Louis Garneray Paintings & Artwork for Sale | Louis Garneray Art Value Price Guide

Nov. 23, 2024
GARNERAY'S VERY RARE PAIR OF EARLY TEXAS COLONY VIEWS
Est: $8,000 - $12,000
GARNERAY, Ambroise-Louis (1783-1857). [Very Rare Pair of Early Texas Colony Views] 1ere vue d'Aigleville, colonie du Texas ou Champ d'Asile [AND] 2eme Vue d'Aigleville, Colonie du Texas ou Champ d'Asile. Aquatint engravings with original hand color. Paris: Basset, c. 1819. 12 5/8" x 16" sheet, and 12 5/8" x 15 7/8" sheet. Pinckney described the image as "Among the earliest and most significant prints depicting Texas in the very early years of its settlement [showcasing] Garneray’s precise and masterly designing [and] some of the best craftsmanship of the high period." Kelsey located only about six earlier prints, with the only earlier 19th Century print being a portrait of Zebullon M. Pike from the 1810 edition of his book. The image was one of a number of engravings by French artist Garneray (1783-1837), which were published to raise funds to support the Champ d’Asile colony.
Arader Galleries
Oct. 02, 2024
Ambroise-Louis Garneray (Paris, 1783-1857) Vue du port d’Anvers
Est: €10,000 - €15,000
Ambroise-Louis Garneray (Paris, 1783-1857) Vue du port d'Anvers Original canvas (Binant) Signed on the bottom left ‘Garneray' H 47×L 68,5 cm Bears a number on the back ‘No 3' Old restorations Provenance: Chez Dickinson (according to a label on the back) This work can be compared to the canvas found in the Chambre de Commerce and d'Industrie de Paris (see L. Manœuvre, Louis Garneray, Arcueil, 1997, color illustration p. 74) Answering requests from enthusiasts, Louis Garneray created several works with the same subject and dimensions. This one could be one of three paintings exhibited at the 1831, 1836 and 1844 Salons: Salon de 1831, no 858, Vue du grand bassin de la ville d'Anvers, prise du haut de la batterie de l'Empereur ; Salon de 1836, no 794, Vue d'Anvers ; Salon de 1844, no 757, Vue d'Anvers In the background, Notre-Dame d'Anvers cathedral is visible. In the middleground, other administrative and defensive buildings appear, dating back to the port's modernization under Imperial rule. Ambroise-Louis Garneray (Paris, 1783-1857) Vue du port d'Anvers Toile d'origine (Binant) Signé en bas à gauche ‘Garneray' H 47×L 68,5 cm Porte un numéro inscrit au revers de la toile ‘No 3' Restaurations anciennes Provenance : Chez Dickinson (selon une étiquette au revers du cadre) Nous rapprochons notre composition de la toile conservée à la Chambre de Commerce et d'Industrie de Paris (voir L. Manœuvre, Louis Garneray, Arcueil, 1997, reproduit en couleur p. 74) Répondant à la demande d'amateurs, Louis Garneray peut réaliser plusieurs tableaux de même sujet et de mêmes dimensions. Notre tableau pourrait être un des trois tableaux exposés aux Salons de 1831, 1836 et 1844; Salon de 1831, no858, Vue du grand bassin de la ville d'Anvers, prise du haut de la batterie de l'Empereur ; Salon de 1836, no794, Vue d'Anvers ; Salon de 1844, no757, Vue d'Anvers On reconnait, dans notre tableau au dernier plan, la cathédrale Notre-Dame d'Anvers. Au second plan, on trouve d'autres bâtiments administratifs et défensifs, issus de la modernisation du port sous l'Empire.
Piasa
Jun. 22, 2024
GARNERAY EARLY VIEWS OF TEXAS
Est: $10,000 - $15,000
[Very Rare Pair of Early Texas Colony Views] GARNERAY, Ambroise-Louis (1783-1857). 1ere vue d'Aigleville, colonie du Texas ou Champ d'Asile [AND] 2eme Vue d'Aigleville, Colonie du Texas ou Champ d'Asile. Aquatint engraving with original hand color. Paris: Basset, c. 1819. 12 5/8" x 16" sheet, and 12 5/8" x 15 7/8" sheet. Pinckney described the image as "Among the earliest and most significant prints depicting Texas in the very early years of its settlement [showcasing] Garneray’s precise and masterly designing [and] some of the best craftsmanship of the high period." Kelsey located only about six earlier prints, with the only earlier 19th Century print being a portrait of Zebullon M. Pike from the 1810 edition of his book. The image was one of a number of engravings by French artist Garneray (1783-1837), which were published to raise funds to support the Champ d’Asile colony.
Arader Galleries
Mar. 21, 2024
Ambroise-Louis GARNERAY Paris, 1783 - 1857 La bataille de Navarin le 20 octobre 1827
Est: €25,000 - €30,000
Ambroise-Louis GARNERAY Paris, 1783 - 1857 La bataille de Navarin le 20 octobre 1827 Huile sur toile Vers 1827/1845 Au dos de la toile, porte les initiales g.c 52 x 78,5 cm - 20 1/2 x 30 15/16 in. The battle of Navarin on october 20, 1827 Oil on canvas . PROVENANCE Possible collection de M. Didot de Saint-Marc, Paris ; sa vente après-décès, Bonnefons Laviale et David, du 30 novembre et 1er décembre 1835, au domicile du défunt 17 quai Malaquais à Paris : GARNEREY (M.) - Escadres française et anglaise, sur la rade de Navarin, lot 54 ; Collection privée, Paris, Docteur Charles Vallée, directeur de l'hôpital du Grand Palais durant la guerre 1914-1918, puis par descendance dans sa propriété du Béarn jusqu'en 2023.
Aguttes
Jan. 27, 2024
AMBROISE-LOUIS GARNERAY OIL
Est: $6,000 - $8,000
GARNERAY, Ambroise-Louis (French, 1783-1857). Shipping on the Seine, Rouen [Calais?]. Oil on canvas. Signed lower left: 'L Garneray'. 13 1/4" x 17 1/2" canvas, 17 1/4" x 21 1/2" framed. Provenance: With the Royal Exchange Art Gallery, London; Bonhams Knightsbridge: Wednesday, April 13, 2016 [Lot 00051] - 3,750 GBP. Ambroise-Louis Garneray studied painting under his father Jean-Francois, and also engraving with Debucourt. He exhibited marine paintings at the Salon from 1817 to 1857. He was closely associated with the Rouen Museum and in 1852 became a Chevalier de la Legion d'Honeur.
Arader Galleries
Dec. 18, 2023
A view of the Fort d'Ambleteuse | Vue du Fort d'Ambleteuse
Est: €3,000 - €5,000
Louis Ambroise Garneray 1783 - 1857 A view of the Fort d'Ambleteuse Oil on panel Signed lower left L. Garneray 29,7 x 41,4 cm ; 11¾ by 16¼ in. _______________________ Louis Ambroise Garneray 1783 - 1857 Vue du Fort d'Ambleteuse Huile sur panneau Signé en bas à gauche L. Garneray 29,7 x 41,4 cm ; 11¾ by 16¼ in.
Sotheby's
Dec. 18, 2023
View of Duchesse de Berry's bedroom in the Pavillion de Marsan | Chambre à coucher de la duchesse de Berry au Pavillon de Marsan
Est: €800 - €1,200
Louis Ambroise Garneray 1783 - 1857 View of Duchesse de Berry's bedroom in the Pavillion de Marsan Watercolour 31 x 20 cm _______________________ Louis Ambroise Garneray 1783 - 1857 Chambre à coucher de la duchesse de Berry au Pavillon de Marsan Aquarelle 31 x 20 cm
Sotheby's
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Vue De Saint-Malo, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Vue De Saint-Malo, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Port-La-Nouvelle, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Port-La-Nouvelle, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Port De Solidor, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Port De Solidor, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Port Dieudonne, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Port Dieudonne, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Port de Blaye, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Port de Blaye, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Port Bou, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Port Bou, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, La Rochelle, Bay of Biscay, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). La Rochelle, Bay of Biscay, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Collioure, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Collioure, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Bastia, Corsica, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Bastia, Corsica, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Antibes, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Antibes, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Antibes is a resort town between Cannes and Nice on the French Riviera (Côte d’Azur). Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Ajaccio, Corsica, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Ajaccio, Corsica, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Ajaccio is the capital of Corsica, a French island in the Mediterranean Sea. A port city on the rugged isle's western coast, it was the birthplace of French Emperor Napoléon Bonaparte in 1769. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Agde, France
Est: $1,500 - $3,000
GARNERAY, Ambroise-Louis (1783-1857). Agde, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Saint Malo, France
Est: $4,000 - $8,000
GARNERAY, Ambroise-Louis (1783-1857). Saint Malo, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving of Cadiz, Spain
Est: $4,000 - $8,000
GARNERAY, Ambroise-Louis (1783-1857). Cadiz, Spain. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Méditerranée. Paris: M. E. Jouy, De L'Académie Française, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 24, 2023
Garneray Artist's Proof Aquatint Engraving from Vues des Cotes de France, Bordeaux, France
Est: $4,000 - $8,000
GARNERAY, Ambroise-Louis (1783-1857). Bordeaux, France. Aquatint engravings with original hand color. From Vues des Cotes de France dans L'Ocean et dans la Mediterranee. Paris: M. E. Jouy, De L'Academie Francaise, 1832. 17" x 23 3/4" sheet. Artist's Proof in Excellent condition. Vues des cotes de France is widely acclaimed as "a magnificent collection of views" (Deak, Vol 1, p. 291). Each print exhibits endless attention to detail, incorporating architectual landmarks, ships, weather conditions, animals and costumed figures in the midst of daily activities. Garneray makes superb use of the aquatitnt medium, which enables subtle variations in tone and reproduces the looks and feel of watercolor more successfully that any other method of engraving. This set is of even greater interest; each print is an artist's proof, retouched and in some cases completely colored, by Garneray himself. Literature: DEAK, Picturing America; KOKE, American Landscape and Genre Paintings in the New York Historical Society; STOKES & HASKELL, American Historical Prints, Early views of American Cities, etc...
Arader Galleries
Jun. 14, 2023
LOUIS AMBROISE GARNERAY (1783-1817), attribué Vue d'un petit port au soleil couchant
Est: €500 - €1,000
LOUIS AMBROISE GARNERAY (1783-1817), attribué Vue d'un petit port au soleil couchant Vue d'un petit port au soleil couchant Huile sur toile avec ancienne étiquettte d'attribution au dos à l'encre de Chine. Usures, pas d'encadrement. Dimensions : 31,5 x 56,5 cm
Accademia Fine Art
Apr. 22, 2023
Vue of New York Lithograph after Garneray
Est: $1,000 - $2,000
After GARNERAY, Ambroise-Louis (1783-1857). Vue de New York. Lithograph with original hand color. c. 19th Century. 14 3/4" x 20" sheet, 26 1/4" x 31" framed.
Arader Galleries
Jan. 28, 2023
Garneray Oil of Battle of Santo Domingo in the Napoleonic Wars
Est: $12,000 - $25,000
GARNERAY, Ambroise-Louis (1783-1857). Sir John Thomas Duckworth's Action of Santo Domingo, 6th Feb, 1806. Oil on canvas. Signed upper left. 19" x 30 1/4" canvas, 22" x 34" framed. This painting by the noted French marine artist Ambroise-Louis Garneray depicts an important but little known event during the Napoleonic Wars, the Battle of Santo Domingo. The British declared war against France on May 16, 1803. Napoleon had been planning to invade Britain, and when he crowned himself Emperor of France in December 1804 and began massing troops in seaside towns along the Channel, the British mobilized their naval forces to prevent the Emperor's plan from succeeding. After a series of naval battles led to the near-decimation of the French fleet, Napoleon was forced to abandon his plan of invading England for the time being. Instead he decided to try to disrupt British trade in the West Indies, trade that helped finance the British war effort. Two French squadrons, commanded by Rear-Admiral Willaumez and Vice-Admiral Leissegues, sailed for the West Indies. When news of their operations reached Vice-Admiral Sir John Duckworth, who was blockading Cadiz, he sailed with six ships for Madeira. He finally caught up with the French squadron off Santo Domingo, and in the ensuing battle the five French ships were all captured or driven on shore in a decisive defeat. Garneray's depiction of the event might be better characterized as an atmospheric seascape than a battle scene. The clear blue sky, calm seas, and lush hills of Santo Domingo, all beautifully painted in jewel-like colors, almost take precedence over the battle scene, though a more careful investigation reveals the smoke from canon fire and one ship, in the foreground, destroyed. Despite the ostensible subject of this work, Garneray's mastery of light and movement are fully in evidence in this engaging composition.
Arader Galleries
Jan. 05, 2023
Antique Aquatint of Ambroise Louis Garneray's (1783-1857) Vue de Boston
Est: $100 - $200
Antique framed aquatint titled Vue de Boston by French corsair and oil painter Ambroise Louis Garneray (1783-1857), displaying a port full of fishing and trade ships. Titled at bottom and signed in the bottom right, measures 22" x 18 1/2", 15 1/2" x 12 1/2" site. *notes - some peeling on gilt frame
Embassy Auctions International
Jan. 05, 2023
Antique Aquatint of Ambroise Louis Garneray (1783-1857) Vue de New York
Est: $100 - $150
Antique framed aquatint titled Vue de New York by French corsair and oil painter Ambroise Louis Garneray (1783-1857), showing the docks and surrounding landscape of the city. Titled at bottom and signed in the bottom right, measures 22" x 18 1/2", 15 1/2" x 12 1/2" site. *note - some peeling on gilt frame
Embassy Auctions International
Oct. 01, 2022
Ambroise Louis Garneray (French, 1783 - 1857), "Vue de Philadelphia," A.K.A. "View of Philadelphia, Pennsylvania," hand-colored lithograph
Est: $100 - $200
Ambroise Louis Garneray (French, 1783 - 1857), "Vue de Philadelphia," A.K.A. "View of Philadelphia, Pennsylvania," hand-colored lithograph on paper, signed lower right in print and titled below, Veerhoff Galleries, Washington, D.C., label on verso, measures 12.50 x 16.75 inches to the stone mark, 16 x 19 inches framed. CONDITION: Good, damp stain to very top right hand corner, a few spots to the margins.
Huntington Museum of Art
Jun. 01, 2022
Ambroise Louis GARNERAY (1783-1857) The Battle of Navarino: Bataille de Navarin. Gagnée par les flottes Française Anglaise et Russe_27 Octobre 1927
Est: €3,000 - €4,000
-
Vergos Auctions P.C.
Apr. 27, 2022
Ambroise Louis Garneray (French, 1783-1857) Fishermen heading out to sea
Est: £1,200 - £1,800
Ambroise Louis Garneray (French, 1783-1857) Fishermen heading out to sea signed and dated 'Garneray 1832' (lower left) oil on canvas 50.8 x 76.2cm (20 x 30in). For further information on this lot please visit the Bonhams website
Bonhams
Apr. 08, 2022
Ambroise Louis GARNERAY (1783-1857) Bateaux de pecheurs en mer
Est: €3,000 - €4,000
Ambroise Louis GARNERAY (1783-1857) Bateaux de pecheurs en mer Huile sur toile Signée en bas à droite 61 x 84 cm
MaisonRC
Jan. 21, 2022
Ambroise Louis Garneray (1783–1857, French), "Vue de la Nouvelle Orleans," 19th c., colored aquatint, plate signed 'Garneray sc.'
Est: $300 - $500
Ambroise Louis Garneray (1783–1857, French), "Vue de la Nouvelle Orleans," 19th c., colored aquatint, plate signed 'Garneray sc.' lower right, titled in plate on bottom center, presented in a gilt frame H.- 12 in., W.- 16 in., Framed H.- 21 3/8 in., W.- 24 3/4 in.
Crescent City Auction Gallery
Oct. 06, 2021
Ambroise Louis Garneray (French, 1783-1857) Hauling in the net
Est: £1,200 - £1,800
Ambroise Louis Garneray (French, 1783-1857) Hauling in the net indistinctly signed 'Garneray' (lower right) oil on canvas 33 x 40.7cm (13 x 16in). For further information on this lot please visit the Bonhams website
Bonhams
Oct. 06, 2021
Ambroise Louis Garneray (French, 1783-1857) Fishermen heading out to sea
Est: £1,500 - £2,000
Ambroise Louis Garneray (French, 1783-1857) Fishermen heading out to sea signed and dated 'Garneray 1832' (lower left) oil on canvas 50.8 x 76.2cm (20 x 30in). For further information on this lot please visit the Bonhams website
Bonhams
Apr. 21, 2021
Ambroise Louis Garneray (French, 1783-1857) Fishermen heading out to sea
Est: £2,000 - £3,000
Ambroise Louis Garneray (French, 1783-1857) Fishermen heading out to sea signed and dated 'Garneray 1832' (lower left) oil on canvas 50.8 x 76.2cm (20 x 30in). For further information on this lot please visit the Bonhams website
Bonhams
Apr. 21, 2021
Ambroise Louis Garneray (French, 1783-1857) Hauling in the net
Est: £1,500 - £2,000
Ambroise Louis Garneray (French, 1783-1857) Hauling in the net indistinctly signed 'Garneray' (lower right) oil on canvas 33 x 40.7cm (13 x 16in). For further information on this lot please visit the Bonhams website
Bonhams
Jan. 16, 2021
Ambroise Louis Garneray (1783-1857, French), "Vue de la Nouvelle Orleans" and "Vue de Philadelphia," 19th c., hand-colored etchings,...
Est: $250 - $450
Ambroise Louis Garneray (1783-1857, French), "Vue de la Nouvelle Orleans" and "Vue de Philadelphia," 19th c., hand-colored etchings, each signed "Garneray" in center margin, each presented in a silver leaf wooden frame, H.- 23 in., W.- 25 1/2 in., Framed H.- 24 1/2 in., W.- 27 in., Provenance: Property deaccessioned from the private collection of Freeport-McMoran Inc., New Orleans, LA. (2 Pcs.)
Crescent City Auction Gallery
Dec. 05, 2020
Ambroise Louis Garneray oil Coastal Lighthouse Storm
Est: $1,000 - $2,000
Garneray, Ambroise Louis (France 1783 - 1857), Coastal Lighthouse in a Storm, oil on canvas, 15 x 18 inches, signed L. Garneray lower right, framed in a period Victorian scrolled and gilded frame measuring 28 x 32 inches.
Concept Art Gallery
Nov. 05, 2020
Ambroise-Louis Garneray (1783-1857) Phare de Mascate (Muscat, Oman)
Est: £60,000 - £80,000
Ambroise-Louis Garneray (1783-1857) Phare de Mascate (Muscat, Oman) signed 'L. Garneray.' (lower right), titled 'Phare de Mascate' on the stretcher oil on canvas 15 1/8 x 18 1/4 in. (38.4 x 46.4cm.) ,
Christie's
Dec. 01, 2019
Louis Ambroise GARNERAY (1783-1857) Vue de port et...
Est: €4,500 - €5,000
Louis Ambroise GARNERAY (1783-1857) Vue de port et voiliers Huile sur papier marouflée sur toile Signé en bas à droite (Réseau de craquelures) 42 x 68 cm Avec cadre : 64 x 91 cm Oil on canvas, signed lower right, 16 17/32 x 26 25/32 in With frame : 25 7/32 x 35 27/32 in
Osenat
Nov. 23, 2019
Ambroise Louis Garneray (French, 1783)
Est: $400 - $600
Ambroise Louis Garneray (French, 1783-1857), "Vue de la Nouvelle-Orléans", c. 1830s, color aquatint, from Vues des Pricipaux Ports Étrangers, sight 15 in. x 18 1/2 in., framed
Neal Auction Company
Oct. 22, 2019
Louis GARNERAY (Paris 1783 - 1857). Phare dans la tempête. Carton marouflé sur panneau. Signé en bas à droite L. Garneray. 23 x 31 cm. Expert : René Millet - T : 01 44 51 05 90
Est: €400 - €600
Louis GARNERAY (Paris 1783 - 1857). Phare dans la tempête. Carton marouflé sur panneau. Signé en bas à droite L. Garneray. 23 x 31 cm. Expert : René Millet - T : 01 44 51 05 90
Cannes Enchères
May. 17, 2019
Ambroise-Louis Garneray, Victoire Navale de Navarin
Est: €1,500 - €2,000
Ambroise-Louis Garneray (1783-1857) Victoire Navale de Navarin, remportée sur la flotte Ottomane par les forces combinées de la France, de l’Angleterre et de la Russie, sous le commandement en chef de l’Amiral Anglais Sir Edw. Codrington, le contre Amiral Ch(evalie)r de Rigny, commandant les forces Françaises, et le contre Amiral Heyden, commandant les forces Russes, le 20 Octobre 1827 (Paris, Jazet & Aumont, 1829) aquatint by J. P. M. Jazet after Garneray, 50.3 x 78.4 cm. (small spots) BIBLIOGRAPHY: La Grèce en révolte. Delacroix et les peintres français, 1815-1848, [exhibition cat.], Paris 1996, p. 148-50, and p. 291, no. 178.
Vergos Auctions P.C.
Mar. 20, 2019
AMBROISE--LOUIS GARNERAY (PARIS 1783-1857)
Est: £10,000 - £15,000
AMBROISE-LOUIS GARNERAY (PARIS 1783-1857) Morning light: Evening light, Prison hulks in Portsmouth Harbour the former indistinctly inscribed (lower right) oil on canvas 21 3/8 x 42 1/4 in. (54.3 x 107.3 cm.); 22 3/4 x 44 1/8 in. (57.8 x 112.1 cm.) a pair (2) PROVENANCE: (the former) Property of Sir Harold Parkinson, J. P., Christie's, London, 9 May 1969, lot 57. (both) The Clive Lloyd Collection. In these powerful paintings, the line of prison ships form a dark diagonal across the images from the left foreground to the centre of the picture. Behind these ships, to the south-east, lies the town of Portsmouth, its skyline visible against the sky in the centre, with Gosport to the right and the entrance to the Harbour in the centre. To the right other ships, with pennants flying, are also anchored 'in ordinary' (reserve) in the Upper Harbour. A swathe of pink cloud dominates the sky, but the sea contrasts darkened areas on the hulks to the more brilliant light above the channel, which leads the viewer’s eye to the open sea and France – an emotional longing by Garneray to escape his long internment. Pirate, privateer, French Naval officer and Painter to the Emperor - Ambroise Louis Garneray was an archetypal ‘Renaissance Man’. His father was an artist and pupil to the great Jacques-Louis David, which gave Garneray an excellent artistic upbringing. Ambroise, however, persuaded his father to let him go to sea at the tender age of 13 as part of the French Navy, and he soon found himself in the Indian Ocean off Ile de France (modern day Mauritius). When there was a shortage of Naval vessels, Ensign Garnerary decided to join the famous Breton privateer Robert Surcouf, and become the scourge of East India Company shipping in the Indian Ocean. During this time Surcouf captured the Royal Navy’s HMS Kent near the coast of India thus taking a fortune in prize money, and Garneray not only received his share of booty, but was also asked to paint pictures of the heroic action as an eye-witness and crew member. In March 1806 after various privateering and trading trips, Garneray was captured by the English and spent the next 8 years on a Prisoner of War hulk in Portsmouth harbour. The loss of the American colonies in the 1770s as a place to send prisoners condemned to transportation, created an acute shortage of prison space. There was no time to build more prisons so as a temporary measure some ships were converted into prison hulks, which could easily be made secure although the conditions aboard their often-rotting hulls were tough. It was during the French Wars of 1793 to 1815 that the greatest use of hulks was made to accommodate additional prisoners of war. In order to make his incarceration more bearable Garneray managed to paint and sell views of the hulks via a local art dealer. This helped improve his conditions in captivity, in the way that many other prisoners also did by making ship models or other handicrafts. When Napoleon abdicated in 1814, the British freed their prisoners and Garneray returned to Paris, continuing to work as an artist. He later wrote three popular autobiographies recounting his adventurous double career as a sailor, corsair and artist.
Chiswick Auctions
Dec. 09, 2018
Louis Ambroise GARNERAY (1783-1857) « Le retour des Cendres de l’Empereur N
Est: €3,600 - €4,000
Louis Ambroise GARNERAY (1783-1857) « Le retour des Cendres de l’Empereur Napoléon 1er » 24.5 x 41 cm Huile sur toile signé en bas à gauche L. Garneray 1845 Cachet au dos du fournisseur « P. Souty Fils doreur de tableaux n° 18». Cadre en bois doré. B.E. (usures)
Osenat
Sep. 12, 2018
AMBROISE-LOUIS GARNERAY (PARIS 1783-1857) The Tower of London from the Thames oil on
Est: £25,000 - £35,000
AMBROISE-LOUIS GARNERAY (PARIS 1783-1857) The Tower of London from the Thames oil on canvas, unlined 20 7/8 x 35 1/8 in. (50.5 x 89.2 cm.)
Christie's
Jun. 09, 2018
Jean-Pierre JAZET (1788-1871) D'APRèS LOUIS GARNERAY (1
Est: €75 - €100
Jean-Pierre JAZET (1788-1871) d’après LOUIS GARNERAY (1783 - 1857) - La Pêche à la sardine dans le Golfe de Gênes. Paris, Jazet, s.d. 650 x 878 mm. Gravure et aquatinte. Placée sous passe-partout et cadre en bois vitré. Non désencadrée.
Alain & Evelyne Morel de Westgaver
Jun. 07, 2018
19th C. French Engraving - Garneray's "La Rochelle"
Est: $800 - $1,200
**Originally Listed At $500** Ambroise-Louis Garneray (French, 1783-1857), "Vue de port de La Rochelle" (View of the port of La Rochelle), ca. 1830 to 1850 CE. A wonderful and very large maritime engraving depicting a view of the port of La Rochelle - a marvelous example of French cultural history in North America. According to Didier Poton, "La Rochelles history is the history of its various ports, which manifest La Rochellers ability to embrace the changing dynamics of the Atlantic seaway in the 12th through the 18th centuries. La Rochelles early involvement in the great discoveries and its commerce with the Americas and the rest of the worlddetermined by the whims of colonial shipping companies and economic opportunitiesestablished this port town as one of the major seaboard towns of the Atlantic realm." (http://www.ameriquefrancaise.org/en/article-628/La_Rochelle_and_French_North_America_.html) Size: 18.5" W x 14" H (47 cm x 35.6 cm); 35.24" W x 31" H (89.5 cm x 78.7 cm) including custom mats and frame under glass Ambroise-Louis Garneray is generally regarded as one of the greatest French marine painters, as well as an engraver and writer. He came by it honestly, as his father was one of the preeminent Neo-Classical artist Jacques-Louis David's (1748-1825) first students. What's more, he was a seaman. In 1796, at the age of thirteen, young Garneray joined the French avy, encouraged by his cousin, Beaulieu-Leloup, who was also the commander of a frigate. Garneray served during campaigns and sea battles against the British in the Indian Ocean around Mauritius - he was even captured as a prisoner of war at one point. In addition to maritime views, he painted miniatures, portraits, and narrative/historicizing genre scenes in what became known as the Troubadour style, essentially a branch of Romanticism responsible for producing French historical paintings that depicted idealized scenes inspired by the Middle Ages and the Renaissance. Provenance: private Hawaii, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #132067
Artemis Gallery