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John (1790) Gibson Sold at Auction Prices

Sculptor, b. 1790 - d. 1866

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  • John Gibson, English (1760 - 1866)
    Aug. 09, 2023

    John Gibson, English (1760 - 1866)

    Est: $300 - $500

    John Gibson, English (1760 - 1866) Parian Group Previously Mounted as a Lamp "Venus and Cupid" Signed and Marked Art Union of London 1858, John Gibson Sculp. J. Ridgway Bates & Co. Measures 20-1/4" x 16-1/2" x 11-1/2". Estimate: $300.00 - $500.00 Domestic Shipping: Third party Condition: Chip to one toe otherwise good condition.

    Kodner Galleries
  • John Gibson (active ca 1750-1790) hand colored Etchings, World Maps Bound
    Dec. 11, 2022

    John Gibson (active ca 1750-1790) hand colored Etchings, World Maps Bound

    Est: $1,500 - $2,500

    John Gibson (active c1750 - c1790). Originally bound in hard covers, a series of hand colored Etchings, World Maps - comprises one spread with the world map, additionally, twenty continent and country maps - North and South America, Europe, Africa and Asia. Laid papers. Each with with decorative title cartouche. Covers are paper covered boards. Approx. Measurements: 11 x 16 x 0.75 inches. Domestic Shipping: $15

    Global Auctions Company
  • MANNER OF JOHN GIBSON (BRITISH 1790-1866), A TERRACOTTA FIGURE, EARLY 19TH CENTURY
    May. 30, 2022

    MANNER OF JOHN GIBSON (BRITISH 1790-1866), A TERRACOTTA FIGURE, EARLY 19TH CENTURY

    Est: £700 - £1,000

    MANNER OF JOHN GIBSON (BRITISH 1790-1866), A TERRACOTTA FIGURE, EARLY 19TH CENTURY MANNER OF JOHN GIBSON (BRITISH 1790-1866), A TERRACOTTA FIGURE, EARLY 19TH CENTURY, classical male nude, possibly Hercules, seated upon a lion pelt with a naturalistic base on a square plinth. (missing arms) 31cm high x 11cm wide x 12cm deep From the property of a Lady

    Chiswick Auctions
  • John Gibson (active ca 1750-1790) hand colored Etchings, World Maps Bound
    Jan. 23, 2022

    John Gibson (active ca 1750-1790) hand colored Etchings, World Maps Bound

    Est: $2,000 - $3,000

    John Gibson (active c1750 - c1790). Originally bound in hard covers, a series of hand colored Etchings, World Maps - comprises one spread with the world map, additionally, twenty continent and country maps - North and South America, Europe, Africa and Asia. Laid papers. Each with with decorative title cartouche. Covers are paper covered boards. Approx. Measurements: 11 x 16 x 0.75 inches. Domestic Shipping: $15

    Global Auctions Company
  • PARIAN FIGURAL GROUP John Gibson (English, 1790-1866), Venus and Cupid, impressed 'Art Union of London 1858' 17 x 11 x 19 inches
    Oct. 13, 2020

    PARIAN FIGURAL GROUP John Gibson (English, 1790-1866), Venus and Cupid, impressed 'Art Union of London 1858' 17 x 11 x 19 inches

    Est: $100 - $200

    PARIAN FIGURAL GROUP John Gibson (English, 1790-1866), Venus and Cupid, impressed 'Art Union of London 1858' 17 x 11 x 19 inches

    Bill Hood & Sons Arts & Antiques Auctions
  • John Gibson British, 1790-1866 Bust of a Woman
    Jun. 03, 2020

    John Gibson British, 1790-1866 Bust of a Woman

    Est: $5,000 - $7,000

    John Gibson British, 1790-1866 Bust of a Woman Signed J GIBSON FECIT ROMÆ on the backside Marble Height 19 1/2 inches Estate of Steven R. Gross

    DOYLE Auctioneers & Appraisers
  • JOHN GIBSON, (1790–1866), ROME, CIRCA 1829 - BUST OF A NOBLEMAN, PROBABLY LORD FREDERICK MONSON, 5TH BARON MONSON
    Dec. 04, 2019

    JOHN GIBSON, (1790–1866), ROME, CIRCA 1829 - BUST OF A NOBLEMAN, PROBABLY LORD FREDERICK MONSON, 5TH BARON MONSON

    Est: £4,000 - £6,000

    JOHN GIBSON, (1790–1866), ROME, CIRCA 1829 BUST OF A NOBLEMAN, PROBABLY LORD FREDERICK MONSON, 5TH BARON MONSON 28 ¾ in. (73 cm.) high, overall

    Christie's
  • A WHITE MARBLE BUST OF GEORGE WATSON TAYLOR - BY JOHN GIBSON (1790-1866), 1819
    Oct. 29, 2019

    A WHITE MARBLE BUST OF GEORGE WATSON TAYLOR - BY JOHN GIBSON (1790-1866), 1819

    Est: $10,000 - $20,000

    A WHITE MARBLE BUST OF GEORGE WATSON TAYLOR BY JOHN GIBSON (1790-1866), 1819 32 in. (81.3 cm.) high, 24 ¼ in. (61.6 cm.) wide

    Christie's
  • JOHN GIBSON (1790-1866)Cupidon céleste
    Nov. 29, 2016

    JOHN GIBSON (1790-1866)Cupidon céleste

    Est: €30,000 - €50,000

    JOHN GIBSON (1790-1866) Cupidon céleste Buste en marbre blanc. Signé et titré au dos "Opus.I. (pour Johannis) GIBSON". Vers 1830-1840. (Petit accident et manque dans la chevelure). A white marble bust figuring heavenly Cupid by J. Gibson. Signed and titled on the back. HAUT. 57cm (DONT PIÉDOUCHE: 10cm 22 7/16 IN. - INCL. BASE 3 15/16 IN.

    Tajan
  • TWO CARVED WHITE MARBLE BUSTS OF ISABELLA AND GEORGE JEROME WATSO
    Jul. 13, 2016

    TWO CARVED WHITE MARBLE BUSTS OF ISABELLA AND GEORGE JEROME WATSO

    Est: £800 - £1,200

    TWO CARVED WHITE MARBLE BUSTS OF ISABELLA AND GEORGE JEROME WATSON TAYLOR ATTRIBUTED TO JOHN GIBSON R.A. (1790-1866), 1816 Each on a circular marble socle, the sitter’s name inscribed to the reverse, signed and dated to the reverse ‘I GIBSON FT 1816’ and ‘I G. F.T 1816’ respectively 15 in. (38 cm.) high, and slightly smaller (2)

    Christie's
  • JOHN GIBSON | Bust of Cupid
    May. 20, 2015

    JOHN GIBSON | Bust of Cupid

    Est: £3,000 - £5,000

    white marble

    Sotheby's
  • [ BOOK ]
    Jul. 25, 2013

    [ BOOK ]

    Est: £30 - £40

    MRS ELIZABETH F ELLET: WOMAN ARTISTS IN ALL AGES AND COUNTRIES, L, 1859, 1st edn, presentation inscr from Elizabeth Colling "Eta Mawr", (1799-1879) to the sculptor John Gibson (1790-1866), orig decor blind stpd cl gt worn

    Keys Fine Art Auctioneers
  • JOHN GIBSON (1790-1866) PARIAN GROUP "VENUS AND CUPID," J. RIDGEWAY, BATES & CO.
    Jun. 08, 2013

    JOHN GIBSON (1790-1866) PARIAN GROUP "VENUS AND CUPID," J. RIDGEWAY, BATES & CO.

    Est: $500 - $800

    JOHN GIBSON (1790-1866) PARIAN GROUP "VENUS AND CUPID," J. RIDGEWAY, BATES & CO. impressed Art Union of London 1858, J. Gibson, R.A., Sculpt, and J. Ridgeway, Bates & Co. - h:18 w:15 d:10 in. Provenance: Estate of Sparks MD

    Potomack Company
  • JOHN  GIBSON  (1790-1866)ITALIAN,  CIRCA  1850
    Jul. 03, 2012

    JOHN  GIBSON  (1790-1866)ITALIAN,  CIRCA  1850

    Est: £4,000 - £6,000

    PROPERTY  FROM  A  PRIVATE  LONDON  LIBRARY  (LOTS  107-112) BUST  OF  EDWARD,  1υST  VISCOUNT  CARDWELL  (1813–1886) signed:  I  GIBSON  /  ROMA marble overall:  69cm.,  27in.

    Sotheby's
  • John Gibson RA (1791-1866), a carved white marble bust of a nymph, 21ins
    Feb. 01, 2012

    John Gibson RA (1791-1866), a carved white marble bust of a nymph, 21ins

    Est: £8,000 - £10,000

    John Gibson RA (1791-1866), a carved white marble bust of a nymph, on circular socle, signed I. GIBSON, FT, ROMAE, 21ins

    Gorringes
  • An English parian figural group depicting Venus and Cupid
    Oct. 30, 2011

    An English parian figural group depicting Venus and Cupid

    Est: $1,200 - $1,800

    After a model by John Gibson (English 1790-1866), inscribed ART UNION OF LONDON 1858 height 19in

    Bonhams
  • After John Gibson RA, English (1791-1866) A mid 19th century Parian ware figural group of Venus and Cupid by J. Ridgeway Bates & Co.
    Jan. 19, 2011

    After John Gibson RA, English (1791-1866) A mid 19th century Parian ware figural group of Venus and Cupid by J. Ridgeway Bates & Co.

    Est: £600 - £800

    by J. Ridgeway Bates & Co. the seated figure of Venus holding a rose and looking up to receive the kiss of Cupid, his bow fallen to the ground, on a naturalistic base, inscribed ART UNION OF LONDON 1858 and signed J. GIBSON, R.A. SCULPT and J. RIDGEWAY, BATES & CO., on an ebonised plinth base, 48cm high, 62cm including plinth,

    Bonhams
  • John Gibson RA, English (1791-1866)An early 19th century carved white marble figure of a young girl
    Nov. 03, 2010

    John Gibson RA, English (1791-1866)An early 19th century carved white marble figure of a young girl

    Est: £12,000 - £18,000

    An early 19th century carved white marble figure of a young girl with a hair swept back into a bun and looking to dexter with her tunic undone and right breast exposed, holding cymbals in each hand, standing contra posto with a tree stump behind on a circular plinth base, signed 'I GIBSON ME FECIT ROMA', 150cm high (59" high).

    Bonhams
  • John Gibson (English, 1790-1866), venus and cupid, Parian figure group, impressed 'Art Union of London 1858', with 'A. Gibson R.A Sc
    May. 29, 2009

    John Gibson (English, 1790-1866), venus and cupid, Parian figure group, impressed 'Art Union of London 1858', with 'A. Gibson R.A Sc

    Est: $500 - $700

    John Gibson (English, 1790-1866) venus and cupid Parian figure group, impressed 'Art Union of London 1858', with 'A. Gibson R.A Sculp.' and 'J. Ridgway Bates & Co.'. H: 19 in.

    Freeman's | Hindman
  • A CARVED MARBLE BUST OF GEORGE W. WATSON TAYLOR, M.P. (1771-1841)
    Jul. 10, 2008

    A CARVED MARBLE BUST OF GEORGE W. WATSON TAYLOR, M.P. (1771-1841)

    Est: £15,000 - £20,000

    A CARVED MARBLE BUST OF GEORGE W. WATSON TAYLOR, M.P. (1771-1841) BY JOHN GIBSON R.A. (1790-1866), 1819 Depicted facing to dexter and with classical drapery about the shoulders; on a circular marble socle signed and dated to the reverse 'I GIBSON F. ROMA 1819' 25½ in. (64.8 cm.) high; 31 in. (78.7 cm.) high, overall

    Christie's
  • John Gibson (1791-1866) English, first half 19th century , A marble statue of Cupid as a Shepherd white marble, on a black painted wooden base
    Jul. 09, 2008

    John Gibson (1791-1866) English, first half 19th century , A marble statue of Cupid as a Shepherd white marble, on a black painted wooden base

    Est: £15,000 - £20,000

    signed: OPVS IOANNIS GIBSON ROMAE white marble, on a black painted wooden base

    Sotheby's
  • John Gibson, English, 19th (1791-1866) A carved marble bust of a gentleman
    Apr. 15, 2008

    John Gibson, English, 19th (1791-1866) A carved marble bust of a gentleman

    Est: £3,000 - £5,000

    wearing a draped robe, inscribed to the back I. GIBSON. ROMAE/ Ft., on a turned socle, 75cm high, (29.5" high)

    Bonhams
  • John Gibson , British 1791-1866 CUPID DISGUISED AS A SHEPHERD BOY white marble, raised on a black and red scagolia columar pedestal
    Apr. 14, 2008

    John Gibson , British 1791-1866 CUPID DISGUISED AS A SHEPHERD BOY white marble, raised on a black and red scagolia columar pedestal

    Est: $40,000 - $60,000

    signed J. GIBSON FECIT ROMAE white marble, raised on a black and red scagolia columar pedestal

    Sotheby's
  • John Gibson (1791-1866) English, carved in Rome, 1826-1829 , Cupid
    Dec. 05, 2007

    John Gibson (1791-1866) English, carved in Rome, 1826-1829 , Cupid

    Est: £10,000 - £15,000

    signed: GIBSON FECIT ROMAE

    Sotheby's
  • John Gibson RA (1790-1866) Maharajah Duleep Singh, Last Ruler of the Punjab (1838-93), a portrait bust sculpted in Rome, 1859-60
    Apr. 19, 2007

    John Gibson RA (1790-1866) Maharajah Duleep Singh, Last Ruler of the Punjab (1838-93), a portrait bust sculpted in Rome, 1859-60

    Est: £25,000 - £35,000

    white marble, in two sections, signed verso I. Gibson fecit Romae 74 cm. high

    Bonhams
  • JOHN GIBSON BRITISH, 1791-1866
    Jul. 09, 2004

    JOHN GIBSON BRITISH, 1791-1866

    Est: £8,000 - £12,000

    signed: I. GIBSON FECIT ROMÆ white marble

    Sotheby's
  • A CIRCULAR CARVED MARBLE PORTRAIT PROFILE RELIEF OF JOHN GIBSON
    Dec. 12, 2002

    A CIRCULAR CARVED MARBLE PORTRAIT PROFILE RELIEF OF JOHN GIBSON

    Est: $1,590 - $2,385

    Attributed to Harriet Hosmer (1830-1908), circa 1866 Signed below the truncation 'J. GIBSON. ROME. OBIT 27 JANY. 1866'; in a circular giltwood frame; with a paper label to the reverse inscribed 'John Gibson sculptor Rome modeled by himself C...marble by B.E. Spence presented by him/to...Lister... SEPT...'. Minor losses to gilding. 12 5/8 in. (32 cm.) diam. NOTES John Gibson (1790-1866), originally British, lived primarily in Rome and was one of the most prominent figures of the Anglo-Roman neo-classical school. In the 1850s, Gibson took on the American sculptor Harriet Hosmer, who coined the famous phrase about Gibson, 'he is a god in his studio but God help him out of it.' Over the course of his life and after his death, a number of portrait busts and medallions of Gibson were executed by his colleagues and admirers. There is a portrait roundel by Gibson's student Harriet Hosmer, currently in the National Portrait Gallery, which is almost identical to the present roundel and the portrait roundel on Gibson's grave stele in Rome, thus suggesting that this roundel is also by her. The hand-written label on the back of the present roundel suggests in fact that it was done by Benjamin Edward Spence, however it is likely that this is an erroneous postscript.

    Christie's
  • JOHN GIBSON (BRITISH, 1790-1866) BUST OF A NYMPH
    May. 20, 1994

    JOHN GIBSON (BRITISH, 1790-1866) BUST OF A NYMPH

    Est: -

    White marble, on socle 53 cm (20 3/4 in) high overall John Gibson, the leading English neo-classical sculptor in Rome and a pupil of both Canova and Thorvaldsen, referred to these works as his "fancy busts". He often took the compositions from his most successful full-length statues, or made original designs to create refined sculptures for private collectors visiting his studio. The present bust of a Nymph relates closely to the Nymph untying her Sandal (1831), one of Gibson's most important early commissions, made for the Earl of Yarborough and exhibited at the Royal Academy. In this bust, however, Gibson has significantly changed the formation of the hair. Other examples in this genre are his bust of a Naiad from the group of Hylas and the Naiads, Tate Gallery, and the bust of Aurora from the statue in the National Museum of Wales. Gibson admired the ideal heads of Canova and wrote: "there is a dignity in the female heads of the antique but in Canova a sweet tender loveliness is the most predominant (feature); in the antique the edges of the nose are more sharp, Canova softens that part like nature". "Ideal" and "fancy" busts were made by many of the leading nineteenth century sculptors in Rome including Pietro Tenerani, R.J. Wyatt and Hiram Powers. The Nymph combines classical imagery and detailing - particularly the hair-style - with soft, child-like features that would have appealed to Victorian patrons. Other versions are in the Walker Art Gallery, Liverpool and the Henry Huntingdon Library and Art Gallery, California.

    Sotheby's
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