Charles (1849) Gregory Paintings & Artwork for Sale | Charles (1849) Gregory Art Value Price Guide

Nov. 20, 2024
Attributed to Charles Gregory, RWS, British 1849-1920- Coldwell Rocks; watercolour on paper, 43
Est: £200 - £300
Attributed to Charles Gregory, RWS, British 1849-1920- Coldwell Rocks; watercolour on paper, 43.2 x 64.6 cm. Provenance: Private Collection, UK.
Roseberys
Oct. 03, 2023
Attributed to Charles Gregory RWS (English, 1849-1920), 'The barque Cambria', oil on canvas, 35 x 52cm
Est: £750 - £850
Attributed to Charles Gregory RWS (English, 1849-1920) 'The barque Cambria' oil on canvas
Gorringes
Jun. 17, 2023
CHARLES GREGORY RWS (1850-1920) MISTY MORNING ON THE WYE
Est: £150 - £200
CHARLES GREGORY RWS (1850-1920) MISTY MORNING ON THE WYE Signed Watercolour (35cm x 53cm)
Elstob Auctioneers
Aug. 10, 2022
CHARLES GREGORY RWS (1849-1920) BOAT BUILDERS YARD, ST. IVES
Est: £350 - £450
CHARLES GREGORY RWS (1849-1920) BOAT BUILDERS YARD, ST. IVES Signed Watercolour (35cm x 53cm)
Elstob Auctioneers
Jun. 29, 2021
Charles Gregory (1849-1920), attribuito a, “Marina con barche”, 1881.
Est: -
XIX and XX Century Paintings - Charles Gregory (1849-1920), attribuito a, “Marina con barche”, 1881. Olio su tela, firmato e datato Cha. Gregory 1881, H cm 46x84
Gregory's Casa d'Aste
May. 11, 2021
Charles Gregory (1849-1920),
Est: £80 - £120
Charles Gregory (1849-1920), Charles Gregory (1849-1920), Children fishing and picking flowers on a riverbank signed 'C Gregory' l.r., watercolour 24 x 44.5cm
Sworders
Apr. 27, 2021
Charles Gregory (1849-1920),
Est: £150 - £250
Charles Gregory (1849-1920), Charles Gregory (1849-1920), Children fishing and picking flowers on a riverbank signed 'C Gregory' l.r., watercolour 24 x 44.5cm
Sworders
Mar. 31, 2021
Charles Gregory (1849-1920)
Est: £300 - £500
Charles Gregory (1849-1920) Charles Gregory (1849-1920) Children fishing and picking flowers on a riverbank signed 'C Gregory' l.r., watercolour 24 x 44.5cm
Sworders
Dec. 13, 2020
Charles Gregory “The Fisherman’s Arms” Watercolour
Est: $1,000 - $1,500
Charles Gregory (England, 1849 - 1920), "The Fisherman’s Arms" - Nr Godalming Surrey. Watercolour on paper, 51.5cm x 34cm (Frame measures 66cm x 49cm). Signed lower centre right, framed behind glass. Minor foxing to
Kerleys Auctions
Aug. 08, 2020
Charles Gregory - The Dairy Farm at Farnham
Est: $400 - $600
The Dairy Farm at Farnham
Westbridge Fine Art Auction House
Jul. 24, 2020
Charles Gregory R. W. S
Est: -
Charles Gregory R. W. S. (Gran Bretaña, 1849-1920). "At Bay", óleo sobre tabla, 34,5x24 cm.
Sala de Ventas
Jul. 08, 2020
Charles Gregory R. W. S
Est: -
Charles Gregory R. W. S. (Gran Bretaña, 1849-1920). "At Bay", óleo sobre tabla, 34,5x24 cm.
Sala de Ventas
Jun. 28, 2020
Charles Gregory - The Dairy Farm at Farnham
Est: $500 - $700
A pleasing and idyllic scene showing figures at a dairy farm at Farnham, by British artist Charles Gregory. Watercolour, 14" x 21" (framed)
Westbridge Fine Art Auction House
May. 23, 2020
Charles Gregory - The Dairy Farm at Farnham
Est: $500 - $700
The Dairy Farm at Farnham
Westbridge Fine Art Auction House
Mar. 13, 2020
Charles Gregory R. W. S
Est: -
Charles Gregory R. W. S. (Gran Bretaña, 1849-1920). "At Bay", óleo sobre tabla, 34,5x24 cm.
Sala de Ventas
Feb. 26, 2020
Charles Gregory R. W. S
Est: -
Charles Gregory R. W. S. (Gran Bretaña, 1849-1920). "At Bay", óleo sobre tabla, 34,5x24 cm.
Sala de Ventas
Dec. 18, 2019
Attributed to Charles Gregory (1849-1920) British. A Garden Scene, with Pigeons Feeding, Watercolour, Inscribed on the reverse, Unframed, 20.5" x 13". Provenance: The Winchester Gallery, Southampton.
Est: £50 - £80
Attributed to Charles Gregory (1849-1920) British. A Garden Scene, with Pigeons Feeding, Watercolour, Inscribed on the reverse, Unframed, 20.5" x 13". Provenance: The Winchester Gallery, Southampton.
John Nicholson's Fine Art Auctioneers & Valuers
Mar. 21, 2019
Charles Gregory RWS (British, 1849-1920). Country
Est: £200 - £400
Charles Gregory RWS (British, 1849-1920). Country garden scene with an old lady and a child signed watercolour, 40cm x 62cm .
Ewbank's
Feb. 27, 2018
CHARLES GREGORY (1847-1920), HARBOUR AND TOWN, signed and dated 1883? lower
Est: £150 - £250
CHARLES GREGORY (1847-1920), HARBOUR AND TOWN, signed and dated 1883? lower left, oil on canvas, framed. 24.5cm by 39.5cm
Thomas Watson
Dec. 07, 2015
Charles Gregory (British 1849-1920): Cart Horses on a Farm Track, watercolour signed 36cm x 54cm
Est: £200 - £300
Charles Gregory (British 1849-1920): Cart Horses on a Farm Track, watercolour signed 36cm x 54cm
David Duggleby
Nov. 28, 2015
F/g Limited Edition Print No. 22 of 150 The Royal Yacht Squadron 1852 by Charles Gregory, published 5th November 1989
Est: -
F/g Limited Edition Print No. 22 of 150 The Royal Yacht Squadron 1852 by Charles Gregory, published 5th November 1989
Kent Auction Galleries Ltd
Jul. 25, 2015
Follower of Charles Gregory, British 1849-1920- View of Lond
Est: £150 - £200
Follower of Charles Gregory, British 1849-1920- View of London and the Thames; watercolour, signed and dated indistinctly, 39x49cm
Roseberys
Sep. 28, 2014
Charles Dickson Gregory (1850-1920) Australia,
Est: $600 - $800
Charles Dickson Gregory (1850-1920) Australia, Marine water colour, R.M.S ORUBA, signed dated lower right, 98, Adelaide South Australia Run. Approx 18cm x 31cm
Vickers & Hoad
Sep. 09, 2014
Charles Gregory (British, 1849-1920) 'Family ma
Est: £2,000 - £3,000
Charles Gregory (British, 1849-1920) 'Family matters, Volendam, Holland'
Bonhams
Jul. 27, 2014
Charles Dickson Gregory (1850-1920) Australia,
Est: $600 - $800
Charles Dickson Gregory (1850-1920) Australia, Marine water colour, R.M.S ORUBA, signed dated lower right, 98, Adelaide South Australia Run. Approx 18cm x 31cm
Vickers & Hoad
Jun. 27, 2013
Charles Dickson Gregory (1850 - 1920) - Branscombe, Devon c.1870 22 x 34cm
Est: $200 - $400
Charles Dickson Gregory (1850 - 1920) Branscombe, Devon c.1870 watercolour 22 x 34cm signed lower left
Lawsons
Sep. 11, 2012
Charles Gregory, RWS (1849-1920) "UNDER DOMFRONT
Est: £800 - £1,200
Charles Gregory, RWS (1849-1920) "UNDER DOMFRONT CASTLE, NORMANDY" signed; with inscription on a label verso watercolour 56.5 x 46.5cms; 22 1/4 x 18 1/4in. See illustration
Anderson-Garland
Jun. 14, 2012
Charles Gregory (II) (British, 1849-1920)
Est: £800 - £1,200
Farmer and young girl by a river with cattle on the river bank signed 'C Gregory' (lower left) watercolour 36 x 54cm (14 3/16 x 21 1/4in).
Bonhams
Jun. 14, 2012
Charles Gregory (II) (British, 1849-1920)
Est: £1,500 - £2,000
'Hay Field Corfe Castle' signed 'C Gregory 87' (lower left); inscribed label verso watercolour 35 x 51cm (13 3/4 x 20 1/16in).
Bonhams
Dec. 08, 2011
Charles Gregory (1849-1920) The Royal Blue Jacket passing the Eddystone Lighthouse, 20 x 28in.
Est: £3,000 - £5,000
Charles Gregory (1849-1920) oil on canvas, The Royal Blue Jacket passing the Eddystone Lighthouse, signed and dated 1854, Provenance; David Messum, 20 x 28in.
Gorringes
Oct. 07, 2011
CHARLES GREGORY (1849-1920) "The Downs north of
Est: £200 - £300
CHARLES GREGORY (1849-1920) "The Downs north of Steyning", signed, watercolour, 14 3/4" x 20 1/2"
Mallams
Jun. 30, 2011
Charles Gregory (1849-1920) Girls picnicking beside a lake, 14 x 20.5in.
Est: £200 - £400
Charles Gregory (1849-1920) watercolour, Girls picnicking beside a lake, signed, 14 x 20.5in.
Gorringes
Dec. 09, 2010
Charles Gregory (1850-1920) Highland cattle, 19 x 29in.
Est: £400 - £600
Charles Gregory (1850-1920) pair of oils on canvas, Highland cattle, signed, 19 x 29in.
Gorringes
Mar. 23, 2010
Charles Gregory, R.W.S." (1849-1920) THE LAST DAYS
Est: £300 - £450
Charles Gregory, R.W.S." (1849-1920) THE LAST DAYS OF WINTER signed watercolour 33 x 50cms; 13 x 19 3/4in.
Anderson-Garland
Jun. 09, 2009
Charles Gregory (1849-1920), British FOOTBRIDGE AT
Est: $1,000 - $1,500
Charles Gregory (1849-1920), British FOOTBRIDGE AT RIVERHEAD NEAR SEVENOAKS; Watercolour; signed lower left, titled verso 18" x 24" - 45.7 x 61 cm.
Waddington's
Nov. 05, 2008
Charles Gregory, R.W.S. (1850-1920). San Remo.
Est: £1,500 - £2,500
Charles Gregory, R.W.S. (1850-1920). San Remo. signed lower left. watercolour with touches of bodycolour. 49 x 34.5cm. * The view depicts the beautiful old quarter of La Pigna; the ruins of the medieval castle destroyed by the Genoese in the XVII century and in the background the Madonna Della Costa Sanctuary. ** With William Rodman, Manchester.
Bearne's
Apr. 24, 2008
Charles Gregory (1850-1920) Monnow Bridge at Monmouth 14 x 20.5in.
Est: £1,500 - £2,000
Charles Gregory (1850-1920) watercolour Monnow Bridge at Monmouth signed 14 x 20.5in.
Gorringes
Jun. 29, 2007
Charles Gregory (1850-1920) BY THE RIVER signed,
Est: £300 - £400
Charles Gregory (1850-1920) BY THE RIVER signed, pencil and watercolour heightened with white, 38 x 54.5cm In fine original condition with on the backboards the label of Aitken Dott & Son Edinburgh, the giltwood and composition frame original but with chipped gilding
Mellors & Kirk
Dec. 14, 2005
Charles Gregory Jun (1849-1920)
Est: £700 - £1,000
Washerwomen by the stream signed and dated 'C Gregory/84' (lower left) pencil and watercolour heightened with white 25 1/2 x 13 1/2 in. (64.7 x 34.3 cm.)
Christie's
May. 20, 2005
Charles Gregory II (British, 1849-1920)
Est: $2,000 - $4,000
The Village Storyteller Signed and dated "C Gergory/98" l.r. Oil on canvas, 43 x 56 in. (109.2 x 142.3 cm), framed. Condition: Retouch, surface grime, craquelure.
Skinner
Mar. 08, 2005
Charles Gregory R.W.S. (British, 1849-1920)
Est: -
The Deserter signed "C Gregory" and dated (18)'84' watercolour 71.1 x 106.7 cm. (28 x 42 in.)
Bonhams
Oct. 06, 2004
CHARLES GREGORY (1850-1920)
Est: -
CHARLES GREGORY (1850-1920): Figures by a cottage, signed, watercolour, 42 x 24.5cm (16.75 x 9.75in)
Woolley & Wallis
Jul. 01, 2004
Charles Gregory (1849-1920)
Est: £400 - £600
Washerwomen on the Italian coast signed 'C. Gregory' (lower right) pencil, watercolour and bodycolour with scratching out 53 x 21 in. (33 x 53.5 cm.)
Christie's
Nov. 30, 2001
Charles Gregory, R.W.S. (1850-1920)
Est: $42,900 - $71,500
Burdens signed with monogram and dated '81' (lower right) oil on canvas 651/2 x 441/4 in. (166.4 x 112.4 cm.) LITERATURE H. Blackburn (ed.), Academy Notes, 1881, p. 45 (illustrated). Magazine of Art, 1884, pp. 196-198 (illustrated with a full-page engraving). EXHIBITION London, Royal Academy, 1881, no. 394. NOTES Charles Gregory made an engraving after Burdens for the Magazine of Art in 1884, three years after it was exhibited at the Royal Academy. The critic accompanied this with a description of the picture The work is one which appeals to the emotional rather than the intellectual side of human nature. Yet there is thought in the composition and grouping, and plenty of technical skill is manifest in certain of the details. The hamlet, set in part on far-away slopes, crowned with thick woods, round and about which a flight of birds go circling to their rest, is a pleasant and peaceful place in which to linger. So think the troup on the stone steps leading down from the bridge to the stream below - the three poor wanderers, of different ages, of 'respectable antecedents,' in various attitudes of repose. Taking stock of them from the bridge behind is another group, made up of elements religious and civil. There is the vicar, a pleasant gentleman of the old school; there is the vicar's daughter, a round-faced, ingenuous, 'Wakefieldish' looking young creature in a small poke-bonnet, who is turning a pitiful face on the wanderers; and, listening to the vicar's mild words, but keeping a baleful eye on the three strangers, the village beadle, in correct uniform, handles his wand of office, and indulges in a rather bullying and very British expression, complicated, let us hope, with a touch of rough tenderness. Over the bridge go the big wains and their teams of stately, sturdy horses. The beadle is the man in the blue uniform, a parish officer whose duties included keeping order in church and keeping vagrants off the streets and putting them into the workhouse. Their role was immortalised by Charles Dickens in his novel Oliver Twist which had been published in 1837-8. Oliver Twist is the name given to a child of unknown parentage born in a workhouse and brought up under the cruel conditions to which pauper children were formerly exposed, the tyrant at whose hands he especially suffers being Bumble, the parish beadle. At the end of the drama, the offending characters are all eventually thwarted and brought to justice, including Bumble who ends his career in the workhouse over which he formerly ruled. The threatening glance that the beadle in this picture appears to be giving to the three girls on the steps implies the sinister consideration of removing them from the streets and entering them into the workhouse. The strained expression on the eldest girl's face would seem to indicate her awareness of their predicament and her inability to prevent their inevitable confinement. However, as the critic in the Magazine of Art commented 'Perhaps it may all end as things end in 'nice' books, and the good parson will add these new burdens to his own family party.' A comparable painting by Gregory entitled Weal and Woe was engraved in the Art Journal in 1882 (p. 80) and similarly tackles a social realist subject of womens' plight. The Art Journal 's description of Gregory's ability to convincingly portray the contrasting emotions of a group of characters could equally be applied to our picture: 'The vicissitudes of human life, with all their intense and dramatic realism, are finely typified in this very able picture. The little child starting on her first voyage, with the emblem of hope and promise in her dimpled hand, has a fine antithesis in the aged labourer, worn with toil and the long burden of his many years, who will in so short a time take the last journey of all. The pretty young mother and her babes well express happiness and content, as they look with bright-eyed hope across the placid river to the paths beyond. The mother, happy in the possesion of her treasures, has a touch of sympathetic tenderness in her face, as not unconscious of the stricken one near her, who, like Rachel mourning for her children, will not be comforted. There is a fine touch of character in the stalwart boatman, whose youth and strength contrast so effectively with age and feebleness. In this work the artist has manifested with no uncertain hand his inventive faculty. The position of the boat enables him to bring his figures into excellent arrangement; the landscape is happily rendered, and the massing of the trees most successfully aids the general balance of the picture.' This picture was bought by the Liverpool Corporation.
Christie's