURAGE DE FRANS FLORIS (ANVERS 1519-1570)
Est: €20,000 - €30,000
ECOLE ANVERSOISE VERS 1600, ENTOURAGE DE FRANS FLORIS (ANVERS 1519-1570) Diane et Actéon huile sur toile 132 x 165 cm.
Christie's
Jan. 27, 2010
Studio of Frans Floris I (Antwerp 1519/20-1570)
Est: $300,000 - $500,000
Studio of Frans Floris I (Antwerp 1519/20-1570) Susannah and the Elders oil on panel, unframed 38¼ x 50 1/8 in. (97.2 x 127.3 cm.)
Christie's
May. 06, 2009
Studio of Frans Floris (Antwerp 1519-1570)
Est: €15,000 - €20,000
Studio of Frans Floris (Antwerp 1519-1570) Adam and Eve with Cain and Abel oil on canvas 144.9 x 193.65 cm.
Christie's
Mar. 31, 2009
Frans I Floris (Antwerpen 1516û1570) Werkstatt
Est: -
Frans I Floris (Antwerpen 1516û1570) Werkstatt Madonna mit Kind, dem Johannesknaben und einem eine Obstschale anreichenden Engel. Simultan dargestellt links das Jesuskind in der Krippe mit einem Engel, ╓l auf Holz, 90 x 70 cm, gerahmt (GS)
Dorotheum
Jan. 24, 2002
s *CRISPIJN VAN DEN BROECK (1524-1588)
Est: $80,000 - $120,000
signed with monogram and dated lower center 15 CVB (in ligature) 73 oil on panel Painter, draughtsman and engraver, Crispijn Van den Broeck was probably first trained by his father, Jan Van den Broeck, in his native town of Mechelen. He moved to Antwerp in 1557 and was by 1555 already registered as a master in the Guild of St. Luke in Antwerp. He continued his training in the studio of Frans Floris (1516-1570). Both Floris and van den Broeck were members of the Romanist brotherhood. The Romanists played a major role in establishing the Italian Renaissance style in the Low Countries. They were influenced by Italian artists such as Michelengelo (for his work in the Sistine Chapel), Raphael, Giulio Romano, Polidoro da Caravaggio and Perino del Vaga. Although Van den Broeck was a member of the brotherhood it was never proved that he made the required trip to Rome. In the present painting the artist presents a strong and clear composition with marvelous attention to detail. The Italian influence in the representation of human anatomy and the strong narrative quality of the composition are clearly visible. Three paintings of the same subject are known, one was executed in 1560,the second dated 1571 (Museé des Beaux-Arts, Antwerp) and the last one, in Bern, was executed in 1575. These three pictures and the present painting are very similar in composition; however, there are some noticeable differences in the detail and in the variety of figural poses. In the present composition Christ is holding himself upright surrounded by the tetramorph, biblical being, it was described by Ezekiel as having the face of a man, the face of a lion, the face of an ox and the face of an eagle, it is the union of the four attributes of the Evangelists in one figure. The use of such elements demonstrates the artist's ability to recreate and reuse the subject matter in an original and intelligent way.
Sotheby's
Oct. 31, 2001
Attributed to Frans Floris (Antwerp c.1519-1570)
Est: $2,190 - $3,650
Study of a mother and child oil on panel 15 5/8 x 121/2 in. (39.6 x 31.2 cm.) NOTES The composition relates directly to the slightly larger picture in the Nieders„chsische Landesgalerie, Hannover (see C. van de Velde, Frans Floris (1519/20-1570) Leven en werken, Brussels, 1975, I, no. 39, p. 190-191, II, no. 10).
Christie's