BRLO. 2016. Sprühfarbe über Bierflaschen und Kartonkasten. 24 x 0,33l Bierflaschen. Auf der Unterseite mit schwarzem Edding monogrammiert und datiert: K.G., 15.9.2016. Kasten: 27 x 40,5 x 28 cm. Zustand: Karton an einer Ecke eingedrückt.
(1961 Freiburg). Cool Puppen - Der weisse Saal trifft sich im Wald - Ich wüsste jetzt nichts. (München), Edition Minerva, 2002. 25,5 x 22,7 cm. Mit zahlr. farbigen Abbildungen. 172 S. Orig.-Brosch., diese in Orange, Grün, Bronze und Silber von der Künstlerin übersprüht (Falz gering, Deckel minimal berieben). Verso Vorderdeckel auf der Klappe signiert und datiert 2002.
KATHARINA GROSSE (Freiburg im Breisgau 1961–lives and works in Berlin) Untitled. 2001. Acrylic on aluminium. Signed and dated on the reverse: Katharina Grosse 2001. 76 × 56,2 cm. Provenance: - Artist's studio. - Private collection Switzerland, directly acquired from the artist in 2001. * The full tax is charged on this item marked * in the auction catalogue, i.e. VAT is charged on the sum of the bid price plus the surcharge for those items. The VAT will be refunded to Purchasers providing a validly stamped export declaration. ------------------------------------------------- KATHARINA GROSSE (Freiburg im Breisgau 1961–lebt und arbeitet u.a. in Berlin) Ohne Titel. 2001. Acryl auf Aluminium. Verso signiert und datiert: Katharina Grosse 2001. 76 × 56,2 cm. Provenienz: - Studio der Künstlerin. - Privatsammlung Schweiz, direkt von der Künstlerin 2001 erworben. Dieses mit * (Asterisk) bezeichnete Objekte ist vollumfänglich mehrwertsteuerpflichtig, d. h. bei diesen Objekten wird die MWST auf den Zuschlagspreis plus Aufgeld berechnet. Käufer, die eine rechtsgültig abgestempelte Ausfuhrdeklaration vorlegen, erhalten die MWST rückvergütet.
GROSSE, KATHARINA 1961 Freiburg Title: Unititled. Date: 2020. Technique: Mixed media on paper. Measurement: 41 x 32cm. Notation: Dedicated verso: Frame/Pedestal: Framed. Provenance: - Private collection North Rhine-Westphalia Exhibitions: - Galerie Freitag 18.30, Aachen 2024 (according to consignor). Explanations to the Catalogue Katharina Grosse Germany Abstraction Contemporary Art 2020s Framed Abstract Works on paper Mixed media Colour Estimated shipping costs for this lot: Germany: 36,97 Euro plus 7,03 Euro VAT EU: 58,82 Euro plus 11,18 Euro VAT Worldwide: 100,84 Euro plus 19,16 Euro VAT additional shipping insurance
GROSSE, KATHARINA 1961 Freiburg Title: Untitled. Date: 1988. Technique: Oil and charcoal on paper. Laid down on canvas. Measurement: 60 x 89cm. Notation: Signed and dated verso centre: K. Grosse 1988. Here additionally with directional arrows. Frame/Pedestal: Framed. Provenance: - Private collection North Rhine-Westphalia Exhibitions: - Galerie Freitag 18.30, Aachen 2024 (according to consignor). Explanations to the Catalogue Katharina Grosse Germany Abstraction Contemporary Art 1980s Framed Abstract Painting Mixed media Colour Estimated shipping costs for this lot: Germany: 77,31 Euro plus 14,69 Euro VAT EU: 100,84 Euro plus 19,16 Euro VAT Worldwide: 159,66 Euro plus 30,34 Euro VAT additional shipping insurance
GROSSE, KATHARINA 1961 Freiburg Title: Untitled. Date: 1997. Technique: Oil and Acrylic on aluminium. Measurement: 50 x 37cm. Notation: Dated and signed verso: 1997 Katharina Grosse. Here additionally with directional arrows. Provenance: - Bremer Landesbank. This lot will be sold under standard taxation (Condition of Sale §V5.1) Explanations to the Catalogue Katharina Grosse Germany Abstraction Contemporary Art Post War 1990s Colour Painting Oil and acrylic Abstract Estimated shipping costs for this lot: Germany: 32,77 Euro plus 6,23 Euro VAT EU: 50,42 Euro plus 9,58 Euro VAT Worldwide: 92,44 Euro plus 17,56 Euro VAT additional shipping insurance
GROSSE, KATHARINA 1961 Freiburg Title: Unitiled. Date: 1997. Technique: Oil and acrylic on aluminium. Measurement: 50 x 33cm. Notation: Dated and signed twice verso: 1997 Katharina Grosse. Here additionally with directional arrows. Provenance: - Köllmann AG (according to consignor) - Bremer Landesbank (aquired 1997). This lot will be sold under standard taxation (Condition of Sale §V5.1) Explanations to the Catalogue Katharina Grosse Germany Abstraction Contemporary Art Post War 1990s Colour Painting Oil and acrylic Abstract Estimated shipping costs for this lot: Germany: 32,77 Euro plus 6,23 Euro VAT EU: 50,42 Euro plus 9,58 Euro VAT Worldwide: 92,44 Euro plus 17,56 Euro VAT additional shipping insurance
GROSSE, KATHARINA 1961 Freiburg Title: Untitled. Date: 2007. Technique: Monotype from stone on laid paper. Measurement: 99 x 67cm. Notation: Inscribed, signed and dated verso bottom: 1/1 K. Grosse 2007. This work is a unique. Provenance: - Edition Copenhagen - Corporate collection Berlin. This lot will be sold under standard taxation (Condition of Sale §V5.1) Explanations to the Catalogue Katharina Grosse Germany Abstraction Contemporary Art 2000s Abstract Works on paper Monotype Colour Estimated shipping costs for this lot: Germany: 63,03 Euro plus 11,97 Euro VAT EU: 75,63 Euro plus 14,37 Euro VAT Worldwide: 121,85 Euro plus 23,15 Euro VAT additional shipping insurance
Ditone print on vellum. 6.5 x 14.6 cm (motif) / 29.6 x 21 cm (sheet). Here number 85 from an edition of 100 + 20 AP + 2 PP copies. Signed and numbered on the reverse: Large 85/100. TEXTE ZUR KUNST (Edition No. 19) (ed.).
Acrylic on cardboard (recto/verso). 21 x 26 cm. Here is number 15 from a small series of 20 unique pieces. Signed and dated in pencil on the recto: Grosse 1992, and inscribed and numbered in pencil on the verso: Florenz 15/20.
KATHARINA GROSSE (German, born 1961) Untitled (Green) 1998 screenprint, unique signed and dated verso (concealed) artist's name, title and date on unknown label verso 75.5 x 55.5cm (sheet); 93 x 77.5cm (frame) PROVENANCE: Gift of the Artist 1998 Private collection, Melbourne OTHER NOTES: Katharina Grosse produced this print at Northern Editions Printmaking Studio and Gallery, Charles Sturt University, Darwin, as part of the 11th Biennale of Sydney Outreach Program in 1998.
KATHARINA GROSSE (German, born 1961) Untitled (Orange) 1998 screenprint, unique signed and dated verso (concealed) artist's name, title and date on unknown label verso 75.5 x 55.5cm (sheet); 93 x 77.5cm (frame) PROVENANCE: Gift of the Artist 1998 Private collection, Melbourne OTHER NOTES: Katharina Grosse produced this print at Northern Editions Printmaking Studio and Gallery, Charles Sturt University, Darwin, as part of the 11th Biennale of Sydney Outreach Program in 1998.
(1961 Freiburg). Cool Puppen - Der weisse Saal trifft sich im Wald - Ich wüsste jetzt nichts. (München), Edition Minerva, 2002. 25,5 x 22,7 cm. Mit zahlr. farbigen Abbildungen. 172 S. Orig.-Brosch., diese in Orange, Grün, Bronze und Silber von der Künstlerin übersprüht (Falz gering, Deckel minimal berieben). Verso Vorderdeckel auf der Klappe signiert und datiert 2002.
(1961 Freiburg). Cool Puppen - Der weisse Saal trifft sich im Wald - Ich wüsste jetzt nichts. (München), Edition Minerva, 2002. 25,5 x 22,7 cm. Mit zahlr. farbigen Abbildungen. 172 S. Orig.-Brosch., diese in Orange, Grün, Bronze und Silber von der Künstlerin übersprüht (Falz gering, Deckel minimal berieben). Verso Vorderdeckel auf der Klappe signiert und datiert 2002.
Katharina Grosse b. 1961 Untitled signed and dated 2012 (on the verso) acrylic on paper 105.7 by 75.3 cm. 41⅝ by 29⅝ in. framed: 119 by 88.9 cm. 46⅞ by 35 in. Executed in 2012.
KATHARINA GROSSE (Freiburg im Breisgau 1961–lives and works in Berlin) Untitled. 2000. Acrylic on canvas. Signed, dated and with the work number: Kath Gro 2000 2000/1031L. 200 × 284 cm. Provenance: - Galerie Conrads, Düsseldorf. - Private collection, North Rhine-Westphalia, aquired from the above gallery. "Big, bigger, Grosse". The headline in the Austrian newspaper Kurier in 2014 for Katharina Grosse's impressive installation at the Kunsthaus Graz still says it all: because if this artist remains true to one thing, it is the large format. And her spray gun. Katharina Grosse has been working with a compressor-powered spray gun on her wall pieces, installations and studio works since 1998. Over the years, the installations created in this way have become increasingly complex and are not only located indoors, such as the one at the Hamburger Bahnhof in Berlin in 2020, but also outdoors, for example in New York, Munich or Toronto. While she often works from a lifting platform for her room-sized installations and is an expert at attending to both the detail and the overall effect of her work, she is equally adept at condensing her visions onto the considerably smaller medium of the canvas. Her Studio Paintings were last shown in Switzerland in a major solo exhibition at the Kunstmuseum Bern in 2023. Offered here at auction is a dazzling work from 2000 which would have fitted in wonderfully with this series and would have attracted some admiration in its own right, commanding attention as it does with its incredible presence in the room. The striking effect of the colour, with which we are familiar from Grosse's virtuoso installations of recent years, is present in this work in a very concentrated form and casts an almost magnetic spell over the viewer. The carefully composed tiers of colour in the picture oscillate between transparency and opacity and were created through the ingenious use of various colourants and tools: up close, we recognise both the artist's large dynamic brushstrokes and the delicate application of sprayed paint, which merge seamlessly into an impressive whole. The viewer's gaze is absorbed by the billowing and overlapping clouds of intense magenta, gold, rosé and violet tones and through the use of iridescent colours remains spellbound by the search for ever new chromatic impressions. Every time we look at this work, it reveals new perspectives, new depths of colour, eliciting awe and wonder again and again. Every time we look at this work, it reveals new perspectives, new depths of colour, eliciting awe and wonder again and again. Furthermore - we observe: the work of Katharine Grosse always provokes a smile when we pass by. * The full tax is charged on this item marked * in the auction catalogue, i.e. VAT is charged on the sum of the bid price plus the surcharge for those items. The VAT will be refunded to Purchasers providing a validly stamped export declaration. ------------------------------------------------- KATHARINA GROSSE (Freiburg im Breisgau 1961–lebt und arbeitet u.a. in Berlin) Ohne Titel. 2000. Acryl auf Leinwand. Verso signiert, datiert und mit der Werknummer: Kath Gro 2000 2000/1031L. 200 × 284 cm. Provenienz: - Galerie Conrads, Düsseldorf. - Privatsammlung Nordrhein-Westfalen, bei obiger Galerie erworben. „Gross, Grösser, Grosse“. Die Überschrift mit der der österreichische Kurier 2014 zu Katharina Grosses beeindruckender Installation im Kunsthaus Graz titelt, ist nach wie vor Programm: Denn wenn die Künstlerin einem treu bleibt, dann dem grossen Format. Und ihrer Spritzpistole. Seit 1998 arbeitet Katharina Grosse in ihren Wandarbeiten, Installationen aber auch den Atelierarbeiten mit einer kompressorbetriebenen Spritzpistole. Mit den Jahren werden die so geschaffenen installativen Werke immer komplexer und nicht nur im Innenraum, so beispielsweise 2020 im Hamburger Bahnhof in Berlin, sondern auch im Aussenraum verortet, wie etwa in New York, München oder Toronto. Während sie für ihre raumgreifenden Installationen häufig von einer Hebebühne aus arbeitet und es dabei meisterhaft versteht, sowohl das Detail als auch die Gesamtwirkung ihres Werkes im Blick zu behalten, beherrscht sie dies ebenso in der Kondensierung Ihrer Visionen auf das ungleich kleinere Medium der Leinwand. Ihren Atelierarbeiten, den Studio Paintings, war in der Schweiz zuletzt im Jahr 2023 eine grosse Einzelausstellung im Kunstmuseum Bern gewidmet. In diese Reihe hätte sich auch das hier angebotene farbgewaltige Werk aus dem Jahr 2000 wunderbar eingefügt und einige Bewunderung für sich beanprucht, denn es besticht besonders durch seine unglaubliche Präsenz im Raum. Die eindrückliche Wirkung der Farbe, die man aus Grosses virtuosen Installationen der letzten Jahre kennt, liegt in dieser Arbeit ganz konzentriert vor und schlägt die Betrachtenden mit einer beinahe magnetischen Anziehungskraft in ihren Bann. Die sorgsam komponierten Farbebenen der Darstellung oszillieren zwischen Transparenz und Opazität und werden durch den ausgeklügelten Einsatz verschiedener Farbmittel und Werkzeuge kreiert: Aus der Nähe lassen sich sowohl die dynamischen grossen Pinselstriche der Künstlerin, als auch der zarte Farbauftrag gesprühter Farbe erkennen, die beide nahtlos zu einem beeindruckenden Ganzen verschmelzen. Der Blick wird zwischen den sich bauschenden und überlagernden Farbwolken aus kräftigem Magenta, sowie Gold-, Rosé- und Violett-Tönen eingefangen und bleibt durch die Verwendung irisierender Farbe gebannt in der Suche nach immer neuen Farbeindrücken. Jeder Blick auf dieses Werk offenbart neue Perspektiven sowie neue Farbtiefen und sorgt bei den Betrachtenden immer wieder aufs Neue für ehrfürchtiges Staunen. Dieses mit * (Asterisk) bezeichnete Objekte ist vollumfänglich mehrwertsteuerpflichtig, d. h. bei diesen Objekten wird die MWST auf den Zuschlagspreis plus Aufgeld berechnet. Käufer, die eine rechtsgültig abgestempelte Ausfuhrdeklaration vorlegen, erhalten die MWST rückvergütet.
Katharina Grosse b. 1961 Ohne Titel (Untitled) signed and dated 2008 (on the reverse) acrylic and soil on canvas 162 by 127 cm. 63¾ by 50 in. Executed in 2008. _________________________________________________________ Katharina Grosse geb. 1961 Ohne Titel signiert und datiert 2008 (auf der Rückseite) Acryl und Erde auf Leinwand 162 x 127 cm. 63¾ x 50 in. Entstanden 2008.
Katharina Grosse b. 1961 Ohne Titel (Untitled) signed (on the reverse) acrylic and soil on paper 101.5 by 67.5 cm. 40 by 26⅝ in. Executed in 2009. _________________________________________________________ Katharina Grosse geb. 1961 Ohne Titel signiert (auf der Rückseite) Acryl und Erde auf Papier 101.5 x 67.5 cm. 40 x 26⅝ in. Entstanden 2009.
GROSSE, KATHARINA 1961 Freiburg Title: Untitled. Technique: Acrylic on laid paper. Measurement: 44,5 x 60,5cm. We are grateful to Studio Katharina Grosse, Berlin, for their kind scientific support. Provenance: - Private collection, Northern Germany Exhibitions: - Galerie Maria Wilkens, Cologne 1992. Estimated shipping costs for this lot: Germany: 26,89 Euro plus 5,11 Euro VAT EU: 37,82 Euro plus 7,18 Euro VAT Worldwide: 71,43 Euro plus 13,57 Euro VAT additional shipping insurance Explanations to the Catalogue Katharina Grosse Germany Abstraction Contemporary Art Colour Works on paper Acrylic
M.M.S. (Much.More.Shit.). 2019. Acrylfarbe auf zerknülltem Papier. Aus einer unnummerierten Auflage von 1000 Exemplaren. Maße: 13 x 12 x 3 cm. Hrsg. von: Creator Projects, Kopenhagen 2019. In Originalkarton, mit beiliegendem Leporello.
(1961 Freiburg). Cool Puppen - Der weisse Saal trifft sich im Wald - Ich wüsste jetzt nichts. (München), Edition Minerva, 2002. 25,5 x 22,7 cm. Mit zahlr. farbigen Abbildungen. 172 S. Orig.-Brosch., diese in Orange, Grün, Bronze und Silber von der Künstlerin übersprüht (Falz gering, Deckel minimal berieben). Verso Vorderdeckel auf der Klappe signiert und datiert 2002.
KATHARINA GROSSE (1961) Lot of two catalogues Double floor painting 2004 Illustrated catalogue published on the occasion of the exhibiion held at Kunsthallen Brandts Klaedefabrik (June 13th - September 19th, 2004) 21 x 25 cm Edition of the museum Pages 85 Defects Infinite logic conference 2004 Monographic illustrated catalogue published on the occasion of the exhibiion held at Magasin III Stockholm Konsthall, Stockholm (March 27th - June 6th, 2004) 25,5 x 18 cm Edition of the museum No defects
GROSSE, KATHARINA 1961 Freiburg Title: Untitled. Date: 2013. Technique: Digitally printed silk cloth, metal-wood rod and rope. Measurement: Flag: 120 x 205; rod: 258 x 5 x 5cm. Total measurements: 258 x 205 x 5cm. Number: 10. From an edition of 10 copies (+ 2 AP). Provenance: - Private collection North Rhine-Westphalia Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue
GROSSE, KATHARINA 1961 Freiburg Title: Untitled. Date: 2007. Technique: Monotype on laid paper. Sheet Size: 100 x 66.5cm. Notation: Signed, dated and numbered (verso). Publisher: Edition Copenhagen (publisher). Number: 1/1. Frame: Framed. Provenance: - Private collection North Germany Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue
GROSSE, KATHARINA 1961 Freiburg Title: Untitled. Date: 2008. Technique: Acrylic and soil on canvas. Measurement: 150 x 120cm. Notation: Signed and dated verso lower left: Grosse 2008. Next to it numbered: 2008/1022M. Additionally equipped with directional arrows and work details. Frame/Pedestal: Framed. Provenance: - Private collection Germany (directly from the artist) - Grosse's innovative use of colour and techniques creates an interesting multi-dimensionality in this work - Attractive format - Grosse is currently one of the most internationally sought-after contemporary German artists Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue
Property from a Distinguished Private Collection, Switzerland Katharina Grosse b. 1961 Untitled signed K. Grosse and dated 2002 (on the reverse) acrylic on canvas 208.4 by 162 cm. 82 by 63¾ in. Executed in 2002. _________________________________________________________ Aus einer herausragenden Privatsammlung, Schweiz Katharina Grosse geb. 1962 Untitled signiert K. Grosse and datiert 2002 (auf der Rückseite) Acryl auf Leinwand 208.4 x 162 cm. 82 x 63¾ in. Entstanden 2002.
KATHARINA GROSSE (B. 1961) Untitled 2016 signed, dated 2016 and numbered 2016/1095L on the reverse acrylic on canvas 105 3/8 by 68 7/8 in. 265 by 175 cm.
GROSSE, KATHARINA 1961 FREIBURG I.BR. Title: Untitled (Painted Parkett Edition) (for Parkett 100/101). Date: 2017. Technique: With spray paint painted Parkett-Edition. Measurement: 25,5 x 21 x 3cm. Notation: Signed, dated and numbered (interior). Publisher: Parkett-Verlag, Zurich (publisher). Number: 5/25. Condition: The multiple is in very good condition. Each copy is unique. With Parkett magazine. "Today, while many interesting painters are exploring the cusp between abstraction and the image, Katharina Grosse is holding the line for abstraction. But unlike so much contemporary abstraction, hers is untouched by nostalgia for the utopian certainties that motivated the pioneers. Her art looks forward, but unlike that of the great modernists, it doesn't define the end towards which it aims." Barry Schwabsky, Parkett no. 100/101, 2017. Article on the work and artist from Parkett edition no. 100/101. Explanations to the Catalogue
GROSSE, KATHARINA 1961 FREIBURG I.BR. Title: Rock (for Parkett 74). Date: 2005. Technique: Acrylic on Carrara-Marmor. Measurement: 17 x 17 x 22cm. Notation: Signed and numbered on enclosed certificate. Publisher: Parkett-Verlag, Zurich (publisher). Number: 1/55. Condition: The multiple is in very good condition. Each copy of the edition is unique. With enclosed certificate. With Parkett magazine. "Within my compositions, the colors have the function of distinguishing between different movements. I like working with a certain palette, one that is usually very raw and very cold. It's extremely artificial, like Pontormo's, for example. Then, within this spectrum, there are some colors that develop certain characteristics. A particular red, when it meets up with blue, doesn't become purple but rather brown. I like this ambivalence that makes colors surrender their identity and yet still show signs of their origins." Katharina Grosse interview with Hans Ulrich Obrist, Parkett no. 74, 2005. Article on the work and artist from Parkett edition no. 74. Explanations to the Catalogue
KATHARINA GROSSE (B. 1961) Untitled 2016 signed, dated 2016 and numbered 2016/1082L on the reverse acrylic on canvas 214 by 146.5 cm. 84 1/4 by 57 11/16 in.
Katharina Grosse Untitled (skateboard deck) 2006 spraypaint on skateboard deck 31 h x 7.5 w x 2 d in (79 x 19 x 5 cm) Signed and numbered to verso 'Katharina Grosse 73/100'. Printed manufacturer's mark to verso 'Mekanism'. This unique work is number 73 from the edition of 100 variable examples produced by Mekanism, Paris. This work will ship from Los Angeles, California.
Acrylic on aluminium. 2000. Ca. 190 x 125 cm. Signed, dated and inscribed with the archive number “2000/205L” and with an arrow to show hanging direction on the reverse. • An especially densely worked early spray composition • Clear proximity to American Color Field painting • One of the most sought-after artists on the international market We are thankful to the Studio Katharina Grosse, Berlin, for the information they have kindly provided for cataloguing this lot.
Acrylic on canvas. 2015. Ca. 394 x 418 cm. Signed, dated and inscribed with the work number “2015/1013” and the dimensions on the reverse on the canvas. • Museum quality work in a fine colour palette • Imposingly large format • One of the most sought-after artists on the international market
Acrylic on canvas. 2007. Diameter ca. 85 cm. Signed, dated and inscribed with the archive number “2007/1025S” and with an arrow to show hanging direction on the reverse on the canvas. • Expressive early work in the artist's characteristic tondo format • Heightened sculptural quality through the captivating contrast created by the light to dark spray effect • One of the most sought-after artists on the international art market, represented by Max Hetzler in Berlin and Gagosian in New York • The Kunstmuseum Bern is currently showing the retrospective “Studio Paintings” We are thankful to the Studio Katharina Grosse, Berlin, for the information they have kindly provided for cataloguing this lot.
Online_Modern and Contemporary Art Zeitgenössische Kunst Katharina Grosse {1 multiple in: much.more.shit.} 2019. Zerknülltes Papier, mit Acrylfarbe besprüht. Ca. 6 x 9 x 8 cm. - In gutem Zustand. Die Farben frisch und kräftig. Eines von 1000 Exemplaren. - Aus dem Portfolio "much.more.shit." mit 11 weiteren multiples verschiedener Künstler. - {Enthält Arbeiten von: - Alexander Tovborg - Alicja Kwade - Daniel Buren - Hesselholdt & Mejlvang - Jenny Holzer - Jeppe Hein - Martin Creed - Monster Chetwynd - Nico Vascellari - Tania Bruguera - Tosh Basco.} - Hg. v. Creator Projects, Kopenhagen 2019. - Ausgehend von dem Moment, eine zu Papier gebrachte Idee zu verwerfen, arbeitet Katahrina Grosse mit dem Papierknäuel als Ausgangspunkt für den Kern einer neuen Idee, eines Neustarts. Die Arbeit besprüht sie farbenfroh und heißt damit auch den erhofften Neustart für willkommen. {1 multiple in: much.more.shit.} Made of crumpled paper, sprayed with acrylic paint. - In good condition. The colours fresh and strong. - One of 1000 copies. - From the portfolio "much.more.shit." with 11 further multiples by various contemporary artists. - {Contains works by: - Alexander Tovborg - Alicja Kwade - Daniel Buren - Hesselholdt & Mejlvang - Jenny Holzer - Jeppe Hein - Martin Creed - Monster Chetwynd - Nico Vascellari - Tania Bruguera - Tosh Basco}. - Pub. by Creator Projects, Copenhagen. * Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% or 19% VAT on the final invoice amount in the European Union.
KATHARINA GROSSE (Freiburg im Breisgau 1961–lives and works in Berlin) Untitled. 2007. Colour lithograph. 4/6. Signed and dated in pencil on the reverse: Katharina Grosse 2007. Sheet size 66 × 100 cm on wove paper by Arches. Printed and published by Edition Copenhagen. --------------- KATHARINA GROSSE (Freiburg im Breisgau 1961–lebt und arbeitet u.a. in Berlin) Ohne Titel. 2007. Farblithografie. 4/6. Verso mit Bleistift signiert und datiert: Katharina Grosse 2007. Blattmass 66 × 100 cm auf Vélin von Arches. Erschienen und gedruckt bei Edition Copenhagen. ---------------
