William (1751) Hamilton Paintings & Artwork for Sale | William (1751) Hamilton Art Value Price Guide

Sep. 28, 2024
After HAMILTON (*1751), Catherine of Aragon, Lithography
Est: €60 - €100
After William Hamilton (1751 London - 1801 ibid.): 'Le Ressentiment de la Reine Catherine', scene with Catherine of Aragon refusing the cardinals' urgings, 19th century, Lithography Technique: Lithography on Paper Inscription: Titled below, below with information about the context of the scene. The print shows an interior scene in which Catherine defies Cardinals Wolsey and Campeggi, who are urging her to dissolve her marriage to Henry VIII. Date: 19th century Keywords: Historiography, Catherine of Aragon, Divorce, Wife of Henry VIII, Tudor, Trastámara, Early Modern History of England, Royal Consort, 19th century, Historicism, Portraits, Germany, Size: Paper: 40,5 cm x 34,5 cm (15,9 x 13,6 in), Depiction: 31,3 cm x 31,0 cm (12,3 x 12,2 in)
Fichter Kunsthandel
Sep. 11, 2024
English School (late 18th century)
Est: £60 - £80
English School (late 18th century) HRH The Duke of York, hand coloured engraving, pub. London June 1792 by J. Baydon No.7 Charing Cross, 17 x 14cm., oval English, early 19th century gilded frame, together with after William Hamilton (English, 1751-1801), "Children feeding Chickens", hand coloured engraving by J.M. Delatre, oval early 19th century gilded frame, 17 x 14.5cm., and an English, early 19th century, oval miniature watercolour of an elegant young woman holding a fan, original oval gilt metal frame, 7 x 5.5cm. (3)
Martel Maides
Jul. 27, 2024
P. SIMON (*1764) after HAMILTON (*1751), Much ado about nothing, 1790, Crayon manner
Est: €300 - €400
Peter Simon (1764 - 1813 ) after William Hamilton (1751 London - 1801 ibid.): Much ado about nothing, Viel Lärm um nichts, Akt 4, Szene 1, William Shakespeare, 1790, Crayon manner Technique: Crayon manner on Laid paper Date: 1790 Description: Don Pedro, Don Juan, Leonato, Monk, Claudio, Benedict, Hero and Beatrice in the church. Signed "Painted by William Hamilton / Engraved by Peter Simon." below the depiction, titled "Shakespeare. Much ado about nothing. Act IV Scene I." and publication line: "Published June 1790 by John & Josiah Boydell, at the Shakespeare Gallery Pall Mall & at Cheapside London."; to the left and right of the title with the quotation corresponding to the scene: "Leonato; Hath no man's dagger here a point for me? Beatrice: Why, how now, cousin! wherefore sink you down? John: Come, let us go. These things, come thus to light, Smother her spirits up." William Hamilton was a London-born artist who worked with Antonio Zucchi in Italy for several years. Known for his paintings after Shakespeare's plays. He produced works for John Boydell's 'Shakespeare Gallery', Thomas Macklin's 'Bible' and Robert Bowyer's 'English History'. Keywords: 18th century, Figurative, Architecture, United Kingdom, Size: Laid paper: 49,0 cm x 61,7 cm (19,3 x 24,3 in), Depiction: 44,3 cm x 59,7 cm (17,4 x 23,5 in)
Fichter Kunsthandel
Jul. 11, 2024
William Hamilton (1751-1801): Greek Scenes: Two Plates
Est: $700 - $900
Two etchings in black with hand-coloring and gouache highlights on wove paper. 11 1/2 x 17 3/4 (image), 22 1/8 x 26 5/8 in. (frame), 12 1/8 x 16 7/8 in. (image), 22 1/8 x 26 5/8 in. (frame).
STAIR
Jul. 11, 2024
William Hamilton (1751-1801): Greek Scenes: Two Plates
Est: $600 - $800
Two etchings in black with hand-coloring and gouache highlights on wove paper, inscribed '74' and '48' at upper right. 10 1/8 x 13 3/8 in. (plate), 16 1/8 x 19 5/8 in. (frame), 8 x 11 3/4 in. (plate), 16 1/8 x 19 5/8 in. (frame).
STAIR
Jul. 11, 2024
William Hamilton (1751-1801): Greek Scenes: Three Plates
Est: $800 - $1,200
Three etchings in black with hand-coloring and gouache highlights on wove paper. 12 x 19 in. (sight), 11 x 16 in. (sight), 11 x 18 3/4 in. (sight), 20 1/8 x 68 3/4 in. (framed together).
STAIR
Jul. 11, 2024
William Hamilton (1751-1801): Greek Scenes: Two Plates
Est: $700 - $900
Two etchings in black with hand-coloring and gouache highlights on wove paper. Each 11 3/8 x 10 3/8 in. (plate), 19 1/4 x 27 1/2 in. (frame).
STAIR
May. 30, 2024
Attributed to William Hamilton (1751 - 1801), A family gathering wood, pencil, ink and wash on paper, 29 x 23.5 cm, framed and glazed 41 x 35 cm
Est: £200 - £300
Attributed to William Hamilton (1751 - 1801), A family gathering wood, pencil, ink and wash on paper, 29 x 23.5 cm, framed and glazed 41 x 35 cm
Dawsons Auctioneers
Dec. 19, 2023
William Hamilton (Chelsea, 1751 - Londr, 1801) Acquaforte dalla bibbia di Mackliin e da un disegno di Francesco Bartolozzi: Giacobbe vede per la prima volta Rachele cm 32x26; foglio cm 37,5x32,5
Est: €150 - €250
William Hamilton (Chelsea, 1751 - Londr, 1801) Acquaforte dalla bibbia di Mackliin e da un disegno di Francesco Bartolozzi: Giacobbe vede per la prima volta Rachele cm 32x26; foglio cm 37,5x32,5In basso London. Published Jan. 31.1701, by Tho.s Macklin, Fleet Street -
Gliubich Casa d'Aste
Dec. 06, 2023
MARY-ANN NELSON (CIRCA 1790) AFTER WILLIAM HAMILTON (1751-1801) POKER WORK PICTURE OF CHILDREN PLAYING
Est: £200 - £300
MARY-ANN NELSON (CIRCA 1790) AFTER WILLIAM HAMILTON (1751-1801) POKER WORK PICTURE OF CHILDREN PLAYING Poker work picture,on wood, oval Label verso (16.5cm x 20cm)
Elstob Auctioneers
Nov. 30, 2023
Hamilton Engravings - Greek Satyrs, Maenads, Hydia
Est: $2,600 - $3,900
William Hamilton (British, 1730-1803) and Pierre-Francois Hughes d'Hancarville (French, 1719-1805). "Satyrs and Maenads" AND "The Meidias Hydria" - Published by Francesco Morellie, Naples, 1766-67, Paris, 1785-1788. Two engravings with original hand coloring from one of the most important 18th century publications in the world of art history that also advanced the study of archaeology, "Antiquites Etrusques, Greques et Romain Tiree du Cabinet de M. Hamilton" with text by Baron d'Hancarviile (Pierre-Francois Hugues) who created a chronology of each ancient vase painting. "Satyrs and Maenads" features a scene that is associated with Euripedes's "Bacchae". "The Meidias Hydria" engraving features a scene of the rape of the daughter of Leucippus by the Dioscuri, Castor, and Pollux by the Meidias Painter. Size (sight view for Satyrs & Maenads): 15.25" L x 25.5" W (38.7 cm x 64.8 cm) Size (framed): 20.125" L x 30.5" W (51.1 cm x 77.5 cm) Meidias Hydria is close in size. More about William Hamilton's vase collection: "Hamilton's collection of ancient vases, assembled by him after his appointment to the court of Naples in 1764, was first illustrated, described, and published between 1776 and 1777. Pierre Francois Hugues, an authority on ancient art, had introduced Hamilton to the Porcinari family, the owners of a large collection of ancient classical vases which Hamilton bought and enlarged, and then sold to the British Museum in 1772. Before their shipment of England, all the objects were listed, drawn and described under the supervision of the brilliant but unscrupulous 'baron'. The work was finely illustrated with hand-coloured engraved plates whose 'influence on neo-classical design and taste was to be profound' (Dictionary of Art). One of the explicit aims of the work was to discover the proportions of ancient vases in order to aid in their true reproduction, and indeed its influence on Josiah Wedgewood was significant. "Within barely a year of the publication of the first volume Josiah Wedgwood had opened his pottery works, Etruria, in Staffordshire, and thrown six black basalt 'first day vases' based on vases in Hamilton's publication. Countless other subsequent Wedgwood articles and designs were inspired by the work. 'When Hamilton and his wife returned to London on leave in August 1771, he negotiated for his collection of vases to be bought for the nation. According to tradition, this 'first collection' was purchased for the British Museum in 1772, for £8400, out of funds authorized by act of parliament. There seems to be no evidence for this sale, although the story was known to Horace Walpole, who refers to it in one of his 'books of materials' but mentions the sum of £8000. In 1772 Hamilton was made a knight of the Bath and elected a fellow of the Society of Antiquaries; he and his wife arrived back in Naples early in 1773, after travelling via Vienna, Venice, Florence, and Rome. Believing that he had exhausted the supply of fine Greek vases, Hamilton did not resume collecting until 1789, when he began amassing what would become his second collection of vases. This collection was fully described in Collection of Engravings from Ancient Vases (4 vols., 17915), edited with illustrations by Johann Heinrich Wilhelm Tischbein, director of the Naples art academy. Far less expensive than the Antiquites, the volumes of these vase engravings, which were soon republished in various affordable editions, had considerable influence on public taste and on artists such as John Flaxman and Henry Fuseli' (Geoffrey V. Morson for DNB)." (Source: Arader Galleries website) Provenance: private Rancho Mirage, California, USA collection, by inheritance in 2020; ex-Dr. TDR Berreth, California, USA, acquired before 1982 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179149
Artemis Gallery
Nov. 18, 2023
William Hamilton attr.
Est: €1,500 - €2,000
William Hamilton 1751 Chelsea, London - 1801 London attr. - Mythologische Szene - Öl/Papier auf Holz. 24 x 24 cm (Tondo). Auf der Rückseite des Rahmens von fremder Hand bez. Unter Glas gerahmt (Zierrahmen).
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Nov. 16, 2023
William Hamilton (British, 1751-1801)
Est: $500 - $700
William Hamilton (British, 1751-1801), "Portrait of Mrs. Sarah Kembel Siddons (Welsh, 1755-1831)", 1793, charcoal and sanguine on paper, signed and dated lower right, "National Portrait Exhibition, 1868" label with artist and title and "Arthur Tooth & Sons, LTD., Old Masters & Modern Paintings, London" label with artist and title on backing board, 21 in. x 14 3/8 in., framed, overall 30 1/4 in. x 23 1/8 in. x 1 in. Provenance: The Collection of Mr. & Mrs. John Whitehead, England; The Collection of the Duchess of Rutland, Wales; Michael W. Murphy, El Dorado, AR. Exh.: "National Portraits", The South Kensington Museum (now Victoria and Albert Museum), London, 1868 and listed in the accompanying catalogue as No. 97.
Neal Auction Company
Oct. 26, 2023
Hamilton Engravings - Greek Satyrs, Maenads, Hydia
Est: $3,000 - $5,000
William Hamilton (British, 1730-1803) and Pierre-Francois Hughes d'Hancarville (French, 1719-1805). "Satyrs and Maenads" AND "The Meidias Hydria" - Published by Francesco Morellie, Naples, 1766-67, Paris, 1785-1788. Two engravings with original hand coloring from one of the most important 18th century publications in the world of art history that also advanced the study of archaeology, "Antiquites Etrusques, Greques et Romain Tiree du Cabinet de M. Hamilton" with text by Baron d'Hancarviile (Pierre-Francois Hugues) who created a chronology of each ancient vase painting. "Satyrs and Maenads" features a scene that is associated with Euripedes's "Bacchae". "The Meidias Hydria" engraving features a scene of the rape of the daughter of Leucippus by the Dioscuri, Castor, and Pollux by the Meidias Painter. Size (sight view for Satyrs & Maenads): 15.25" L x 25.5" W (38.7 cm x 64.8 cm) Size (framed): 20.125" L x 30.5" W (51.1 cm x 77.5 cm) Meidias Hydria is close in size. More about William Hamilton's vase collection: "Hamilton's collection of ancient vases, assembled by him after his appointment to the court of Naples in 1764, was first illustrated, described, and published between 1776 and 1777. Pierre Francois Hugues, an authority on ancient art, had introduced Hamilton to the Porcinari family, the owners of a large collection of ancient classical vases which Hamilton bought and enlarged, and then sold to the British Museum in 1772. Before their shipment of England, all the objects were listed, drawn and described under the supervision of the brilliant but unscrupulous 'baron'. The work was finely illustrated with hand-coloured engraved plates whose 'influence on neo-classical design and taste was to be profound' (Dictionary of Art). One of the explicit aims of the work was to discover the proportions of ancient vases in order to aid in their true reproduction, and indeed its influence on Josiah Wedgewood was significant. "Within barely a year of the publication of the first volume Josiah Wedgwood had opened his pottery works, Etruria, in Staffordshire, and thrown six black basalt 'first day vases' based on vases in Hamilton's publication. Countless other subsequent Wedgwood articles and designs were inspired by the work. 'When Hamilton and his wife returned to London on leave in August 1771, he negotiated for his collection of vases to be bought for the nation. According to tradition, this 'first collection' was purchased for the British Museum in 1772, for £8400, out of funds authorized by act of parliament. There seems to be no evidence for this sale, although the story was known to Horace Walpole, who refers to it in one of his 'books of materials' but mentions the sum of £8000. In 1772 Hamilton was made a knight of the Bath and elected a fellow of the Society of Antiquaries; he and his wife arrived back in Naples early in 1773, after travelling via Vienna, Venice, Florence, and Rome. Believing that he had exhausted the supply of fine Greek vases, Hamilton did not resume collecting until 1789, when he began amassing what would become his second collection of vases. This collection was fully described in Collection of Engravings from Ancient Vases (4 vols., 17915), edited with illustrations by Johann Heinrich Wilhelm Tischbein, director of the Naples art academy. Far less expensive than the Antiquites, the volumes of these vase engravings, which were soon republished in various affordable editions, had considerable influence on public taste and on artists such as John Flaxman and Henry Fuseli' (Geoffrey V. Morson for DNB)." (Source: Arader Galleries website) Provenance: private Rancho Mirage, California, USA collection, by inheritance in 2020; ex-Dr. TDR Berreth, California, USA, acquired before 1982 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179149
Artemis Gallery
Sep. 21, 2023
After William Hamilton RA (British, 1751-1801)
Est: £80 - £100
After William Hamilton RA (British, 1751-1801) Hebe, stipple engraving printed in colours, published by J. Eginton, 20th century gilded frame, 23½ x 14¾in. (59.7 x 37.5cm.).
Martel Maides
Jan. 06, 2023
W. HAMILTON (1751-1801), The Feeling of Queen Catherine'., Lithography
Est: €60 - €100
William Hamilton (1751 London - 1801 ibid.): The Feeling of Queen Catherine'., 19th century, Lithography Technique: Lithography on Paper Inscription: Titled below, below with information about the context of the scene. The print shows an interior scene in which Catherine defies Cardinals Wolsey and Campeggi, who are urging her to dissolve her marriage to Henry VIII. Date: 19th century Keywords: Historiography, Catherine of Aragon, Divorce, Wife of Henry VIII, Tudor, Trastámara, Early Modern History of England, Royal Consort, 19th century, Historicism, Portraits, Germany,
Fichter Kunsthandel
Jul. 09, 2022
Hamilton, William
Est: €80 - €120
(1751 Chelsea - Soho 1801) nach. Musidora. - Celadon and Amelia. 2 Kupferstiche mit Punktierung v. P.W.Tomkins bzw. F.Bartolozzi bei P.W.Tomkins, Ldn. 1794-98. Je ca. 33 x 27, Blgr. 48 x 38 cm. Jwls. mit den Namensz., Titel, Adr. u. Datum i.d. Platte. - Tls. etw. stockfl. R
Kiefer Buch- und Kunstauktionen
May. 14, 2022
Hamilton, William
Est: €100 - €150
(1751 Chelsea - Soho 1801) nach. Musidora. - Celadon and Amelia. 2 Kupferstiche mit Punktierung v. P.W.Tomkins bzw. F.Bartolozzi bei P.W.Tomkins, Ldn. 1794-98. Je ca. 33 x 27, Blgr. 48 x 38 cm. Jwls. mit den Namensz., Titel, Adr. u. Datum i.d. Platte. - Tls. etw. stockfl. R
Kiefer Buch- und Kunstauktionen
Mar. 24, 2022
WILLIAM HAMILTON, R.A. (LONDON 1751-1801) Dalton Hall, near Beverly, Yorksh
Est: £4,000 - £6,000
WILLIAM HAMILTON, R.A. (LONDON 1751-1801) Dalton Hall, near Beverly, Yorkshire pencil, pen and grey ink and watercolour with scratching out on paper 17 7/8 x 25 1/4 in. (45.5 x 64 cm.)
Christie's
Mar. 22, 2022
William Osborne Hamilton, RA, British 1751-1801- Design Study for Marine Application; pencil o
Est: £300 - £400
William Osborne Hamilton, RA, British 1751-1801- Design Study for Marine Application; pencil on paper, squared, signed with initials 'WH/K' (upper right), dated '1799' (lower centre), inscribed with notes (lower right), signed again (on the reverse), 22.8 x 37.5 cm. Provenance: Private Collection, UK, Since 1995. Please refer to department for condition report
Roseberys
Feb. 22, 2022
Attribué à William HAMILTON Chelsea, 1751 - Londres, 1801 La Musique, La Danse, La Tragédie et La Peinture Suite de quatre aquarelle...
Est: €2,000 - €3,000
Attribué à William HAMILTON Chelsea, 1751 - Londres, 1801 La Musique, La Danse, La Tragédie et La Peinture Suite de quatre aquarelles, de formes ovales (Taches et mouillures) h: 19 w: 15 cm Provenance : Ancienne collection Alfred Beurdeley, son cachet (L.421) dans le bas ; Sa vente ; Paris, Galerie Georges Petit, 9 juin 1920, n°191 à 194 ; Acquis à cette vente par la famille des actuels propriétaires ; Collection particulière, Paris Estimation 2 000 - 3 000 €
Artcurial
Dec. 09, 2021
Attributed to William Hamilton (British, 1751-1801)
Est: £500 - £800
Attributed to William Hamilton (British, 1751-1801) The Month of March - Girls with chickens in a farmyard oil on canvas 30 x 26cm Provenance: The French Gallery, 120 Pall Mall, London; Property from a Suffolk country house Footnote: The present lot was possibly painted by Hamilton for use as reference in an etching series titled The Months of the Year, engraved by Francesco Bartolozzi in 1793 as The Month of March. It is possible that the appearance of the corners within an apparent oval may have been caused by the spandrels of the painting being at one time covered by an oval slip. It is also possible, however, that these corner areas outside the oval could have been added by the artist, or at a later date.
Cheffins
Nov. 27, 2021
1) L DAL SOGLIO et A.
Est: €40 - €60
1) L DAL SOGLIO et A. CONTE d'après William HAMILTON (1751-1801). The morning / The evening. Paire de gravures en pointillé en quadrichromie d'ép déb 19ème. 37 x 44 cm. 2) SUITE de 4 lithographies figurant scènes de genre d'après Edward CORBOULD, E.T. PARRIS, A.E. CHALON (x 2) 3) W.H. BOUCHER d'après W. Dandy SADLER. The widow at home. 39 x 46 cm. 4) Trois gravures de mode aquarellées. 5) Paire de lithographies ovales aquarellées figurant des jeunes filles d'époque Louis-Philippe
Les Andelys Enchères
Sep. 29, 2021
Attributed to William Hamilton (British, 1751-1801)
Est: £1,000 - £1,500
Attributed to William Hamilton (British, 1751-1801) The Month of March - Girls with chickens in a farmyard oil on canvas 30 x 26cm Provenance: The French Gallery, 120 Pall Mall, London; Property from a Suffolk country house Footnote: The present lot was possibly painted by Hamilton for use as reference in an etching series titled The Months of the Year, engraved by Francesco Bartolozzi in 1793 as The Month of March. It is possible that the appearance of the corners within an apparent oval may have been caused by the spandrels of the painting being at one time covered by an oval slip. It is also possible however that these corner areas outside the oval could have been added by the artist, or at a later date.
Cheffins
Sep. 21, 2021
ATTRIBUTED TO WILLIAM HAMILTON RA (1751-1801) Biblical and Allegorical Figural Scenes A collection of six, ink and monochrome wash, 12.3 x 8.6cm to 15 x 12.5cm
Est: €300 - €400
ATTRIBUTED TO WILLIAM HAMILTON RA (1751-1801) Biblical and Allegorical Figural Scenes A collection of six, ink and monochrome wash, 12.3 x 8.6cm to 15 x 12.5cm
Adam's
Jul. 08, 2021
SIR WILLIAM HAMILTON. 14 PLATES. VASE DESIGN. 1801
Est: $300 - $500
[Sculpture] Hamilton, William. (Scottish, 1730-1803). 14 Copper engravings with expert hand-coloring. From Sir William Hamilton's Personal Vase Collection as Ambassador to the Kingdom of Naples. c. 1801. Measures 17" x 23". Condition Very good. Minor foxing.
Quinn's Auction Galleries
Jan. 30, 2021
Suite of Four 19th-Century Stipple Engravings of "The Seasons"
Est: $700 - $1,000
Suite of Four 19th-Century Stipple Engravings of "The Seasons" after William Hamilton (British, 1751-1801), published by Louis Wolff & Co., Ltd., London, all matted, glazed and framed alike. sight dia. 11", framed dia. 19-1/2" Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.
New Orleans Auction Galleries
Dec. 05, 2020
William Hamilton, Studie zu "Viel Laerm um Nichts" von William Shakespeare, 4. Akt, 1. Szene. Vor 1789.
Est: €180 - €200
William Hamilton 1751 Chelsea – 1801 London Federzeichnung in Tusche auf Buetten mit Wasserzeichen (Churchill, Britannia, wohl 220 oder 227(?)). Unsigniert. Verso mit weiterer Skizze. Auf Untersatz montiert, darauf u.re. von fremder Hand in Blei kuenstlerbezeichnet, betitelt sowie mit der Beschreibung versehen "Hero wird ohnmaechtig". Wohl Skizze fuer das Gemaelde "Hero Fainting in Church" von William Hamilton, gestochen von Peter Simon.
Schmidt Kunstauktionen Dresden OHG
Sep. 22, 2020
WILLIAM HAMILTON, (1730-1803)
Est: €300 - €500
Pair of engravings, Classical frieze, Classical frieze
Sheppards
Jul. 02, 2020
Francesco Bartolozzi (1727-1815) after William Hamilton (1751-1801) two small hand coloured stipple engravings of children at play,
Est: £150 - £200
Francesco Bartolozzi (1727-1815) after William Hamilton (1751-1801) two small hand coloured stipple engravings of children at play, one 'Playing Shuttle-cock', 6 5/8 x 5 1/4in. (16.8 x 13.3cm.), the other of children beneath a tree, 4 1/4 x 5 1/4in. (10.8 x 13.3cm.); together with another stipple engraving after Hamilton by Jean Marie Delattre, Children feeding chickens, 4 1/4 x 5 1/4in. (10.8 x 13.3cm.); and two other stipple engravings, one titled 'Cupid & Psyche' by Delattre after Bartolozzi, the other 'Light is Love' by C. Knight, all in 19th century oval gilt frames. (5) * Condition: - Shuttle-cock: Paper lightly toned and slightly cockled. Not examined out of frame. Frame with verre eglomise edged glass in good cdn. overall, with chip and repair to lower edge. - Two others of children at play: Some dirty smudges and toning to margins. Children beneath a tree has a small number of fox marks and pale mould mark to right hand margin. - Cupid & Psyche: Some patchy toning across sheet. - Light is Love: Light toning to sheet, smudged marks to LH margin.
Martel Maides
Feb. 12, 2020
WILLIAM HAMILTON, R.A. (BRITISH, 1751-1801) FEBRUARY and MARCH Color engraving: 13 3/4 x 10 3/4 in. (sight)
Est: $50 - $100
Framed; lower left inscribed: W. Hamilton R.A. Pinxt.; lower center inscribed: February, / Published by John & Josiah Boydell, London.; lower right inscribed: F. Bartolozzi R.A. sculpt.; MARCH: Color engraving; 13 3/4 x 10 3/4 in.; lower left inscribed: W. Hamilton R.A. Pinxt.; lower center inscribed: March, / Published by John & Josiah Boydell, London.; lower right inscribed: F. Bartolozzi R.A. sculpt. (2)
Potomack Company
Dec. 18, 2019
WILLIAM HAMILTON, R.A. (BRITISH, 1751-1801) FEBRUARY and MARCH Color engraving: 13 3/4 x 10 3/4 in. (sight)
Est: $50 - $100
Framed; lower left inscribed: W. Hamilton R.A. Pinxt.; lower center inscribed: February, / Published by John & Josiah Boydell, London.; lower right inscribed: F. Bartolozzi R.A. sculpt.; MARCH: Color engraving; 13 3/4 x 10 3/4 in.; lower left inscribed: W. Hamilton R.A. Pinxt.; lower center inscribed: March, / Published by John & Josiah Boydell, London.; lower right inscribed: F. Bartolozzi R.A. sculpt. (2)
Potomack Company
Nov. 21, 2019
WILLIAM HAMILTON, R.A. (BRITISH, 1751-1801) FEBRUARY and MARCH Color engraving: 13 3/4 x 10 3/4 in. (sight)
Est: $75 - $150
WILLIAM HAMILTON, R.A. (BRITISH, 1751-1801) FEBRUARY and MARCH Color engraving: 13 3/4 x 10 3/4 in. (sight) Framed; lower left inscribed: W. Hamilton R.A. Pinxt.; lower center inscribed: February, / Published by John & Josiah Boydell, London.; lower right inscribed: F. Bartolozzi R.A. sculpt.; MARCH: Color engraving; 13 3/4 x 10 3/4 in.; lower left inscribed: W. Hamilton R.A. Pinxt.; lower center inscribed: March, / Published by John & Josiah Boydell, London.; lower right inscribed: F. Bartolozzi R.A. sculpt. (2) Provenance: Estate of Ronald Sperling
Potomack Company
Oct. 03, 2019
WILLIAM HAMILTON, R.A. (BRITISH, 1751-1801) FEBRUARY and MARCH Color engraving: 13 3/4 x 10 3/4 in. (sight)
Est: $150 - $300
WILLIAM HAMILTON, R.A. (BRITISH, 1751-1801) FEBRUARY and MARCH Color engraving: 13 3/4 x 10 3/4 in. (sight) Framed; lower left inscribed: W. Hamilton R.A. Pinxt.; lower center inscribed: February, / Published by John & Josiah Boydell, London.; lower right inscribed: F. Bartolozzi R.A. sculpt.; MARCH: Color engraving; 13 3/4 x 10 3/4 in.; lower left inscribed: W. Hamilton R.A. Pinxt.; lower center inscribed: March, / Published by John & Josiah Boydell, London.; lower right inscribed: F. Bartolozzi R.A. sculpt. (2) Provenance: Estate of Ronald Sperling
Potomack Company
Jun. 25, 2019
WILLIAM HAMILTON (LONDRES 1751 - 1801) L'Apothéose de Louis XVI huile sur toile 99 x 72 cm. (38 7/8 x 28 ¼ in.)
Est: €25,000 - €35,000
WILLIAM HAMILTON (LONDRES 1751 - 1801) L'Apothéose de Louis XVI huile sur toile 99 x 72 cm. (38 7/8 x 28 ¼ in.)
Christie's
Jul. 03, 2018
WILLIAM HAMILTON, R.A. (LONDON 1751-1801) Four classical composition studies one sign
Est: £2,000 - £3,000
WILLIAM HAMILTON, R.A. (LONDON 1751-1801) Four classical composition studies one signed 'Hamilton' (lower right) one pencil, pen and brown ink, two pencil, pen and grey ink, one pencil 7 5/8 x 10 1/8 in. (19.4 x 25.8 cm.)
Christie's
Jun. 12, 2018
WILLIAM HAMILTON (1751-1801)
Est: £400 - £600
WILLIAM HAMILTON (1751-1801) Wood gatherers Pencil, pen and brown ink and watercolour 29.2 x 23 cm (11 1/2 x 9 in) oval and two further drawings by Matthew William Peters (1742-1814), 'A Lady in a large bonnet', pen and ink and grey wash; and John Russell (1745-1806) 'Portrait of two young girls', pen and ink and watercolour (3) Provenance: Private Collection UK, acquired by the present owner's grandfather Aaron Rapoport in Paris
Chiswick Auctions
Jun. 07, 2018
ATRIBUTTED TO WILLIAM HAMILTON (ENGLAND, 1751-1801). CORIOLANUS, ACT V, SCENE III BY WILLIAM SHAKESPEARE. Oil on canvas. 123 x 98 cm
Est: $250,000 - $400,000
ATRIBUTTED TO WILLIAM HAMILTON (ENGLAND, 1751-1801). CORIOLANUS, ACT V, SCENE III BY WILLIAM SHAKESPEARE. Oil on canvas. 123 x 98 cm Estimado $250,000-400,000 ATRIBUIDO A WILLIAM HAMILTON (INGLATERRA, 1751-1801) CORIOLANO, ACTO V, ESCENA III* Óleo sobre tela. Con referencia del autor en el marco. Detalles de conservación y restauración. 123 x 98 cm William Hamilton fue un pintor e ilustrador inglés. Trabajó como aprendiz de Antonio Zucchi durante varios años. Se hizo miembro de la Royal Academy en 1789. Fue famoso por sus ilustraciones de obras de Shakespeare, poemas y episodios históricos. Referencia: "William Hamilton" en National Portrait Gallery (consultado en línea). Este lote fue vendido en Christie's Londres, South Kensington, el 29 de octubre de 2015, subasta 10451, "Old Master and British Paintings", lote 162. *En la escena representada de la obra de William Shakespeare, escrita entre 1605 y 1608, el general romano Cayo Marcio Coroliano decide no arrasar la ciudad de Roma, gracias a los ruegos de su madre.<
Morton Subastas
Oct. 20, 2017
William Osborne Hamilton, R. A. (English, 1751-1801)
Est: $6,000 - $10,000
Couple and Guards oil on canvas signed and dated 1798 l.r. framed 30.5 x 21.25 in. (sight)
Cowan's Auctions
Aug. 05, 2017
5 Sir William Hamilton Classical Engravings
Est: $300 - $350
Five (5) Sir William Hamilton (United Kingdom, 1751-1801) aquatint engravings on laid paper from a reprint of A COLLECTION OF ETRUSCAN, GREEK AND ROMAN ANTIQUITIES FROM THE CABINET OF THE HONOURABLE WILLIAM HAMILTON, including Volume II, Plates 50 and 60, and Volume IV, Plates 59, 68, and 71. Partial fleur-de-lis on a shield watermark, left edge of Volume IV, Plate 68. Images range in size from 3" H x 3 1/2" W to 5" H x 3 5/8" W. Plates approx. 8" H x 5" W. Sheets approx. 10 3/4" H x 8" W. Early/mid 19th century. (Additional high-resolution photos are available at www.caseantiques.com)
Case Antiques, Inc. Auctions & Appraisals
Jul. 10, 2017
Trio of small prints in early frames: Francesco Bartolozzi (Italian, 1727-1815) stipple engraving and etching, "May," after a painti...
Est: $100 - $200
Trio of small prints in early frames: Francesco Bartolozzi (Italian, 1727-1815) stipple engraving and etching, "May," after a painting by William Hamilton (1751-1801), depicts figures in foreground with young male gesturing toward Maypole dance in the background, circular gilt frame with ribbon carving at top, minor wear to frame, ss: 7 1/2" dia.; colored print depicting group of hunters, central figure reading letter, gilt frame with minor losses and fractures, image size: 4 1/4" h. x 5 1/4" w.; colored print depicting winter scene with bird looking at its reflection in ice, faux tortoise shell frame with scattered losses and damage, minor wave to paper, ss: 9 1/2" h. x 7 1/2" w. images not examined out of frame.
Winter Associates, Inc.
Jun. 15, 2017
* Attributed to William Osborne Hamilton (1751-1801). The Triumph of Venus and Cupid,
Est: £400 - £600
fine large-scale watercolour on paper, several closed tears repaired, including a horizontal closed tear across the whole of the upper portion of the image, but generally without loss, 58.5 x 90 cm (23 x 35.5 ins) mount aperture, framed and glazed - Quantity (1)
Dominic Winter Auctions
Apr. 27, 2017
ATTRIBUTED TO WILLIAM HAMILTON, R.A. (LONDON 1751-1801) A scene f
Est: $7,000 - $10,000
ATTRIBUTED TO WILLIAM HAMILTON, R.A. (LONDON 1751-1801) A scene from the Antique or the Old Testament, possibly Hannah Presenting Samuel to Eli oil on canvas 8 1/2 x 10 in. (21.6 x 25.4 cm.)
Christie's
Mar. 28, 2017
WILLIAM HAMILTON R.A. 1751-1801. 'The Angel Appearing to Cornelius' circa 1798. Oil on canvas, Cornelius is urged to seek out St. Paul. Later engraved by James Thompson for inclusion in Thomas Macklin's bible. On original stretcher embossed J. Speider. 128cm x 102cm.
Est: £2,000 - £3,000
WILLIAM HAMILTON R.A. 1751-1801. 'The Angel Appearing to Cornelius' circa 1798. Oil on canvas, Cornelius is urged to seek out St. Paul. Later engraved by James Thompson for inclusion in Thomas Macklin's bible. On original stretcher embossed J. Speider. 128cm x 102cm.
Chiswick Auctions
Nov. 29, 2016
WILLIAM HAMILTON, RA (ENGLISH, 1751-1801)
Est: €100 - €150
WILLIAM HAMILTON, RA (ENGLISH, 1751-1801) Two figures in a wooded landscape - A scene from The Tempest Watercolour Fully inscribed with title details on the reverse Unframed Provenance: A private collection of English and Irish watercolours10 x 14 inches (25 x 35 cm.)
Sheppards
Jan. 20, 2016
William Hamilton Chelsea, 1751 - Londres, 1801 Marie Stuart recevant sa sentence Aquarelle, plume et encre brune, de forme ronde,
Est: €500 - €700
William Hamilton Chelsea, 1751 - Londres, 1801 Marie Stuart recevant sa sentence Aquarelle, plume et encre brune, de forme ronde, annoté 'Mary, Queen of Scotland, receiving her sentence. / a Drawing by W. Hamilton R.A.' sur la feuille de montage Diamètre : 18 cm (7,10 in.) On y joint du même artiste trois dessins à l'aquarelle 'Le meurtre de David Rizzio', 'Saint Jérôme' et 'Saint Athanase'. Ensemble de 4 dessins Sans cadres Provenance : Collection James Forbes, Esq. (1749-1819) ; Probablement collection Charles, comte de Montalembert (1810-1870); Famille Montalembert ; Puis par descendance
Artcurial
Dec. 08, 2015
Attributed to William Hamilton (1751-1801)
Est: £250 - £350
Attributed to William Hamilton (1751-1801) A CLASSICAL SUBJECT Pen and ink and coloured washes 14.5 x 38cm
Sworders
Sep. 17, 2015
CIRCLE OF WILLIAM HAMILTON (1751-1801) Lovers in a garden landscape beside
Est: £1,000 - £2,000
CIRCLE OF WILLIAM HAMILTON (1751-1801) Lovers in a garden landscape beside a classical urn, Boig Wilson and Wheatley label verso, oil on panel, 15" x 19.5". See illustration. Provenance: Private collection, Somerset
Duke's