Johannes Goedaert Sold at Auction Prices

Landscape painter, Miniature painter, Painter, Water color painter, Etcher

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      • GOEDAERT, Johannes (1617-1668) Johannes Godartius of Insects. Done into En
        Jul. 12, 2023

        GOEDAERT, Johannes (1617-1668) Johannes Godartius of Insects. Done into En

        Est: £1,000 - £1,500

        GOEDAERT, Johannes (1617-1668) Johannes Godartius of Insects. Done into English, and Methodized....

        Christie's
      • Rare & Early Books: Natural History and Zoology (5vls)
        Feb. 10, 2023

        Rare & Early Books: Natural History and Zoology (5vls)

        Est: $300 - $500

        Rare & Early Books: Natural History and Zoology Godman, John D. (1794-1830). "American Natural History" In 3 volumes. Philadelphia:H.C. Carey & I. Lea, 1826-8. In original paper boards uncut, frontis and 33 illustration. Goedaert, Johannes (1617-1668). "Johannes Goedartius De insectis, in methodum redactus; cum notularum additione" ("Metamorphosis") London: Excudebat R.E. sumptibus S. Smith, 1685. With 20 engraved plates. Curvier, (Baron) Georges (1769-1832) "The Animal Kingdom" 1 vol. spine titled plates, lacking title page [nd, c.1817]. In gilded fine leather emblazoned with name "Julia M. King" (5vls) Provenance: Dr. & Mrs. C.G. Hopper, Jr. Collection Other Notes: Based on firsthand observation, the first American zoology book is considered to be the 'magnum opus' of the early American naturalist writer John D. Godman. These volumes are considered to be "the first original treatise on the indigenous mammals of the United States".

        Charlton Hall
      • Johannes Goedaert, Landscape with a Peasant and Cattle by a Farmhouse
        May. 21, 2022

        Johannes Goedaert, Landscape with a Peasant and Cattle by a Farmhouse

        Est: €70,000 - €90,000

        The French diplomat and scientist Balthasar de Monconys travelled through the Netherlands in the 1660s. His "Journal des Voyages" is of considerable significance to art historical research because the Frenchman paid a visit to Johannes Vermeer's studio in Delft. The travel report is also of interest in this context because Monconys also stopped in Middelburg, where he met Johannes Goedaert, about whom he reports in detail (Journal des voyages de Monsieur de Monconys, Lyon 1666, p. 109ff). He there notes in praise of him: "Il est fort bon Peintre en païsages, en insectes, en fleurs." That Johannes Goedaert (fig. 1) was an excellent painter of landscapes is shown by the present work from a German private collection, whose whereabouts long remained unknown. Goedaert left behind a relatively small oeuvre, comprising barely a dozen paintings and drawings. The corpus of his paintings, in turn, consists of landscapes and floral still lifes, the latter certainly influenced by the great tradition of flower painting in Middelburg. Christoffel van den Berghe, one of the leading representatives of this genre, is said to have been Goedaert's teacher. Stylistically, the present work can be placed alongside a group of landscapes that are housed today in important collections such as the Victoria and Albert Museum (inv. no. 577-1882), the Wallraf-Richartz-Museum (inv. no. 2839) or the Princely Liechtenstein Picture Gallery in Vaduz. They follow the tradition of Dutch landscape painting that is so exact that some motifs can be identified by their topography, as found, for example, in the works of Jan van de Velde. Johannes Goedaert as an entomologist Balthasar de Montconys' description of his stay in Middelburg (fig. 2) is remarkable for the fact that in the four pages he devotes to the town, the name Johannes Goedaert appears again and again, alongside all sorts of excursions, observations and acquaintances. Montconys first went looking for a book by Goedaert in a bookshop, later the arist and the traveller met each other and engaged in an erudite exchange about art and science. The book he was looking for at the bookseller's was Johannes Goedaert's "Metamorphosis naturalis", published in 1660. The work on entomology was the sum of decades of research (fig. 3). Goedaert was not only a leading artist in the city (and accordingly a member of the Guild of St. Luke), he was also one of the early important representatives of entomology. He observed the development and reproduction of insects with dedication and precision, recording his observations in words and pictures, whereby his artistic skills were undoubtedly of great use to him. However, his artistic self-conception and his religious beliefs also placed limits on the extent of his research: Throughout his life, he refused to use a microscope, the invention of which was obviously of great importance for entomology. Abb. 1/Ill. 1: Reinier van Persijn nach/after Willem Eversdijck: Bildnis Johannes Goedaert © Rijksmuseum, Amsterdam Abb./Ill.: 2: Johannes Goedaert, Middelburg, Feder in schwarz / Pen and black ink © Rijksmuseum, Amsterdam Abb. III./Ill. 3: Johannes Goedaert, Metamorphosis naturalis, ofte Historische beschryvinghe van den oirspronk, aerd, eygenschappen etc. etc., Middelburg 1662, Frontispiz

        Kunsthaus Lempertz KG
      • GOEDAERT, Johannes (1617, battezzato-1668 ) - Histoire naturelle des insectes selon leurs différentes métamorphoses. The Hague: Adrien Moetiens, 1700. A fine copy of these richly illustrated volumes on insects. 3 volumes, 8vo (154 x 96mm...
        Sep. 22, 2020

        GOEDAERT, Johannes (1617, battezzato-1668 ) - Histoire naturelle des insectes selon leurs différentes métamorphoses. The Hague: Adrien Moetiens, 1700. A fine copy of these richly illustrated volumes on insects. 3 volumes, 8vo (154 x 96mm...

        Est: €500 - €800

        GOEDAERT, Johannes (1617, battezzato-1668 ) - Histoire naturelle des insectes selon leurs différentes métamorphoses. The Hague: Adrien Moetiens, 1700. A fine copy of these richly illustrated volumes on insects. 3 volumes, 8vo (154 x 96mm). Engraved titles, engraved portrait of the author, 127 engraved plates, woodcut vignette, with final blanks (some browning, light spotting). Contemporary spotted calf, gilt spines, speckled edges (extremities very lightly rubbed). Provenance: Pierre Lambert (bookplate) - Vittorio Arioli (bookplate). IT GOEDAERT, Johannes (1617, battezzato-1668 ) - Histoire naturelle des insectes selon leurs différentes métamorphoses. L'Aia: Adrien Moetiens, 1700. Affascinante e ben conservata copia di quest'opera sugli insetti riccamente illustrata da numerosissime tavole dalla buona impressione. 3 volumi, 8vo (154 x 96mm). Frontespizi incisi, ritratto dell'autore in antiporta, vignetta xilografica al frontespizio, 127 tavole incise in rame, con ultime bianche (alcune bruniture e lievi fioriture). Bazzana coeva, dorso decorato in oro con etichette rosse con il titolo, tagli a spruzzo (lievi graffi alle estremità). Provenienza: Pierre Lambert (exlibris) - Vittorio Arioli (exlibris).

        Il Ponte Auction House
      • GOEDAERT, Johannes, ATTRIBUIERT (auch Godaert, 1617-1668), "Jäger am See",
        Mar. 28, 2020

        GOEDAERT, Johannes, ATTRIBUIERT (auch Godaert, 1617-1668), "Jäger am See",

        Est: -

        in felsiger Landschaft, Öl/Leinwand doubliert, HxB: ca. 31x39 cm (38x48 cm mit Rahmen). Craquelé, Berieb- und Putzspuren, restauriert und retuschiert. Mit Rahmen. Altersspuren. VERSO bezeichnet 'Signed Goedaert Johannes, 1617-1668' und num. '12'. GOEDAERT, Johannes, ATTRIBUTED (also Godaert, 1617-1668), "Hunters at the lake", in a rocky landscape, oil / canvas relined, HxW: approx. 31x39 cm (38x48 cm with frame). Craquelé, traces of rubbing and cleaning, restored and retouched. With frame. Signs of age. VERSO denotes 'Signed Goedaert Johannes, 1617-1668' and num. '12'. RefDec25320 RefPai25320

        Auktionshaus Eppli
      • Goedaert, Johannes
        May. 04, 2011

        Goedaert, Johannes

        Est: £150 - £250

        Goedaert, Johannes Histoire naturelle des insectes selons leurs differentes metamorphoses. Middelbourg: Jaques Fierens, [no date]. First part only, 12mo, hand-coloured engraved title, frontispiece, 42 hand-coloured engraved plates, frontispice border shaved, title cut down and mounted, last plate loose, one plate with marginal tear, early nineteenth century half calf, some discolouration of text, worn, upper cover almost detached

        Lyon & Turnbull
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