Vilmo Gibello Sold at Auction Prices

b. 1916 - d. 2013

Born in Northern Italy, Vilmo Gibello studied in Rome, Paris and Vienna and had his first one man exhibition in Geneva in 1948.

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    • Vilmo Gibello, Italian 1916-2013- 'Blue Horses, Rome, The Circus Ring' 1954; oil on canvas, signed
      Jul. 03, 2019

      Vilmo Gibello, Italian 1916-2013- 'Blue Horses, Rome, The Circus Ring' 1954; oil on canvas, signed

      Est: £300 - £500

      Vilmo Gibello, Italian 1916-2013- 'Blue Horses, Rome, The Circus Ring' 1954; oil on canvas, signed and dated '54', signed, dated and titled on the reverse, 93 x 93cm (ARR) Provenance: Private collection, London Note: Vilmo Gibello was an Italian Surrealist-Expressionist painter born in 1916, who spent time living in England, Germany, and Spain, exhibiting widely throughout Europe. Please refer to department for condition report

      Roseberys
    • VILMO GIBELLO (1916-2013) Figura. Mixed technique on canvas of 61 x 76 cm. Signed and dated in 1978.
      Feb. 28, 2018

      VILMO GIBELLO (1916-2013) Figura. Mixed technique on canvas of 61 x 76 cm. Signed and dated in 1978.

      Est: -

      Técnica mixta sobre lienzo de 61 x 76 cm. Firmada y fechada en 1978.

      Sala Retiro Subastas
    • VILMO GIBELLO (1916-2013) Figura
      Oct. 19, 2017

      VILMO GIBELLO (1916-2013) Figura

      Est: -

      VILMO GIBELLO (1916-2013) Figure. Mixed media on canvas Técnica mixta sobre lienzo de 61 x 76 cm. Firmado y fechado en 1978.

      Sala Retiro Subastas
    • § Vilmo Gibello (1916 -2013) Italian school, still life with cat,
      Feb. 26, 2014

      § Vilmo Gibello (1916 -2013) Italian school, still life with cat,

      Est: £600 - £1,000

      § Vilmo Gibello (1916 -2013) Italian school, still life with cat, signed and dated 97, oil on canvas Gibello was born in Piedmont Italy , he studied in Rome and Paris, held his first solo exhibition in Vienna in 1948, and was active into old age . In 1966 he was commissioned by the Sunday Times in London, along with artist Edward Pirotta, to produce blackamoor figures. Art experts of the day were asked to establish an attribution while the figures were on show at Knight Frank and Rutley's saleroom in London, the general consensus was that they were genuine 18th C carvings. The Times revelled in the hoax but had to reveal the truth before the sale and interest in buying had already been expressed h:27 w:36 in.

      Ewbank's
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