Jose Garcia Hidalgo Sold at Auction Prices

b. 1645 - d. 1717

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    • JOSÉ GARCÍA HIDALGO (Villena, 1645-Madrid, 1717). "Saint Augustine and the Child of the shell". Oil on canvas. Relined. Presents restorations. Signed in the lower left corner.
      Oct. 01, 2024

      JOSÉ GARCÍA HIDALGO (Villena, 1645-Madrid, 1717). "Saint Augustine and the Child of the shell". Oil on canvas. Relined. Presents restorations. Signed in the lower left corner.

      Est: €4,000 - €5,000

      JOSÉ GARCÍA HIDALGO (Villena, 1645-Madrid, 1717). "Saint Augustine and the Child of the shell". Oil on canvas. Relined. Presents restorations. Signed in the lower left corner. Measurements: 53.5 x 82.5 cm; 69.5 x 99 cm (frame). The painting shows a natural landscape, with hardly any vegetation, and a break of glory in the sky, not too striking, perhaps alluding with the light to the Holy Spirit. On the ground is the saint, standing, dressed in black with a nimbus on his head. At his feet can be seen the Child, holding a shell in his hand and with the other pointing to the sky. The quality of the work and the subject matter invite us to think of José García Hidalgo who made a set of 27 paintings on the "Life of St. Augustine" to decorate the main lower cloister of the Convent of San Felipe el Real (Madrid), many of which are in the collection of the Prado Museum. In fact, the museum itself points out that "This set was commissioned to José García Hidalgo, who would do it, apparently in collaboration with Alonso del Arco, between 1663 and 1711. The works related to this cycle belong to the collections of the Museo del Prado. The main iconographic source for García Hidalgo's work were the prints of the Flemish engraver Schelte Adams Bolswert, which have helped to correctly identify many of the scenes of the cycle, whose iconographic motifs had been forgotten and confused since the time of the Disentailment." José García Hidalgo (1645 or 1646 - 1717 or 1719) was a renowned baroque painter and chamber painter to King Philip V. He was called by the artists of the time El Castellano. He began his artistic education in the city of Murcia with Mateo Gilarte and Nicolás de Villacis. After spending some years under the tutelage of these masters, he moved to Italy in 1660, and in Rome he became a student of Giacinto Brandi. Pietro da Cortona, Salvator Rosa and Carlo Maratti influenced the artist stylistically and technically. He returned to Valencia to study at the academy of Santo Domingo and later moved to Madrid in 1674 where he began as an apprentice to Carreño de Miranda. In 1674 he went to Madrid and Charles II commissioned him a series of twenty-four paintings on the life of St. Augustine for the cloister of San Felipe el Real, which occupied him, along with other commissions from the king, until 1711. He was also requested by Philip V, who named him his principal painter in 1703, and shortly afterward a knight of the order of St. Michael. At the end of his life he retired to the convent of San Felipe, where he died probably in 1719. He published Principios para estudiar la nobilísima arte de la Pintura (1691) and other works on anatomy and painting for the benefit of students. His productions are in Madrid, Valencia, Sigüenza, San Jago and Guadalaxara. It presents restorations.

      Setdart Auction House
    • 17th C. Jose Garcia Hidalgo Painting - San Luis Beltran
      Sep. 06, 2024

      17th C. Jose Garcia Hidalgo Painting - San Luis Beltran

      Est: $4,000 - $6,000

      Joseph Garcia (also Jose Garcia el Hidalgo, Jose Garcia Hidalgo, Josef Garcia Hidalgo - Villena, Spain 1646 - San Felipe, Chile 1719). "San Luis Beltran" oil on canvas, late 17th to early 18th century. Inscription (possibly signature) incised in pigment to right of serpent. A beautiful painting by Spanish Baroque artist Jose Garcia Hidalgo depicting Saint Louis Beltrand, a Spanish Dominican friar who preached to the indigenous peoples throughout South America in the 16th century, thus earning him the title "Apostle of the Americas." In this painting, Jose Garcia el Hidalgo presents St. Louis Beltrand wearing a traditional Dominican black and white habit, gazing upon the crucifix and rosary beads in his right hand, and holding his primary attribute, a golden chalice containing a serpent, in his left hand. All is rendered with the artist's signature rich palette and striking tenebroso - a dramatic play of light and shadow characteristic of the Baroque period - and mounted in an elegant gold-tone frame fit with a brass plaque. Size (sight view): 41.25" L x 27.5" W (104.8 cm x 69.8 cm) Size (frame): 45.5" L x 31.5" W (115.6 cm x 80 cm) About the artist: Jose Garcia Hidalgo, was a Spanish Baroque artist and treatise writer. He trained in Rome where he was influenced by Pietro da Cortona (1596-1669) and Salvator Rosa (1615-1673). He returned to Spain around 1670 and became a member of Juan Carreno de Miranda workshop in Madrid. In 1703 he became an honorary painter to Felipe V, and ran a drawing academy until his death. His paintings demonstrate many of the hallmarks of the Baroque period including the tenebrism of the Valencian school. Twenty of his works are held at the Museo del Prado including his portrait of Maria Luisa de Orleans, Queen Consort of Carlos II (ca. 1679), one of the few royally commissioned paintings together with that of Felipe V. (Source: Marques de Rafal Collection) Please note: the birth and death dates engraved on the brass plaque are incorrect. The plaque was likely created and engraved some time ago, but at the same time, some time after the painting was created when the owner(s) simply did not have the correct birth and death dates for the artist. Cf: Jose Luis Colomer, The black and the real image, Center for Hispanic European Studies, 2014, p. 77-81 AND Royal Academy of History, Jose García Hidalgo, Jose Garcia Hidalgo, Royal Academy of History (rah.es), (11/22/22). Provenance: private Los Angeles, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #186366

      Artemis Gallery
    • Spanish School Oil on Canvas "The Holy Trinity", late 17th/early 18th Century
      Dec. 02, 2023

      Spanish School Oil on Canvas "The Holy Trinity", late 17th/early 18th Century

      Est: $800 - $1,200

      Spanish School Oil on Canvas "The Holy Trinity", attributable to Jose Garcia El Hidalgo (c.1650 - 1717). late 17th early 18th century, signed lower right Garcia pt. (pinxit), sans frame 18 in. x 15 in.

      Rafael Osona Auctions
    • JOSÉ GARCÍA HIDALGO Villena, Alicante (1645) / Madrid (1717) "Saint Augustine meditating on the Trinity".
      May. 10, 2022

      JOSÉ GARCÍA HIDALGO Villena, Alicante (1645) / Madrid (1717) "Saint Augustine meditating on the Trinity".

      Est: €6,000 - €8,000

      Oil on canvas Signed in the lower left corner: "D Josep. Gª fa.". Bibliography: Chenel, A. P., "San Agustin. In: Masters of the Spanish Baroque", Granados Collection. Murcia, Museo de BB.AA. 2020 p. 174, fig. 1. 174, fig. 1 Marco, V., "Pintura barroca en Valencia (1600-1737)", CEEH, 2021 nº 11 p. 394 (reproduced) A painter to the king and an outstanding treatise writer, despite being more closely linked to the Madrid school than to the Valencian school, García Hidalgo is considered to be the greatest disseminator of Valencian Baroque painting on the Iberian Peninsula. The depiction of episodes from the life of Saint Augustine was one of the most prominent themes in his work, as his first major commission on his arrival in Madrid was a series of twenty-seven canvases depicting passages from the life of the saint for the decoration of the lower cloister of San Felipe el Real in Madrid. There is also a work with a similar composition of larger dimensions painted in 1682 (Madrid, private collection, see Marco, V. p. 394). .50 x 80 cm

      Ansorena
    • Attributed to José GARCIA EL HIDALGO (c. 1650 - 1717), Presentation of Esther and her companions to the King Assuerus
      Nov. 10, 2020

      Attributed to José GARCIA EL HIDALGO (c. 1650 - 1717), Presentation of Esther and her companions to the King Assuerus

      Est: €8,000 - €12,000

      Attributed to José GARCIA EL HIDALGO (c. 1650 - 1717), "Presentation of Esther and her companions to the King Assuerus" Oil on canvas (Relined ; restorations) Bearing an inscription and dated on the lower left : "l'official del ree / invenit et pinxit 1703" H.: 140 L.: 191 cm Attribué à HIDALGO José Garcia (Villena 1645 – Madrid 1717) "Présentation d’Esther et de ses suivantes au roi Assuérus" Huile sur toile (Entoilage ; restaurations) Annoté et daté en bas à gauche Official Del ree / invenit pinxit 1703 H.: 140 L.: 191 cm

      Art Richelieu
    • JOSÉ GARCÍA HIDALGO, Niño de la Pasión. Oil on canvas
      Jun. 28, 2017

      JOSÉ GARCÍA HIDALGO, Niño de la Pasión. Oil on canvas

      Est: -

      Niño de la Pasión Según la tradición un pastor vio cómo una paloma entraba y salía de un agujero en una peña, el pastor con intención de espantarla se acercó, pero al comprobar que la paloma no abandonaba el lugar entró en la gruta y allí se encontró una imagen románica de la Virgen con el Niño. A la Virgen se la llamó Uxue (Paloma en vasco) y se erigió un santuario en el lugar dando lugar a la villa de Uxue en Navarra. El cuadro nos presenta a la Virgen de dicha advocación en un retablo rodeada de ángeles y querubines; en la base del retablo aparecen los escudos de Navarra y de Castilla y León junto a las figuras de los Reyes arrodillados.

      Isbilya Subastas
    • GARCIA HIDALGO, JOSE(Villena um 1645 - 1717
      Mar. 22, 2013

      GARCIA HIDALGO, JOSE(Villena um 1645 - 1717

      Est: CHF12,000 - CHF18,000

      GARCIA HIDALGO, JOSE (Villena um 1645 - 1717 Madrid) Anbetung der Heiligen Drei Könige. 1682. Öl auf Leinwand. Unten links signiert und datiert: Dn Joseph. Garcia. fa 1682. 163,5 x 103 cm. Prof. Enrique Valdivieso bestätigt die Eigenhändigkeit anhand einer Fotografie, wofür wir ihm danken. GARCIA HIDALGO, JOSE (Villena circa 1645 - 1717 Madrid) Adoration of the Three Kings. 1682. Oil on canvas. Signed and dated lower left: Dn Joseph. Garcia. fa 1682. 163.5 x 103 cm. Prof. Enrique Valdivieso has confirmed the authenticity of this work on the basis of a photograph.

      Koller Auctions
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