Francisco de Goya Sold at Auction Prices

Painter, Etcher, Lithographer, b. 1746 - d. 1828

Born in Spain in 1746, Francisco Goya was a world-respected artist who worked in a bold and romantic rococo style. Goya's etchings and paintings include many subversive or whimsical elements, and have often been taken as political statements. Goya served for years as Painter to the King and was Director of Painting at the Royal Academy of San Fernando, where he once studied. He is one of the last Old Masters, whose popularity extended far beyond his public civic life. Francisco Goya's paintings have influenced the work of many great painters.

While committing to canvas an astonishing amount of officially-commissioned work, Goya also created custom works of portraiture and small paintings of grotesque nature for his lesser-known but wealthy clientele. Goya's etchings and prints for sale, such as the Disasters of War series, are realistically and dramatically composed. Find historical etchings at Invaluable, including works from popular Spanish artists.

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  • Caprichos Series Etching, Francisco de Goya.
    May. 03, 2025

    Caprichos Series Etching, Francisco de Goya.

    Est: $150 - $300

    Artist(s): Francisco de Goya y Lucientes (Spanish, 1746-1828), "They say yes and extend their hand to the first person who arrives", plate two from the Caprichos series. Medium: Etching with aquatint Signature(s): Unsigned. Paperwork: N/A Damage: Signs of toning. Faint scratch to the woman's dress. Frame has paint loss. Measurement(s): 8 1/2" x 6" (sights), 16" x 13" (frame) In-house shipping is available. Please see our website regarding our in-house shipping procedures.

    Direct Auction Galleries, Inc.
  • Francisco José de Goya y Lucientes (1746-1828), LOS DESASTRES DE LA GUERRA, 1810-1815
    May. 01, 2025

    Francisco José de Goya y Lucientes (1746-1828), LOS DESASTRES DE LA GUERRA, 1810-1815

    Est: $80,000 - $120,000

    Francisco José de Goya y Lucientes (1746-1828), Spanish LOS DESASTRES DE LA GUERRA, 1810-1815 drypoint and burnish aquatint etchings in sepia ink on heavy absorbent wove paper, with the watermark J.G.O. and a palmette on several sheets 76 of the 80 plates (excluding 16, 24, 25, and 75) from the edition of approximately 500; printed by Laurenciano Patenciano, published by the Real Academia in 1863 Plate 1, Sad foreboding of what is going to happen, Tristes presentimientos de lo que ha de acontecer Plate 2, Rightly or wrongly, Con razon ó sin ella Plate 3, The same, Lo mismo Plate 4, The women give courage, Las mugeres dan valor Plate 5, And they are like wild beasts, Y son fieras Plate 6, It serves you right, Bien te se está Plate 7, What courage!, Que valor! Plate 8, It always happens, Siempre sucede Plate 9, They don't like to, No quieren Plate 10, Nor [do these] either, Tampoco Plate 11, Neither do these, Ni por esas Plate 12, This is what you were born for, Para eso habeis nacido Plate 13, Bitter to be Present, Amarga presencia Plate 14, It's a Hard Step!, Duro es el paso! Plate 15, And there is no help, Y no hai remedio Plate 17, They do not agree, No se convienen Plate 18, Bury them and keep quiet, Enterrar y callar Plate 19, There isn't time now, Ya no hay tiempo Plate 20, Get them well, and on to the next, Curarlos, y á otra Plate 21, It will be the same, Será lo mismo Plate 22, Even worse, Tanto y mas Plate 23, The Same Elsewhere, Lo mismo en otras partes Plate 26, One can't look, No se puede mirar Plate 27, Charity, Caridad Plate 28, Rabble, Populacho Plate 29, He deserved it, Lo merecia Plate 30, Ravages of War, Estragos de la guerra Plate 31, That's tough!, Fuerte cosa es! Plate 32, Why?, Por qué? Plate 33, What more can be done?, Qué hai que hacer mas? Plate 34, On account of a knife, Por una navaja Plate 35, One Can't Tell Why, No se puede saber por qué Plate 36, Not [in this case] either, Tampoco Plate 37, This is worse, Esto es peor Plate 38, Barbarians!, Bárbaros! Plate 39, A heroic feat! With dead men!', Grande hazaña! Con muertos! Plate 40, He gets something out of it, Algun partido saca Plate 41, They escape through the flames, Escapan entre las llamas Plate 42, Everything is topsy-turvey, Todo va revuelto Plate 43, This too, Tambien esto Plate 44, I saw it, Yo lo vi Plate 45, And this too, Y esto tambien Plate 46, This is bad, Esto es malo Plate 47, This is how it happened, Así sucedió Plate 48, Cruel tale of woe!, Cruel Lástima! Plate 49, A woman's charity, Caridad de una muger Plate 50, Unhappy mother!, Madre Infeliz! Plate 51, Thanks to the millet, Gracias á la almorta Plate 52, They do not arrive in time, No llegan á tiempo Plate 53, There was nothing to be done and he died, Espiró sin remedio Plate 54, Appeals are in vain, Clamores en vano Plate 55, The worst is to beg, Lo peor es pedir Plate 56, To the cemetery, Al cementerio Plate 57, The healthy and the sick, Sanos y enfermos Plate 58, It's no use crying out, No hay que dar voces Plate 59, What is the use of a cup?, De qué sirve una taza? Plate 60, There is no one to help them, No hay quien los socorra Plate 61, Perhaps they are of another breed, Si son de otro linage Plate 62, The beds of death, Las camas de la muerte Plate 63, Harvest of the dead, Muertos recogidos Plate 64, Cartloads to the cemetery, Carretadas al cementerio Plate 65, What is this hubbub?, Qué alboroto es este? Plate 66, Strange devotion!, Extraña devocion! Plate 67, This is not less so, Esta no lo es menos Plate 68, What madness!, Que locura! Plate 69, Nothing. The event will tell, Nada. Ello dirá Plate 70, They do not know the way, No saben el camino Plate 71, Against the common good, Contra el bien general Plate 72, The Consequences, Las resultas Plate 73, Feline pantomime, Gatesca pantomima Plate 74, That is the worst of it!, Esto es lo peor! Plate 76, The carnivorous vulture, El buitre carnívoro Plate 77, May the cord break, Que se rompe la cuerda Plate 78, He defends himself well, Se defiende bien Plate 79, Truth has died, Murió la verdad Plate 80, Will she rise again?, Si resucitará? 9.6 x 13.6 in — 24.5 x 34.5 cm Estimate: $80,000—120,000 CAD

    Waddington's
  • FRANCISCO GOYA, (VINTAGE LITHOGRAPH)
    Apr. 29, 2025

    FRANCISCO GOYA, (VINTAGE LITHOGRAPH)

    Est: $100 - $250

    Sight- 3 1/4" x 4 1/4" Overall- 7 1/2" x 8 1/4" Shipping U.S. $30 plus insurance

    Robert Slawinski Auctioneers, Inc.
  • Francisco Goya, "El de la rollona" 'Los Caprichos'
    Apr. 29, 2025

    Francisco Goya, "El de la rollona" 'Los Caprichos'

    Est: $200 - $300

    Francisco Goya (Spanish, 1746–1828) 1799. El de la rollona (Nanny's Boy) #4, Etching, aquatint and burin on laid paper without watermark. Unknown edition. Plate size: 8 1/8" x 5 5/8" Sheet size: 13 1/4 x 9 3/8"

    Old Kinderhook Auction Company
  • Francisco Goya, "Y aun no se van!" 'Los Caprichos'
    Apr. 29, 2025

    Francisco Goya, "Y aun no se van!" 'Los Caprichos'

    Est: $200 - $300

    Francisco Goya (Spanish, 1746–1828) 1799. Y aun no se van! (And still they don't go!) #59, Etching, aquatint and burin on laid paper without watermark. Unknown edition. Plate size: 8 1/2" x 5 7/8" Sheet size: 13 1/4 x 9 1/2"

    Old Kinderhook Auction Company
  • Francisco Goya, "Esta Umd?" from 'Los Caprichos'
    Apr. 29, 2025

    Francisco Goya, "Esta Umd?" from 'Los Caprichos'

    Est: $200 - $300

    Francisco Goya (Spanish, 1746–1828) 1799. Esta Umd. …pues, Como digo…eh! Cuidado! si no! (You understand?…well, as I say…eh! Look out! otherwise…) #76, Etching, aquatint and burin on laid paper without watermark. Unknown edition. Plate size: 8 1/2" x 5 7/8" Sheet size: 13 1/4 x 9 1/2"

    Old Kinderhook Auction Company
  • Francisco Goya, "Ensayos" from 'Los Caprichos'
    Apr. 29, 2025

    Francisco Goya, "Ensayos" from 'Los Caprichos'

    Est: $200 - $300

    Francisco Goya (Spanish, 1746–1828) 1799. "Ensayos" (Trials) #60, Etching, aquatint and burin on laid paper without watermark. Unknown edition. Plate size: 8 3/8" x 6 1/2" Sheet size: 13 1/4 x 9 1/2"

    Old Kinderhook Auction Company
  • FRANCISCO GOYA Y LUCIENTES (1746-1828)
    Apr. 29, 2025

    FRANCISCO GOYA Y LUCIENTES (1746-1828)

    Est: €300 - €500

    'Tan barbara la seguridad como el delito', 1867. Etching. Printed by Delâtre, Paris. Published in 'La Gazette des Beaux-Arts'. Frame. Description FR 'Tan barbara la seguridad como el delito', 1867. Eau-forte. Imprimée par Delâtre, Paris. Publiée dans La Gazette des Beaux-Arts. Cadre. Beschrijving NL 'Tan barbara la seguridad como el delito', 1867. Ets. Gedrukt door Delâtre, Parijs. Uitgave in 'La Gazette des Beaux-Arts'. Kader.

    Bernaerts Auctioneers
  • Francisco Jose de Goya y Lucientes (Spanish, 1746-1828).
    Apr. 27, 2025

    Francisco Jose de Goya y Lucientes (Spanish, 1746-1828).

    Est: $300 - $500

    Francisco Jose de Goya y Lucientes (Spanish, 1746-1828). Combat dans une voiture attelee de deux mulets (Fight in a carriage harnessed to two mules), Pl. G, from La Tauromaquia (H. 243), 1814-15. Etching, aquatint, drypoint and burin on paper, probably from a posthumous 20th century edition, with margins, framed. (not examined out of frame). 5 1/2 x 7 1/2in. (14 x 19cm/plate). 12 x 14in. (30 x 36cm/frame).

    Fine Estate Inc.
  • Francisco Jose de Goya y Lucientes (Spanish, 1746-1828).
    Apr. 27, 2025

    Francisco Jose de Goya y Lucientes (Spanish, 1746-1828).

    Est: $300 - $500

    Francisco Jose de Goya y Lucientes (Spanish, 1746-1828 ). Capean otro encerrado (They play another with the cape in an enclosure), Pl. 4, from La Tauromaquia (H. 207), 1814-15. Etching, aquatint, drypoint and burin on paper, probably from a posthumous 20th century edition, with margins, framed. (not examined out of frame). 5 1/2 x 7 1/2in. (14 x 19cm/plate). 12 x 14in. (30 x 36cm/frame).

    Fine Estate Inc.
  • ORIGINAL FRANCISCO DE GOYA (1746-1828) NATIONAL GALLERY OF ART EXHIBITION POSTER, 29.5IN x 35.5IN (75cm x 90cm)
    Apr. 24, 2025

    ORIGINAL FRANCISCO DE GOYA (1746-1828) NATIONAL GALLERY OF ART EXHIBITION POSTER, 29.5IN x 35.5IN (75cm x 90cm)

    Est: $1,000 - $1,500

    Francisco de Goya (1746-1828) original Exhibition poster from the National Gallery of Art in Washington, DC. The underlying piece is titled The Condesa de Chinchon, which is after the original which was painted in 1800. This poster was produced on heavy stock 300 gsm, museum paper, and it measures 29.5 inches x 35.5 inches with the frame. It is framed under glass in a contemporary black frame. It was produced in 1986, under the auspices of the Board of Trustees of the National Gallery of Art. This piece was acquired from the estate of an ex-employee of the National Gallery in Washington, DC.

    The Rug Life Auctions
  • Francisco de Goya - La Tauromaquia (III/VII) - The forceful Rendon stabs a bull in Madrid
    Apr. 17, 2025

    Francisco de Goya - La Tauromaquia (III/VII) - The forceful Rendon stabs a bull in Madrid

    Est: €800 - €1,600

    El esforzado Rendon picando un toro, de cuya suerte murio en la plaza de Madrid (The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid) ... is number 28 in a series of 35 etchings making up his Tauromaquia ("Art of Bullfighting") series, which he produced between 1815 and 1816. Scene in arena with matador on horseback spearing bull between horns, group of figures in ring behind, crowd beyond. This is from an early edition, it is most probably a third edition on seven published by E. Loizelet in 1876, with the paper size( 32,50 x 49,00 cm) and arches watermark that fits the watermark (Arches) and appoximate paper size ( 32,30 x 48,00 cm) as described for that edition.(Harris 231 III/VII) Original print made by Goya with etching, burnished aquatint and burin.

    Old Master Print
  • Francisco José de Goya y Lucientes (1746 - 1828), ambito di Ritratto di militare, 1800-1801
    Apr. 16, 2025

    Francisco José de Goya y Lucientes (1746 - 1828), ambito di Ritratto di militare, 1800-1801

    Est: -

    Francisco José de Goya y Lucientes (1746 - 1828), ambito di Ritratto di militare, 1800-1801 Olio su tavola 61,7 x 45,7 cm Altre iscrizioni: al verso della tavola e della cornice riferimento in pennarello “P471”, forse con riguardo ad un passaggio d’asta; Al verso della cornice un secondo riferimento “66408” (?) Provenienza: Felix Semyonov, New York - Roma Stato di conservazione. Supporto: 80% (fessurazioni longitudinali della tavola) Stato di conservazione. Superficie: 90% (depositi al verso) L'opera è di immediata collocazione all'inizio del XIX secolo, per stile e anche grazie alla divisa con taglio in uso nel periodo napoleonico, ma non altrettanto facile è ricondurla ad una scuola. Richiama per alcune soluzioni formali l'opera di Goya, nonostante non appartenga né al maestro né alla sua cerchia: in ragione sia della impostazione dell'opera, «too precisely and carefully neoclassical», sia della minore padronanza nei dettagli («Goya knew exactly where to place the highlights on buttons...»), come indica Juliet Wilson Bareau (comunicazione del 3 luglio 2021), in accordo con José de la Mano, secondo cui il dipinto «is more French than Spanish» (comunicazione del 16 dicembre 2021). Sono comunque indizi di una contiguità di gusto le affinità nel trattamento cromatico e delle anatomie. Per il primo aspetto si può portare ad esempio, l'abbinamento di giallo e verde - qui nel collo rialzato e nel calamaio a destra - che richiama, tra le tante opere dipinte da Goya a cavallo tra i due secoli, il ritratto del ministro di grazia e giustizia Gaspar Melchor de Jovellanos (1798), il ritratto della Regina Maria Luisa a cavallo (1799) e la "La maja vestida" (1800-1807, come i due precedenti, al Prado). Per il trattamento delle anatomie, l'opera mostra un interesse per il realismo, che si può osservare, ex multis, anche nel ritratto di "Godoy in veste di generale" (1801, Real Academia de Bellas Artes de San Fernando), ancora con l'uso del verde sul giallo, specialmente ngli occhi e nel naso, e nel ritratto di gruppo "La famiglia di Carlo VI" (1800-1801, Prado), in particolare l'infante Antonio Pascual. L'opera è accompagnata da una bella cornice rifinita in foglia d’oro. Ringraziamo i dottori Juliet Wilson Bareau e José de la Mano per il supporto nella catalogazione dell'opera.

    Bonino
  • Francisco Goya Estan calientes
    Apr. 16, 2025

    Francisco Goya Estan calientes

    Est: €600 - €1,000

    Etching and aquatint, 212 x 152 mm (plate), 255 x 170 mm (sheet). Plate no. 13 from the series "Los Caprichos". State IV of 12 (1878). Delteil 50, Harris 48. Fine, well-inked impression on laid paper. Sheet slightly and evenly browned, with some stains outside the image. The print has not been examined out of the frame (43 x 35 x 3 cm).

    Bertolami Fine Art s.r.l.
  • Francisco Goya El vergonzoso
    Apr. 16, 2025

    Francisco Goya El vergonzoso

    Est: €600 - €1,200

    Etching and aquatint, 215 x 147 mm (plate), 317 x 237 mm (sheet). Plate no. 54 from the series "Los Caprichos". State IV of 12 (1878). Delteil 91, Harris 89. Very fine, fresh impression on modern laid paper. Double collector's mark of the Achenbach Foundation for Graphic Arts on the back (Lugt 3a and 5069). Uniformly browned sheet, with a small stain on the lower right of the plate edge and stains on the margins. Blind stamp of the Libreria Prandi di Reggio on the lower right. Upper corners missing. Applied along the upper margin to the modern passe-partout.

    Bertolami Fine Art s.r.l.
  • FRANCISCO JOSÉ DE GOYA (1746 - 1828) Al Toro y al Aire Darles Calle (Lluvia de Toros).
    Apr. 15, 2025

    FRANCISCO JOSÉ DE GOYA (1746 - 1828) Al Toro y al Aire Darles Calle (Lluvia de Toros).

    Est: $1,500 - $2,500

    FRANCISCO JOSÉ DE GOYA (1746 - 1828) Al Toro y al Aire Darles Calle (Lluvia de Toros). Etching and aquatint, circa 1824. 245x350 mm; 9¾x13¾ inches, wide margins. First published edition. Published by L'Art, Paris. From Los Proverbios. Delteil 223; Harris 269.

    Swann Auction Galleries
  • FRANCISCO JOSÉ DE GOYA (1746 - 1828) Francisco Goya Y Lucientes, Pintor.
    Apr. 15, 2025

    FRANCISCO JOSÉ DE GOYA (1746 - 1828) Francisco Goya Y Lucientes, Pintor.

    Est: $1,500 - $2,500

    FRANCISCO JOSÉ DE GOYA (1746 - 1828) Francisco Goya Y Lucientes, Pintor. Etching and aquatint, 1799. 213x152 mm; 8½x6 inches. Second edition (of 12), with only the upper and lower sections of the plate beveled. Delteil 38; Harris 36.

    Swann Auction Galleries
  • FRANCISCO JOSÉ DE GOYA (1746 - 1828) Subir y Bajar.
    Apr. 15, 2025

    FRANCISCO JOSÉ DE GOYA (1746 - 1828) Subir y Bajar.

    Est: $2,000 - $3,000

    FRANCISCO JOSÉ DE GOYA (1746 - 1828) Subir y Bajar. Etching and aquatint, circa 1799. 215x150 mm; 8 ½x6 inches, full margins. First edition. From Los Caprichos. Delteil 93; Harris 91.

    Swann Auction Galleries
  • FRANCISCO JOSÉ DE GOYA (1746 - 1828) Tragala Perro.
    Apr. 15, 2025

    FRANCISCO JOSÉ DE GOYA (1746 - 1828) Tragala Perro.

    Est: $1,500 - $2,500

    FRANCISCO JOSÉ DE GOYA (1746 - 1828) Tragala Perro. Etching and aquatint, circa 1799. 190x123 mm; 7¼x4¾ inches, wide margins. First edition from Los Caprichos. Delteil 95; Harris 93.

    Swann Auction Galleries
  • Goya Francisco - Porque esconderlos? - Etching on paper (1881)
    Apr. 15, 2025

    Goya Francisco - Porque esconderlos? - Etching on paper (1881)

    Est: £300 - £400

    Black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886

    L'Autographe Auctions
  • Goya Francisco - Hubo Remedio - Etching on paper (1881)
    Apr. 15, 2025

    Goya Francisco - Hubo Remedio - Etching on paper (1881)

    Est: £300 - £400

    Black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886

    L'Autographe Auctions
  • Goya Francisco - El si Pronuncian y la Mano Alargan - Etching on paper (1881)
    Apr. 15, 2025

    Goya Francisco - El si Pronuncian y la Mano Alargan - Etching on paper (1881)

    Est: £300 - £400

    Black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886

    L'Autographe Auctions
  • Goya Francisco - Correccion - Etching on paper (1881)
    Apr. 15, 2025

    Goya Francisco - Correccion - Etching on paper (1881)

    Est: £300 - £400

    Black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886

    L'Autographe Auctions
  • Goya Francisco - Mucho hay que Chupar - Etching on paper (1881)
    Apr. 15, 2025

    Goya Francisco - Mucho hay que Chupar - Etching on paper (1881)

    Est: £300 - £400

    Black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886

    L'Autographe Auctions
  • Goya Francisco - No Hay Quien nos Desate? - Etching on paper (1881)
    Apr. 15, 2025

    Goya Francisco - No Hay Quien nos Desate? - Etching on paper (1881)

    Est: £300 - £400

    Black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886

    L'Autographe Auctions
  • Goya Francisco - Esta usted ... pues.. eh! como digo ... cuidado - Etching on paper (1881)
    Apr. 15, 2025

    Goya Francisco - Esta usted ... pues.. eh! como digo ... cuidado - Etching on paper (1881)

    Est: £300 - £400

    Black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886

    L'Autographe Auctions
  • Goya Francisco - Unos á otros - Etching on paper (1881)
    Apr. 15, 2025

    Goya Francisco - Unos á otros - Etching on paper (1881)

    Est: £300 - £400

    Black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886

    L'Autographe Auctions
  • Goya Francisco - Donde va Mama? - Etching on paper (1881)
    Apr. 15, 2025

    Goya Francisco - Donde va Mama? - Etching on paper (1881)

    Est: £300 - £400

    Black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886

    L'Autographe Auctions
  • F. DE GOYA: Los Caprichos.
    Apr. 12, 2025

    F. DE GOYA: Los Caprichos.

    Est: €9,800 -

    FRANCISCO DE GOYA Y LUCIENTES Fuentetados 1747 - 1828 Bordeaux Los Caprichos. Vollständiger Band mit 80 Orig.-Aquatintaradierungen (Pl. 1 nochmals auf dem Einbanddeckel wiederholt) 1794-98. (Madrid, Calcografía Nacional, 1881-86). Qu.-4°. Orig.-illustr. HKalikobd. in Pp.-Schuber. 80 Tafeln. Delteil 38-117. Hofmann 1-80. Harris 36-115, III, 5. Ausgabe. - Eines von 210 Expl. Teils mit dem Namenszug sowie sämtlich mit dem Titel (Pl. 43 in der Darstellung) und der Nummer in der Platte. Auf kräftigem chamoisfarbenem Vélin. Radierungen sämtlich an den Rändern gering gebräunt und hauptsächlich an den Rändern leicht stockfleckig. 2 Bll. mit kurzem Randeinriss. Einband leicht (wasser-) fleckig und an den Kanten/Ecken leicht bestoßen. [ms]

    Winterberg-Kunst
  • F. DE GOYA: Los Moros establecidos en España...
    Apr. 12, 2025

    F. DE GOYA: Los Moros establecidos en España...

    Est: €280 -

    FRANCISCO DE GOYA Y LUCIENTES Fuentetados 1747 - 1828 Bordeaux Los Moros establecidos en España... Planche 3 aus „La Tauromaquia“. Radierung mit Aquatinta in Schwarzbraun um 1815. Delteil 226. Hofmann 85. Harris 206, III, 6. Ausgabe bei A. Rupérez Grima/Calcografía Nacional von 1928 für den Círculo de Bellas Artes, Madrid (zum 100. Todestag Goyas). - Eines von 170 Expl. (Gesamtaufl. dieser Ausgabe 200 Expl.). Mit der Nummer in der Platte. Auf kräftigem chamoisfarbenem Bütten mit dem Goyaporträt-Trockenstempel. 25,3 x 35 cm (Blatt: 35 x 45,3 cm). Mit vereinzelten winzigen Stockfleckchen. Breite Ränder stellenweise gering bestoßen. [ms]

    Winterberg-Kunst
  • F. DE GOYA: Despacha que dispiërtan.
    Apr. 12, 2025

    F. DE GOYA: Despacha que dispiërtan.

    Est: €380 -

    FRANCISCO DE GOYA Y LUCIENTES Fuentetados 1747 - 1828 Bordeaux Despacha que dispiërtan. Beeile dich, sie erwachen. Pl. 78 aus „Los Caprichos“. Radierung mit Aquatinta in Schwarzbraun 1794-98. Delteil 115. Hofmann 78. Harris 113, III, 6. Ausgabe von 1890/1900 bei der Calcografía Nacional. - Eines von 230 Expl. Mit dem Titel und Nummer in der Platte. Auf festem Vélin. 21,5 x 15,2 cm. Mit durchscheinenden Falzspuren am linken Rand. [ms]

    Winterberg-Kunst
  • F. DE GOYA: Aguarda que te unten.
    Apr. 12, 2025

    F. DE GOYA: Aguarda que te unten.

    Est: €750 -

    FRANCISCO DE GOYA Y LUCIENTES Fuentetados 1747 - 1828 Bordeaux Aguarda que te unten. Warte, bis sie dich salben. Planche 67 aus „Los Caprichos“. Radierung mit Aquatinta 1794-98. Delteil 104. Hofmann 67. Harris 102, III, 6. Ausgabe von 1890/1900 bei der Calcografía Nacional. - Eines von 230 Expl. Mit dem Titel und Nummer in der Platte. Auf festem Vélin. 21,5 x 15 cm. Mit durchscheinenden Falzspuren am linken Rand. Beiliegt: S. Dalí - Werkstatt, Ni por ésas. Blatt 67 aus der Folge „Les Caprices de Goya“. Heliogravure mit Pochoir von J. J. J. Rigal nach Goya mit eigenhändigen Überarbeitungen in Kaltnadel von Dalí 1973-77. (Michler-Löpsinger 914, a von b). Expl. 48/200. In Bleistift mit „Dali“ bezeichnet sowie mit den Namenszügen der Künstler, Titel und Nummer in der Platte. Auf kräftigem chamoisfarbenen BFK Rives. 23,7 x 16,8 cm. [ms]

    Winterberg-Kunst
  • F. DE GOYA: Tragata Perro.
    Apr. 12, 2025

    F. DE GOYA: Tragata Perro.

    Est: €580 -

    FRANCISCO DE GOYA Y LUCIENTES Fuentetados 1747 - 1828 Bordeaux Tragata Perro. Schluck es Hund. Planche 58 aus „Los Caprichos“. Radierung mit Aquatinta in Dunkelgrau 1794-98. Delteil 95. Hofmann 58. Harris 93, III, 6. Ausgabe von 1890/1900 bei der Calcografia Nacional. - Eines von 230 Expl. Mit dem Titel und Nummer in der Platte. Auf kräftigem Vélin. 20,5 x 15,3 cm. Schwach stockfleckig. Mit durchscheinenden Falzspuren am linken Rand. Beiliegt: S. Dalí - Werkstatt, Busca la trufa. Suchen Sie nach Trüffeln. Blatt 58 aus der Folge „Les Caprices de Goya“. Heliogravure mit Pochoir von J. J. J. Rigal nach Goya mit eigenhändigen Überarbeitungen in Kaltnadel von Dalí 1973-77. (Michler-Löpsinger 905, a von b). Expl. 90/200. In Bleistift mit „Dalí” bezeichnet sowie mit den Namenszügen der Künstler, Titel und Nummer in der Platte. Auf kräftigem chamoisfarbenen BFK Rives. 22,9 x 16.3 cm. [ms]

    Winterberg-Kunst
  • F. DE GOYA: Porque esconderlos?
    Apr. 12, 2025

    F. DE GOYA: Porque esconderlos?

    Est: €240 -

    FRANCISCO DE GOYA Y LUCIENTES Fuentetados 1747 - 1828 Bordeaux Porque esconderlos? Warum sie verstecken? Planche 30 aus „Los Caprichos“. Radierung mit Aquatinta in Sepia 1794-98. Delteil 67. Hofmann 30. Harris 65, III, 5. Ausgabe von 1881-86. - Eines von 210 Expl. Mit dem Titel und der Blattnummer in der Platte. Auf chamoisfarbenem Vélin. 21,6 x 15,2 cm (Blatt: ca. 26,2 x 18,8 cm). Ränder teils unregelmäßig beschnitten. Linker Rand gering fleckig. [bg]

    Winterberg-Kunst
  • F. DE GOYA: Qual la descañonan!
    Apr. 12, 2025

    F. DE GOYA: Qual la descañonan!

    Est: €320 -

    FRANCISCO DE GOYA Y LUCIENTES Fuentetados 1747 - 1828 Bordeaux Qual la descañonan! Wie sie sie rupfen! Planche 21 aus „Los Caprichos“. Radierung mit Aquatinta 1794-98. Delteil 58. Hofmann 21. Harris 56, III, 6. Ausgabe von 1890/1900 bei der Calcografía Nacional. - Eines von 230 Expl. Mit dem Titel und Nummer in der Platte. Auf festem Vélin. 21,5 x 14,9 cm. Mit durchscheinenden Falzspuren am linken Rand. [ms]

    Winterberg-Kunst
  • F. DE GOYA: Dios se lo pague a usted.
    Apr. 12, 2025

    F. DE GOYA: Dios se lo pague a usted.

    Est: €150 -

    FRANCISCO DE GOYA Y LUCIENTES Fuentetados 1747 - 1828 Bordeaux Dios se lo pague a usted. Der Blinde, der auf den Hörnern eines Stieres davongetragen wird. Radierung um 1790. Delteil 24, II (von III). Hofmann 231, III. Harris 25, III (von IV), Abdruck der Ausgabe von 1867. - Mit dem Titel „Aveugle enlevé les Cornes d’un Taureau“ sowie der typographischen Druckeradresse von Delâtre, Paris und Bezeichnung „Gazette des Beaux-Arts“ in der Platte. Auf kräftigem chamoisfarbenem Bütten. 17,5 x 21,5 cm. Ränder schwach gebräunt. Oberrand mit Heft- und leichten Klebespuren. Sammlung Prof. Dr. Mladen Rupec, Marburg („MHR“ ligiert; nicht bei Lugt). [ms]

    Winterberg-Kunst
  • FRANCISCO DE GOYA (1746-1828) LITHOGRAPH TITLED BULLFIGHTING IN A DIVIDED RING, 11IN x 15IN (28cm x 38cm)
    Apr. 10, 2025

    FRANCISCO DE GOYA (1746-1828) LITHOGRAPH TITLED BULLFIGHTING IN A DIVIDED RING, 11IN x 15IN (28cm x 38cm)

    Est: $500 - $600

    Francisco De Goya (1746-1828) lithograph titled Bullfighting in a Divided Ring. It is after the original which was produced in 1825. This piece was produced in 1967 and it is matted and framed in a silver metallic frame. It measures 11 inches x 15 inches. This piece was acquired from a Metro Washington DC area estate.

    The Rug Life Auctions
  • Francisco de Goya (1746-1828)
    Apr. 08, 2025

    Francisco de Goya (1746-1828)

    Est: €300 - €500

    Le Descanona', ets en aquatint, 31x21 cm (met passe-partout: 41,5x29 cm),

    Venduehuis der Notarissen
  • Francisco de Goya (Spanish, 1746-1828) Etching
    Apr. 08, 2025

    Francisco de Goya (Spanish, 1746-1828) Etching

    Est: $100 - $1,000

    DESCRIPTION: This etching depicts a scene of violence and death. On the left, a tall, cloaked figure with a bowed head stands in front of a pile of lifeless bodies. In the background, a twisted tree stands starkly against the barren landscape. To the right, a man fleeing or struggling. The artwork uses dark shadows and fine lines. On the back, there are stickers from the gallery with additional information, including "S6976M Los Proverbios 1902 edition, original etching/aquatint 1815-1824 Disparate de Miedo, plate #2." Set in a metal frame. CIRCA: 19th century ORIGIN: Spain DIMENSIONS: H: 10 3/4" W: 15" Framed: H: 21" W: 25" CONDITION: Good condition. Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.

    Akiba Galleries
  • FRANCISCO DE GOYA Y LUCIENTES Fuendetodos, Zaragoza (1746) / Bordeaux (France) (1828) "Diego de Acedo (The Cousin)", 1778
    Apr. 02, 2025

    FRANCISCO DE GOYA Y LUCIENTES Fuendetodos, Zaragoza (1746) / Bordeaux (France) (1828) "Diego de Acedo (The Cousin)", 1778

    Est: €300 - €400

    Etching on paper Inscribed on the plate at the bottom: "Taken and engraved from the original painting by D. Diego Velazquez in which a life-size / Dwarf of St. Philip IV. by D. Francisco Goya Painter. It exists in the Royal Palace of Madrid / Year 1778". Belonging to the series: "Etchings for paintings by Velazquez". Measurements: Paper: 43.5 x 31 cm; print: 21.5 x 15.5 cm

    Ansorena
  • FRANCISCO DE GOYA Y LUCIENTES Fuendetodos, Zaragoza (1746) / Bordeaux (France) (1828) "They are warm"
    Apr. 02, 2025

    FRANCISCO DE GOYA Y LUCIENTES Fuendetodos, Zaragoza (1746) / Bordeaux (France) (1828) "They are warm"

    Est: €180 - €240

    Etching and aquatint on paper It belongs to Los Caprichos, being number 13 of the 1970 edition of Calcografia Nacional. With Calcografia's watermark. Measurements: Paper: 37.5 x 26.5 cm; print: 22 x 15 cm

    Ansorena
  • FRANCISCO DE GOYA Y LUCIENTES Fuendetodos, Zaragoza (1746) / Bordeaux (France) (1828) "Snitches"
    Apr. 02, 2025

    FRANCISCO DE GOYA Y LUCIENTES Fuendetodos, Zaragoza (1746) / Bordeaux (France) (1828) "Snitches"

    Est: €180 - €240

    Etching and aquatint on paper It belongs to Los Caprichos, being number 48 of the 1970 edition of Calcografia Nacional. With the Calcografia watermark. Measurements: Paper: 37.5 x 26.5 cm; print: 20.5 x 15 cm

    Ansorena
  • FRANCISCO DE GOYA Y LUCIENTES Fuendetodos, Zaragoza (1746) / Bordeaux (France) (1828) "Se repulen"
    Apr. 02, 2025

    FRANCISCO DE GOYA Y LUCIENTES Fuendetodos, Zaragoza (1746) / Bordeaux (France) (1828) "Se repulen"

    Est: €180 - €240

    Etching and aquatint on paper It belongs to Los Caprichos, being number 51 of the 1970 edition of Calcografia Nacional. With the Calcografia watermark. Measurements: Paper: 37.5 x 26.5 cm; print: 21 x 14.5 cm

    Ansorena
  • ORIGINAL FRANCISCO DE GOYA (1746-1828) NATIONAL GALLERY OF ART EXHIBITION POSTER, 29.5IN x 35.5IN (75cm x 90cm)
    Mar. 27, 2025

    ORIGINAL FRANCISCO DE GOYA (1746-1828) NATIONAL GALLERY OF ART EXHIBITION POSTER, 29.5IN x 35.5IN (75cm x 90cm)

    Est: $1,000 - $1,500

    Francisco de Goya (1746-1828) original Exhibition poster from the National Gallery of Art in Washington, DC. The underlying piece is titled The Condesa de Chinchon, which is after the original which was painted in 1800. This poster was produced on heavy stock 300 gsm, museum paper, and it measures 29.5 inches x 35.5 inches with the frame. It is framed under glass in a contemporary black frame. It was produced in 1986, under the auspices of the Board of Trustees of the National Gallery of Art. This piece was acquired from the estate of an ex-employee of the National Gallery in Washington, DC.

    The Rug Life Auctions
  • Francisco Josè Goya y Lucientes 'Nohubo remedio'', from the series ''Los Caprichos'' etching framed (defects)...
    Mar. 27, 2025

    Francisco Josè Goya y Lucientes 'Nohubo remedio'', from the series ''Los Caprichos'' etching framed (defects)...

    Est: €200 - €250

    (Fuendetodos 1746 - Bordeaux 1828) 'Nohubo remedio'', from the series ''Los Caprichos'' etching framed (defects) IT 'Nohubo remedio'', dalla serie ''Los Caprichos'' acquaforte (mm 215x150 l'impronta) in cornice (difetti)

    Il Ponte Auction House
  • Francisco Josè Goya y Lucientes 'La Filiacion'', from the series ''Los Caprichos'' etching framed (defects)...
    Mar. 27, 2025

    Francisco Josè Goya y Lucientes 'La Filiacion'', from the series ''Los Caprichos'' etching framed (defects)...

    Est: €200 - €250

    (Fuendetodos 1746 - Bordeaux 1828) 'La Filiacion'', from the series ''Los Caprichos'' etching framed (defects) IT 'La Filiacion'', dalla serie ''Los Caprichos'' acquaforte (mm 215x150 l'impronta) in cornice (difetti)

    Il Ponte Auction House
  • Francisco Josè Goya y Lucientes 'Esto si que es leer'', from the series ''Los Caprichos'' etching framed (defects)...
    Mar. 27, 2025

    Francisco Josè Goya y Lucientes 'Esto si que es leer'', from the series ''Los Caprichos'' etching framed (defects)...

    Est: €200 - €250

    (Fuendetodos 1746 - Bordeaux 1828) 'Esto si que es leer'', from the series ''Los Caprichos'' etching framed (defects) IT 'Esto si que es leer'', dalla serie ''Los Caprichos'' acquaforte (mm 215x150 l'impronta) in cornice (difetti)

    Il Ponte Auction House
  • Francisco Josè Goya y Lucientes 'No te escaparàs'', from the series ''Los Caprichos'' etching framed (defects)...
    Mar. 27, 2025

    Francisco Josè Goya y Lucientes 'No te escaparàs'', from the series ''Los Caprichos'' etching framed (defects)...

    Est: €200 - €250

    (Fuendetodos 1746 - Bordeaux 1828) 'No te escaparàs'', from the series ''Los Caprichos'' etching framed (defects) IT 'No te escaparàs'', dalla serie ''Los Caprichos'' acquaforte (mm 215x150 l'impronta) in cornice (difetti)

    Il Ponte Auction House
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