Johann Jakob Haid Paintings & Artwork for Sale | Johann Jakob Haid Art Value Price Guide

Nov. 23, 2024
Empire frame with gilt bronze rosettes in the corners, inside copper engraving by Johann Jakob Haid (1704-1767) ‘Christian von Münch’, RM 48.2x33cm, w.f. 56.2x41cm, small defects
Est: -
Empire frame with gilt bronze rosettes in the corners, inside copper engraving by Johann Jakob Haid (1704-1767) ‘Christian von Münch’, RM 48.2x33cm, w.f. 56.2x41cm, small defects Empire Rahmen mit vergoldeten Bronze Rosetten in den Ecken, innen Kupferstich von Johann Jakob Haid (1704-1767) „Christian von Münch“, FM 48,2x33cm, RM 56,2x41cm, kleine Defekte
Kendzia
Nov. 22, 2024
Haid, Johann Jacob (1704-1767). "Le Midi." "L'Après Midi".
Est: €100 - €150
Haid, Johann Jacob (1704-1767). "Le Midi." "L'Après Midi". Two handcoloured mezzotints, both 35x26,5 cm., engr. captions below, Augsb., J.J. Haid et fils, n.d. - AND 2 other mezzotints, i.a. "Le Soir" (w. the address of J.J. Haid et fils, Augsb.) and "Le Pasteur Complisant" (illegibly signed).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 16, 2024
J. HAID (*1704) after MAJER (*1698), Burkhard David Mauchart, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Wolfgang Dietrich Majer (1698 Hohenstein - 1762 Tübingen): Portrait of the physician Burkhard David Mauchart, , Mezzotint Technique: Mezzotint on Paper Inscription: Inscribed below the portrait in the cartouche with the sitter's name and dates of life, signed below on the left and right. Date: Keywords: 18th century, Baroque, Portraits, Germany, Size: Paper: 37,2 cm x 24,0 cm (14,6 x 9,4 in), Plate: 32,0 cm x 20,0 cm (12,6 x 7,9 in)
Fichter Kunsthandel
Nov. 16, 2024
J. HAID (*1704) after HUDE (*1690), Johann Heinrich Seelen, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Jürgen Matthias von der Hude (1690 Lübeck - 1751 ibid.): The theologian Johann Heinrich Seelen, , Mezzotint Technique: Mezzotint on Paper Inscription: Inscribed below the portrait in the cartouche with the sitter's name and dates of life, signed next to it on the left and right. Date: Description: Von Seelen was a prolific writer. A list of writings lists 419 printed writings dealing with theological and orientalist as well as educational, local history, biographical, numismatic and even alchemical topics. Together with Samuel Gerhard von Melle and Heinrich Scharbau, he edited a scholarly journal Bibliotheca Lubecensis, which appeared in twelve volumes from 1725-1732, and was also involved in its successor Nova Bibliotheca Lubecensis (eight volumes 1753-1757). Keywords: 18th century, Baroque, Portraits, Germany, Size: Paper: 39,4 cm x 24,3 cm (15,5 x 9,6 in), Plate: 31,0 cm x 19,1 cm (12,2 x 7,5 in)
Fichter Kunsthandel
Nov. 16, 2024
J. HAID (*1704) after HARTMANN (19th), Crucifixion, Mezzotint
Est: €105 - €175
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after J. Hartmann (19th century): Crucifixio Salvatoris nostri Jesu Christi, 18th century, Mezzotint Technique: Mezzotint on Paper Inscription: Lower middle further inscription: "Crucifixio Salvatoris nostri Jesu Christi. / Stabant juxta Crucem Jesu Mater ejus et Maria Magdalena / Joann. XIX. 25 / J. J. Haid et filius exc. A. V.". Date: 18th century Description: Christ on the cross with Mary, the apostle John and Mary Magdalene. Keywords: Bible, Passion, Crucifixion, New Testament, 18th century, Classicism, Biblical, Germany, Size: Paper: 31,2 cm x 20,6 cm (12,3 x 8,1 in), Plate: 27,2 cm x 19,9 cm (10,7 x 7,8 in)
Fichter Kunsthandel
Nov. 13, 2024
TWO MEZZOTINTS OF AN OTTOMAN SULTAN AND A GRAND VIZIER, JOHANN JAKOB HAID (GERMAN,1704-1767)
Est: £400 - £600
TWO MEZZOTINTS OF AN OTTOMAN SULTAN AND A GRAND VIZIER, JOHANN JAKOB HAID (GERMAN,1704-1767) titled below 'Mahomet V' and 'Vezier Alem' respectively, sheet 41.6 by 28.5 cm. and slightly smaller (2)
Olympia Auctions
Oct. 10, 2024
JOHANN WILHELM WEINMANN (1633-1740) AND JOHANN JAKOB HAID (1704-1767), 'BROMELIA ANANAS'
Est: £200 - £300
JOHANN WILHELM WEINMANN (1633-1740) AND JOHANN JAKOB HAID (1704-1767)'BROMELIA ANANAS' FROM PHYTHANTHOZA ICONOGRAPHIAMezzotint, printed in colour, finished by hand, plate 112In a French 20th century frame stamped Mazeron33 x 22cm (12 x 8½ in.)(This lot is offered without reserve)
Dreweatts 1759 Fine Sales
Sep. 28, 2024
J. HAID (*1704) after HAUWILLER (*1710), Portrait of Johann Daniel Schoepflin, around 1750, Etching
Est: €135 - €225
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Wolfgang Hauwiller (1710 - 1787 ): Portrait of Johann Daniel Schoepflin, c. 1750, Etching Technique: Etching on Paper Stamp: Verso Collector's stamp, Lugt no.: 2809. Germanisches Nationalmuseum. Nrnberg. 19th century Verso Collector's stamp, Lugt no.: 1076. Germanisches Nationalmuseum. Verso Relocation stamp, Duplikatsstempel Germansiches Nationalmuseum. Nrnberg Inscription: signed at the bottom of the printing plate: "Hauwiller pinx. | Dec. V. | Jo. Jac. Haid sculps et excud. Aug.Vind.", inscribed above: "Jo. Daniel Schoepflinus Consil. et Historiographus Gall. Regis [...]" Date: c. 1750 Description: Typical portrait engraving showing the professor of history, eloquence and constitutional law at the University of Strasbourg, who was Johann Wolfgang von Goethe's teacher during his studies in Strasbourg. Provenance: Keywords: Portrait, Alsace, France, Germany, portrait, mezzotint, scholar, professor, historian, 18th century, Classicism, Portraits, Germany, Size: Paper: 35,4 cm x 23,0 cm (13,9 x 9,1 in), Plate: 31,6 cm x 19,3 cm (12,4 x 7,6 in)
Fichter Kunsthandel
Sep. 28, 2024
J. HAID (1704-1767), Matthias Bernegger (1582-1640), Copper engraving
Est: €45 - €75
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Portrait of Matthias Bernegger (1582 Hallstatt im Salzkammergut - 1640 Strasbourg), German philologist and natural scientist, editor of classical literature, professor at the Strasbourg Academy, 18th century, Copper engraving Technique: Copper engraving on Paper Stamp: Verso Collector's stamp, Lugt no.: 3951. Unknown/not identified. Mark: "Sammlung Scharfen". unknown. 20th century Date: 18th century Description: Portrait of Matthias Bernegger (1582-1640), philologist and natural scientist. Inscribed with the sitter's name, title and dates of life in printing plate below the depiction and signed by the artist. Person: Matthias Bernegger (1582 Hallstatt - 1640 Strasbourg) Was a German philologist, university teacher and Latin author. Keywords: 18th century, Baroque, Portraits, Germany, Size: Paper: 25,9 cm x 17,6 cm (10,2 x 6,9 in), Plate: 21,8 cm x 14,6 cm (8,6 x 5,7 in)
Fichter Kunsthandel
Aug. 31, 2024
J. HAID (*1704) after PIAZZETTA (*1682), Portrait of an Italian woman, Copper engraving
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Giovanni Battista Piazzetta (around 1682 Venice - 1754 ibid.): Portrait of an Italian woman, bust in profile, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: Signed below the image in the printing plate "Ioh. Bapt. Piazzetta Venet. del. | I G Haid sculp", numbered below with 44. Date: 18th century Description: Lady in probably Venetian costume. She rests her upper body and head on her left arm and looks to the left. Keywords: 18th century, Baroque, Portraits, Italy, Size: Paper: 21,5 cm x 15,0 cm (8,5 x 5,9 in), Plate: 14,4 cm x 9,8 cm (5,7 x 3,9 in), Depiction: 12,4 cm x 9,1 cm (4,9 x 3,6 in)
Fichter Kunsthandel
Aug. 31, 2024
J. HAID (*1704) after MEYR (18th), Johann Friedrich Cotta, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after D. Meyr (18th century): Portrait of Johann Friedrich Cotta (1701 Tübingen - 1779 ibid), Chancellor and Professor of Theology in Tübingen, 18th century, Mezzotint Technique: Mezzotint on Paper Inscription: Inscribed below the print in the printing plate and signed. Numbered "VII." in the upper right corner. Date: 18th century Keywords: 18th century, Rococo, Portraits, Germany, Size: Paper: 32,8 cm x 20,7 cm (12,9 x 8,1 in), Plate: 22,5 cm x 15,0 cm (8,9 x 5,9 in), Depiction: 20,6 cm x 14,0 cm (8,1 x 5,5 in)
Fichter Kunsthandel
Aug. 31, 2024
J. HAID (1704-1767), Portrait of Johann Georg Pertsch, around 1744, Mezzotint
Est: €150 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Portrait of Johann Georg Pertsch Chest piece with allonge wig and book in the right hand in an oval decorative frame with coat of arms on a plinth with inscription, c. 1744, Mezzotint Technique: Mezzotint on Paper Inscription: Lower right signed in the printing plate: "I. I. Haid sc et exc. Aug Vind". Lower middle inscribed in the printing plate: "Joannes Georgius Pertschius I. U. D. et P. P. O. in Academia Helmestadiensi, [...]". Date: c. 1744 Person: Johann Georg Pertsch (1694 Wunsiedel - 1754 Helmstedt) Keywords: Lawyer, Scholar, Bookshelf, Portrait, Gentleman's portrait, Representative, 18th century, Baroque, Portraits, Germany, Size: Paper: 32,3 cm x 20,7 cm (12,7 x 8,1 in), Plate: 31,1 cm x 19,2 cm (12,2 x 7,6 in), Depiction: 31,0 cm x 19,1 cm (12,2 x 7,5 in)
Fichter Kunsthandel
Aug. 31, 2024
J. HAID (1704-1767), Girl with kitten, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Pastimes of Youth, Amusement de la Jeunesse, Girls with Kittens or Ferrets, 18th century, Mezzotint Technique: Mezzotint on Paper Inscription: Inscribed in two languages below in the printing plate. Signed lower right in the printing plate. Date: 18th century Keywords: 18th century, Rococo, Fashion, Germany, Size: Paper: 45,0 cm x 33,5 cm (17,7 x 13,2 in), Plate: 40,5 cm x 29,9 cm (15,9 x 11,8 in)
Fichter Kunsthandel
Jul. 27, 2024
J. HAID (*1704) after WAHL (*1689), Portrait of Ioannes Mattheson, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Johann Salomon Wahl (1689 Chemnitz - 1765 Copenhagen): Portrait of Ioannes Mattheson (1681-1764), 18th century, Mezzotint Technique: Mezzotint on Paper Date: 18th century Description: Portrait of the Hamburg composer and music writer Johann Mattheson; he was a friend of Handel and published one of the earliest biographies of the latter in "Grundlage einer Ehren-Pforte" (Hamburg 1740). With caption: "IOANNES MATTHESON Celsitudinis Imperiali Magni Russiae Princip. Supremi Holsatiae Ducis Legationum Consiliarius cet. nat. Hamburg d. 28. 9. A. 1681." The sheet is signed at the bottom with: "Wahll pinxit. / V. Dec. / Ioh. Iac. Haid Sc. et exc. Aug. Vend." Johann Haid went to Augsburg for training in 1726 and learnt not only battle and animal painting but above all portraiture. Later he devoted himself entirely to copper engraving and mezzotint. His teachers were Georg Philipp Rugendas and Johann Elias Ridinger. With his own publishing house in Augsburg; successful publisher of portrait engraving series in mezzotint. Keywords: 18th century, Baroque, Portraits, Germany, Size: Paper: 31,3 cm x 18,8 cm (12,3 x 7,4 in)
Fichter Kunsthandel
Jul. 06, 2024
Johann Jakob Haid Hand Colored Engraving "The Hoopoe", Ornithological Print
Est: $500 - $700
Johann Jakob Haid (German 1704-1767) Hand Colored Engraving "The Hoopoe", Ornithological Print, after painting by Peter Paillou (c. 1720-1790), Tab. XXXII, in bird's eye maple frame with gilt linter 16.5 in. x 11.75 in. Framed 22 in. x 17.5 in.
Rafael Osona Auctions
Jun. 26, 2024
Johann Jakob Haid (1704-1767) after Georg Dionysius Ehret (1708-1770)
Est: $1,000 - $1,500
[PLANT STUDIES] Eight hand-colored engravings, from Christoph Jakob Trew's Plantae Selectae, framed. Plates 14 x 7 3/4 inches; 356 x 197 mm. Frames 27 1/2 x 21 1/4 inches; 698 x 540 mm. (Carol)
DOYLE Auctioneers & Appraisers
Jun. 26, 2024
Johann Jakob Haid (1704-1767) after Georg Dionysius Ehret (1708-1770)
Est: $700 - $1,000
[PLANT STUDIES] Six hand-colored engravings, from Christoph Jakob Trew's Plantae Selectae, framed. Plates 13 1/8 x 8 inches; 333 x 203 mm. Frames 27 7/8 x 21 3/4 inches; 708 x 552 mm.
DOYLE Auctioneers & Appraisers
Jun. 23, 2024
Genre Haid, Johann Jacob Der Abschied des Calas von seiner Familie. Dem Herrn Daniel Chodowiecki zugeeignet. 1777. Mezzotinto auf Velin, ganzflächig
Est: -
Genre Haid, Johann Jacob Der Abschied des Calas von seiner Familie. Dem Herrn Daniel Chodowiecki zugeeignet. 1777. Mezzotinto auf Velin, ganzflächig auf Unterlage kaschiert. 29,5 x 41,5 cm (36,4 x 47,5 cm). Mit der gestochenen Signatur, Datierung, Betitelung, Widmung und weiteren Bezeichnungen. - An den Rändern vereinzelt mit leichtem Papierverlust, einem kleinen Einstichloch und Falzspuren einer ehemaligen Montierung. Im weißen Rand und vereinzelt in der Darstellung braunfleckig und fleckig. Insgesamt noch gut. Prachtvoller, in den Schwärzen samtener und konstrastreicher Druck, die Figuren plastisch herausgearbeitet. Mit schmalem Rand. Nach dem gleichnamigen Gemälde von Daniel Chodowiecki von 1765-1766, dem das Blatt gewidmet ist. - Haid und Chodowiecki waren gute Freunde. Mezzotint on wove paper, fully mounted to underlying mat. With engraved signature, dating, title, dedication and further inscriptions. - Some slight paper loss in the margins, a small pinhole and fold marks from a former mounting. Brown stains as well as stains in the white margins and occasionally in the depiction. Overall still good. Splendid impression, velvety and rich in contrast in the blacks, the figures vividly worked out. With narrow margins. - After the same-named painting by Daniel Chodowiecki whom the print is dedicated to.
Jeschke Jádi Auctions Berlin GmbH
Apr. 27, 2024
J. HAID (*1704) after BERGMÜLLER (*1688), Johann Georg Bergmüller, around 1744, Mezzotint
Est: €750 - €1,000
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Johann Georg Bergmüller (1688 Türkheim - 1762 Augsburg): Self-portrait of the Baroque painter Johann Georg Bergmüller, c. 1744, Mezzotint Technique: Mezzotint on Paper, mounted on Paper Inscription: At the lower part signed in the printing plate: "I. G. Bergmüller inv. et del. / I. I. Haid sculp. et excud. A.V.". Lower right inscribed in the printing plate: "Ioannes Gergivs Bergmüller / Serenmi. et Remi. Principis et / Episc. Avg. Pictor Avl., nec non / Academiæ Diagraphices Director ibid. / Nat9. Anno MDCLXXXVIII. Die XVta. Aprilis". Date: c. 1744 Description: This portrait shows Johann Georg Bergmüller, one of the most influential Baroque painters in southern Germany, who portrayed himself here and provided the model for this mezzotint. Born into a Swabian family of carpenters, Bergmüller learnt his father's trade and was already involved in the construction of the electoral residence in Türkheim as a boy. Impressed by his artistic talent, Duke Maximilian Philipp took the young Bergmüller in and recommended him for training with the Munich court painter Johann Andreas Wolff. After his first major commissions and a study trip to the Netherlands, he settled in Augsburg in 1712, from where he produced numerous Baroque altarpiece designs and coordinated the fresco painting of many southern German churches as well as secular house façades. In addition, the versatile artist was involved in art theoretical studies and published his own work on the theory of human proportions. In order to advertise widely and earn additional income, he worked as a draughtsman for graphic prints, including the self-portrait engraved by the renowned mezzotint artist Johann Jakob Haid. The composition of the portrait combines the depiction of the artist with important attributes of his character, such as the references to faith and church service, his proportion-theoretical work and individual painting tools, with Bergmüller's own way of constellating figures, emphasising important people and aspects through eye relationships and gestures. Person: Depicted: Johann Georg Bergmüller (1688 Türkheim - 1762 Augsburg) Was an important Baroque painter. He painted mainly in fresco technique, but also on canvas. Keywords: Johann Georg Bergmüller; Baroque painter; southern Germany; self-portrait; mezzotint; Swabian carpenter family; electoral residence; Türkheim; Duke Maximilian Philipp; training; Munich court painter; Johann Andreas Wolff; Netherlands; Augsburg; Baroque altars; church frescoes; house facades; studies in art theory; theory of proportions; publisher; draughtsman; prints; Johann Jakob Haid; composition; attributes; faith; church servants; painter's tools; constellation of figures; visual relationships; gestures, 18th century, Classicism, Depiction of Artists, Germany,
Fichter Kunsthandel
Apr. 20, 2024
J. HAID (1704-1767), Lawyer Jos. Aurelius de Januario (*1701), around 1750, Mezzotint
Est: €150 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Portrait of the jurist Joseph Aurelius de Januario (also Giuseppe Aurelio de Gennaro, 1701 Naples - 1761), c. 1750, Mezzotint Technique: Mezzotint on Paper Inscription: Signed by the artist in the lower right corner of the printing plate. Date: c. 1750 Description: Half-figure portrait in half-profile, enclosed by a fictitious frame. Below is an inscription plate with the sitter's name and titles. Keywords: 18th century, Classicism, Portraits, Germany,
Fichter Kunsthandel
Apr. 20, 2024
J. HAID (1704-1767), Altphilologe Angiol Maria Ricci(*1688), around 1750, Mezzotint
Est: €150 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Portrait of the classical philologist and theologian Angiol Maria Ricci (*1688), c. 1750, Mezzotint Technique: Mezzotint on Paper, mounted on Paper (blue) Inscription: Signed by the artist in the lower right corner of the printing plate. Date: c. 1750 Description: Half-length portrait in half-profile, standing with open book. Surrounded by a fictitious frame with the sitter's coat of arms in the lower centre. Below is an inscription plate with the sitter's name and titles, "Angelus Maria Riccius". After a model by Giacomo Mengoni. Keywords: 18th century, Classicism, Portraits, Germany,
Fichter Kunsthandel
Apr. 20, 2024
J. HAID (1704-1767), Lawyer Justus Henning Böhmer(*1674), around 1750, Mezzotint
Est: €150 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Portrait of the German jurist and hymn poet Justus Henning Böhmer (167rechts Hannover - 1749 Halle), Court Councillor, Court Palatine and Chancellor of the Government of the Duchy of Magdeburg, c. 1750, Mezzotint Technique: Mezzotint on Paper Inscription: Signed by the artist in the lower right corner of the printing plate. Date: c. 1750 Description: Half-length portrait in quarter profile, standing with hand resting on a book. Surrounded by a fictitious frame with the sitter's coat of arms in the lower centre. Below is an inscription plate with the sitter's name and titles. After an original by Gabriel Spitzel (1697-1760). Keywords: 18th century, Classicism, Portraits, Germany,
Fichter Kunsthandel
Apr. 20, 2024
J. HAID (1704-1767), Theologian Joh. Brucker(1696-1770), around 1750, Mezzotint
Est: €150 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Portrait of the German Protestant theologian Johann Jakob Brucker (1696 Augsburg - 1770 ibid), school rector and historian of philosophy, c. 1750, Mezzotint Technique: Mezzotint on Paper Inscription: Signed by the artist in the lower right corner of the printing plate. Date: c. 1750 Description: Half-length portrait in half-profile, standing with a quill pen in his hand. Surrounded by a fictitious frame with the sitter's coat of arms in the lower centre. Below is an inscription plate with the sitter's name and titles. Keywords: 18th century, Classicism, Portraits, Germany,
Fichter Kunsthandel
Mar. 23, 2024
J. HAID (*1704) after HAUWILLER (*1710), Portrait of Johann Daniel Schoepflin, around 1750, Etching
Est: €150 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Wolfgang Hauwiller (1710 - 1787 ): Portrait of Johann Daniel Schoepflin, c. 1750, Etching Technique: Etching on Paper Stamp: Verso Collector's stamp, Lugt no.: 2809. Germanisches Nationalmuseum. Nrnberg. 19th century Verso Collector's stamp, Lugt no.: 1076. Germanisches Nationalmuseum. Verso Relocation stamp, Duplikatsstempel Germansiches Nationalmuseum. Nrnberg Inscription: signed at the bottom of the printing plate: "Hauwiller pinx. | Dec. V. | Jo. Jac. Haid sculps et excud. Aug.Vind.", inscribed above: "Jo. Daniel Schoepflinus Consil. et Historiographus Gall. Regis [...]" Date: c. 1750 Description: Typical portrait engraving showing the professor of history, eloquence and constitutional law at the University of Strasbourg. He was Johann Wolfgang von Goethe's teacher during his studies in Strasbourg. Provenance: Keywords: Portrait, Alsace, France, Germany, Portrait, Mezzotint, Scholar, Professor, Historian, 18th century, Classicism, Portraits, Germany,
Fichter Kunsthandel
Mar. 23, 2024
After HAID (*1704), Freedom sought in vain, around 1750, Etching
Est: €150 - €200
After Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Freedom sought in vain, c. 1750, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: " "Ioh. Iac. Haid excud. Aug. Vind.", darüber bezeichnet: "La Liberté chercée en vain | Die vergeblich gesuchte Freyheit [..]"". Date: c. 1750 Description: Allegorical depiction of a young woman in an elegant dress playing with a tethered bird. Below bilingual verse on the interplay of love and freedom. Keywords: Fashion, Animals, Bird, Play, Allegory, Love, Affection, Joy, 18th century, Classicism, Portraits, Germany,
Fichter Kunsthandel
Mar. 21, 2024
Haid, Johann Jacob (Süßen b. Göppingen, Augsburg 1704-1767)
Est: €50 - €60
Porträt des Daniel Wilhelm Triller (Erfurt 1695-1782), Mediziner und Schriftsteller Schabkunstblatt nach F. Lippold. 31×20 cm. Um 1747. (55500)
Leo Spik
Feb. 10, 2024
J. HAID (1704-1767), Matthias Bernegger (1582-1640), Copper engraving
Est: €45 - €75
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Portrait of Matthias Bernegger (1582 Hallstatt im Salzkammergut - 1640 Strasbourg), German philologist and natural scientist, editor of classical literature, professor at the Strasbourg Academy, 18th century, Copper engraving Technique: Copper engraving on Paper Stamp: Verso Collector's stamp, Lugt no.: 3951. Unknown/not identified. Mark: "Sammlung Scharfen". unknown. 20th century Date: 18th century Description: Portrait of Matthias Bernegger (1582-1640), philologist and natural scientist. Inscribed with the sitter's name, title and dates of life in printing plate below the depiction and signed by the artist. Person: Matthias Bernegger (1582 Hallstatt - 1640 Strasbourg) Was a German philologist, university teacher and Latin author. Keywords: 18th century, Baroque, Portraits, Germany,
Fichter Kunsthandel
Dec. 30, 2023
J. HAID (*1704) after SEUTTER (*1677), Silver tree plant, around 1737, Copper engraving
Est: €120 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Bartholomäus Seutter (around 1677 Augsburg - around 1754 ): Scolymocephalus Africanus foliis longis cono variegato B, N 895, Silberbaumgewächs, c. 1737, Copper engraving Technique: Copper engraving on Paper Inscription: Top right: N. 895. Johann Wilhelm Weinmann (1683-1741): Editor; Bartholomäus Seuter (1678- 1754): Painter; Johann Jakob Haid (1704- 1767)Johann Elias Ridinger ( 1698-1767): Engraver, 1737/1745, hand-coloured copper engraving depicting a silver tree plant after a model by Seuter, printed between 1737-1745. Publisher: H. Lentz and H.G. Neubauer, Regensburg. The editor of the "Phytanthoza Iconographia" Johann Wilhelm Weinmann was a pharmacist with a branch in Regensburg and dealt with plants and their effects on a daily basis. His research interest went so far that he ran his own botanical garden. This resulted in a comprehensive four-volume work that was published in Regensburg between 1737 and 1745. In this "Pictorial Description of Plants and Flowers", countless European and non-European plants are depicted in large format and in detail. This sheet is from a series of four and shows silver tree plants and seeds of the same. In addition to the printing technique of copper engraving, a new (colour) printing process was used here for the first time in the context of botanical books. Seuter had further developed the "mezzotint", which goes back to the Dutchman Johan Tyler. This made it possible to colour the plates evenly. Date: c. 1737 Description: unten mittig: Scolymocephalus Africanus foliis longis cono variegato. B., Source: Johann Wilhelm Weinmann (1683 -1741 ) Phytanthoza Iconographia, 1737-45, No. 895 | Book, Plants Keywords: Plants, Botany, Flower, Silver tree family, 18th century, Baroque, Botany, Germany,
Fichter Kunsthandel
Dec. 30, 2023
J. HAID (*1704) after SEUTTER (*1677), Sisyrinchium Africanum, grass sword, around 1737, Copper engr
Est: €120 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Bartholomäus Seutter (around 1677 Augsburg - around 1754 ): Sisyrinchium Africanum bulbocodium, N 925, Grass Sword, c. 1737, Copper engraving Technique: Copper engraving on Paper Date: c. 1737 Description: below centre: Sisyrinchium Africanum bulbocodium, Sisyrinchium tricolor caule nodoso angustifolium, Sisyrinchium viperatum capitis bonæ Spei B, inscribed above right: N. 925,Inscriptions within the image: b, a, c. Johann Wilhelm Weinmann (1683-1741): Editor; Bartholomäus Seuter (1678- 1754): Painter; Johann Jakob Haid (1704- 1767)Johann Elias Ridinger ( 1698-1767): Engraver, Sisyrinchium Africanum bulbocodium, N. 925, 1737/1745, hand-coloured copper engraving after a model by Seuter, printed between 1737-1745. Publisher: H. Lentz and H.G. Neubauer, Regensburg. The editor of the "Phytanthoza Iconographia" Johann Wilhelm Weinmann was a pharmacist with a branch in Regensburg and dealt with plants and their effects on a daily basis. His research interest went so far that he ran his own botanical garden. This resulted in a comprehensive four-volume work that was published in Regensburg between 1737 and 1745. In this "Pictorial Description of Plants and Flowers", countless European and non-European plants are depicted in large format and in detail. This sheet is part of a series of four and shows three species of the grass sword. In addition to the printing technique of copper engraving, a new (colour) printing process was used here for the first time in the context of botanical books. Seuter had further developed the "mezzotint", which goes back to the Dutchman Johan Tyler. This made it possible to colour the plates evenly. Source: Johann Wilhelm Weinmann (1683 -1741 ) Phytanthoza Iconographia, 1737-45, No. 925 | Book, Plants Keywords: Plants, Botany, Flower, Bulb, 18th century, Baroque, Botany, Germany,
Fichter Kunsthandel
Nov. 29, 2023
Haid, Johann Jakob: Das Quartett
Est: €400 - €450
Das Quartett. Schabkunstblatt nach Domenichino. 53,6 x 41,2 cm. Nicht bei Nagler, nicht bei Le Blanc. -- -- Ganz ausgezeichneter Druck mit Rand. Minimal angestaubt, kleine Fleckchen im weißen Rand, vereinzelt winzige Rostfleckchen, kaum merkliches Risschen im Bauch der Mandoline, verso geglättete Faltspuren sowie entlang der Ränder Spuren alter Montierung, sonst sehr schön. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 24, 2023
Haid, Johann Jacob (1704-1767) (publ.). "L'Enfance. Die lernende Jugend".
Est: €70 - €90
Haid, Johann Jacob (1704-1767) (publ.). "L'Enfance. Die lernende Jugend". Mezzotint, 41x31,5 cm., Augsb., J.J. Haid, ±1750. - A few duststains in blank margins.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 24, 2023
Haid, Johann Jacob (1704-1767). "Erasmus Roterodamus".
Est: €100 - €150
Haid, Johann Jacob (1704-1767). "Erasmus Roterodamus". Mezzotint after Hans HOLBEIN, 20,8x13,5 cm., engr. captions below. - Margins extrended w. a (sl. later?) blue and black wash border.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 23, 2023
JOHANN JACOB HAID 1704-1767 I cinque sensi - The five senses
Est: €650 - €850
I cinque sensi Gruppo di cinque incisioni in rame entro passepartout e cornice dorata. 25,00 x 20,00 cm (5) - JOHANN JACOB HAID 1704-1767 The five senses Group of five copper engravings within passepartout and golden frame. 9.84 x 7.87 in. (5)
Aste Bolaffi
Nov. 11, 2023
After HAID (*1704), The freedom sought in vain, around 1750, Etching
Est: €150 - €200
After Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): The freedom sought in vain, c. 1750, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: " "Ioh. Iac. Haid excud. Aug. Vind.", darüber bezeichnet: "La Liberté chercée en vain | Die vergeblich gesuchte Freyheit [..]"". Date: c. 1750 Description: Allegorical depiction of a young woman in an elegant dress playing with a tethered bird. Below bilingual verse on the interplay of love and freedom. Keywords: Fashion, Animals, Bird, Play, Allegory, Love, Affection, Joy, 18th century, Classicism, Portraits, Germany,
Fichter Kunsthandel
Nov. 11, 2023
J. HAID (*1704) after HAUWILLER (*1710), Portrait of Johann Daniel Schoepflin, around 1750, Etching
Est: €150 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Wolfgang Hauwiller (1710 - 1787 ): Portrait of Johann Daniel Schoepflin, c. 1750, Etching Technique: Etching on Paper Stamp: Verso Collector's stamp, Lugt no.: 2809. Germanisches Nationalmuseum. Nrnberg. 19th century Verso Collector's stamp, Lugt no.: 1076. Germanisches Nationalmuseum. Verso Relocation stamp, Duplikatsstempel Germansiches Nationalmuseum. Nrnberg Inscription: signed at the bottom of the printing plate: "Hauwiller pinx. | Dec. V. | Jo. Jac. Haid sculps et excud. Aug.Vind.", inscribed above: "Jo. Daniel Schoepflinus Consil. et Historiographus Gall. Regis [...]" Date: c. 1750 Description: Typical portrait engraving showing the professor of history, eloquence and constitutional law at the University of Strasbourg. He was Johann Wolfgang von Goethe's teacher during his studies in Strasbourg. Provenance: Keywords: Portrait, Alsace, France, Germany, Portrait, Mezzotint, Scholar, Professor, Historian, 18th century, Classicism, Portraits, Germany,
Fichter Kunsthandel
Nov. 11, 2023
J. HAID (*1704) after PIAZZETTA (*1682), Portrait of an Italian, Copper engraving
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Giovanni Battista Piazzetta (around 1682 Venice - 1754 ibid.): Portrait of an Italian woman, bust in profile, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: Signed below the image in the printing plate "Ioh. Bapt. Piazzetta Venet. del. | I G Haid sculp", numbered below with 44. Date: 18th century Description: Lady in probably Venetian costume. She rests her upper body and head on her left arm and looks to the left. Keywords: 18th century, Baroque, Portraits, Italy,
Fichter Kunsthandel
Nov. 11, 2023
J. HAID (*1704) after MEYR (18th), Johann Friedrich Cotta, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after D. Meyr (18th century): Portrait of Johann Friedrich Cotta (1701 Tübingen - 1779 ibid), Chancellor and Professor of Theology in Tübingen, 18th century, Mezzotint Technique: Mezzotint on Paper Inscription: Inscribed below the print in the printing plate and signed. Numbered "VII." in the upper right corner. Date: 18th century Keywords: 18th century, Rococo, Portraits, Germany,
Fichter Kunsthandel
Nov. 11, 2023
J. HAID (*1704) after MAJER (*1698), Burkhard David Mauchart, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Wolfgang Dietrich Majer (1698 Hohenstein - 1762 Tübingen): Portrait of the physician Burkhard David Mauchart, 18th century, Mezzotint Technique: Mezzotint on Paper Inscription: Inscribed below the portrait in the cartouche with the sitter's name and dates of life, signed below on the left and right. Date: 18th century Keywords: 18th century, Baroque, Portraits, Germany,
Fichter Kunsthandel
Nov. 11, 2023
J. HAID (*1704) after HUDE (*1690), Johann Heinrich Seelen, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Jürgen Matthias von der Hude (1690 Lübeck - 1751 ibid.): The theologian Johann Heinrich Seelen, 18th century, Mezzotint Technique: Mezzotint on Paper Inscription: Inscribed below the portrait in the cartouche with the sitter's name and dates of life, signed next to it on the left and right. Date: 18th century Description: Von Seelen was a prolific writer. A list of writings lists 419 printed writings dealing with theological and orientalist as well as educational, local history, biographical, numismatic and even alchemical topics. Together with Samuel Gerhard von Melle and Heinrich Scharbau, he edited a scholarly journal Bibliotheca Lubecensis, which appeared in twelve volumes from 1725-1732, and was also involved in its successor Nova Bibliotheca Lubecensis (eight volumes 1753-1757). Keywords: 18th century, Baroque, Portraits, Germany,
Fichter Kunsthandel
Nov. 11, 2023
J. HAID (1704-1767), Girl with kitten, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Pastimes of Youth, Amusement de la Jeunesse, Girls with Kittens or Ferrets, 18th century, Mezzotint Technique: Mezzotint on Paper Inscription: Inscribed in two languages below in the printing plate. Signed lower right in the printing plate. Date: 18th century Keywords: 18th century, Rococo, Fashion, Germany,
Fichter Kunsthandel
Sep. 23, 2023
J. HAID (1704-1767), Matthias Bernegger (1582-1640), Copper engraving
Est: €45 - €75
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Portrait of Matthias Bernegger (1582 Hallstatt im Salzkammergut - 1640 Strasbourg), German philologist and natural scientist, editor of classical literature, professor at the Strasbourg Academy, 18th century, Copper engraving Technique: Copper engraving on Paper Stamp: Verso Collector's stamp, Lugt no.: 3951. Unknown/not identified. Mark: "Sammlung Scharfen". unknown. 20th century Date: 18th century Description: Portrait of Matthias Bernegger (1582-1640), philologist and natural scientist. Inscribed with the sitter's name, title and dates of life in printing plate below the depiction and signed by the artist. Person: Matthias Bernegger (1582 Hallstatt - 1640 Strasbourg) Was a German philologist, university teacher and Latin author. Keywords: 18th century, Baroque, Portraits, Germany,
Fichter Kunsthandel
Sep. 02, 2023
J. HAID (*1704) after HARTMANN (19th), Crucifixion, Mezzotint
Est: €105 - €175
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after J. Hartmann (19th century): Crucifixio Salvatoris nostri Jesu Christi, 18th century, Mezzotint Technique: Mezzotint on Paper Inscription: Lower middle further inscription: "Crucifixio Salvatoris nostri Jesu Christi. / Stabant juxta Crucem Jesu Mater ejus et Maria Magdalena / Joann. XIX. 25 / J. J. Haid et filius exc. A. V.". Date: 18th century Description: Christ on the cross with Mary, the apostle John and Mary Magdalene. Keywords: Bible, Passion, Crucifixion, New Testament, 18th century, Classicism, Biblical, Germany,
Fichter Kunsthandel
Aug. 26, 2023
J. HAID (*1704) after BERGMÜLLER (*1688), Johann Georg Bergmüller, around 1744,
Est: €750 - €1,000
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Johann Georg Bergmüller (1688 Türkheim - 1762 Augsburg): Self-portrait of the Baroque painter Johann Georg Bergmüller, c. 1744, Mezzotint Technique: Mezzotint on Paper, mounted on Paper Inscription: At the lower part signed in the printing plate: "I. G. Bergmüller inv. et del. / I. I. Haid sculp. et excud. A.V.". Lower right inscribed in the printing plate: "Ioannes Gergivs Bergmüller / Serenmi. et Remi. Principis et / Episc. Avg. Pictor Avl., nec non / Academiæ Diagraphices Director ibid. / Nat9. Anno MDCLXXXVIII. Die XVta. Aprilis". Date: c. 1744 Description: With Johann Georg Bergmüller, this portrait shows one of the most influential Baroque painters of southern Germany, who portrayed himself here and provided the model for this mezzotint. Coming from a Swabian family of carpenters, Bergmüller learned his father's trade and was involved in the construction of the electoral residence in Türkheim as a boy. Impressed by his artistic talent, Duke Maximilian Philipp took in the young Bergmüller and recommended that he train with the Munich court painter Johann Andreas Wolff. After his first major commissions and a study trip to the Netherlands, he settled in Augsburg in 1712, from where he produced numerous designs for Baroque altars and coordinated the fresco painting of many southern German churches as well as secular house facades. In addition, the versatile artist occupied himself with studies in art theory and, as a publisher, published his own work on the theory of human proportions. For widespread publicity and additional income, he worked as a draughtsman for prints, including the self-portrait engraved by the renowned mezzotint artist Johann Jakob Haid. The composition of the portrait unites the depiction of the artist with important attributes of his nature, such as references to faith and church servanthood, his proportion-theoretical work and individual painter's tools, with Bergmüller's own way of constellating figures, highlighting significant persons and aspects through eye relationships and gestures. Person: Depicted: Johann Georg Bergmüller (1688 Türkheim - 1762 Augsburg) Was an important Baroque painter. He painted mainly in fresco technique, but also on canvas. Keywords: Johann Georg Bergmüller; Baroque painter; southern German region; self-portrait; mezzotint; Swabian carpenter family; electoral residence; Türkheim; Duke Maximilian Philipp; training; Munich court painter; Johann Andreas Wolff; Netherlands; Augsburg; Baroque altars; Church frescoes; House facades; Art theoretical studies; Proportion theory; Publisher; Design draughtsman; Printed graphic sheets; Johann Jakob Haid; Composition; Attributes; Faith; Church servants; Painter's tools; Figure constellation; Gaze relationships; Gestures, 18th century, Classicism, Depiction of Artists, Germany,
Fichter Kunsthandel
Aug. 19, 2023
J. HAID (1704-1767), Portrait of Johann Georg Pertsch, around 1744, Mezzotint
Est: €150 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg): Portrait of Johann Georg Pertsch Chest piece with allonge wig and book in the right hand in an oval decorative frame with coat of arms on a plinth with inscription, c. 1744, Mezzotint Technique: Mezzotint on Paper Inscription: Lower right signed in the printing plate: "I. I. Haid sc et exc. Aug Vind". Lower middle inscribed in the printing plate: "Joannes Georgius Pertschius I. U. D. et P. P. O. in Academia Helmestadiensi, [...]". Date: c. 1744 Person: Johann Georg Pertsch (1694 Wunsiedel - 1754 Helmstedt) Keywords: Lawyer, Scholar, Bookshelf, Portrait, Gentleman's portrait, Representative, 18th century, Baroque, Portraits, Germany,
Fichter Kunsthandel
Jul. 29, 2023
Set 18th C 4 Seasons Mezzotint Augsbourg JJ Haid
Est: $50 - $15,000
Set of 4 Early 18th C 4 Seasons Mezzotints Augsbourg 1720. Work by Johann Jacob Haid et Fils (1700-1767 German Engraver). Series is Numbered 51, each print is individually numbered 1 through 4, beginning with springtime, titled Les Fleurs du Printemps. Summer titled Les dons de l'Ete (2); Autumn titled Les Fruits de L'Automne (3); Winter titled Les Rigeurs de L'Hiver (4). Some condition issues, folds, mild discoloration. Frames measure 12.5 inches H x 10 W, plate marks measure 8.5 inches H x 6.25 W.
Kavanagh Auctions
Jul. 15, 2023
J. HAID (*1704) after SEUTTER (*1677), Sisyrinchium Africanum, Grass Sword, around 1737, Copper engr
Est: €120 - €200
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Bartholomäus Seutter (around 1677 Augsburg - around 1754 ): Sisyrinchium Africanum bulbocodium, N 925, Grass Sword, c. 1737, Copper engraving Technique: Copper engraving on Paper Date: c. 1737 Description: below centre: Sisyrinchium Africanum bulbocodium, Sisyrinchium tricolor caule nodoso angustifolium, Sisyrinchium viperatum capitis bonæ Spei B, inscribed above right: N. 925,Inscriptions within the image: b, a, c. Johann Wilhelm Weinmann (1683-1741): Editor; Bartholomäus Seuter (1678- 1754): Painter; Johann Jakob Haid (1704- 1767)Johann Elias Ridinger ( 1698-1767): Engraver, Sisyrinchium Africanum bulbocodium, N. 925, 1737/1745, hand-coloured copper engraving after a model by Seuter, printed between 1737-1745. Publisher: H. Lentz and H.G. Neubauer, Regensburg. The editor of the "Phytanthoza Iconographia" Johann Wilhelm Weinmann was a pharmacist with a branch in Regensburg and dealt with plants and their effects on a daily basis. His research interest went so far that he ran his own botanical garden. This resulted in a comprehensive four-volume work that was published in Regensburg between 1737 and 1745. In this "Pictorial Description of Plants and Flowers", countless European and non-European plants are depicted in large format and in detail. This sheet is part of a series of four and shows three species of the grass sword. In addition to the printing technique of copper engraving, a new (colour) printing process was used here for the first time in the context of botanical books. Seuter had further developed the "mezzotint", which goes back to the Dutchman Johan Tyler. This made it possible to colour the plates evenly. Source: Johann Wilhelm Weinmann (1683 -1741 ) Phytanthoza Iconographia, 1737-45, No. 925 | Book, Plants Keywords: Plants, Botany, Flower, Bulb, 18th century, Baroque, Botany, Germany,
Fichter Kunsthandel
Jul. 15, 2023
J. HAID (*1704) after PIAZZETTA (*1682), Portrait of an Italian, Copper engraving
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Giovanni Battista Piazzetta (around 1682 Venice - 1754 ibid.): Portrait of an Italian woman, bust in profile, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: Signed below the image in the printing plate "Ioh. Bapt. Piazzetta Venet. del. | I G Haid sculp", numbered below with 44. Date: 18th century Description: Lady in probably Venetian costume. She rests her upper body and head on her left arm and looks to the left. Keywords: 18th century, Baroque, Portraits, Italy,
Fichter Kunsthandel
Jul. 15, 2023
J. HAID (*1704) after MEYR (18th), Johann Friedrich Cotta, Mezzotint
Est: €300 - €400
Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after D. Meyr (18th century): Portrait of Johann Friedrich Cotta (1701 Tübingen - 1779 ibid), Chancellor and Professor of Theology in Tübingen, 18th century, Mezzotint Technique: Mezzotint on Paper Inscription: Inscribed below the print in the printing plate and signed. Numbered "VII." in the upper right corner. Date: 18th century Keywords: 18th century, Rococo, Portraits, Germany,
Fichter Kunsthandel