Ambrosius (1590) Francken Sold at Auction Prices

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    • AMBROSIUS FRANCKEN II (Antwerp, 1581 - 1632) ABRAHAM GOVAERTS Y TALLER (Ant
      Dec. 03, 2024

      AMBROSIUS FRANCKEN II (Antwerp, 1581 - 1632) ABRAHAM GOVAERTS Y TALLER (Ant

      Est: -

      AMBROSIUS FRANCKEN II (Antwerp, 1581 - 1632) ABRAHAM GOVAERTS Y TALLER (Antwerp, 1589 - 1626) "Rest in the flight to Egypt ". Oil on panel It is not strange the collaboration between different painters of the Flemish orbit in the elaboration of scenes in which one completes the landscape, in this case Abraham Govaerts and his workshop, and another who, later inserts the figure, as Ambrosius Francken II does here. The hand of Govaerts' workshop is probably that of Alexander de Keirinck, active in that workshop in the 1620s, the last stylistic stage of Govaerts, when we can date this work. Attached is a certificate from Dr. Ursula Härting signed in October 2020. 51 x 73 cm. AMBROSIUS FRANCKEN II (Amberes, 1581 - 1632) ABRAHAM GOVAERTS Y TALLER (Amberes, 1589 - 1626) "Descanso en la huida a Egipto ". Óleo sobre tabla No es extraña la colaboración entre distintos pintores de la órbita flamenca en la elaboración de escenas en las que uno completa el paisaje, en este caso Abraham Govaerts y su taller, y otro que, con posterioridad inserta las figura, como lo hace aquí Ambrosius Francken II. La mano del taller de Govaerts, es probable que sea la de Alexander de Keirinck, activo en dicho taller en la década de 1620, última etapa estilística de Govaerts, momento en el que podemos fechar esta obra.   Se adjunta certificado de la Dra. Úrsula Härting firmado en octubre de 2020. Medidas:51 x 73 cm.

      Magna Art Auctions
    • AMBROSIUS FRANCKEN II (bottega di)
      Jun. 18, 2024

      AMBROSIUS FRANCKEN II (bottega di)

      Est: €3,000 - €5,000

      (Anversa, 1590 circa - 1632) La Crocifissione sul Monte Calvario Olio su tavola, cm 93X123 Provenienza: Amsterdam, Christie's, 12 giugno 1990, lotto 308 (come cerchia di Frans Francken I) Vienna, Dorotheum, 16 dicembre 2021, lotto 37 (come bottega di Ambrosius Francken II) Nato ad Anversa, Ambrosius si formò con il padre Frans Francken il Vecchio, divenendone collaboratore e dal quale ereditò la bottega. Sappiamo che l'artista nel 1624 fu registrato come maestro nella Gilda di San Luca, fatto che attesta l'avvenuta autonomia di mestiere. Secondo le consuetudini, la sua produzione segna la continuità delle soluzioni creative paterne e la celebrità della bottega richiede diversi collaboratori necessari a soddisfare le numerose commissioni. Nel nostro caso, l'impostazione scenica deriva da un prototipo di Frans Francken il vecchio, verosimilmente tramandata da disegni e opere a cui Ambrosius applicava varianti e adattamenti a seconda delle richieste e dell'importanza del committente. Tornando all'opera in esame, la sua preziosità è attestata dall'impiego di una tavola di misure rilevanti.

      Wannenes Art Auctions
    • FRANS FRANCKEN the Younger and AMBROSIUS FRANCKEN the Younger
      Sep. 22, 2023

      FRANS FRANCKEN the Younger and AMBROSIUS FRANCKEN the Younger

      Est: CHF12,000 - CHF18,000

      FRANS FRANCKEN the Younger and AMBROSIUS FRANCKEN the Younger (1581 Antwerp 1642) (1590 Antwerp 1632) Christ on the Mount of Olives. Oil on panel. 48 × 35 cm. Certificate: Dr Ursula Härting, 24.7.2023. Provenance: European collection. --------------- FRANS FRANCKEN d. J. und AMBROSIUS FRANCKEN d. J. (1581 Antwerpen 1642) (1590 Antwerpen 1632) Christus am Ölberg. Öl auf Holz. 48 × 35 cm. Gutachten: Dr. Ursula Härting, 24.7.2023. Provenienz: Europäische Sammlung. Wie im Neuen Testament berichtet wird, ist Christus im Gebet ein Engel erschienen und gab ihm Kraft für die Passion. Die hier angebotene, in Brauntönen gemalte Darstellung (Brunaille) von Christus am Ölberg wurde von Frans Francken und seinem jüngeren Bruder Ambrosius gemalt. Insbesondere die weissen Höhungen sind charakteristisch für die Malweise Frans Franckens d. J.. ---------------

      Koller Auctions
    • Attribué à Ambrosius Francken II Anvers, 1581-1632 Banquet d'une élégante compagnie dans un jardin italien Huile sur panneau de chên..
      Mar. 23, 2017

      Attribué à Ambrosius Francken II Anvers, 1581-1632 Banquet d'une élégante compagnie dans un jardin italien Huile sur panneau de chên..

      Est: €8,000 - €12,000

      Attribué à Ambrosius Francken II Anvers, 1581-1632 Banquet d''une élégante compagnie dans un jardin italien Huile sur panneau de chêne, trois planches Sans cadre Banquet of an elegant company in an Italian garden, oil on oak panel, attr. to A. Francken II h: 73 w: 104 cm

      Artcurial
    • Frans Francken II (Antwerp 1581-1642) and Ambrosius Francken II (Antwerp 1590-1632) and Studio
      Dec. 05, 2012

      Frans Francken II (Antwerp 1581-1642) and Ambrosius Francken II (Antwerp 1590-1632) and Studio

      Est: £10,000 - £15,000

      Frans Francken II (Antwerp 1581-1642) and Ambrosius Francken II (Antwerp 1590-1632) and Studio David and Abigail oil on panel 20½ x 32 in. (52.1 x 81.3 cm.)

      Christie's
    • Attributed to Ambrosius Francken II (Antwerp 1590-1632)
      Dec. 05, 2012

      Attributed to Ambrosius Francken II (Antwerp 1590-1632)

      Est: £10,000 - £15,000

      Attributed to Ambrosius Francken II (Antwerp 1590-1632) The Circumcision oil on canvas 48 7/8 x 69¾ in. (124.2 x 177.2 cm.)

      Christie's
    • The Marriage of Constantin the Great and Faustina
      Jun. 25, 2008

      The Marriage of Constantin the Great and Faustina

      Est: -

      Follower of Frans Francken II The Marriage of Constantin the Great and Faustina oil on canvas 60.6 x 170.8 cm.

      Christie's
    • The Marriage of Constantin the Great and Faustina
      Jun. 24, 2008

      The Marriage of Constantin the Great and Faustina

      Est: €800 - €1,200

      Follower of Frans Francken II The Marriage of Constantin the Great and Faustina oil on canvas 60.6 x 170.8 cm.

      Christie's
    • BRUEGHEL, JAN II. and FRANCKEN, AMBROSIUS II.
      Sep. 18, 2007

      BRUEGHEL, JAN II. and FRANCKEN, AMBROSIUS II.

      Est: CHF250,000 - CHF350,000

      BRUEGHEL, JAN II. and FRANCKEN, AMBROSIUS II. (1601 Antwerp 1678) and (circa 1590 Antwerp 1632) Allegory of the Earth and the Water. Oil on panel. 51 x 85 cm. Expertise: Dr. Klaus Ertz, Lingen, 18.04.2005. BRUEGHEL, JAN II. und FRANCKEN, AMBROSIUS II. (1601 Antwerpen 1678) und (um 1590 Antwerpen 1632) Allegorie der Erde und des Wassers. Öl auf Holz. 51 x 85 cm.

      Koller Auctions
    • Ambrosius Francken II (Antwerp 1590-1632)
      Dec. 08, 2006

      Ambrosius Francken II (Antwerp 1590-1632)

      Est: £15,000 - £20,000

      Christ on the Road to Calvary oil on panel 17 1/8 x 33 7/8 in. (43.5 x 86.1 cm.)

      Christie's
    • Ambrosius Francken II (Antwerp 1590-1632)
      Jul. 10, 2002

      Ambrosius Francken II (Antwerp 1590-1632)

      Est: $12,480 - $18,720

      The Betrothal of the Virgin oil on copper 163/4 x 131/2 in (42.5 x 34.2 cm.) NOTES The composition relates closely to the work by Ambrosius' elder brother, Frans Francken II, which Dr. Ursula H„rting in her 1989 monograph and catalogue raisonn‚ of the latter's oeuvre noted may have been painted with studio assistance ( Frans Francken der Jngere, Freren, 1989, p. 200, no. 244, illustrated). The attribution of the present picture to Ambrosius Francken II was proposed by Dr. H„rting, who dates the work to circa 1620. The story of the betrothal of the Virgin derives from the Protevangelium, and was repeated in the thirteenth-century Golden Legend by Jacobus de Voragine. They relate that Mary had been unable to choose a husband because her parents had dedicated her to the service of the Lord, and because she had vowed her virginity to God. The High Priest and Elders therefore decided to let God himself make the decision; in prayer, they were told that each marriageable man of the house of David should bring a branch to the altar. There, one of the branches would bloom, and the Holy Spirit in the form of a Dove would come down to it, as prophesied by Isaiah. The man to whom that branch belonged would be the one intended as the Virgin's spouse. Although Joseph was among the other men who assembled, he felt that he was too old to be suitable, and therefore held back his branch from the altar. In consequence, no rod flowered, and the High Priest sought the Lord's advice again, and was told that the only man who had not brought his branch was the one to whom the Virgin was to be espoused. Then Joseph brought his branch forward, which promptly flowered, even as a dove came down from heaven.

      Christie's
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