Franciabigio Sold at Auction Prices

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    • Francesco Giudici called Franciabigio (1482-1525)-attributed
      May. 23, 2023

      Francesco Giudici called Franciabigio (1482-1525)-attributed

      Est: €700 - €1,400

      Francesco Giudici called Franciabigio (1482-1525)-attributed, Madonna with Jesus holding a finch and St. John with the cross in landscape. Oil on wooden panel. Framed. On the reverse remains of two old lacquer seals with the letters O F – S? 70 x 52cm.

      Deutsch Auktionen
    • Francesco di Cristofano, called Franciabigio
      May. 03, 2023

      Francesco di Cristofano, called Franciabigio

      Est: €15,000 - €20,000

      (Florence 1482–1525) Madonna and Child, oil on panel, tondo, diam. 75 cm, framed We are grateful to Vilmos Tátrai for suggesting the attribution of the present painting on the basis of a photograph. The present painting shows the Madonna seated in front of a hilly landscape, holding the Christ Child in her lap. The figures are arranged in a pyramidal manner which is balanced by the trees in the background. The Madonna is shown frontally, with a slightly inclined head and her serene expression conveys a sense of maternal tenderness. The Christ Child appears in profile, focusing on the Mother and gently holding onto her red dress. The figures are rendered in a naturalistic and lifelike manner, with keen attention to the drapery and folds of their garments. The composition can be compared to a Madonna and Child with the Infant Saint John the Baptist by Franciabigio in the Musée des Beaux Arts, Dijon, especially the figures’ facial features with the Madonna’s elongated, pointed nose, the light circles under her eyes and the shadows between her eyebrows, as well as the Christ Child’s rounded nose. Both paintings are characterised by the artist’s use of subtle tonal variations and soft shadows to create a sense of depth and atmosphere. According to Vasari, Franciabigio was an ‘excellent painter’ (see G. Vasari, Lives of the painters, sculptors and architects, London 1996, p. 278) who was first apprenticed to Mariotto Albertinelli. Subsequently, around 1506 he established a shared workshop near the Palazzo della Signoria with his colleague Andrea del Sarto. Franciabigio collaborated with del Sarto in embellishing various Florentine buildings, both public and private. These projects included notable frescoes at the Villa Capponi (1510), Cloister of the Annunziata Church (1513), Convent de la Calza (1514), and Cloister of Scalzo (1516) and at the Villa Medici, Poggio a Caiano (1520/21). Franciabigio’s signature style was characterised by his remarkable ability to capture the effects of light and shadow in his paintings. He utilised a vivid and dynamic colour palette and employed an atmospheric perspective. Such virtuosity earned him immense recognition and made him one of the most sought-after painters in Florence during his career.

      Dorotheum
    • Attribué à Francesco DI CRISTOFANO dit FRANCIABIGIO (Florence 1482 - Florence 1525) Profil gauche d'homme
      May. 29, 2020

      Attribué à Francesco DI CRISTOFANO dit FRANCIABIGIO (Florence 1482 - Florence 1525) Profil gauche d'homme

      Est: €20,000 - €30,000

      Attribué à Francesco DI CRISTOFANO dit FRANCIABIGIO (Florence 1482 - Florence 1525) Profil gauche d'homme Sanguine. Numérotée en haut à gauche " N° 82 " et au verso " 2132 ". (Traces de restaurations, épidermures et petites taches). 19 x 7.5 cm Forme irrégulière contournant la figure. Provenance: Ancienne collection Martelli, Florence, sa numérotation à l'encre rouge. Notre feuille rappelle les dessins d'Andrea del Sarto, dont Franciabigio, également élève d'Albertinelli, fut aussi l'ami et l'associé. Avec Andrea del Sarto, ils ouvrirent un atelier commun à Florence en 1506 sur la piazza del Grano et travaillèrent ensemble à plusieurs cycles de fresques dont celle de l'Annunziata. On peut rapprocher ce profil d'un personnage situé à droite d'une fresque représentant " La Cène ", peinte dans le couvent della Calza à Florence et daté de 1515 (voir : S. R. Mckillop, Franciabigio ", University of California Pres, 1974, Californie, fig. 44 et fig. 47).

      Ader
    • Francesco di CRISTOFANO, dit FRANCIABIGIO Florence, 1482 - 1525 Etude d'homme assis Sanguine
      Nov. 13, 2019

      Francesco di CRISTOFANO, dit FRANCIABIGIO Florence, 1482 - 1525 Etude d'homme assis Sanguine

      Est: €60,000 - €80,000

      Francesco di CRISTOFANO, dit FRANCIABIGIO Florence, 1482 - 1525 Etude d'homme assis Sanguine Une marque non identifiée (L.3520) au verso Sans cadre Study of a seated man, red chalk, by Franciabigio h: 24 w: 19,30 cm Provenance : Collection Joshua Reynolds, Londres, trace de son cachet (L.2364) au verso ; Collection particulière du Sud de la France Commentaire : Une étude de saint Job à la sanguine et au crayon noir conservée aux Offices, préparatoire au tableau des Offices 'La Vierge à l'Enfant adorée par saint Jean-Baptiste et saint Job', est techniquement très proche de notre dessin. Nous rencontrons aussi sur un autre dessin conservé à l'Ashmolean Museum d'Oxford ce même travail de la sanguine, et le même rendu des corps (voir S.R. McKillop, 'Franciabigio', University of California Press, 1974, fig.48 et 54, repr.). Notre feuille rappelle les dessins d'Andrea del Sarto, dont Franciabigio fut l'ami et l'associé. Avec Andrea del Sarto, ils ouvrirent un atelier commun à Florence en 1506 sur la piazza del Grano, et travaillèrent ensemble à plusieurs cycles de fresques dont celle de l'Annunziata. . Estimation 60 000 - 80 000 €

      Artcurial
    • Francesco di Cristofano Franciabigio, attributed to, Standing Venus with an Apple
      May. 21, 2016

      Francesco di Cristofano Franciabigio, attributed to, Standing Venus with an Apple

      Est: €1,500 - €2,000

      With traces of age, a brown stain and a vertical tear.

      Kunsthaus Lempertz KG
    • Francesco di Cristofano Giudicis, il Franciabigio (Florence 1484-1525)
      Jun. 09, 2010

      Francesco di Cristofano Giudicis, il Franciabigio (Florence 1484-1525)

      Est: $80,000 - $120,000

      Francesco di Cristofano Giudicis, il Franciabigio (Florence 1484-1525) The Crucifixion oil on panel 10 7/8 x 15 7/8 in. (27.6 x 40.4 cm.)

      Christie's
    • FRANCESCO DI CRISTOFANO CALLED FRANCIABIGIO FLORENCE 1482 - 1525
      Jan. 25, 2007

      FRANCESCO DI CRISTOFANO CALLED FRANCIABIGIO FLORENCE 1482 - 1525

      Est: $80,000 - $120,000

      PROPERTY OF A PRIVATE COLLECTOR CRUCIFIXION measurements note 11 by 16 in.; 28 by 40.5 cm. oil on panel PROVENANCE With Emmanuel Moatti, Paris, by whom sold in March, 1998 to the present collector. NOTE According to Vasari, Franciabigio was a pupil of Albertinelli. With his master and later close friend, Andrea del Sarto, Franciabigio participated in the decoration of different Florentine private and religious edifices: frescoes from the Villa Capponi (1510), Cloister of the Annunziata Church (1513), Convent de la Calza (1514), Cloister of Scalzo (1516). One of his last works "The Letter to Udry", Dresden Gemaldegalerie, (painted in 1523 for the ante-room Benintendi) demonstrates his interest in light, color and perspective. According to Everett Fahy, this panel was painted by Franciabigio around 1506-1507, during the end of his apprenticeship in the studio of Albertinelli. Its style and composition are inspired from a fresco by Albertinelli with certainly a participation of Franciabigio (Galluzzo, Certosa di Val d'Ema) signed and dated 1506. The face of Saint John is similar to a drawing showing a portrait of a young man, now at the Biblioteca Reale, Turin. This specific face is typical of Franciabigio and can be found throughout his career.

      Sotheby's
    • Francesco di Cristofano Giudicis, il Franciabigio (Florence 1484-1525)
      Apr. 06, 2006

      Francesco di Cristofano Giudicis, il Franciabigio (Florence 1484-1525)

      Est: $200,000 - $300,000

      A double-sided portable reliquary depicting The Adoration of the Shepherds (recto) with The Annunciation on the wings; and The Crucifixion (verso) with Scenes from the Stations of the Cross on the wings bodycolor on vellum, set into a double-sided bound triptych 8 1/4 x 11 3/4 in. (21 x 29.9 cm.), overall size with wings open

      Christie's
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