Willem van der (1722) Hagen Sold at Auction Prices

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    • Willem van der Hagen (Dutch, 1690-1745) An extensive river landscape with an architectural capriccio
      Dec. 06, 2023

      Willem van der Hagen (Dutch, 1690-1745) An extensive river landscape with an architectural capriccio

      Est: £3,000 - £5,000

      Willem van der Hagen (Dutch, 1690-1745) An extensive river landscape with an architectural capriccio signed and indistinctly dated 'E v. hagen/ *73*' (on stone plinth, lower right) oil on canvas 61.1 x 104.3cm (24 1/16 x 41 1/16in).

      Bonhams
    • WILLEM VAN DER HAGEN (FL. 1720-1745) A pair of Capriccio Italianate Landscapes with Figures and Animals A pair, oil on panel, each 17.5 x 25cm These small landscapes form an exciting addtion to the small oeuvre of William Van de Hagen, oft
      Oct. 10, 2023

      WILLEM VAN DER HAGEN (FL. 1720-1745) A pair of Capriccio Italianate Landscapes with Figures and Animals A pair, oil on panel, each 17.5 x 25cm These small landscapes form an exciting addtion to the small oeuvre of William Van de Hagen, oft

      Est: €2,000 - €3,000

      WILLEM VAN DER HAGEN (FL. 1720-1745) A pair of Capriccio Italianate Landscapes with Figures and Animals A pair, oil on panel, each 17.5 x 25cm These small landscapes form an exciting addtion to the small oeuvre of William Van de Hagen, often seen as the founder of the great school of landscape painting which flourished in Ireland in the eighteenth century. Although they differ completley in scale, these landscapes are directly comparable to the series of capriccio landsapes which comprise his most original and appealing work, sharing with them the similarly etiolated figures set in a landscape which mixes bucolic tranquility with architetural fantasy. Highlighting the overlap with the larger works is the fact that the detail of the dog barking at the swan is repeated almost verbatim from the finest of the capriccios, formerly at Kilsharvan House, County Meath (private collection; see the title page to Desmond FitzGerald, Knight of Glin and James Peill, Irish Furniture). Van der Hagen may have travelled extensively before settling in Ireland. Views are known of Gibraltar, Sicily and even North Africa although it is not certain that all of them are based on first-hand experience. He moved to Ireland in, or about, 1722. His presence is first noted by Harding?s Impartial Newsletter in 1722 where he is recorded as ?lately arrived from London? and as painting sets for the Theatre Royal. Some ten years later he is known to have painted the scenery for a staging of Cephalus and Procris, which was described at the time as ?finer painted than ever seen in this kingdom?. In addition to his work in the theatre, van der Hagen was busy with other commissions from his earliest days in Ireland which renders suspect Anthomy Pasquin?s account of his character. He describes the artist as a ?painter of landscape and shipping in Dublin and other towns in Ireland?This was a most remarkable genius; and had his industry been proportioned to his powers, he might have done wonders; but he would never work while he had a shilling; and when pinched by his distress, he would retire to a public house, and paint a picture to liquidate his reckoning?. This hardly accords with the number, accomplishment and variety of the commissions that van der Hagen completed in the twenty-three years that he was in Ireland. Two years after his arrival he painted an altarpiece for St Michan?s Church, Dublin which has not survived nor has the ?painted glory? for St Patrick?s in Waterford. In 1728 he was commissioned by the tapestry maker Robert Baillie to ?take prospects? of the places to be depicted in the six tapestries for the newly built House of Lords. In the end only two of his paintings were worked up into tapestries and these depart from his designs considerably. Presumably connected with this commission is his View of Derry and The Landing of King William at Carrickfergus (Ulster Museum). Given his scene painting background and facility for composition, it is not surprising that Van der Hagne also found work as a decorative painter. One eighteenth-century source notes ?he painted many houses in this kingdom?; for example at Curraghmore, County Waterford he completed a trompe d?oeil scheme with the staircase decorated with ?beautiful paintings by Van der Egan (sic) such as columns, festoons etc between which are several landscapes? while the ceiling was ?painted in perspective and represents a dome, the columns seeming to rise, through a flat surface?. Given the temporary nature of these decorative schemes which were so often redone as taste changed it is remarkable that one of van der Hagen?s grisaille rooms has survived almost intact, although now dismantled. This was completed for the Christmas family of Whitfield Court, County Waterford and comprises eighteen panels of gods and goddesses (Private collection; Ballyfin demesne). Van der Hagen clearly had close ties of patronage with the Waterford area. In addition to these house decorations and the work at St Patrick?s he was commissioned to paint a large view of the city of Waterford for which, in 1736, he was paid œ20 by the Corporation.

      Adam's
    • ATTRIBUTED TO WILLEM VAN DER HAGEN (ACTIVE ENGLAND, 18TH CENTURY )
      Apr. 27, 2016

      ATTRIBUTED TO WILLEM VAN DER HAGEN (ACTIVE ENGLAND, 18TH CENTURY )

      Est: £4,000 - £6,000

      ATTRIBUTED TO WILLEM VAN DER HAGEN (ACTIVE ENGLAND, 18TH CENTURY ) A classical capriccio of figures and cattle on a track by ruins with a river landscape beyond oil on canvas 101 x 126.5cm (39 3/4 x 49 13/16in). Provenance (by repute) Flitwick Manor, Bedfordshire, where purchased by the present owner

      Bonhams
    • ANONYMOUS England XVIII
      Dec. 07, 2015

      ANONYMOUS England XVIII

      Est: €4,000 - €5,000

      English ANONYMOUS England XVIII English frigate on a stormy sea. English merchant ship on a stormy sea. Panel. A pair. Ex: Londen, Bonham's, 5.7.2006, lot 22, as Willem Van der Hagen (act. 1722-1745). 54 x 64 (x2) Dutch ANONIEM Engeland XVIII Engels fregat op stormachtige zee. Engels koopvaardijschip op stormachtige zee. Paneel. Een paar. Parkettage achteraan. Herkomst: Londen, Bonham's, 5.7.2006, lot 22 als Willem Van der Hagen (act. 1722-1745). 54 x 64 (x2) French ANONYME Angleterre XVIII Frégate anglaise par temps orageux. Navire de commerce par temps orageux. Panneau. Une paire. Parquetage. Provenance: Londres, Bonham's, 5.7.2006, lot 22 comme Willem Van der Hagen (act. 1722-1745). 54 x 64 (x2)

      Bernaerts Auctioneers
    • MANNER OF WILLEM VAN DER HAGEN (Fl. 1720 - 1745) A
      Oct. 14, 2013

      MANNER OF WILLEM VAN DER HAGEN (Fl. 1720 - 1745) A

      Est: €2,000 - €3,000

      MANNER OF WILLEM VAN DER HAGEN (Fl. 1720 - 1745) A Capriccio of Roman Ruins with figures around a fountain, with a view of the Pantheon through arches Oil on canvas, 76 x 64cm Provenance: Henry Collection, Rathescar; and Ardbraccan House, Navan, Co Meath

      Adam's
    • WILLEM VAN DER HAGEN (d.1745) A river landscape
      Oct. 09, 2012

      WILLEM VAN DER HAGEN (d.1745) A river landscape

      Est: €20,000 - €30,000

      WILLEM VAN DER HAGEN (d.1745) A river landscape with classical ruins and numerous figures and animals Oil on canvas, 107 x 145cm Signed with a monogram and dated In period carved gadrooned gilt-wood frame Provenance: Carrigglas Manor, Co. Longford

      Adam's
    • WILLEM VAN DER HAGEN
      Dec. 09, 2010

      WILLEM VAN DER HAGEN

      Est: £40,000 - £60,000

      WILLEM VAN DER HAGEN THE HAGUE 1680 - 1745 DUBLIN AN EXTENSIVE RIVER LANDSCAPE WITH FIGURES RESTING BESIDE CLASSICAL RUINS signed and indistinctly dated lower right : W v. hagen / 1733 oil on canvas 140 by 124.5 cm.; 55 by 49 in.

      Sotheby's
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