Johann Friedrich Gerhard Sold at Auction Prices

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    • Gerhard (Gerard), Johann Friedrich Venus and Cupid
      Jul. 15, 2020

      Gerhard (Gerard), Johann Friedrich Venus and Cupid

      Est: €2,000 - €3,000

      Signed lower right (by Cupid's feet) and dated 1727. Oil on copper. 30.2 x 23.3 cm. Restored. Minor damage. Minor damage to frame. RefPai2720

      Neumeister
    • Johan Friedrich Gerhard: Seated boy with a bird's cage.
      May. 31, 2011

      Johan Friedrich Gerhard: Seated boy with a bird's cage.

      Est: kr20,000 - kr25,000

      Seated boy with a bird's cage, symbolising "The Hearing". Signed on the reverse Gerhard pinxit. Oil on panel. 19 x 14 cm.

      Bruun Rasmussen Auctioneers
    • JOHANN FRIEDRICH GERHARD (Mittelfrancken? c.1695-1748 Copenhagen)
      Jan. 26, 2001

      JOHANN FRIEDRICH GERHARD (Mittelfrancken? c.1695-1748 Copenhagen)

      Est: $20,000 - $25,000

      Portrait of a man, half-length, in a grey jacket and a white cap, leaning on a ledge before a tree, a landscape beyond signed and dated 'JF Gerard. fec 1728.' (lower right, on the side of the ledge) oil on copper 97/8 x 9 in. (25.1 x 22.8 cm.) NOTES Though his works are rare today, J.F. Gerard (n‚e Gerhard) was well known as an allegorical and portrait painter in the aristocratic and royal courts of Germany and Denmark in the first half of the 18th century. Early in his career he changed his name, and signed thereafter as Gerard. His 1723 portrait of the Countess Christiane Charlotte, born Princess of Wurttemberg, is now in the Baronial Collection in Darmstadt, while his portraits on copper of the Emperor Karl VI and the Empress Elizabeth Christine are in the Museum in Breslau. On a portrait of 1735, Gerard signed himself as 'Chamber and Cabinet Painter' of the Bayreuth court. In 1742 Gerard went to Copenhagen as the Royal Cabinet painter for King Christian VI, where he was also Professor of Painting in the Danish Royal Academy. Here, in this charming picture, the pose of the young man, with his carefree cap, intimate informality and directness may indicate this is Gerard's self-portrait.

      Christie's
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