Carl Alexander von Heideloff Paintings & Artwork for Sale | Carl Alexander von Heideloff Art Value Price Guide

Aug. 31, 2024
C. HEIDELOFF (*1789), to Fouqué's: Charlemagne, around 1816, Copper engraving
Est: €75 - €125
Carl Alexander von Heideloff (1789 Stuttgart - 1865 Hassfurt): on Frederick de La Motte Fouqué's "Charlemagne's Birth and Youth Years: A Knight's Song", c. 1816, Copper engraving Technique: Copper engraving on Paper Date: c. 1816 Description: Place of publication: Nuremberg, Year of publication: 1816, Publisher: Schrag. Published by Franz Horn. Signed and titled below the image within the printing plate "C. Heideloff del: / Karls des Großen Geburt und Jugendjahre von de la Motte Fouqué." numbered "6." at upper right. From the estate of the antiquarian bookseller Rosenthal Munich / Amsterdam. Keywords: 19th century, Romanticism, Architecture, Germany, Size: Paper: 20,5 cm x 13,1 cm (8,1 x 5,2 in), Plate: 13,8 cm x 9,5 cm (5,4 x 3,7 in), Depiction: 10,2 cm x 7,5 cm (4 x 3 in)
Fichter Kunsthandel
Mar. 23, 2024
C. HEIDELOFF (*1789), Congratulations for the New Year, 1822, Etching
Est: €300 - €400
Carl Alexander von Heideloff (1789 Stuttgart - 1865 Hassfurt): Congratulations on the New Year 1822, 1822, Etching Technique: Etching on Paper Inscription: Inscribed and dated in the image: "Zum neuen Jahr 1822", signed lower left in the printing plate. Date: 1822 Description: The artist of this sheet was of many talents: Carl Alexander von Heideloff was active as a painter, sculptor, architect, monument conservator, etcher and engraver and also wrote a number of theoretical treatises. Completely the child of his time, his main interest was in the past, especially the Romanesque and Gothic architecture of Germany, which he studied assiduously and often restored according to his ideas of "stylistic purity". Also inspired by the art of Romanticism is this etching entitled "To the New Year 1822", which Heideloff must have sent as a New Year's greeting - just as he was to do again in 1826 and 1827. [Boek 1958, p. 380 lists the sheets "Zum Neuen Jahr 1826" and "Zum Neuen Jahr von Carl Heideloff 1827" by Heideloff.] The subject alone suggests a self-portrait by the artist, who in that year was appointed curator of the city's art monuments in Nuremberg. A tree forms the background of the scene. Although the trunk has broken off and some branches are bare, there is still rich foliage on many of the branches. The picture is dominated by the cloth stretched between the outer forks of the branches, in the centre of which is a rapturous-looking head surrounded by a nimbus of rays - perhaps a portrait of Heideloff himself. The cursorily sketched portrait is framed on both sides by a cornucopia from which blossoms, fruits and coins (including a money bag with the numerical value "1000") fall. The artist, now with a carefully worked out portrait head, is once again depicted in full figure at the right edge of the picture, holding the sheet. On the other side sits a trusting looking dog. Heideloff was undoubtedly keen to add familiar symbolic elements to his New Year's greeting: The tree, which here stands both for the year that has ended and for the possibilities of the new one, was an extremely popular motif, especially in the art of the Romantic period, which he appreciated. The dog was considered a symbol of loyalty, which could well be a reference to Heideloff's enduring friendship, which he wanted to assure the recipients of the etching. In the abundance of allusions, Heideloff's rather restrained portrait becomes somewhat of a secondary matter, but the sheet itself wins through the multitude of allegorical motifs. Keywords: Greeting, New Year, Painter, Sculptor, Architect, Monument keeper, Etcher, Engraver, Artist, Congratulations, Printmaking, Etching, 19th century, Romanticism, Fashion, Germany,
Fichter Kunsthandel
Sep. 23, 2023
E. SCHULER (*1805) after HEIDELOFF (*1789), Drinking Society, Steel engraving
Est: €45 - €75
Eduard Schuler (1805 Strasbourg - 1882 Lichtenthal) after Carl Alexander von Heideloff (1789 Stuttgart - 1865 Hassfurt): Festive genre scene with champagne, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part signed in the printing plate: "Heideloff del. | Schuler sculps.". Date: 19th century Description: In the dining room of an elegantly furnished house, a party meets for a festive get-together. At the table sits a young lady who reaches for the champagne bottle on the table and is courted by a young gentleman while another applauds. In the middle of the room is a displeased-looking man in uniform who resolutely opposes one of the revelers. The quiet confrontation contrasts sharply with the relaxed mood of those seated at the table or with the two figures in the background, where a youth is wooing a bashful maid. Presumably the depiction illustrates the scene of a novel or drama. Keywords: 19th century, Romanticism, Professions, Germany,
Fichter Kunsthandel
Sep. 02, 2023
C. HEIDELOFF (*1789), Congratulations for the New Year, 1822, Etching
Est: €300 - €400
Carl Alexander von Heideloff (1789 Stuttgart - 1865 Hassfurt): Congratulations on the New Year 1822, 1822, Etching Technique: Etching on Paper Inscription: Inscribed and dated in the image: "Zum neuen Jahr 1822", signed lower left in the printing plate. Date: 1822 Description: The artist of this sheet was of many talents: Carl Alexander von Heideloff was active as a painter, sculptor, architect, monument conservator, etcher and engraver and also wrote a number of theoretical treatises. Completely the child of his time, his main interest was in the past, especially the Romanesque and Gothic architecture of Germany, which he studied assiduously and often restored according to his ideas of "stylistic purity". Also inspired by the art of Romanticism is this etching entitled "To the New Year 1822", which Heideloff must have sent as a New Year's greeting - just as he was to do again in 1826 and 1827. [Boek 1958, p. 380 lists the sheets "Zum Neuen Jahr 1826" and "Zum Neuen Jahr von Carl Heideloff 1827" by Heideloff.] The subject alone suggests a self-portrait by the artist, who in that year was appointed curator of the city's art monuments in Nuremberg. A tree forms the background of the scene. Although the trunk has broken off and some branches are bare, there is still rich foliage on many of the branches. The picture is dominated by the cloth stretched between the outer forks of the branches, in the centre of which is a rapturous-looking head surrounded by a nimbus of rays - perhaps a portrait of Heideloff himself. The cursorily sketched portrait is framed on both sides by a cornucopia from which blossoms, fruits and coins (including a money bag with the numerical value "1000") fall. The artist, now with a carefully worked out portrait head, is once again depicted in full figure at the right edge of the picture, holding the sheet. On the other side sits a trusting looking dog. Heideloff was undoubtedly keen to add familiar symbolic elements to his New Year's greeting: The tree, which here stands both for the year that has ended and for the possibilities of the new one, was an extremely popular motif, especially in the art of the Romantic period, which he appreciated. The dog was considered a symbol of loyalty, which could well be a reference to Heideloff's enduring friendship, which he wanted to assure the recipients of the etching. In the abundance of allusions, Heideloff's rather restrained portrait becomes somewhat of a secondary matter, but the sheet itself wins through the multitude of allegorical motifs. Keywords: Greeting, New Year, Painter, Sculptor, Architect, Monument keeper, Etcher, Engraver, Artist, Congratulations, Printmaking, Etching, 19th century, Romanticism, Fashion, Germany,
Fichter Kunsthandel
Jan. 06, 2023
C. HEIDELOFF (*1789), Congratulations for the New Year, 1822, Etching
Est: €300 - €400
Carl Alexander von Heideloff (1789 Stuttgart - 1865 Hassfurt): Congratulations on the New Year 1822, 1822, Etching Technique: Etching on Paper Inscription: Inscribed and dated in the image: "Zum neuen Jahr 1822", signed lower left in the printing plate. Date: 1822 Description: The artist of this sheet was of many talents: Carl Alexander von Heideloff was active as a painter, sculptor, architect, monument conservator, etcher and engraver and also wrote a number of theoretical treatises. Completely the child of his time, his main interest was in the past, especially the Romanesque and Gothic architecture of Germany, which he studied assiduously and often restored according to his ideas of "stylistic purity". Also inspired by the art of Romanticism is this etching entitled "To the New Year 1822", which Heideloff must have sent as a New Year's greeting - just as he was to do again in 1826 and 1827. [Boek 1958, p. 380 lists the sheets "Zum Neuen Jahr 1826" and "Zum Neuen Jahr von Carl Heideloff 1827" by Heideloff.] The subject alone suggests a self-portrait by the artist, who in that year was appointed curator of the city's art monuments in Nuremberg. A tree forms the background of the scene. Although the trunk has broken off and some branches are bare, there is still rich foliage on many of the branches. The picture is dominated by the cloth stretched between the outer forks of the branches, in the centre of which is a rapturous-looking head surrounded by a nimbus of rays - perhaps a portrait of Heideloff himself. The cursorily sketched portrait is framed on both sides by a cornucopia from which blossoms, fruit and coins (including a money bag with the numerical value "1000") fall. The artist, now with a carefully worked out portrait head, is once again depicted in full figure at the right edge of the picture, holding the sheet. On the other side sits a trusting looking dog. Heideloff was undoubtedly keen to add familiar symbolic elements to his New Year's greeting: The tree, which here stands both for the year that has ended and for the possibilities of the new one, was an extremely popular motif, especially in the art of the Romantic period, which he appreciated. The dog was regarded as a symbol of loyalty, which could well be a reference to Heideloff's enduring friendship, which he wanted to assure the recipients of the etching. In the abundance of allusions, Heideloff's rather restrained portrait becomes somewhat of a secondary matter, but the sheet itself wins through the multitude of allegorical motifs. Keywords: Greeting, New Year, Painter, Sculptor, Architect, Monument keeper, Etcher, Engraver, Artist, Congratulations, Printmaking, Etching, 19th century, Romanticism, Fashion, Germany,
Fichter Kunsthandel
Dec. 10, 2022
C. MAYER (*1798) after HEIDELOFF (*1789), Scene of the accusations, Lithography
Est: €120 - €200
Carl Mayer (1798 Nuremberg - 1868 ibid.) after Carl Alexander von Heideloff (1789 Stuttgart - 1865 Hassfurt): Scene of the accusations, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed below left and right. Date: 19th century Description: The meeting takes place in a courtly interior. On the wall is a coat of arms with a shining Swedish crown. Keywords: Assembly, Genre, 19th century, Romanticism, Fashion, Germany,
Fichter Kunsthandel
Oct. 22, 2022
C.HEIDELOFF (*1789), on Fouqués: Charlemagne, Knight's Song, around 1816, Copper engraving
Est: €75 - €125
Carl Alexander von Heideloff (1789 Stuttgart - 1865 Hassfurt): on Frederick de La Motte Fouqué's "Charlemagne's Birth and Youth Years: A Knight's Song", c. 1816, Copper engraving Technique: Copper engraving on Paper Date: c. 1816 Description: Place of publication: Nuremberg, Year of publication: 1816, Publisher: Schrag. Published by Franz Horn. Signed and titled below the illustration within the printing plate "C. Heideloff del: / Karls des Großen Geburt und Jugendjahre von de la Motte Fouqué." numbered "6." at upper right. From the estate of the antiquarian Rosenthal Munich / Amsterdam. Keywords: 19th century, Romanticism, Architecture, Germany,
Fichter Kunsthandel
Mar. 19, 2021
Heideloff, Karl Alexander von
Est: €400 - €600
(1789 Stuttgart - Hassfurt 1865). Caonabo hinter Ojeda auf einem Pferd. - Columbus wird in Ketten nach Spanien gebracht. Illustrationen zu Irving, Christoper Columbus. 2 vereinz. weiß gehöhte, lavierte Tuschzeichnungen. Blgr. je 10,5 x 7,8 cm. Nebeneinader stellenw. auf leichten Karton geklebt u. unter Passep. Die Stiche v. L.Beyer bzw. C.Rauch erschienen im Rheinischen Taschenbuch auf das Jahr 1832. - Geringe Alters- u. Gebrauchssp. D
Kiefer Buch- und Kunstauktionen
Mar. 19, 2021
Heideloff, Karl Alexander von
Est: €200 - €300
(1789 Stuttgart - Hassfurt 1865). Der Huronenhäuptling Magua, Alice u. Heyward. Illustration zu Cooper, Der Letzte Mohikaner. Vereinz. weiß gehöhte, lavierte Tuschzeichnung. Blgr. 10,5 x 7,8 cm. Stellenw. auf leichten Karton geklebt. u. unter Passep. Der Stich von S.Langer erschien im Rheinischen Taschenbuch auf das Jahr 1830. D
Kiefer Buch- und Kunstauktionen
Mar. 19, 2021
Heideloff, Karl Alexander von
Est: €200 - €300
(1789 Stuttgart - Hassfurt 1865). Laurentia Schwindaus u. Billy Dimple werden von Will Wizard u. dem Verfasser beobachtet. Illustr. zu Irving, Der Ball. Vereinz. weiß gehöhte, lav. Tuschzeichnung. 10,3, x 7,9, Blgr. 12 x 9,5 cm. Mit hs. Eintrag. über d. Darst. Punktuell auf leichten Karton geklebt u. unter Passep. - Der Stich v. J.Lips erschien im Rheinischen Taschenbuch 1830. D
Kiefer Buch- und Kunstauktionen
Mar. 19, 2021
Heideloff, Karl Alexander von
Est: €200 - €300
(1789 Stuttgart - Hassfurt 1865). Harvey Birch als Geistlicher verkleidet u. der junge Offizier Wharton. Illustr. zu Cooper, Der Spion. Lavierte Tuschzeichnung. Blgr. 10,3 x 7,6 cm. Auf leichten Karton geklebt u. unter Passep. - Der Stich v. L.Beyer erschien im Rheinischen Taschenbuch 1830. D
Kiefer Buch- und Kunstauktionen
Feb. 20, 2021
Heideloff, Karl Alexander von
Est: €400 - €600
(1789 Stuttgart - Hassfurt 1865). Caonabo hinter Ojeda auf einem Pferd. - Columbus wird in Ketten nach Spanien gebracht. Illustrationen zu Irving, Christoper Columbus. 2 vereinz. weiß gehöhte, lavierte Tuschzeichnungen. Blgr. je 10,5 x 7,8 cm. Nebeneinader stellenw. auf leichten Karton geklebt u. unter Passep. Die Stiche v. L.Beyer bzw. C.Rauch erschienen im Rheinischen Taschenbuch auf das Jahr 1832. - Geringe Alters- u. Gebrauchssp. D
Kiefer Buch- und Kunstauktionen
Feb. 20, 2021
Heideloff, Karl Alexander von
Est: €200 - €300
(1789 Stuttgart - Hassfurt 1865). Der Huronenhäuptling Magua, Alice u. Heyward. Illustration zu Cooper, Der Letzte Mohikaner. Vereinz. weiß gehöhte, lavierte Tuschzeichnung. Blgr. 10,5 x 7,8 cm. Stellenw. auf leichten Karton geklebt. u. unter Passep. Der Stich von S.Langer erschien im Rheinischen Taschenbuch auf das Jahr 1830. D
Kiefer Buch- und Kunstauktionen
Feb. 20, 2021
Heideloff, Karl Alexander von
Est: €200 - €300
(1789 Stuttgart - Hassfurt 1865). Laurentia Schwindaus u. Billy Dimple werden von Will Wizard u. dem Verfasser beobachtet. Illustr. zu Irving, Der Ball. Vereinz. weiß gehöhte, lav. Tuschzeichnung. 10,3, x 7,9, Blgr. 12 x 9,5 cm. Mit hs. Eintrag. über d. Darst. Punktuell auf leichten Karton geklebt u. unter Passep. - Der Stich v. J.Lips erschien im Rheinischen Taschenbuch 1830. D
Kiefer Buch- und Kunstauktionen
Feb. 20, 2021
Heideloff, Karl Alexander von
Est: €200 - €300
(1789 Stuttgart - Hassfurt 1865). Harvey Birch als Geistlicher verkleidet u. der junge Offizier Wharton. Illustr. zu Cooper, Der Spion. Lavierte Tuschzeichnung. Blgr. 10,3 x 7,6 cm. Auf leichten Karton geklebt u. unter Passep. - Der Stich v. L.Beyer erschien im Rheinischen Taschenbuch 1830. D
Kiefer Buch- und Kunstauktionen
Nov. 27, 2020
Heideloff, Carl Alexander von: Kirchenruine bei Mainz
Est: €460 - €600
Kirchenruine bei Mainz. Schwarze Kreide auf C & I Honig-Bütten. 33,6 x 53 cm. Verso in Bleistift von alter Hand bez. "Heideloff, Kirche aus der Umgegend von Mainz, ca 1812". - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Mar. 07, 2020
Heideloff, Carl Alexander von (Stuttgart 1789 - Ha…
Est: -
Heideloff, Carl Alexander von (Stuttgart 1789 - Haßfurt 1865, zugeschrieben) – Kircheninterieur, Feder und Aquarell auf Papier, unten rechts monogrammiert, ca.44 x 60,5cm, Blatt liegt lose
Auktionshaus Blank
Apr. 16, 2015
Heideloff, Carl Alexander von: Der kleine Vignola - Der kleine Grieche - Der kleine Byzantiner
Est: €140 - €200
Heideloff, C(arl Alexander von). Der kleine Vignola - Der kleine Grieche - Der kleine Byzantiner. 3 Hefte (1 Rücken etwas lädiert). Mit zusammen 64 Kupfertafeln. 13,5 x 10 cm. Illustrierte OBroschuren, zusammen in marmorierter Pappdecke d. Z. und marmoriertem Pappschuber d. Z. Nürnberg, Friedrich Campe, 1832 bzw. Riegel und Wiessner, 1836-1837. Erste Ausgaben dieser drei kleinen, reich illustrierten Baustilkunden für die griechische, römische und byzantinische Welt. - Zwei Tafeln ankoloriert, leichte Braun- oder Stockflecken. Insgesamt wohlerhalten.
Bassenge Auctions