Anthony Hernandez Paintings & Artwork for Sale | Anthony Hernandez Art Value Price Guide

Apr. 27, 2024
Anthony Hernandez: Forever
Est: $3,200 - $6,400
#34. 2011 Numbered
Morgan Auctions
Oct. 25, 2023
L. A., 1971
Est: $15,000 - $25,000
Anthony Hernandez B. 1947 L. A., 1971 (Self-published, 1971, an edition of 5), a portfolio of 13 gelatin silver prints, each signed, titled, and all but the first print editioned '1/5' and numbered sequentially from '#1' to '#12', in pencil on the reverse, 1971; together with printed title and credit. Folio, gray cloth clamshell box with with letterpress yellow title each image: 12½ by 18⅜ in. (31.2 by 46.8 cm.) portfolio: 18¼ by 23¾ by 2⅜ in. (46.3 by 60.3 by 6 cm.)
Sotheby's
Dec. 16, 2020
ANTHONY HERNANDEZ - (né en 1947)
Est: €1,000 - €2,000
ANTHONY HERNANDEZ (né en 1947) (The 70’s) Hollywood #1, 1969. Tirage argentique. Signé, daté, titré et numéroté 3/4. Zilveren print. Achteraan gesigneerd, gedateerd, getitled en genummerd 3/4. 20 x 30 cm Provenance/Herkomst: Galerie Polaris, Paris. Collection Philippe Levy, Strasbourg.
Cornette de Saint-Cyr-Bruxelles
Dec. 16, 2020
ANTHONY HERNANDEZ - (né en 1947)
Est: €1,000 - €2,000
ANTHONY HERNANDEZ (né en 1947) (The 70’s) Hollywood #1, 1973. Tirage argentique. Signé, daté, titré et numéroté 2/4. Zilveren print. Achteraan gesigneerd, gedateerd, getitled en genummerd 2/4. 18 x 29,5 cm Provenance/Herkomst: Galerie Polaris, Paris. Collection Philippe Levy, Strasbourg.
Cornette de Saint-Cyr-Bruxelles
Dec. 16, 2020
ANTHONY HERNANDEZ - (né en 1947)
Est: €1,000 - €2,000
ANTHONY HERNANDEZ (né en 1947) (The 70’s) Hollywood #1, 1973. Tirage argentique. Signé, daté, titré et numéroté 2/2 au dos. Zilveren print. Achteraan gesigneerd, gedateerd, getitled en genummerd 2/2. 21 x 32 cm Provenance/Herkomst: Galerie Polaris, Paris. Collection Philippe Levy, Strasbourg.
Cornette de Saint-Cyr-Bruxelles
Jun. 10, 2020
Hernandez, Anthony: Public Fishing Areas # 10
Est: €400 - €600
"Public Fishing Areas # 10". 1982. gelatin silver print. 32 x 46 cm (40,5 x 50,5cm). Photographer's stamp and dated in pencil on the verso. Anthony Hernandez began photographing everyday life in his native Los Angeles in the 1970s, incorporating cultural differences of class and race. His extensive work includes street portraiture, landscape and architectural details verging on the abstract. His interest in urban deconstruction and redevelopment is present throughout his œuvre. – Corners slightly bumped, otherwise in very good condition. - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.
Bassenge Auctions
Apr. 18, 2019
ANTHONY HERNANDEZ (1947- ) The City, #11 (a.k.a. Aliso Village).
Est: $2,500 - $3,500
ANTHONY HERNANDEZ (1947- ) The City, #11 (a.k.a. Aliso Village). Chromogenic print, the image measuring 29 1/2x30 inches (75x76.2 cm.), flush mounted to Sintra board, with a label, with Hernandez's signature and title, on mount verso. 1995
Swann Auction Galleries
Apr. 18, 2019
ANTHONY HERNANDEZ (1947- ) Shooting sites, Las Vegas, Nevada.
Est: $2,000 - $3,000
ANTHONY HERNANDEZ (1947- ) Shooting sites, Las Vegas, Nevada. Cibachrome print, the image measuring 19 1/2x23 3/4 inches (49.5x60.3 cm.), the sheet slightly larger, with Hernandez's signature, title, and date, in ink, on verso. 1986
Swann Auction Galleries
Nov. 17, 2017
ANTHONY HERNANDEZ (1947 -), "Saigon - Vietnam". Gelatin silver print dry mounted, signed and dated 1972 on back matte, verso
Est: $2,000 - $4,000
Two 7 ¾ x 11 5/8 - inch gelatin silver prints, dry mounted. Signed, titled and dated 1972 on the back mat, verso. These were made while Hernandez served in the army. He was in Saigon in 1968, (21 years old!) so 1972 is when they were printed. They are both very exciting photographs that anticipate his later work in his native Los Angeles and other US cities. His work has been included in numerous shows and his photographs are in many institutions. SFMOMA had a major retrospective that ended in January of this year. A recent show of his work at the Yancey Richardson Gallery in NY received rave reviews. Here is one from the New York Times- "Anthony Hernandez, born in Los Angeles in 1947, is highly esteemed in the photographic world, but relatively little known outside it. His first retrospective, now at the Milwaukee Art Museum, isn't scheduled to come to the East Coast, and his current show at Yancey Richardson Gallery is, astonishingly, his New York solo debut. It's a beauty. Mr. Hernandez, a child of Mexican immigrants, grew up in the Boyle Heights section of East Los Angeles, and first picked up a camera in high school. Drafted into the Army in 1967, he worked as a medic in Vietnam, an attitude-shaping experience. After being discharged, he took up photography again to stabilize himself. He approached the medium on the model of street-photography, as practiced by older contemporaries like Garry Winogrand and Diane Arbus, taking Los Angeles as his subject. Of two groups of pictures at Richardson, the city is viewed panoramically in the 1979-80 black-and-white series called Public Transit Areas, in which isolated figures stand, under a beating-down sun, at unsheltered bus stops in working-class neighborhoods. Exquisitely composed, the views have the classical lines of Renaissance perspective and the mood of Desolation Row. In the 1980s, Mr. Hernandez switched to color, experimentally in a series focused on the luxe life represented by that city's high-end shopping strip, Rodeo Drive, and poetically in a second great body of work called Landscapes for the Homeless (1988-91). Images from this series, shot at deserted encampments under Los Angeles freeways, are in the show: a chair improvised from broken slabs of drywall, a pollen-bejeweled jacket hung from a tree, a length of indented earth that could be a bed or a grave. The complete series is one of the most moving in contemporary American photography, and is absolutely pertinent to the present moment of debates about immigration and border crossings. It's a shame that the retrospective found no berth in New York to let us see that. The Yancey Richardson show gives us a cogent sense of what we've missed." This is a wonderful opportunity to acquire these rare early works.
Be-Hold
Apr. 05, 2017
Anthony Hernandez: photobook
Est: €140 - €180
Landscapes for the Homeless, photographer Anthony Hernandez, first edition, published by Sprengel Museum, Hannover / Germany 1995
Botterweg Auctions Amsterdam
Mar. 22, 2012
Hernandez, Anthony (né en 1947) Landscapes for the
Est: €300 - €400
Hernandez, Anthony (né en 1947) Landscapes for the homeless. Sprengel Museum, Hanovre, 1995. In-8 (24,5 x 24,5 cm). Edition de tête (cat. expo.), limitée à 30 ex., signée par Anthony Hernandez et accompagnée d'une épreuve argentique (Homeless # 38, 1990. 23 x 21,5 cm), signée et numérotée, montée sous passe-partout. Cartonnage d'éditeur sous jaquette illustrée dans une boîte cartonnée.
Ader
Oct. 07, 2010
ANTHONY HERNANDEZ (B. 1947)
Est: $3,000 - $5,000
ANTHONY HERNANDEZ (B. 1947) After L.A. #22, 1998 chromogenic print, flush-mounted on aluminum signed in ink on a gallery label affixed (on the reverse of the flush-mount); number 4 from an edition of 7 39 7/8 x 39 7/8in. (101.7 x 101.7cm.)
Christie's
Oct. 07, 2010
ANTHONY HERNANDEZ (B. 1947)
Est: $3,000 - $5,000
ANTHONY HERNANDEZ (B. 1947) After L.A. #40, 1998 chromogenic print, flush-mounted on aluminum signed in ink on a gallery label affixed (on the reverse of the flush-mount); number 4 from an edition of 7 39 7/8 x 39 7/8in. (101.7 x 101.7cm.)
Christie's
Oct. 06, 2010
ANTHONY HERNANDEZ (B. 1947)
Est: $3,000 - $5,000
ANTHONY HERNANDEZ (B. 1947) After L.A. #22, 1998 chromogenic print, flush-mounted on aluminum signed in ink on a gallery label affixed (on the reverse of the flush-mount); number 4 from an edition of 7 39 7/8 x 39 7/8in. (101.7 x 101.7cm.)
Christie's
Oct. 06, 2010
ANTHONY HERNANDEZ (B. 1947)
Est: $3,000 - $5,000
ANTHONY HERNANDEZ (B. 1947) After L.A. #40, 1998 chromogenic print, flush-mounted on aluminum signed in ink on a gallery label affixed (on the reverse of the flush-mount); number 4 from an edition of 7 39 7/8 x 39 7/8in. (101.7 x 101.7cm.)
Christie's
Oct. 28, 2008
Anthony Hernandez (American, born 1947); Aliso Village;
Est: $3,000 - $5,000
Aliso Village, c. 1995 Cibachrome print, flush-mounted to plexi backboard, with a label affixed to backboard with signature, title, and date in ink. 30 x 30in
Bonhams
Oct. 28, 2008
Anthony Hernandez (American, born 1947); Shooting Sites, Las Vegas, Nevada;
Est: $2,500 - $3,500
Shooting Sites, Las Vegas, Nevada, 1986 Cibachrome print, signed, titled, and dated in ink in verso. 19 1/2 x 23 1/2in
Bonhams
Oct. 28, 2008
Anthony Hernandez (American, born 1947); Beverly Hills #19;
Est: $1,500 - $2,500
Beverly Hills #19, 1984 Cibachrome print, signed, titled, and dated in pencil on verso. 13 3/8 x 19 5/8in
Bonhams
Oct. 19, 2006
ANTHONY HERNANDEZ "Pictures For Rome" #17, 1999 &Omicr... Dye destruction print. 40 x 40 in. (101.6 x 101.6 cm). Signed, titled, dated and numbered 5/5 ...
Est: $3,000 - $5,000
ANTHONY HERNANDEZ "Pictures For Rome" #17, 1999 &Omicr... Dye destruction print. 40 x 40 in. (101.6 x 101.6 cm). Signed, titled, dated and numbered 5/5 ...
Phillips
Oct. 19, 2006
ANTHONY HERNANDEZ "Pictures for Rome" #1, 1998 &Omicro... Dye destruction print. 40 x 40 in. (101.6 x 101.6 cm). Signed, titled, dated and numbered 5/5 ...
Est: $3,000 - $5,000
ANTHONY HERNANDEZ "Pictures for Rome" #1, 1998 &Omicro... Dye destruction print. 40 x 40 in. (101.6 x 101.6 cm). Signed, titled, dated and numbered 5/5 ...
Phillips
Apr. 24, 2006
ANTHONY HERNANDEZ (b. 1947)
Est: $10,000 - $15,000
Rome #17 and #31, 1999 2 dye bleach prints each with credit, title, date and respective numbers '4/5' and '2/5' on a gallery label affixed (on the frame backing) each approximately 38 3/4 x 38 1/2 in. (98.5 x 87.8cm.) (2)
Christie's
Apr. 26, 2003
ANTHONY HERNANDEZ (American, b. 1947) BEVERLY HILLS both numbered, titled, dated and signed in pencil on verso 2 Cibachrome prints each: 13.375 x 19.75 in. (34 x 50.2 cm) each sheet: 16 x 20 in. (40.6 x 50. 8 cm) 1984 E800-1200 Provenance From the
Est: $800 - $1,200
ANTHONY HERNANDEZ (American, b. 1947) BEVERLY HILLS both numbered, titled, dated and signed in pencil on verso 2 Cibachrome prints each: 13.375 x 19.75 in. (34 x 50.2 cm) each sheet: 16 x 20 in. (40.6 x 50. 8 cm) 1984 E800-1200 Provenance From the artist, LOS ANGELES
Phillips
Apr. 26, 2003
ANTHONY HERNANDEZ (American, b. 1947) WOMEN SUNBATHING, WHITTIER, CALIFORNIA signed "Anthony Hernandez" in pencil on verso gelatin silver print image: 8.3125 x 12.25 in. (21.1 x 31.2 cm) paper: 11 x 14 in. (27.9 x 35.6 cm) 1978 E1000-1500 Provenance
Est: $1,000 - $1,500
ANTHONY HERNANDEZ (American, b. 1947) WOMEN SUNBATHING, WHITTIER, CALIFORNIA signed "Anthony Hernandez" in pencil on verso gelatin silver print image: 8.3125 x 12.25 in. (21.1 x 31.2 cm) paper: 11 x 14 in. (27.9 x 35.6 cm) 1978 E1000-1500 Provenance International Museum of Photography, ROCHESTER, NEW YORK
Phillips
Apr. 25, 2003
ANTHONY HERNANDEZ
Est: $800 - $1,200
(American, b. 1947) BEVERLY HILLS both numbered, titled, dated and signed in pencil on verso 2 Cibachrome prints each: 133/8 x 193/4 in. (34 x 50.2 cm) each sheet: 16 x 20 in. (40.6 x 50.8 cm) 1984 Provenance From the artist, LOS ANGELES.
Phillips
Apr. 25, 2003
ANTHONY HERNANDEZ
Est: $1,000 - $1,500
(American, b. 1947) WOMEN SUNBATHING, WHITTIER, CALIFORNIA signed "Anthony Hernandez" in pencil on verso gelatin silver print image: 85/16 x 121/4 in. (21.1 x 31.2 cm) paper: 11 x 14 in. (27.9 x 35.6 cm) 1978 Provenance International Museum of Photography, ROCHESTER, NEW YORK.
Phillips