William Henry Haines Paintings & Artwork for Sale | William Henry Haines Art Value Price Guide

Oct. 31, 2024
WILLIAM HENRY HAINES, BRITISH (1812-1884) OIL ON WOODEN PANEL
Est: £100 - £150
WILLIAM HENRY HAINES, BRITISH (1812-1884) OIL ON WOODEN PANEL, lady seated by a spinning wheel, signed and dated 1879 - in gilt moulded frame (24.5cm high, 17.5cm wide)
Hutchinson Scott Limited
Oct. 09, 2024
WILLIAM HENRY HAINES (BRITISH 1812-1884), ST. MARK'S SQUARE WITH THE DOGE'S PALACE AND THE CAMPANILE
Est: £4,000 - £6,000
WILLIAM HENRY HAINES (BRITISH 1812-1884)ST. MARK'S SQUARE WITH THE DOGE'S PALACE AND THE CAMPANILE, VENICEOil on canvasSigned and indistinctly dated (lower right) 60 x 90cm (23½ x 35¼ in.)Provenance:Thomas Murray & Sons, DundeePrivate collection since circa 1980
Dreweatts 1759 Fine Sales
Jul. 20, 2024
War of 1812 General William Henry Harrison bookplate
Est: -
very good condition
Lark Mountain Auction Company
Jun. 22, 2024
HILL & PAPPRILL AQUATINT ENGRAVING OF NEW YORK FROM ST. PAUL'S CHURCH
Est: $12,000 - $18,000
HILL, John William (1812-1879), After Henry PAPPRILL (1816-1903). New York from the Steeple of St. Paul church Looking East, South and West. Aquatint engraving with original hand color. New York: Henry I. Megeary, 1849. 25 3/8" x 38 1/8" sheet. Comparable: Christie's, 2020 - $16,250. Color aquatint of one of the most attractive 19th-century views of New York City. "Here is an extraordinary view of Manhattan as a rapidly developing metropolis. John William Hill has placed us at just the right height for peering into the city's streets, sizing up the look of its buildings, and noting the increasing density of its structures as the midpoint of the nineteenth century is reached" (Deak). P.T. Barnum's Museum of Sensational Curiosities and Mathew Brady's Daguerrian Miniature Gallery are clearly visible in the foreground. Deak 578; Stauffer vol. 1, p. 199; Stokes & Haskell p.1848/E-119; M. Symmes, Impressions of New York 36.
Arader Galleries
May. 15, 2024
William Henry Haines (1812 - 1884) Ca’ d’Oro a Venezia
Est: -
William Henry Haines (1812 - 1884) Ca’ d’Oro a Venezia Olio su tela 61 x 101 cm Firma: "W Henry" al recto, scarsamente lggibile, e al verso a gesso bianco Data: non leggibile ("1857"?), al recto Altre iscrizioni: titolo al verso ("Il Palazzo Ca' d'Oro [from ?] the Grand Canal / Venice"); altri segni a gesso bianco al verso (tra cui, "3") Elementi distintivi: sul telaio, etichetta di collezione "W. Henry" con numero di inventario ("25"), etichetta "FRONT HALL", con riguardo alla collocazione originaria; ulteriore etichetta "W. Henry ....... 51 The Palazzo Ca d'Oro, Venice"; ulteriore etichetta di corniceria Stato di conservazione. Supporto: 90% Stato di conservazione. Superficie: 90% (ridotte cadute e ritocchi) William Henry Haines espose a Londra, tra il 1843 e il 1884, almeno 108 opere alla Society of British Artists, 40 alla British Institution e 30 alla Royal Academy (oltre ad almeno 45 in altre sedi), segno di un forte apprezzamento pubblico. Alle scene domestiche, si affianca una importante produzione come vedutista, sia a Londra, sia all'estero, sulla scorta del grande interesse che riscuoteva in Inghilterra il paesaggio, anche urbano. Venezia, nell'immaginario inglese, è già un must nel Settecento, con lo straordinario successo delle perfette descrizioni di spazi e architetture di Canaletto, che, tra il 1746 e il 1755, sbarcato in Inghilterra, trasforma l'immagine pittorica (anche) di Londra. Su questo spinta anche commerciale, Haynes dipinge Venezia, nei suoi monumenti e scorci più celebri, con una vena di lirica malinconia, che mostra un legame particolare con le atmosfere rarefatte e distorte, spesso anche cupe e inquietanti, di Francesco Guardi, aggiornate sulla lezione degli autori più in voga nell'800 veneziano, da Giuseppe Borsato a Francesco Moja, Giovanni Migliara e Giuseppe Canella, fino a Luigi Querena ed al vicentino Francesco Zanin. Ne deriva la visione di una Venezia carica di tensione e di sentimenti, che portano la veduta oltre la ricostruzione fedele, ai limiti della visione fotografica, delle architetture dipinte, e rendono Haines uno dei poeti del paesaggio, attivi oltremanica, più apprezzati del XIX secolo. Di ciò è esempio questa veduta della Ca’ d’Oro vista dal Canal Grande, dipinta dopo che l'edificio era stato restaurato dell'ingegner Giovan Battista Meduna per volere del proprietario di allora, il principe russo Alessandro Troubetzkoy. La facciata si caratterizza per la marcata asimmetria tra la parte sinistra, in cui si sovrappongono tre fasce traforate (portico per l'attracco delle barche al piano terra e loggiati ai piani superiori), e l'ala destra, in cui prevale la muratura rivestita di marmi pregiati con singole aperture quadrate isolate: Haynes sottolinea, tuttavia, con un ductus denso, l'unico elemento che dà continuità alla facciata, condizionandola e dominandola, il grande cornicione con la soprastante merlatura e le triple colonnine tortili ai lati, con effetto che anticipa la pittura del secondo Ottocento, l'impasto ricco e luminoso di Luigi Nono, di Favretto, dei Ciardi.
Bonino
Feb. 29, 2024
William Henry Haines (1812 - 1884) Ca’ d’Oro a Venezia
Est: -
William Henry Haines (1812 - 1884) Ca’ d’Oro a Venezia Olio su tela 61 x 101 cm Firma: "W Henry" al recto, scarsamente lggibile, e al verso a gesso bianco Data: non leggibile ("1857"?), al recto Altre iscrizioni: titolo al verso ("Il Palazzo Ca' d'Oro [from ?] the Grand Canal / Venice"); altri segni a gesso bianco al verso (tra cui, "3") Elementi distintivi: sul telaio, etichetta di collezione "W. Henry" con numero di inventario ("25"), etichetta "FRONT HALL", con riguardo alla collocazione originaria; ulteriore etichetta "W. Henry ....... 51 The Palazzo Ca d'Oro, Venice"; ulteriore etichetta di corniceria Stato di conservazione. Supporto: 90% Stato di conservazione. Superficie: 90% (ridotte cadute e ritocchi) William Henry Haines espose a Londra, tra il 1843 e il 1884, almeno 108 opere alla Society of British Artists, 40 alla British Institution e 30 alla Royal Academy (oltre ad almeno 45 in altre sedi), segno di un forte apprezzamento pubblico. Alle scene domestiche, si affianca una importante produzione come vedutista, sia a Londra, sia all'estero, sulla scorta del grande interesse che riscuoteva in Inghilterra il paesaggio, anche urbano. Venezia, nell'immaginario inglese, è già un must nel Settecento, con lo straordinario successo delle perfette descrizioni di spazi e architetture di Canaletto, che, tra il 1746 e il 1755, sbarcato in Inghilterra, trasforma l'immagine pittorica (anche) di Londra. Su questo spinta anche commerciale, Haynes dipinge Venezia, nei suoi monumenti e scorci più celebri, con una vena di lirica malinconia, che mostra un legame particolare con le atmosfere rarefatte e distorte, spesso anche cupe e inquietanti, di Francesco Guardi, aggiornate sulla lezione degli autori più in voga nell'800 veneziano, da Giuseppe Borsato a Francesco Moja, Giovanni Migliara e Giuseppe Canella, fino a Luigi Querena ed al vicentino Francesco Zanin. Ne deriva la visione di una Venezia carica di tensione e di sentimenti, che portano la veduta oltre la ricostruzione fedele, ai limiti della visione fotografica, delle architetture dipinte, e rendono Haines uno dei poeti del paesaggio, attivi oltremanica, più apprezzati del XIX secolo. Di ciò è esempio questa veduta della Ca’ d’Oro vista dal Canal Grande, dipinta dopo che l'edificio era stato restaurato dell'ingegner Giovan Battista Meduna per volere del proprietario di allora, il principe russo Alessandro Troubetzkoy. La facciata si caratterizza per la marcata asimmetria tra la parte sinistra, in cui si sovrappongono tre fasce traforate (portico per l'attracco delle barche al piano terra e loggiati ai piani superiori), e l'ala destra, in cui prevale la muratura rivestita di marmi pregiati con singole aperture quadrate isolate: Haynes sottolinea, tuttavia, con un ductus denso, l'unico elemento che dà continuità alla facciata, condizionandola e dominandola, il grande cornicione con la soprastante merlatura e le triple colonnine tortili ai lati, con effetto che anticipa la pittura del secondo Ottocento, l'impasto ricco e luminoso di Luigi Nono, di Favretto, dei Ciardi.
Bonino
Mar. 03, 2023
John William HILL: New York & Brooklyn - Engraving
Est: $100 - $200
"New York with the City of Brooklyn in the distance, From the Steeple of St. Paul''s Church Looking East, South, and West" drawn by John William Hill (American, 1812-1879) and engraved by Henry Papprill, showing various commercial buildings in New York City, the Daguerrian Miniature Gallery of the famous American photographer Mathew Brady, and the Museum of New York of the famous impresario P. T. Barnum. The harbor and Brooklyn appear in the distance. Published by Joseph Laing in 1855.Hill was the son of British aquatint engraver John Hill. He emigrated with his parents from London to the United States in 1819, initially living in Philadelphia. In 1822 the family moved to New York, where Hill apprenticed in aquatint engraving in his father''s shop. In 1838 Hill married Catherine Smith - their children included the astronomer George William Hill and the painter John Henry Hill.In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly graduated colours made of tiny brushstrokes a process commonly seen in painted miniatures. Applied to a larger scale on canvas the result was a form of objective realism in contrast with more common romanticised works of mid-19th century American painting. In 1829, at the age of 17, Hill began exhibiting watercolours and engravings produced in his father''s studio at the Brooklyn Art Association and the National Academy of Design. In 1833, at the age of 21, Hill was elected to associate membership in the National Academy of Design.In his early twenties Hill began work for the New York State Geological Survey, first creating a series of topographic studies and overhead views of principal American cities and towns. This work was distinguished by its accuracy of aerial perspective and recording minute architectural detail. These portraits of urban settlement required frequent travel to observe, sketch, and map before creating finished watercolour studies. Framed with a black and gold glass mat and wood frame with black finish and gold fillet on inner edge. Provenance: Phyllis Lucas Gallery, NYC. [Image: 24.25" H x 31" W. Frame: 35.25" H x 47.5" W]. Cracks on sides; damage bottom left.
Roland Auctions NY
Oct. 22, 2022
FitzRoy, William Henry: «Earl of Arlington, Viscount Thetford and…«, 1884.
Est: kr4,000 - kr6,000
Earl of Arlington, Viscount Thetford and Baron Arlington: The Baltic, 1854, the Crimea, 1854-55. London, Hatchards, n,d, (1884). One of 24 copies privately printed posthumously, only for near relatives. (1 blank leaf), vii, (1, blank), 61pp, (1, printer colophon), (2 blank leaves). Mounted photographic frontispiece portrait signed Euston, 2 plates with mounted trench passes, at the beginning of Part 3 (Baltic 1855). Square 12mo. First and only edition. Contemporary dark green full calf binding, the boards with borders of blind-stamped triple ruling, the front board with the Duke’s gilt monogram, the spine with four raised ribs, and gilt titles in compartment 2 and 3. Spine rebacked, corners and boards slightly rubbed, and the front board bowed (after the re-backing?). All edges red. Blue, gold and white thick marbled end papers. Ink inscription on the blank page opposite the blind title, 5th August 1884. For our brother Charles (Augustus Charles Lennox FitzRoy, 7th Duke of Grafton (1821–1918)). Two ink corrections to the Preface, probably made by its author M. Grafton (his wife Mary Caroline Berkeley). Interior otherwise tight and clean. Angling in Arendal (1854).Schiötz 384***. FitzRoy, William Henry, 6th Duke of Grafton (1819–1882) 4 000 – 6 000 NOK € 400-600
SD | Auctions
Feb. 23, 2022
William Henry Prior (British, 1812-1882) The river front at Hammersmith from the eyot at Chiswick
Est: £200 - £300
William Henry Prior (British, 1812-1882) The river front at Hammersmith from the eyot at Chiswick hand coloured etching on four sheets 3.2 x 83.4cm (1 1/4 x 32 13/16in). For further information on this lot please visit the Bonhams website
Bonhams
Feb. 20, 2022
William Henry Haines (British 1812 - 1884) Mixed Media, Piper, Signed, 35 x 25
Est: R5,000 - R7,000
William Henry Haines (British 1812 - 1884) Mixed Media, Piper, Signed, 35 x 25
5th Avenue Auctioneers
Feb. 20, 2022
William Henry Haines (British 1812 - 1884) Mixed Media, Old Lady Drinking Tea, Signed & Dated 1876, 35 x 25
Est: R4,000 - R6,000
William Henry Haines (British 1812 - 1884) Mixed Media, Old Lady Drinking Tea, Signed & Dated 1876, 35 x 25
5th Avenue Auctioneers
Jun. 24, 2021
Bunbery, Henry William (Mildenhall/Suffolk, Keswick 1750-1811)
Est: €200 - €240
Falstaff. Sechs Theaterszenen als Radierungen Gestochen von Beneditte, J. J. Vanden Bergh, J. Chapman, N. Gardiner bzw. Shenner. London, publ. 1792/96 by Tho. Macklin. Je ca. 36×45cm. (Randläsuren, fleckig, beschn.). (52881)
Leo Spik
May. 13, 2021
[SIGNED BOOK] William Henry Channing (1810-1884) American Unitarian clergyman
Est: $200 - $300
[SIGNED BOOK] William Henry Channing (1810-1884) American Unitarian clergyman, writer and philosopher. He graduated from Harvard College in 1829 and from Harvard Divinity School in 1833. He was ordained and installed over the Unitarian church in Cincinnati in 1835. Later he became a leader in a movement of Christian socialism. Channing took active part in the early years of the woman’s rights movement. As minister of the First Unitarian Church of Rochester in 1852, he influenced Susan B. Anthony, a member of his congregation who was a young schoolteacher on the threshold of her career as a women's rights activist. Channing was, in 1863 and 1864, the Chaplain of the United States House of Representatives. Offered here is a book signed in pencil twice by Channing [light pencil signatures], and signed twice [initials] in ink. Inside front flyleaf he writes "To my friends Anna - Marian - Elizabeth Blackwell - Cincinnati, May 27th 1841. W.H.C." He also writes on the title page "Elizabeth Blackwell W.H.C." Condition: spine is gone, foxing and stains inside on pages. Approx. 5x8 in.
East Coast Books
Feb. 17, 2019
Painting, William Henry Haines
Est: $3,000 - $5,000
William Henry Haines (British, 1812-1884), "Gondolas on the Grand Canal at Sunset," 1865, oil on canvas, signed lower right and dated, Christie's labels affixed verso, canvas: 24"h x 36"w, overall (with frame): 31"h x 43"w. Provenance: Christie's South Kensington: Thursday, May 27, 2004 (Lot 255)
Clars Auctions
Sep. 16, 2018
Painting, William Henry Haines
Est: $3,000 - $5,000
William Henry Haines (British, 1812-1884), "Gondolas on the Grand Canal at Sunset," 1865, oil on canvas, signed lower right and dated, Christie's labels affixed verso, canvas: 24"h x 36"w, overall (with frame): 31"h x 43"w. Provenance: Christie's South Kensington: Thursday, May 27, 2004 (Lot 255)
Clars Auctions
Jul. 20, 2017
WILLIAM HENRY COFFIN, Nantucket, 1812-1898, "Ship Constitution on Return Voyage From Tripoli"., Oil on board, 10" x 13". Framed 12"...
Est: $1,000 - $1,500
WILLIAM HENRY COFFIN Nantucket, 1812-1898 "Ship Constitution on Return Voyage From Tripoli". Signed lower right "W.H. Coffin". Titled verso. Oil on board, 10" x 13". Framed 12" x 15".
Eldred's
Apr. 01, 2017
WILLIAM LIONEL WYLLIE & HENRY BREWER, Framed "Birds eye view of London from a baloon 1884". 2 ft 11ins x 3 ft 8ins.
Est: £60 - £80
WILLIAM LIONEL WYLLIE & HENRY BREWER, Framed "Birds eye view of London from a baloon 1884". 2 ft 11ins x 3 ft 8ins.
Hannam's Auctioneers
Dec. 01, 2016
William Henry Haines (1812-1884) Portrait of a gypsy woman and a man peeling an apple 10.5 x 8.5in. and 10 x 8in.
Est: £200 - £300
William Henry Haines (1812-1884) pair of watercolours Portrait of a gypsy woman and a man peeling an apple signed, one dated 1878 10.5 x 8.5in. and 10 x 8in.
Gorringes
Oct. 15, 2016
WILLIAM HENRY COFFIN, Nantucket, 1812-1898, Brigantine and American schooner under full sail off Boton Light., Oil on board, 34" x 5...
Est: $4,000 - $6,000
WILLIAM HENRY COFFIN Nantucket, 1812-1898 Brigantine and American schooner under full sail off Boton Light. Signed faintly lower left "W.H. Coffin". Oil on board, 34" x 54". Framed 37" x 57".
Eldred's
Oct. 15, 2016
WILLIAM HENRY COFFIN, Nantucket, 1812-1898, "Ship Constitution on Return Voyage From Tripoli"., Oil on board, 10" x 13". Framed 12"...
Est: $2,000 - $3,000
WILLIAM HENRY COFFIN Nantucket, 1812-1898 "Ship Constitution on Return Voyage From Tripoli". Signed lower right "W.H. Coffin". Titled verso. Oil on board, 10" x 13". Framed 12" x 15".
Eldred's
Nov. 14, 2015
Group of three engravings to include Alexander Hamilton by Timothy Cole, Anonymous portrait John Sartain 1884, and William Henry Har...
Est: $200 - $400
Group of three engravings to include Alexander Hamilton by Timothy Cole, Anonymous portrait John Sartain 1884, and William Henry Harrison of Ohio by J. R. Lambdin and John Sartain. sight sizes: 11 1/2" x 9", 10" x 8 1/2", and 5 3/4" x 10 1/2". Property from Credit Suisse's Americana Collection
Nadeau's Auction Gallery
Jun. 25, 2015
William Henry Prior (British, 1812-1882) The Needles 7-3/4 x 18
Est: $1,200 - $1,800
William Henry Prior (British, 1812-1882) The Needles 7-3/4 x 18 in. (19.6 x 45.7 cm.), sight. [not examined out of the frame]
Bonhams
Apr. 01, 2015
John William Hill or John Henry Hill Architectural Studies: Two; T/w Attributed to John William Hill or John Henry Hill Sketches Four
Est: $300 - $500
John William Hill British/American, 1812-1879 or John Henry Hill American, 1839-1922 (i) Two Views of the Castle of Lauffen Inscribed Castle of Lauffen and dated July 25 (lr) and again on the verso Graphite pencil on beige paper 9 x 11 3/4 inches Unframed (ii) A Romanesque Revival Building Watercolor on blue paper 8 x 7 inches Unframed; Together with Attributed to John William Hill or John Henry Hill, Sketches from Nature: Four, one dated July 26 (ll), each graphite pencil on paper, largest 9 x 12 inches, all unframed C
DOYLE Auctioneers & Appraisers
Apr. 01, 2015
John William Hill or John Henry Hill Sketches: Two; T/w Attributed to John William Hill or John Henry Hill Sketches: Four
Est: $300 - $500
John William Hill British/American, 1812-1879 or John Henry Hill American, 1839-1922 (i) Pemaquid Light Inscribed as titled and dated Sept 10 (lr) Graphite pencil on dun paper 9 x 12 inches Unframed (ii) Pascal's (?) Mill Inscribed as titled and dated May 10 (lr) Graphite pencil with additions in white watercolor on dun paper 9 1/4 x 11 7/8 inches Unframed; Together with Attributed to John William Hill or John Henry Hill, Sketches from Nature: Four, one inscribed New Bedford on the verso, three graphite pencil on paper, one of these with white watercolor additions, the fourth brown ink on paper, largest 9 x 11 1/2 inches, all unframed C
DOYLE Auctioneers & Appraisers
Oct. 25, 2014
William Henry Coffin (1812-1898) ROWING TO THE SHIP FLYING AMERICAN FLAGS oil on canvas signed lower right W. H. Coffin 72R16" x 2...
Est: $800 - $1,200
William Henry Coffin (1812-1898) ROWING TO THE SHIP FLYING AMERICAN FLAGS oil on canvas signed lower right W. H. Coffin 72 16" x 26"
Nadeau's Auction Gallery
Aug. 01, 2014
WILLIAM HENRY COFFIN, Nantucket, 1812-1898, "Be It Ever So Humble There Is No Place Like Home"., Oil on metal, 14" x 20". Framed.
Est: $1,200 - $1,800
WILLIAM HENRY COFFIN Nantucket, 1812-1898 "Be It Ever So Humble There Is No Place Like Home". Signed lower right "W.H. Coffin '95". Central rectangular composition of a snow-covered home surrounded by a black border with "Be It Ever So Humble There Is No Place Like Home" in red lettering. Oil on metal, 14" x 20". Framed.
Eldred's
Jun. 25, 2014
William Henry Hall (1812-1880). Malham Cove
Est: £100 - £150
William Henry Hall (1812-1880). Malham Cove Yorkshire, oil on board, signed, 49cm x 69cm
Golding Young & Mawer
Apr. 16, 2014
William Henry Haines (1812 - 1884), pair of oils
Est: £300 - £500
William Henry Haines (1812 - 1884), pair of oils on panel in gilt frames - Patience and Practice, one signed, both bearing original handwritten labels to reverse, 26cm x 18cm
Reeman Dansie
Sep. 11, 2013
William Callow (1812-1908), The Chapel of Henry
Est: £150 - £200
William Callow (1812-1908), The Chapel of Henry VII, Westminster Abbey, watercolour, signed, unframed, 34cm x 23cm.
Bellmans Auctioneers
Jul. 31, 2013
William Henry Haines (British, 1812-1884)
Est: £200 - £300
'Practise'; 'Patience' each signed 'W. H. Haines' (lower left), and each inscribed to labels verso oil on panel (a pair) 26 x 18cm (10 1/4 x 7 1/16in). (2)
Bonhams
Jul. 10, 2013
William Henry Haines (British, 1812-1884)
Est: £500 - £700
'Practise'; 'Patience' each signed 'W. H. Haines' (lower left), and each inscribed to labels verso oil on panel (a pair) 26 x 18cm (10 1/4 x 7 1/16in). (2)
Bonhams
Jun. 20, 2013
William Henry Haines (1812-1884)
Est: -
William Henry Haines (1812-1884) The Doge's Palace and the Campanile di San Marco, viewed from the Grand Canal signed and dated 'W. Henry 1864' (lower right) oil on canvas 24 x 36 in. (61 x 91.5 cm.)
Christie's
Jun. 12, 2013
William Henry Haines (British, 1812-1884)
Est: £800 - £1,200
'Practise'; 'Patience' each signed 'W. H. Haines' (lower left), and each inscribed to labels verso oil on panel (a pair) 26 x 18cm (10 1/4 x 7 1/16in). (2)
Bonhams
Nov. 27, 2012
William Henry Haines (British, 1812-1884)
Est: £800 - £1,200
Cathedral interior signed and indistinctly inscribed 'W. Henry. P...' (lower left) oil on canvas, unframed 97.5 x 75cm (38 3/8 x 29 1/2in).
Bonhams
Oct. 02, 2012
(WAR OF 1812.) Allen, William Henry. Manuscript letter book from the USS Argus.
Est: $1,000 - $1,500
(WAR OF 1812.) Allen, William Henry. Manuscript letter book from the USS Argus. Autograph Letters Signed, retained copies. 6 pages plus many blanks. Folio, original 1/2 calf, moderate wear; last several pages excised; later owner's inscriptions on final extant leaf. Vp, 6 April to 26 May 1813
Swann Auction Galleries
Apr. 04, 2012
William Henry Haines (1812-1884)
Est: £600 - £900
William Henry Haines (1812-1884) Portrait of Lord FitzRoy James Henry Somerset, later 1st Baron Raglan, G.C.B., (1788-1855), bust-length and wearing the Order of the Bath, the Portugal Order of the Tower and Sword, the Army Gold Cross, the Waterloo medal, the Russian, Austrian and Bavarian Orders and the G.C.B. Cross, in uniform; and Portrait of Emily (Wellesley-Pole), later Lady FitzRoy Somerset (1792-1881), seated bust-length, in a white dress both indistinctly signed and dated 'W. Haines../Aug 1818' (lower right) pencil and watercolour 11½ x 9¾ in. (29.3 x 24.7 cm.) a pair (2)
Christie's
Nov. 19, 2011
WILLIAM HENRY COFFIN, American, 1812-1898, "The Mayflower", Oil on tin, 20" x 14". Framed.
Est: $800 - $1,200
WILLIAM HENRY COFFIN American, 1812-1898 "The Mayflower" depicting an eagle perched on an American flag at lower center and a yacht under full sail directly behind. Signed mid-right "W.H. Coffin". Oil on tin, 20" x 14". Framed.
Eldred's
Aug. 14, 2011
William Henry Coffin (Massachusetts, 1812-1898) Harbor Scene with Distant Lighthouse. Signed and dated "WH Coffin '86" l.r. Oil on can
Est: $2,000 - $3,000
William Henry Coffin (Massachusetts, 1812-1898) Harbor Scene with Distant Lighthouse. Signed and dated "WH Coffin '86" l.r. Oil on canvas, 14 1/4 x 22 1/4 in., in a period molded giltwood frame. Condition: Good, relined, stable craquelure.
Skinner
Feb. 26, 2011
CHANNING, WILLIAM HENRY (1810-1884) SIGNED LETTERS AND SIGNED POEM
Est: $20 - $2,000
CHANNING, WILLIAM HENRY (1810-1884) SIGNED LETTERS AND SIGNED POEM Two ALS dated from concerning religious activities of the Bible Society plus a poem in manuscript signed in full by Channing. Channing was a clergyman and poet involved in the Transcendentalist movement. Also included is a ALS from 1811 from Channing's uncle, W.E. Channing.
Dirk Soulis Auctions
Feb. 11, 2011
WILLIAM HENRY COFFIN (American, 1812-1898) At the Seasi
Est: $1,000 - $2,000
WILLIAM HENRY COFFIN (American, 1812-1898) At the Seaside, The American Magazine cover, August 1926 Oil on canvas 25 x 20 in. Signed lower right From the Estate of Charles Martignette.
Heritage Auctions
Feb. 04, 2011
WILLIAM HENRY DYER (fl. 1890-1930): Watercolour.
Est: £40 - £60
WILLIAM HENRY DYER (fl. 1890-1930): Watercolour. Moorland scene on Dartmoor. Signed W.H. Dyer bottom right. Framed and glazed. 23cm x 14cm
Gaze & Son
Dec. 10, 2010
William Henry Haines (British, 1812-1884)
Est: £20,000 - £40,000
William Henry Haines (British, 1812-1884) Gondolas before the Campo san Zanipolo, Venice signed and dated 'W Henry 1887' (lower right) oil on canvas 28½ x 46¼ in. (72.5 x 118 cm.)
Christie's
Jun. 25, 2010
William Henry Coffin (AMERICAN, 1812-1898)
Est: -
William Henry Coffin (AMERICAN, 1812-1898) Sailing off of Boston signed and dated 'W.H.Coffin 85.' (lower right) oil on canvas 12 x 12 in. (30.5 x 30.5 cm.) Painted in 1885.
Christie's
Jun. 24, 2010
William Henry Coffin (AMERICAN, 1812-1898)
Est: $1,000 - $1,500
William Henry Coffin (AMERICAN, 1812-1898) Sailing off of Boston signed and dated 'W.H.Coffin 85.' (lower right) oil on canvas 12 x 12 in. (30.5 x 30.5 cm.) Painted in 1885.
Christie's
May. 27, 2010
William Henry Prior (1812-1882)
Est: £4,000 - £6,000
William Henry Prior (1812-1882) Dover Harbour oil on canvas 26 x 38 in. (66 x 96.5 cm.)
Christie's
Mar. 31, 2010
William Henry Hall (1812-1880) Figures crossing a bridge in a mountainous river landscape
Est: £200 - £300
Figures crossing a bridge in a mountainous river landscape signed (lower left), watercolour 33 x 48cm (13 x 18 7/8in).
Bonhams
Jun. 02, 2009
William Henry Haines (1812-1884) The master in his
Est: £300 - £500
William Henry Haines (1812-1884) The master in his study Oil on panel Signed and indistinctly dated lower right 33cm x 25cm Under glass, painted over two panels, cracks/ paint loss between panels, restoration visible under UV light, would benefit from a clean
Dreweatts 1759
Sep. 13, 2008
ATTRIBUTED TO WILLIAM HENRY HAINES (1812-1884) Oil
Est: $600 - $800
ATTRIBUTED TO WILLIAM HENRY HAINES (1812-1884) Oil on wood panel, 12 x 9 5/8 in., oval image.
STAIR