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Théodore Géricault Sold at Auction Prices

Painter, Sculptor, Lithographer, b. 1791 - d. 1824

(b Rouen, France, 1791; d Paris, France, 1824) French Painter. An extremely talented young student, Jean-Louis André Theodore Géricault began his training in Paris under the direction of Carle Vernet and later Pierre-Narcisse Guerin in a neoclassical temperament.* In 1810, Géricault furthered his studies at the Louvre, imitating works by masters such as Titian and Rembrandt van Rijn. In the coming years Géricault developed a style, making a distinct effort to avoid Neoclassicism, the dominant movement of the time. Géricault began to generate his own stylistic tendencies, becoming a forerunner of Romanticism, a movement endorsing emotion over reason. After spending time in Italy, the artist submitted Officer of the Imperial Guard to the Paris Salon in 1812 and received great attention. In 1819, Theodore Géricault exhibited his most acclaimed work, The Raft of the Medusa, depicting the ghastly aftermath of a shipwreck. While Géricault received the winning award at the Salon, he also dealt with an overwhelming controversial reaction. The painting underwent political scrutiny as well as great debate between Neoclassical and Romantic followers. In 1822, Géricault became enthralled in the visual representation of human emotion on the face, creating several portraits of detached, yet psychologically piercing portraits of the insane who were committed at the psychiatric institution of the artist’s friend, Dr. Etienne-Jean Georget.** Painted with a heightened realism, each portrait represents a different misery or illness. In his final years, Géricault began ambitious compositions that he was unable to complete due to his declining health. Jean-Louis André Géricault died in 1824 in Paris, France following a struggle with tuberculosis. (Credit: *Christie’s, Paris, France, Collection Yves Saint Laurent et Pierre Berge, February 23, 2009, Lot 86; **Christie’s, Paris, France, Collection Yves Saint Laurent et Pierre Berge, February 23, 2009, Lot 83)

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            • Print, Theodore Gericault
              Dec. 20, 2024

              Print, Theodore Gericault

              Est: $300 - $500

              Theodore Gericault (French, 1791-1824), "Roulier Montant une Cote" from "Quatre Sujets Divers," 1823, lithograph, printed by G. Engelmann (French 1788-1839), published by Mme Hulin, Paris, collectors mark lower left (A Maroni, Lugt 150B), unknown blindstamp lower right, image: 8.75"h x 12"w, overall (with mat): 16"h x 20"w. Provenance: Purchased from R.E Lewis Inc. by Robert Bechtle. Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.

              Clars Auctions
            • Jean Louis Theodore Gericault (French 1791-1824) Cheval Espagnol, Lithograph
              Dec. 15, 2024

              Jean Louis Theodore Gericault (French 1791-1824) Cheval Espagnol, Lithograph

              Est: $250 - $300

              Jean Louis Theodore Gericault (French 1791-1824) Cheval Espagnol, Lithograph on wove paper, published by G. Engelmann. Signed in plate on lower left. Notation bottom left. From the estate of George Longstreet. From the estate of George Longstreet. Acquired from the estate of George Longstreet, a renown collector of fine original illustrations and prints, and whose collection has appeared in dozens of museums and exhibits over the last four decades. In 1976, Armand Hammer acquired 5000 Daumier objects that George Longstreet began to amass in Paris more than 50 years ago. The Daumier collection is now part of the permanent collection in the Armand Hammer Wing of the Los Angeles County Museum of Art. Measures Approx.: mat 18 inches x 14 inches ; sheet 13 inches x 9.5 inches . Domestic Shipping: $50

              Carnegie's Auction Gallery
            • Theodore Gericault (French 1791-1824) Lithograph Marche Dans Le Desert
              Dec. 15, 2024

              Theodore Gericault (French 1791-1824) Lithograph Marche Dans Le Desert

              Est: $800 - $1,200

              Theodore Gericault (French 1791–1824) Lithograph on paper, MARCHE DANS LE DESERT , Signed in plate to the print and to the lower left. 1822. Litho de C. Mott. underneath the lithograph to the lower right hand corner. Framed and matted in a beaded black wooden frame. Domestic Shipping: $60

              Carnegie's Auction Gallery
            • Jean Louis Theodore Gericault (French 1791-1824) Cheval Ardennes, Lithograph
              Dec. 15, 2024

              Jean Louis Theodore Gericault (French 1791-1824) Cheval Ardennes, Lithograph

              Est: $200 - $300

              Jean Louis Theodore Gericault (French 1791-1824) Cheval Ardennes, Lithograph on wove paper, published by G. Engelmann. Signed in plate on lower left. Notation bottom left. From the estate of George Longstreet. From the estate of George Longstreet. Acquired from the estate of George Longstreet, a renown collector of fine original illustrations and prints, and whose collection has appeared in dozens of museums and exhibits over the last four decades. In 1976, Armand Hammer acquired 5000 Daumier objects that George Longstreet began to amass in Paris more than 50 years ago. The Daumier collection is now part of the permanent collection in the Armand Hammer Wing of the Los Angeles County Museum of Art. Measures Approx.: mat 18 inches x 14 inches ; sheet 13 inches x 9.5 inches . Domestic Shipping: $50

              Carnegie's Auction Gallery
            • Theodore Gericault, Mameluck Defendant un Trompette Blesse
              Dec. 06, 2024

              Theodore Gericault, Mameluck Defendant un Trompette Blesse

              Est: $2,000 - $4,000

              (French, 1791-1824) An Egyptian Mameluke Defending a Wounded French Trumpeter at Waterloo (D. 9, C. 8), 1818, unsigned, with faint collector's stamp lower right (L. 2187a), lithograph on cream wove paper, image 13-5/8 x 11 in., sheet 17-3/4 x 12-3/8 in.; gilt frame, 24 x 20 x 1 in. Provenance: Ex-collection Alexis Hubert Rouart (1839-1911), Paris, France; By descent in family Note from Lugt database: Alexis Hubert Rouart, brother of the collector Henri Rouart (1833-1912) renowned for his Corot and Degas, had himself gathered a large selection of lithographs in very beautiful proofs. All the great masters such as Charlet, Raffet, Vernet, Gericault, Delacroix, Boulanger, H. Monnier, Daumier, Deveria, Gavarni, Bonington, Grevedon, Decamps, were represented there. Literature: Delteil, Loys, et al. Theodore GeRicault : The Graphic Work = L'oeuvre Grave : A Catalogue Raisonne. Alan Wofsy Fine Arts, 2010, No. 9; Clement, Charles. GeRicault; ETude Biographique et Critique, Avec Le Catalogue Raisonne de L'oeuvre Du Maitre. Didier, 1868, No. 8

              Brunk Auctions
            • Théodore Géricault, 1791 Rouen – 1824 Paris
              Dec. 05, 2024

              Théodore Géricault, 1791 Rouen – 1824 Paris

              Est: €180,000 - €250,000

              „CHEVAL GRIS BLANC“ AUCH „CHEVAL ARABE GRIS“, UM 1812/ 1814 Öl auf Leinwand. 59,9 x 73 cm. Anbei eine Expertise von Dr. Bruno Chenique, (ehem. Villa Medici, Rom, Getty Resarch Institute L. A., Mitlg. De l‘Union française des experts. Reims, 1. Juni 2022, mit detaillierten Angaben der bisherigen Provenienz sowie Untersuchungsberichten. In der Vorbesitzer-Tradition finden sich beide der oben genannten Bildtitel. Das mag ein Hinweis darauf sein, dass es sich bei dem Gemälde keineswegs um ein Pferdeportrait in der gewohnten Art der Pferdebesitzer handelt. Vielmehr haben wir es hier mit einem autonomen künstlerischen Werk zu tun, das für Gèricault insofern von Bedeutung gewesen sein muss, da er sich in seinem Werk vielfach mit dem Bildthema Pferd auseinandergesetzt hat, war er doch selbst ein leidenschaftlicher Reiter, der tragischerweise 1824 während eines Reitunterrichts starb. Es ging dem Maler also nicht um individuelles Tierportrait, vielmehr um das Erfassen von Körperhaltung, Ausdruck im Blick, Anspannung der Muskulatur und einer gespannten Lebendigkeit trotz der stehenden Haltung. Diese Leidenschaft erklärt auch die intensive malerische Auseinandersetzung mit diesem Thema. So berühmte Werke wie „Kavallerieoffizier der kaiserlichen Garde zu Pferde“ (1814, Louvre), oder „Apfelschimmel“ (Christie´s, London), aber auch „Kopf eines Pferdes“ (Louvre) und etliche weitere Beispiele. Bezeichnend ist, dass es sich bei seinen Pferdebildern überwiegend um Schimmel oder graue Apfelschimmel handelt. Das Bildmotiv schuf Géricault etliche Male. Dabei ist das Perd sowohl nach links wie nach rechts stehend- aber auch aufbäumend dargestellt, neben Schimmeln finden sich in der Reihe auch braune Hengste. Der Hintergrund ist meist dunkel gehalten. Die Biographie des weltberühmten Géricault ist als hinreichend bekannt vorauszusetzen. Im Zusammenhang mit dem vorliegenden Gemälde, in dem die künstlerischen Zielsetzungen des Künstlers erkennbar sind, seien seine wichtigsten Werke in Erinnerung gebracht, in denen es stets um dynamische Eindrücke auch des Alltäglichen ging, abgesehen von so weltbekannt gewordenenen Ereignissen wie der „Schiffbruch der Medusa“, ein Werk, das den Maler berühmt gemacht hat, oder seine realistischen malerischen Dokumentationen von Krankenhaus-Szenen. Ein identisches Bild befindet sich im Musée des Beaux Arts in Rouen. Zu dem hier vorliegenden Gemälde hat Bruno Chenique, der Experte und Autor zu Géricault, eine umfangreiche und ausführliche Dokumentation erarbeitet. Die Geschichte des Gemäldes, sowie die technischen Untersuchungsergebnisse werden hier vorgestellt. (S. 1-15), zudem mit der Mitteilung, dass das vorliegende Bild in den in Vorbereitung befindlichen „Catalogue raisonné des tableaux de Théodore Géricault“ aufgenommen wird. A.R. Provenienz: Ausgestellt: Paris 1937, „Géricault“, Katalog Nr. 14. Ausgestellt: Museum St. Gallen 1954, Katalog: „Le cheval dans l‘art“, Nr. 12, Abb. Tafel 29. Sammlung A. Wuester. Fischer, Sale Nov. 1960, Lot 1685. Beurret & Bailly, Auktion Internationale Kunst bis 1900, Juni 2020. Galerie Widmer, Cabinet Turquin, Paris, expert, Bâle, März 2020, Nr. 83: Bedeutende Privatsammlung, Frankreich. Verso Aufkleber: Pitt & Sons London, Item Nr. 2085. (1422031) (11) Théodore Géricault, 1791 Rouen – 1824 Paris “CHEVAL GRIS BLANC” also “CHEVAL ARABE GRIS”, CA. 1812/ 1814 Oil on canvas. 59.9 x 73 cm. Accompanied by an expert’s report by Dr Bruno Chenique, (formerly Villa Medici, Rome, Getty Research Institute L. A., members of De l’Union française des experts. Reims, 1 June 2022, with detailed information regarding the previous provenance and examination report. Provenance: Exhibited: Paris 1937, “Géricault”, catalogue no. 14. Exhibited in: Museum St Gallen 1954, catalogue: “Le cheval dans l’art”, no. 12, ill. panel 29. Collection A. Wuester. Fischer, Sale November 1960, lot 1685. Beurret & Bailly, Auktion Internationale Kunst bis 1900, June 2020. Galerie Widmer, Cabinet Turquin, Paris, expert, Bâle, March 2020, no. 83: Collection particulière, France. Label on the reverse: Pitt & Sons London, item no. 2085.

              Hampel Fine Art Auctions
            • After ThÈodore GÈricault (French, 1791-1824), A trompe líoeil head of a man
              Nov. 29, 2024

              After ThÈodore GÈricault (French, 1791-1824), A trompe líoeil head of a man

              Est: £500 - £800

              After Théodore Géricault (French, 1791-1824) A trompe l’oeil head of a man, his cravat formed from the inverted image of a lady playing the mandolin to her lover, after Watteau Oil on board To the reverse is a study of the deposition in oil  Dimensions: (Frame) 15 in. (H) x 13 in. (W) (Board) 10 in. (H) x 7.5 in. (W)

              Sloane Street Auctions
            • Théodore GÉRICAULT
              Nov. 26, 2024

              Théodore GÉRICAULT

              Est: €10,000 - €15,000

              Théodore GÉRICAULT (Rouen, 1791 - Paris, 1824) Trois chevaux à l'écurie Huile sur toile (Toile d'origine) Porte une inscription 'Géricault / Coll. Gral de Brack' à l'encre sur le châssis au verso Three horses in a stable, oil on canvas, by T. Géricault 5.71 x 8.27 in. 14.5 x 21.5 cm Provenance : Peut-être collection général de Brack en 1823 (avec son pendant) ; Collection Pierre Dubaut (son cachet à la cire rouge au verso); Collection particulière, Paris Expositions : Probablement Géricault, Paris, Galerie Charpentier, 1924, n° 340 Théodore Géricault, Winterthur, Kunstmuseum, 30 août - 8 novembre1953, n° 44 Géricault, Paris, Galerie Claude Aubry, 1964, n° 12 Bibliographie : Charles Blanc, Histoire des peintres français au XIXe siècle, tome I, Paris, 1845, p. 443 Philippe Grunchec, Tout l'œuvre peint de Géricault, paris, 1978, n° 238, repr. Lorenz Eitner, "The Literature of Art", Burlington Magazine, mars 1980, p. 209 Georges Bazin, Théodore Géricault, étude critique, documents et catalogue raisonné, tome VII, Paris, 1997, p. 46, 48, p. 227, n° 2557, repr. (comme papier marouflé sur toile) Notre tableau doit être rapproché de la dernière période de Théodore Géricault selon Germain Bazin. Dans les derniers mois de sa vie, notre artiste largement diminué physiquement, livre un certain nombre d’œuvres moins ambitieuses, plus intimes. C’est le cas de notre ravissante esquisse peinte, pour laquelle Géricault par une touche rapide et brutale nous livre les contours des animaux qui le passionnèrent et l’inspirèrent toute sa vie. Endetté, Géricault aurait, par l’intermédiaire de son ami Louis Bro vendu notre toile à Antoine Fortuné de Brack - militaire rencontré par Bro au gré des campagnes de Prusse, de Pologne, d’Allemagne ou de Russie auxquelles il participa - avec trois autres tableaux, dont ce qui constituerait le pendant de notre toile (voir Georges Bazin, Théodore Géricault, étude critique, documents et catalogue raisonné, tome VII, Paris, 1997, p. 46,48, p. 227, n° 2556). Notre œuvre entre par la suite en possession de Pierre Dubaut, l’un des plus importants collectionneurs de l’artiste.  Théodore GÉRICAULT (Rouen, 1791 - Paris, 1824) 14.5 x 21.5 cm Notre tableau doit être rapproché de la dernière période de Théodore Géricault selon Germain Bazin. Dans les derniers mois de sa vie, notre artiste largement diminué physiquement, livre un certain nombre d’œuvres moins ambitieuses, plus intimes. C’est le cas de notre ravissante esquisse peinte, pour laquelle Géricault par une touche rapide et brutale nous livre les contours des animaux qui le passionnèrent et l’inspirèrent toute sa vie. Endetté, Géricault aurait, par l’intermédiaire de son ami Louis Bro vendu notre toile à Antoine Fortuné de Brack - militaire rencontré par Bro au gré des campagnes de Prusse, de Pologne, d’Allemagne ou de Russie auxquelles il participa - avec trois autres tableaux, dont ce qui constituerait le pendant de notre toile (voir Georges Bazin, Théodore Géricault, étude critique, documents et catalogue raisonné, tome VII, Paris, 1997, p. 46,48, p. 227, n° 2556). Notre œuvre entre par la suite en possession de Pierre Dubaut, l’un des plus importants collectionneurs de l’artiste. 

              Artcurial
            • Theodore Gericault Lithograph Jument Egyptienne 1822
              Nov. 24, 2024

              Theodore Gericault Lithograph Jument Egyptienne 1822

              Est: $250 - $300

              Theodore Gericault (French 1791 - 1824) Lithograph on wove paper, Jument Egyptienne (Egyptian Mare,) Printed by Gottfried Engelmann 1822 Signed in plate. Delteil 57. Unframed, mounted in paper folio. Collector's stamp lower right. (5/24) From the estate of George Longstreet. Acquired from the estate of George Longstreet, a renown collector of fine original illustrations and prints, and whose collection has appeared in dozens of museums and exhibits over the last four decades. In 1976, Armand Hammer acquired 5000 Daumier objects that George Longstreet began to amass in Paris more than 50 years ago. The Daumier collection is now part of the permanent collection in the Armand Hammer Wing of the Los Angeles County Museum of Art. Measurements: Approx. sheet 13 x 9.5 inches; portfolio 21.625 x 14.75 Condition: Print in very good condition, some chipping to top edge, toning, light staining, dust soiling. Domestic Shipping: $70

              Carnegie's Auction Gallery
            • Theodore Gericault (French 1791-1824) Passage Mont St. Bernard 1822
              Nov. 23, 2024

              Theodore Gericault (French 1791-1824) Passage Mont St. Bernard 1822

              Est: $1,500 - $2,000

              Gericault, Theodore (French, 1791–1824) Lithograph on paper, PASSAGE DU MONT ST. BERNARD, Signed in plate lower left. 1822. Litho de C. Mott, R des marais to underneath the lithograph to the lower right hand corner. Framed and matted in a black wooden frame. Jean-Louis André Théodore Géricault was an influential French painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he was one of the pioneers of the Romantic movement. - Wikipedia Weight: Approx. 4.5 lbs Measurements: Approx. Print: 14" x 16.25"; framed 22.5" Condition: foxing spots throughout and light rippling to the print. chips around the edges of the frame. (166). Domestic Shipping: $40

              Carnegie's Auction Gallery
            • Géricault, Théodore (1791-1824). "Lara blessé".
              Nov. 22, 2024

              Géricault, Théodore (1791-1824). "Lara blessé".

              Est: €50 - €70

              Géricault, Théodore (1791-1824). "Lara blessé". Lithograph, 17,7x23 cm., "Géricault", "Lith. de Villain" and titled below the image. = Delteil 45, the 3rd state (of 4). Early lithograph. ADDED: Ploos van Amstel, Cornelis (1726-1798). Spinnende herderin met kudde. Printdrawing, printed in brown after Nicolaes BERCHEM, 24,8x35,4 cm., with the Ploos stamp on verso. = LNP 94.

              Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
            • Print, Theodore Gericault
              Nov. 21, 2024

              Print, Theodore Gericault

              Est: $500 - $700

              Theodore Gericault (French, 1791-1824), "Roulier Montant une Cote" from "Quatre Sujets Divers," 1823, lithograph, printed by G. Engelmann (French 1788-1839), published by Mme Hulin, Paris, collectors mark lower left (A Maroni, Lugt 150B), unknown blindstamp lower right, image: 8.75"h x 12"w, overall (with mat): 16"h x 20"w. Provenance: Purchased from R.E Lewis Inc. by Robert Bechtle. Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.

              Clars Auctions
            • JEAN-LOUIS-ANDRÉ-THÉODORE GERICAULT (ROUEN 1791-1824 PARIS). Étude pour la
              Nov. 21, 2024

              JEAN-LOUIS-ANDRÉ-THÉODORE GERICAULT (ROUEN 1791-1824 PARIS). Étude pour la

              Est: €20,000 - €30,000

              JEAN-LOUIS-ANDRÉ-THÉODORE GERICAULT (ROUEN 1791-1824 PARIS). Étude pour la Course de chevaux barbes. graphite 23 x 31 cm (9 x 12 ¼ in.).

              Christie's
            • Théodore Géricault,  French 1791-1824-  Cheval que l'on ferre;  lithograph, printed by François le
              Nov. 20, 2024

              Théodore Géricault,  French 1791-1824-  Cheval que l'on ferre;  lithograph, printed by François le

              Est: £500 - £700

              Théodore Géricault,  French 1791-1824-  Cheval que l'on ferre;  lithograph, printed by François le Villain and published by Gihaut Frères, Boulevard des Italiens, Paris, bears stamp for Ricardo de Los Rios [L.1693c] (lower right), 16.3 x 19.4 cm.  Provenance:  The Collection of Ricardo de Los Rios (1846-1929).  with Emanuel von Baeyer Gallery, where purchased in 2020.  Note:  The present work, depicting 'A Horse being Shod', is one of many prints of equestrian subjects by Géricault which were published by the Gihaut Brothers (fl.1815-1871), with this particular print part of a small album of seven lithographs which, whilst illustrating horses themselves, also reflect the range of social conditions and experiences of those who surround and attend them. 

              Roseberys
            • Théodore Géricault,  French 1791-1824-  Le cheval du plâtrier;  lithograph, 30.3 x 38.8 cm.  Note
              Nov. 20, 2024

              Théodore Géricault,  French 1791-1824-  Le cheval du plâtrier;  lithograph, 30.3 x 38.8 cm.  Note

              Est: £500 - £700

              Théodore Géricault,  French 1791-1824-  Le cheval du plâtrier;  lithograph, 30.3 x 38.8 cm.  Note:  The present print, depicting 'The Plasterer's Horse', was produced for Géricault's series 'Études de chevaux', or 'Studies of Horses', in 1822. 

              Roseberys
            • Théodore Géricault,  French 1791-1824-  Dead horse;  lithograph, 19.4 x 23.8 cm. 
              Nov. 20, 2024

              Théodore Géricault,  French 1791-1824-  Dead horse;  lithograph, 19.4 x 23.8 cm. 

              Est: £500 - £700

              Théodore Géricault,  French 1791-1824-  Dead horse;  lithograph, 19.4 x 23.8 cm. 

              Roseberys
            • Théodore Géricault,  French 1791-1824-  Cheval de la plaine de Caen;  lithograph, 24.6 x 30.4 cm. 
              Nov. 20, 2024

              Théodore Géricault,  French 1791-1824-  Cheval de la plaine de Caen;  lithograph, 24.6 x 30.4 cm. 

              Est: £500 - £700

              Théodore Géricault,  French 1791-1824-  Cheval de la plaine de Caen;  lithograph, 24.6 x 30.4 cm.  Note:  This print was first produced in 1822, as part of Géricault's series entitled 'Études de Chevaux', or 'Studies of Horses'. 

              Roseberys
            • Théodore Géricault,  French 1791-1824-  Three Horses Led by a Groom to be Skinned;  lithograph, 13
              Nov. 20, 2024

              Théodore Géricault,  French 1791-1824-  Three Horses Led by a Groom to be Skinned;  lithograph, 13

              Est: £500 - £700

              Théodore Géricault,  French 1791-1824-  Three Horses Led by a Groom to be Skinned;  lithograph, 13.7 x 22.1 cm.  Note:  The present print is from Géricault's series of equestrian prints entitled 'Etudes de Chevaux', or 'Studies of Horses', which was published in 1822. 

              Roseberys
            • Attributed to Theodore Gericault, French 1791-1824, Study of two men, ink and watercolour on paper, approx.8cm by 13.5cm
              Oct. 23, 2024

              Attributed to Theodore Gericault, French 1791-1824, Study of two men, ink and watercolour on paper, approx.8cm by 13.5cm

              Est: $2,000 - $4,000

              Attributed to Theodore Gericault French, 1791-1824 Study of two men ink and watercolour on paper

              Artvisory
            • THEODORE GERICAULT, GALERIE CLAUDE AUBRY EXHIBITION, POSTER
              Oct. 06, 2024

              THEODORE GERICAULT, GALERIE CLAUDE AUBRY EXHIBITION, POSTER

              Est: $150 - $250

              Artist: Theodore Gericault, French (1791 - 1824) Title: Galerie Claude Aubry Exhibition Year: 1964 Medium: Poster Image Size: 24.5 x 17.5 inches Size: 25 x 18 in. (63.5 x 45.72 cm)

              RoGallery
            • T. GÉRICAULT (*1791) Circle, Horse over French dragoon, Lithography
              Aug. 31, 2024

              T. GÉRICAULT (*1791) Circle, Horse over French dragoon, Lithography

              Est: €75 - €125

              Théodore Géricault (1791 Rouen - 1824 Paris) Circle: Rising horse above French dragoon on grim battlefield, 19th century, Lithography Technique: Lithography on Paper Inscription: Inscribed below. Date: 19th century Keywords: 19th century, Romanticism, Military, France, Size: Paper: 44,3 cm x 37,0 cm (17,4 x 14,6 in), Depiction: 30,0 cm x 31,0 cm (11,8 x 12,2 in)

              Fichter Kunsthandel
            • ANONYMOUS FRENCH (19th century) "Wounded cuirassier leaving the battlefield"
              Jun. 25, 2024

              ANONYMOUS FRENCH (19th century) "Wounded cuirassier leaving the battlefield"

              Est: €390 - €520

              Graphite and clarion on paper In the lower right part recently inscribed: "-Knight of dragons/French-". Drawing that copies the oil painting made by Theodore Gericault (1791 - 1824) and kept in the Louvre Museum Measurements: 65 x 50 cm

              Ansorena
            • THÉODORE GÉRICAULT (1791-1824), COPY AF
              Jun. 25, 2024

              THÉODORE GÉRICAULT (1791-1824), COPY AF

              Est: -

              Théodore Géricault (1791-1824), copy after "Retreat from Russia", two freezing, injured soldiers waiting on the battlefield, anonymous 19th century copy in oil on canvas, unsigned, rubbed, 60 x 50 cm

              Historia Auctionata
            • GERICAULT ENGRAVING OF THE WRECK
              Jun. 22, 2024

              GERICAULT ENGRAVING OF THE WRECK

              Est: $1,500 - $3,000

              GERICAULT, Théodore (1791-1824) after. The Wreck. Engraving by Jas. Egan. London: Harding, 1832. 13 3/4" x 17 5/8" sheet.

              Arader Galleries
            • GÉRICAULT THÉODORE (1791 - 1824) - 19th Cent. oil
              May. 04, 2024

              GÉRICAULT THÉODORE (1791 - 1824) - 19th Cent. oil

              Est: - €1,000

              19th Cent. oil on canvas with a preliminary study/sketch of a composition with a raft and characters with typically grey faces - attributed to Théodore Géricault The man standing farthest left shows similarities with the carpenter of the famous work "Radeau de la Méduse" GÉRICAULT THÉODORE (1791 - 1824) olieverfschilderij op doek met een voorstudie/schets van een compositie met een vlot en met personages met typisch grijze gelaten - 38 x 45 toegeschreven aan de meest links staande man vertoont gelijkenissen met de timmerman van het beroemde werk "Radeau de la Méduse"

              DVC
            • THÉODORE GÉRICAULT Passage du Mont Saint-Bernard.
              Apr. 18, 2024

              THÉODORE GÉRICAULT Passage du Mont Saint-Bernard.

              Est: $1,500 - $2,500

              THÉODORE GÉRICAULT Passage du Mont Saint-Bernard. Lithograph, 1822. 355x415mm; 14x16¼ inches, wide margins. Third state (of 4). Published by A.V. Arnault. From Vie Politique et Militaire de Napoléon. A very good impression. This early lithograph by the French Romantic movement artist Géricault (1791-1824) represents Napoleon and his troops crossing the Alps at the Saint-Bernard pass during the campaign against the Austrian army in Italy in 1800. Napoleon's quick maneuvering through the Alps caught the Austrians, who were laying siege to Genoa, by surprise and he won a decisive battle at Marengo which led to his installation as First Consul and ultimately Emperor of France. Delteil 44.

              Swann Auction Galleries
            • THÉODORE GÉRICAULT (1791-1824),
              Apr. 16, 2024

              THÉODORE GÉRICAULT (1791-1824),

              Est: -

              Théodore Géricault (1791-1824), copy after ''Retreat from Russia'', two freezing, injured soldiers waiting on the battlefield, anonymous 19th century copy in oil on canvas, unsigned, rubbed, 60 x 50 cm

              Historia Auctionata
            • Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Study of a wagon drawn by six horses
              Apr. 10, 2024

              Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Study of a wagon drawn by six horses

              Est: £1,000 - £1,500

              Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Study of a wagon drawn by six horses pencil on paper 19.4 x 40.1cm (7 5/8 x 15 13/16in).

              Bonhams
            • Théodore GERICAULT (1791-1824) Le naturaliste Kummer devant le roi Zaïd
              Apr. 07, 2024

              Théodore GERICAULT (1791-1824) Le naturaliste Kummer devant le roi Zaïd

              Est: €8,000 - €10,000

              Théodore GERICAULT (1791-1824) Le naturaliste Kummer devant le roi Zaïd Aquarelle sur esquisse au crayon noir 11 x 16.8 cm Avec cadre : 29 x 35.5 cm Provenance : Alexandre Corréard, Paris (vers 1852); M. Leclère Fils, Paris (vers 1867); Collection Marmontel, sa vente à Paris, Hôtel Drouot, 11-14 Mai 1868, lot 163; M. Rouher, Paris Vente Sotheby's Londres le 30 mars 1977, lot 109; Vente Sotheby’s Londres le 9 juillet 2014, lot 166 Exposition : Galerie Jan Krugier, New York & Genève, Victor Hugo and the Romantic Vison, Drawin,gs & Watercolors, 1990-1991, n°53 ill. Bibliographie: C. Clément, 'Catalogue de l'oeuvre de Géricault (2ème et dernier article)', Gazette des Beaux-Arts, Octobre 1867, no.126C; C. Clément, Géricault, Etude biographique et critique et catalogue raisonné, Paris 1868 & 1879, pp. 357-358, no.139C (dessins); L. Eitner, Géricault's Raft of the Medusa, London, 1972, p. 173, no. 112 J. Barran, 'Théodore Géricault, illustrations to Alexandre Corréard’s Le Naufrage de la Méduse', in The Burlington Magazine, vol. CXIX, no. 889, Avril 1977, pp. 309-311; Galerie Jan Krugier (ed.), Dix Ans d'activité, Geneva, 1983, no. 7, ill. G. Bazin, Théodore Géricault, Etude critique, Documents et Catalogue Raisonné, vol. VI, 1994, Paris, no. 2119, p.182 ill.; Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski, Berlin, 1999, p. 402, ill. A. Alhadeff, The Raft of the Medusa. Géricault, Art, and Race, Munich & London, 2002, pp. 88-94, fig. 40, ill. Watercolour on black pencil sketch, 4.3 x 6.6 in, with frame : 11 27⁄64 x 13 31⁄32 in

              Osenat
            • JEAN-LOUIS-ANDRÉ-THÉODORE GERICAULT (ROUEN 1791-1824 PARIS) Étude de cheval
              Mar. 20, 2024

              JEAN-LOUIS-ANDRÉ-THÉODORE GERICAULT (ROUEN 1791-1824 PARIS) Étude de cheval

              Est: €6,000 - €8,000

              JEAN-LOUIS-ANDRÉ-THÉODORE GERICAULT (ROUEN 1791-1824 PARIS) Étude de cheval et homme tenant un cheval arnaché plume et encre brune, craie blanche, sur papier calque verni 25 x 35,7 cm (9 7⁄8 x 14 in.)

              Christie's
            • Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Scène orientale (Le Massacre des Janissaires ?) (recto) ; Croquis (ilisible) (verso)
              Mar. 20, 2024

              Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Scène orientale (Le Massacre des Janissaires ?) (recto) ; Croquis (ilisible) (verso)

              Est: €15,000 - €20,000

              Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Scène orientale (Le Massacre des Janissaires ?) (recto) ; Croquis (ilisible) (verso) pierre noire, plume et encre brune, sur papier partiellement collé en plein black chalk, pen and brown ink, on paper partially laid down 20 x 13.5cm (7 7/8 x 5 5/16in).

              Bonhams
            • Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Tête d'homme
              Mar. 20, 2024

              Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Tête d'homme

              Est: €10,000 - €15,000

              Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Tête d'homme plume et encre brune, lavis brun sur papier beige pen and brown ink, brown wash on beige paper 23.4 x 16.2cm (9 3/16 x 6 3/8in).

              Bonhams
            • Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Étude pour le Radeau de la Méduse (recto); Etude de figure pour un des personnages du Radeau de la Méduse (verso)
              Mar. 20, 2024

              Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Étude pour le Radeau de la Méduse (recto); Etude de figure pour un des personnages du Radeau de la Méduse (verso)

              Est: €25,000 - €30,000

              Jean-Louis André Théodore Géricault (Rouen 1791-1824 Paris) Étude pour le Radeau de la Méduse (recto); Etude de figure pour un des personnages du Radeau de la Méduse (verso) pierre noire, plume et encre brune sur papier black chalk, pen and brown ink on paper 12 x 20cm (4 3/4 x 7 7/8in).

              Bonhams
            • Théodore GERICAULT (1791 - 1824) Passage du Mont S…
              Mar. 12, 2024

              Théodore GERICAULT (1791 - 1824) Passage du Mont S…

              Est: €40 - €60

              Théodore GERICAULT (1791 - 1824) Passage du Mont Saint Bernard. Lithographie. Belle épreuve avec quelques taches, traces de plis, petits accidents et restaurations sur les bords, légers manques. (Delteil 44, IIIe/IV) 35,2 x41 cm. Provenance : collection Jean Mazel SC

              Mallié-Arcelin
            • POSSIBLY THEODORE GERICAULT (1791-1824) "SKETCH WITH FIGURES".
              Mar. 07, 2024

              POSSIBLY THEODORE GERICAULT (1791-1824) "SKETCH WITH FIGURES".

              Est: $1,500 - $2,500

              POSSIBLY THEODORE GERICAULT (1791-1824) "SKETCH WITH FIGURES". European (France), early 19th Century. Watercolor on paper, matted and framed. View of one figure holding another, while a third lies on the ground. Signed on lower left. Light toning and a few spots. 7.5"h. 5.5"w. (sight). Frame,15.5"h. 13.5"w.

              Amelia Jeffers
            • THEODORE GERICAULT, GALERIE CLAUDE AUBRY EXHIBITION, POSTER
              Feb. 24, 2024

              THEODORE GERICAULT, GALERIE CLAUDE AUBRY EXHIBITION, POSTER

              Est: $150 - $250

              Artist: Theodore Gericault, French (1791 - 1824) Title: Galerie Claude Aubry Exhibition Year: 1964 Medium: Poster Image Size: 24.5 x 17.5 inches Size: 25 x 18 in. (63.5 x 45.72 cm)

              RoGallery
            • Jean-Louis-André-Théodore Géricault (1791-1824), Old Horse at an Inn Door
              Feb. 14, 2024

              Jean-Louis-André-Théodore Géricault (1791-1824), Old Horse at an Inn Door

              Est: £200 - £300

              Jean-Louis-André-Théodore Géricault (1791-1824), Old Horse at an Inn Door, 1822 A later restrike Lithograph on paper  Dimensions: (Plate) 10.5 in. (H) x 15.5 in. (W) (Frame) 20 in. (H) x 25.5 in. (W)

              Sloane Street Auctions
            • Cupid Disarmed by Venus
              Feb. 02, 2024

              Cupid Disarmed by Venus

              Est: $4,000 - $6,000

              Jean-Louis-André-Théodore Gericault 1791 - 1824 Cupid Disarmed by Venus Pen and brown ink and wash over black chalk on red prepared paper; bears attribution on the mount in pen and brown ink, lower center: T. Géricault. 173 by 119 mm; 6¾ by 4¾ in.

              Sotheby's
            • Portrait of Adam Elmore
              Feb. 01, 2024

              Portrait of Adam Elmore

              Est: $150,000 - $250,000

              Property From a French Family Collection Théodore Géricault Rouen 1791 - 1824 Paris Portrait of Adam Elmore oil on canvas canvas: 20 ⅛ by 13 ½ in.; 51.2 by 34.2 cm. framed: 37 by 30 in.; 94.0 by 76.2 cm.

              Sotheby's
            • Portrait of Zoë Elmore
              Feb. 01, 2024

              Portrait of Zoë Elmore

              Est: $300,000 - $500,000

              Property From a French Family Collection Théodore Géricault Rouen 1791 - 1824 Paris Portrait of Zoë Elmore oil on canvas canvas: 25 ¾ by 21 ⅝ in.; 65.5 by 55.0 cm. framed: 31 ½ by 27.4 in.; 80 by 69.5 cm.

              Sotheby's
            • A carriage horse, seen from behind
              Jan. 31, 2024

              A carriage horse, seen from behind

              Est: $25,000 - $35,000

              Théodore Géricault Rouen 1791 - 1824 Paris A carriage horse, seen from behind Black chalk and black lead 244 by 296 mm; 9 ⅝ by 11 ⅝ in.

              Sotheby's
            • The Arabian Horse
              Jan. 31, 2024

              The Arabian Horse

              Est: $40,000 - $60,000

              Théodore Géricault Rouen 1791 - 1824 Paris The Arabian Horse Watercolor and gouache over a lithographic base 186 by 230 mm; 7 ⅜ by 9 in.

              Sotheby's
            • Zoë et Adam Elmore on horseback
              Jan. 31, 2024

              Zoë et Adam Elmore on horseback

              Est: $100,000 - $150,000

              Théodore Géricault Rouen 1791 - 1824 Paris Zoë et Adam Elmore on horseback Watercolor heightened with white over traces of black chalk 274 by 219 mm; 10 ¾ by 8 ⅝ in.

              Sotheby's
            • Zoë Elmore riding side-saddle
              Jan. 31, 2024

              Zoë Elmore riding side-saddle

              Est: $200,000 - $300,000

              Théodore Géricault Rouen 1791 - 1824 Paris Zoë Elmore riding side-saddle Watercolor heightened with white over traces of black chalk 239 by 250 mm; 9 ⅜ by 9 ⅞ in.

              Sotheby's
            • Two horses in a stable
              Jan. 31, 2024

              Two horses in a stable

              Est: $200,000 - $300,000

              Théodore Géricault Rouen 1791 - 1824 Paris Two horses in a stable Watercolor 185 by 230 mm; 7¼ by 9 in.

              Sotheby's
            • ANONYMOUS FRENCH (19th century) "Wounded cuirassier leaving the battlefield"
              Dec. 18, 2023

              ANONYMOUS FRENCH (19th century) "Wounded cuirassier leaving the battlefield"

              Est: €750 - €1,000

              Graphite and clarion on paper In the lower right part recently inscribed: "-Knight of dragons/French-". Drawing that copies the oil painting made by Theodore Gericault (1791 - 1824) and kept in the Louvre Museum Measurements: 65 x 50 cm

              Ansorena
            • CROQUIS LITHOGRAPHIQUES, ÉTUDES DE CHEVAUX D'APRÈS NATURE.
              Dec. 14, 2023

              CROQUIS LITHOGRAPHIQUES, ÉTUDES DE CHEVAUX D'APRÈS NATURE.

              Est: €500 - €600

              21 lithographs, various dimensions, wove paper c. 29 x 38 cm, 2 on chine appliqué, signed in the stone (occ. light spotting and dampstaining, occ. marg. tears). - Large interesting set of various states from various suites depicting scenes with horses. 5 pl. double and 2 pl. triple copies (12 unique depictions).

              Arenberg Auctions
            • Géricault, Théodore
              Dec. 13, 2023

              Géricault, Théodore

              Est: €100 - €150

              (1791 Rouen - Paris 1824) nach. Deux chevaux gris pommelés que l'on promène. Lithographie auf aufgewalztem China von Villain. 28,7 x 41,8, Blgr. 38,5 x 55 cm. Mit den Namensz. im Stein. - Trägerpapier etw. stockfl. u. unt. li. Eck knickf. D

              Kiefer Buch- und Kunstauktionen
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