Susan Hiller Paintings & Artwork for Sale | Susan Hiller Art Value Price Guide

Oct. 24, 2024
Susan Hiller (1940-2019) Dedicated to the Unknown Artists; Addenda III, Section R., The Rough Sea
Est: £4,000 - £6,000
Susan Hiller (1940-2019) Dedicated to the Unknown Artists; Addenda III, Section R., The Rough Sea Twenty-two postcards with ink and three martime charts assembled on panel, 1976, presented in a plexiglass frame, overall 920 x 1395mm (36 1/4 x 55in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Forum Auctions - UK
Oct. 17, 2024
§ SUSAN HILLER (BRITISH 1940-2019)
Est: £700 - £1,000
SUSAN HILLER (BRITISH 1940-2019) Elan Alphabet (Green) 1981-4 signed, dated, title and numbered 484 in pencil unique c-type photograph collaged on green paper sheet 79 x 53.5cm framed ARR
Chiswick Auctions
Oct. 17, 2024
§ SUSAN HILLER (BRITISH 1940-2019)
Est: £1,000 - £2,000
SUSAN HILLER (BRITISH 1940-2019) Sometimes I Think I'm a Verb Instead Of a Pronoun V and VIII 1982 four unique c-type photographs, mounted on two sheets of archival board each board 73.5 x 111cm unframed ARR 2
Chiswick Auctions
Jul. 25, 2024
§ SUSAN HILLER (BRITISH 1940-2019)
Est: £400 - £600
SUSAN HILLER (BRITISH 1940-2019) Eaux-de-Vie (Spirits) Lethe & Memosyne 1995 signed and numbered 5/10 in pencil to box lid two antique glass medicine bottles in hand-made archaeological specimen box published by Gimpel Fils, London overall 33 x 25.5 x 6cm ARR Note: This edition was produced as part of the After the Freud Museum project. The bottles contain water samples collected by the artist from two mythologically significant rivers, the Lethe and Mnemosyne. The work alludes to museums, collecting, memory, forgetfulness, retrieval and repression each linked closely to the Freudian Project and psychoanalysis Size:(33 x 25.5 x 6cm)
Chiswick Auctions
Jul. 18, 2024
Susan Hiller (British/American, 1942-2019) Heartening, 1987
Est: $3,000 - $5,000
Susan Hiller (British/American, 1942-2019) Heartening, 1987 riporin, gesso and conte crayon on wallpaper on canvas 85 x 58 inches. Provenance: Pat Hearn Gallery, New York Sold: Sotheby's, March 15, 2006, Lot 187 Private Collection Exhibited: Ludwigshafen, Germany, British Council/BASF Gallery, Lifelines: 4 British Artists, 1989, cat. no. 9 (also traveled to Liverpool, England, The Tate Gallery, 1990)
Hindman
Jul. 18, 2024
SUSAN HILLER, LOT OF TWO BOOKS
Est: €100 - €200
SUSAN HILLER (1940 - 2019) Lot of two books Sunsan Hiller: Recall - Selected works 1969 - 2004 2004 Monographic illustrated book published on the occasion of the exhibition 'Sunsan Hiller: Recall' held at Baltic gallery, Gateshead (May 1st - July 18th, 2004), the Museu de Art Contemporanea de Serralves, Porto (October 29th - January 9th, 2005), the Kunsthalle Basel (January 30th - March 27th, 2005) 26,5 x 23 cm Edition of the gallery Pages 208 No defects The provisional texture of reality - Selected talks and texts, 1977 - 2007 2008 Illustrated book 21 x 15 cm Edition JRP/Ringier e Les Presses du Réel Pages 256 No defects
Art-Rite
Jun. 11, 2024
Susan Hiller - A Work in Progress - 2010 Offset Lithograph 11.75" x 39"
Est: $125 - $175
"A Work in Progress" by Susan Hiller, 2010 Unsigned Offset Lithograph. Paper size is 11.75 x 39 inches, with an image size of 9.75 x 39 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A: Mint. Additional details: Poster for exhibition held at the Israel Museum of Art
DUMBO Auctions
Apr. 25, 2024
§ SUSAN HILLER (AMERICAN/BRITISH 1940-2019)
Est: £1,500 - £2,000
SUSAN HILLER (AMERICAN/BRITISH 1940-2019) LUCID DREAMS III, 1983 set of four C-type photographs, with ink, on Agfa lustre paper each 67cm x 49.5cm (26 3/8in x 19 1/2in) (4) Gimpel Fils, London. Exhibited: Orchard Gallery, Derry, The Muse My Sister: Susan Hiller's New Work, 1984;Third Eye Centre, Glasgow, 1984;Gimpel Fils, London, England, 1984;Interim Art, London, England, 1984;Vivienne Esders Galerie, Paris, France, 1984.
Lyon & Turnbull
Apr. 24, 2024
Susan Hiller (1940-2019) Study for the Self in the Digital Age
Est: £500 - £700
Susan Hiller (1940-2019) Study for the Self in the Digital Age Archival pigment print in colours, 2013, signed and dated in pencil, numbered from the edition of 25, and with the accompanying certificate of authenticity, on wove paper, with full margins, image 203 x 154mm (8 x 6in); presented in the artist's specified frame 320 x 270mm (12 5/8 x 10 5/8in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Forum Auctions - UK
Feb. 13, 2024
§ SUSAN HILLER (BRITISH 1940-2019)
Est: £300 - £500
SUSAN HILLER (BRITISH 1940-2019) Eaux-de-Vie (Spirits) Lethe & Memosyne 1995 signed and numbered 10/10 in pencil to box lid two antique glass medicine bottles in hand-made archaeological specimen box published by Gimpel Fils, London overall 33 x 25.5 x 6cm ARR Note: This edition was produced as part of the After the Freud Museum project. The bottles contain water samples collected by the artist from two mythologically significant rivers, the Lethe and Mnemosyne. The work alludes to museums, collecting, memory, forgetfulness, retrieval and repression each linked closely to the Freudian Project and psychoanalysis
Chiswick Auctions
Oct. 26, 2023
§ Susan Hiller (American/British 1940-2019) Gatwick Suite: Ascent / Flight / Descent, 1983
Est: £7,000 - £10,000
§ Susan Hiller (American/British 1940-2019) Gatwick Suite: Ascent / Flight / Descent, 1983 three c-type photographs, enlarged from hand-coloured photo-mat originals, mounted as one panel work no.2 from a series of 2 (73cm x 105.5cm (28 3/4in x 41 1/2in)) Provenance Gimpel Fils, London Exhibited National Portrait Gallery, London, Staging the Self: Self-Portrait Photography 1840s - 1980s, 1986 Touchstones, Rochdale, A Tall Order! Rochdale Art Gallery in the 1980s, 4 February - 7 May 2007 Literature Susan Hiller 1973-83: The Muse My Sister, published on the occasion of three simultaneous exhibitions in March and April 1984: 'New Work', Orchard Gallery, Londonderry; 'Ten Year's Work', Third Eye Centre, Glasgow; 'New Work', Gimpel Fils, London, illustrated in colour, p. 20. Susan Hiller (1940-2019) is widely regarded as one of the most influential women artists of her generation, as well as a pioneer of installation and multimedia art. Born in the USA, she made London her home in the late 1960s, where she became a key voice in the nascent counter-culture and feminist movements. Her practice spanned a broad range of media including installation, video, photography, painting, sculpture, performance, artist's books and writing. Her work often took for its subject aspects of culture that were overlooked, marginalised, or disregarded – which in turn spoke to issues of gender, class and politics. The Gatwick Suite uses self-portraits taken in a photo-mat machine: a place that, before the age of digital photography, played a huge role in people’s lives, primarily as the only place to get photographs for official documents (especially passports), but also as somewhere private (albeit often in very public places) to record love, relationships, friendships. They were also places for the lonely and isolated, who could record that they existed, with no-one else’s intervention. Hiller has taken these everyday images, enlarged them to change their context and then applied a form of automatic writing, lending the work an additional narrative. The calligraphic nature of the automatic writing inevitably reminds us of non-Roman (therefore non-European) script. Suddenly the woman in the picture is imbued with a ‘foreign-ness’. For the viewer today this work has become infused with a multiplicity of meaning – the title, the writing, the blurred image of a woman perhaps in crisis, seems to speak to the migration crisis, Hiller standing in for all those lost in transit. After graduating from Smith College, Massachusetts, in 1961, Hiller pursued doctoral studies in anthropology at Tulane University in New Orleans, conducting fieldwork in Mexico, Guatemala and Belize. However, she became uncomfortable with academic anthropology's claim to objectivity; she wrote that she did not wish her research to become part of anthropology's “objectification of the contrariness of lived events”. During a lecture on African art, she made the decision to abandon anthropology to become an artist. She lived in France, Morocco, Wales and India with her husband, the writer David Coxhead, before settling in London, where she made that very ‘contrariness of lived events’ the basis of her practice, focussing on the products of our society – our dreaming through commodities – that are often overlooked, ignored, or repressed. As John Roberts has written: ‘All Hiller’s work should rightly be discussed… as a process of mapping: the mapping of the self, of cultural formations, of the boundaries between forms, of language itself.’ (John Roberts, ‘Lucid Dreams’, in Susan Hiller 1973-83: The Muse My Sister, The Orchard Gallery, Londonderry, 1984, p.45) Hiller's work features in numerous international private and public collections including the Tate Gallery, London; Museum of Modern Art, New York; National Gallery of Art, Washington D.C.; National Portrait Gallery, London; British Museum, London; Centre Pompidou, Paris; National Museum of Norway, Oslo; Ludwig Museum, Cologne; Serralves Museum of Contemporary Art, Porto; Art Gallery of New South Wales, Sydney; and the Inhotim Centro de Arte Contemporañea, Brumadinho, Brazil.
Lyon & Turnbull
Oct. 03, 2023
§ SUSAN HILLER (BRITISH 1940-2019)
Est: £400 - £600
SUSAN HILLER (BRITISH 1940-2019) Eaux-de-Vie (Spirits) 1994 signed and numbered 1/10 in pencil to box lid two antique glass medicine bottles in hand-madearchaeological specimen box published by Gimpel Fils, London overall 33 x 25.5 x 6cm ARR Note: This edition was produced as part of the After the Freud Museum project. The bottles contain water samples collected by the artist from two mythologically significant rivers, the Lethe and Mnemosyne. The work alludes to museums, collecting, memory, forgetfulness, retrieval and repression each linked closely to the Freudian Project and psychoanalysis
Chiswick Auctions
Sep. 19, 2023
10 Susan Hiller 2010 A Work in Progress Posters
Est: $60 - $90
This is a pack of 10 Offset Lithographs by Hiller, titled "A Work in Progress". The overall size of each Offset Lithograph measures 11.75 x 39 inches. The Offset Lithographs are Unsigned . The condition of the Offset Lithographs has been rated as follows: A-: Near Mint, very light signs of handling Here are some additional details about the Hiller: Poster for exhibition held at the Israel Museum of Art . Again, this lot is for 10 of the SAME Offset Lithograph, NOT a mixed or assorted group.
DUMBO Auctions
Dec. 14, 2022
SUSAN HILLER (1940-2019) Country Roads / Landstrassen pigment print, in te
Est: $8,000 - $12,000
SUSAN HILLER (1940-2019) Country Roads / Landstrassen pigment print, in ten parts each: 39 1/4 x 27 1/2 in. (100 x 70 cm.)
Christie's
Jul. 07, 2020
AMENDMENT: This is an unique work, the title should read 'Dedicated to the Unknown Artists: Addenda 3, Section S: The Storm', the maritime charts are typed by the artist. Susan Hiller, American/British 1940-2019-
Est: £6,000 - £8,000
AMENDMENT: This is an unique work, the title should read 'Dedicated to the Unknown Artists: Addenda 3, Section S: The Storm', the maritime charts are typed by the artist. Susan Hiller, American/British 1940-2019- The Storm (Addenda 3 to "Dedicated to the Unknown Artists"), 1978; eighteen vintage postcards mounted on seven boards, along side three original maritime charts on boards separately, signed and dated in black ink on one board, largest board 35.2 x 23.7cm (unframed) ( 10 parts) (ARR) Please refer to department for condition report
Roseberys
Jun. 30, 2020
SUSAN HILLER (1940-2019) - Desert and Cloud, 1996
Est: €800 - €1,200
SUSAN HILLER (1940-2019) Desert and Cloud, 1996 C-print. Signé, daté et numéroté 12/25. C-print. Gesigneerd, gedateerd en genummerd 12/25. 30 x 40 cm
Cornette de Saint-Cyr-Bruxelles
Feb. 08, 2018
Susan Hiller - A Work in Progress - 2010
Est: $125 - $175
"A Work in Progress" by Susan Hiller, 2010 Unsigned Offset Lithograph. Paper size is 11.75 x 39 inches, with an image size of 9.75 x 39 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: Poster for exhibition held at the Israel Museum of Art
DUMBO Auctions
Jul. 05, 2017
SUSAN HILLER (AMERICAN, 1940) - After microscope slides found in Freud’s
Est: £500 - £700
SUSAN HILLER (AMERICAN, 1940) After microscope slides found in Freud’s collection and a quotation from Jacques Lacan, from ‘The Freud Museum 10th Anniversary Portfolio’ Screenprint in colours, 1996, on wove, signed and numbered 39/100, printed by Gresham Studio, Cambridge, published by The Freud Museum, London, the full sheet printed to the edges, 508 x 635mm (20 x 25in)(SH) (unframed)
Bonhams
Apr. 06, 2017
SUSAN HILLER - Homage to Yves Klein: Levitation (Child)
Est: £15,000 - £20,000
SUSAN HILLER - Homage to Yves Klein: Levitation (Child)
Phillips
Mar. 10, 2017
SUSAN HILLER - Rough Seas
Est: £10,000 - £15,000
SUSAN HILLER - Rough Seas
Phillips
Mar. 15, 2016
SUSAN HILLER | The Secret of Sunset Beach
Est: £8,000 - £12,000
chromogenic colour print, in 10 parts
Sotheby's
Dec. 05, 2013
Susan Hiller (b.1940) Rough Sea, 1976 a collection
Est: £8,000 - £12,000
Susan Hiller (b.1940) Rough Sea, 1976 a collection of 22 vintage postcards mounted onto 7 seperate cards, each adhered to a backing board, along side 3 maritme charrts, also mounted on card and adhered to backing board, the lower card bearing the artist's signature in ink, housed in a modern plexiglass frame 36 1/4 x 55 in., 92 x 140 cm Exhibited: Oxford, Museum of Modern Art, Susan Hiller: Recent Works, 9 April - 14 May 1978. The current work is one of 14 works, each titled Rough Sea, the artist produced for one of her first major UK institutional exhibitions, the entire series being known as Dedicated to the Unknown Artist. Adopting the role of artist as collector/curator, Hiller explains that in June 1972 she found the first Rough Sea postcard in a Brighton sweet shop, and in September of the same year found another postcard of a different image (but bearing the same title) in a shop in Western-Super-Mare. At that point she became aware of the existence of this popular set of pictorial formats designated by a precise phrase but with differing imagery. She decided to continue to source and collect these Rough Sea postcards, prsenting them as art works onto boards, at times along side other maritime ephemera. Subsequently it became impossible for her to say whether she had 'found' or 'made' the Rough Sea series, because the acts of noticing and finding coincided exactly with the process of selecting and combining. In this sense, in her mind there was no distinction between discovery and creation. The artist continues to this day to produce new works in the Rough Seas series, across all media including painting, sculpture, film and photography which continue to explore themes first identified in Dedicated to the Unknown Artists. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Dreweatts 1759
Sep. 27, 2012
Susan Hiller (b.1940) Aqua Vitae (Water of Life,+
Est: £500 - £700
Susan Hiller (b.1940) Aqua Vitae (Water of Life,+ other 3 works) multiple, 1999-2000, comprising two tubes of liquid within original cardboard box, titled and dated in black ink, numbered 1/5; with Peter Harris, two signatures Velasquez and Marcel Duchamp,2000, polythene wrap canvas signed, titled and dated by the artist; and Adam Chodzko, Inverter (Clearance Sale), 1999, the plastic folder, comprising magazines and others, with justification signed by the artist. various sizes IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Dreweatts 1759
Sep. 21, 2011
Susan Hiller (American, born 1940) After microscope slides found in Freud's collection and a quotation from Jacques Lacan 1996 Screenprint printed in colours, together with Cornelia Parker 'A feather from Freud's pillow ', Joseph Kosuth 'Untitled'
Est: £600 - £800
After microscope slides found in Freud's collection and a quotation from Jacques Lacan 1996 Screenprint printed in colours, together with Cornelia Parker 'A feather from Freud's pillow ', Joseph Kosuth 'Untitled' and Matthew Hilton 'Dora', 1997, on wove, each signed and numbered 71/100, as included in the Freud Museum 10th Anniversary portfolio, printed by Gresham Studio, Cambridge, published by The Freud Museum, London, each sheet 508 x 635mm (20 x 25in)(or the reverse)(unframed)(4)
Bonhams
Apr. 20, 2011
Susan Hiller (b.1940)
Est: £3,000 - £5,000
Susan Hiller (b.1940) Memento...M signed and dated 'Susan Hiller 1987' (on the stretcher) riporin, gesso and conte crayon on wallpaper mounted on canvas 85 7/8 x 54in. (215.9 x 137.2cm.) Executed in 1987
Christie's
Jun. 13, 2007
Susan Hiller B.1940 , Heartening
Est: $4,000 - $6,000
Riporin, gesso, conte crayon on wallpaper mounted on canvas Condition Note: In good condition. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE.
Sotheby's
Oct. 11, 2006
SUSAN HILLER
Est: $5,000 - $7,000
B.1940 LANDSCAPE measurements 95 by 58 in. alternate measurements 241.3 by 147.3 cm. Ripolin, gesso and conte crayon on wallpaper mounted on canvas Condition Note: generally good condition, some light scattered soiling to wallpaper, some rippling to surface, not examined under UV light We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. executed in 1985 PROVENANCE Pat Hearn Gallery, New York EXHIBITED London, Tate Gallery, Lebenslinien-Lifelines, 1989-1990, no. 7; this exhibition travelled to Ludwigshafen, Germany, BASF Gallery.
Sotheby's
Mar. 15, 2006
SUSAN HILLER B.1940
Est: $6,000 - $8,000
HEARTENING measurements 85 by 58 in. alternate measurements 216 by 147 cm. Riporin, gesso, conte crayon on wallpaper mounted on canvas Painted in 1987 PROVENANCE Pat Hearn Gallery, New York EXHIBITED Ludwigshafen, Germany, BASF Gallery, Lifelines: 4 British Artists, (organized by the British Council), 1989, catalogue no. 9; this exhibition travelled to London, The Tate Gallery, 1990.
Sotheby's