Loading Spinner

Vincent Hoisington Sold at Auction Prices

b. 1924 - d. 1972

Vincent Hoisington (b. 1924, Singapore–d. 24 June 1972, Singapore) was a talented artist, sculptor, architect and musician who was active during the 1960s and 70s.1 He is best known for his murals and aluminium relief works.2

Early life
A Ceylonese, Hoisington was born in Singapore in 1924.3 His father was Henry Martyn Hoisington, a brilliant mathematician and the lyricist of the Anglo-Chinese School anthem.4

Hoisington was a self-taught artist who sold his first artwork at the age of 11.5 He attended St Joseph’s School during World War II, and was taught to play the piano by his sister, a skill that later proved to be useful. During the war, he supported himself by painting portraits and making technical drawings for the Japanese. When the war ended, he supplemented his income as an artist by giving piano lessons.6 In the 1950s, he worked on painting and sculpture commissions and conceptualised decor and window displays for Robinsons and John Little department stores.7

Accomplishments
Hoisington was a pioneer in aluminium art and sculpture. His painting style was influenced by Degas, Watteau and Pollock, among others.8 In 1964, Hoisington won a mural competition and was awarded a prize of $6,500 and the opportunity to install his three-dimensional mural, measuring 40 ft by 30 ft, in the newly built Chartered Bank building in Kuala Lumpur.9

Hoisington’s murals were displayed at various buildings in Singapore, including Singapore Polytechnic, Redemptorist Chapel, Merchant Seamen’s Institute, University of Singapore’s Union House, and the Writer’s Bar at Raffles Hotel.10 He also pioneered the art form of aluminium etching and relief in Singapore, and had used this technique in his interior decoration projects for hotels.11

In 1972, Hoisington opened his own art gallery in his home at No. 27 Margoliouth Road.12 The house had a long and varied history, spanning three generations of the Hoisington family. It was used as a hospital during World War II, and later became a studio for Hoisington and his children. Hoisington entertained a number of celebrities and artistic talents there, and amassed a collection of seven grand pianos and various artworks and furniture over the years. The house was demolished in 1982.13

Death
Hoisington died of a heart attack on 24 June 1972 at the age of 48, about two months after opening his gallery.14

Read Full Artist Biography

0 Lots

Sort By:

Categories

      Auction Date

      Seller

      Seller Location

      Price Range

      to
      • Vincent Hoisington (1924-1972) Untitled
        Nov. 27, 2021

        Vincent Hoisington (1924-1972) Untitled

        Est: $20,000 - $40,000

        Vincent Hoisington (1924-1972) Untitled 1972 signed and dated on the reverse enamel paint on repoussé aluminium 77 by 56 cm. 30 2/8 by 22 in. For further information on this lot please visit the Bonhams website

        Bonhams
      • Vincent Hoisington (1924-1972) Untitled (Still Life)
        Oct. 06, 2020

        Vincent Hoisington (1924-1972) Untitled (Still Life)

        Est: $40,000 - $60,000

        Vincent Hoisington (1924-1972) Untitled (Still Life) 1970 signed and dated 70; inscribed To Bashi & John from the great artist Michaelangelo Singapura of Tanglin 11/7/70 on the reverse. oil on board 55 by 50 cm. 21 5/8 by 19 5/8 in. For further information on this lot please visit the Bonhams website

        Bonhams
      • Vincent Hoisington (1924-1972) Untitled (The Sun)
        Oct. 06, 2020

        Vincent Hoisington (1924-1972) Untitled (The Sun)

        Est: $60,000 - $80,000

        Vincent Hoisington (1924-1972) Untitled (The Sun) 1964 signed and dated 64 oil on board 223 by 101 cm. 87 6/8 by 39 6/8 in. For further information on this lot please visit the Bonhams website

        Bonhams
      • Vincent Hoisington (Singaporean, 1924-1972) Untitled (Lady in Blue with Bouquet)
        Mar. 29, 2019

        Vincent Hoisington (Singaporean, 1924-1972) Untitled (Lady in Blue with Bouquet)

        Est: HKD18,000 - HKD28,000

        Vincent Hoisington (Singaporean, 1924-1972) Untitled (Lady in Blue with Bouquet) oil on board150 x 39 cm. (59 x 15 3/8 cm) 文森·豪興頓 未命名(仕女與花束) 油彩木板PROPERTY FROM THE ESTATE OF ROSALIND RATNAMProvenance:Acquired directly from the artistEstate of Rosalind RatnamHeralded as 'the artist that fell through the gaps', Vincent Hoisington was a key figure in the Singaporean art community during the country's critical nation-building years. Vincent Hoisington was born in Singapore in 1924 and was a major force in the Singapore art scene in the 1960s and until his untimely death in 1972 at the young age of 48. Hoisington coached students at Raffles Girls' Secondary School and St Theresa Convent for 'O' level art and taught at the YMCA. His wife Agnes was the sister of the Singapore war heroine, Elizabeth Choy. In Hoisington's aluminium relief work, Passacaglia, an aluminium sheet is shaped into a highly textured abstract composition. The artist was able to reflect the rapid processes of industrialisation and urbanisation which Singapore was going through upon the surface of his 'canvas'. The luminous qualities of the deep emerald and sapphire tones, suggestive of flora and fauna, are presented with the industrial material of aluminium in a manner that dissolves all tension between the two seemingly incompatible forces. The integration of the two forces – nature and the man-made – presented by Hoisington echoes their seamless coexistence in the country of Singapore in a time of rapid industrialisation and urbanisation. Although he was recognised by his peers as the pioneer of aluminium art in Singapore, Hoisington was also a painter. Hoisington's murals decorated the walls of buildings across Singapore, namely the Raffles Hotel, Singapore Polytechnic and Cathay Building. The paintings Untitled and Untitled (Lady in Blue with Bouquet) were executed on board, and the artist painted with thin glazes of oil to compose abstract scenes of fantastical capes. Using the same jewel-like tones, Hoisington created compositions that are atmospheric yet distinctive in style, offering an escape for his viewers into the realm of the imagined. Hoisington and his oeuvre had enchanted and fascinated many back at the time, and amidst the increasing attention that is being paid to the pioneering Nanyang artists, Hoisington is a talent starting to be re-discovered again.

        Bonhams
      • Vincent Hoisington (Singaporean, 1924-1972) Untitled
        Mar. 29, 2019

        Vincent Hoisington (Singaporean, 1924-1972) Untitled

        Est: HKD20,000 - HKD30,000

        Vincent Hoisington (Singaporean, 1924-1972) Untitled oil on board137 x 46.5 cm. (53 7/8 x 18 1/4 in.) 文森·豪興頓 未命名 油彩木板PROPERTY FROM THE ESTATE OF ROSALIND RATNAMProvenance:Acquired directly from the artistEstate of Rosalind RatnamHeralded as 'the artist that fell through the gaps', Vincent Hoisington was a key figure in the Singaporean art community during the country's critical nation-building years. Vincent Hoisington was born in Singapore in 1924 and was a major force in the Singapore art scene in the 1960s and until his untimely death in 1972 at the young age of 48. Hoisington coached students at Raffles Girls' Secondary School and St Theresa Convent for 'O' level art and taught at the YMCA. His wife Agnes was the sister of the Singapore war heroine, Elizabeth Choy. In Hoisington's aluminium relief work, Passacaglia, an aluminium sheet is shaped into a highly textured abstract composition. The artist was able to reflect the rapid processes of industrialisation and urbanisation which Singapore was going through upon the surface of his 'canvas'. The luminous qualities of the deep emerald and sapphire tones, suggestive of flora and fauna, are presented with the industrial material of aluminium in a manner that dissolves all tension between the two seemingly incompatible forces. The integration of the two forces – nature and the man-made – presented by Hoisington echoes their seamless coexistence in the country of Singapore in a time of rapid industrialisation and urbanisation. Although he was recognised by his peers as the pioneer of aluminium art in Singapore, Hoisington was also a painter. Hoisington's murals decorated the walls of buildings across Singapore, namely the Raffles Hotel, Singapore Polytechnic and Cathay Building. The paintings Untitled and Untitled (Lady in Blue with Bouquet) were executed on board, and the artist painted with thin glazes of oil to compose abstract scenes of fantastical capes. Using the same jewel-like tones, Hoisington created compositions that are atmospheric yet distinctive in style, offering an escape for his viewers into the realm of the imagined. Hoisington and his oeuvre had enchanted and fascinated many back at the time, and amidst the increasing attention that is being paid to the pioneering Nanyang artists, Hoisington is a talent starting to be re-discovered again.

        Bonhams
      • Vincent Hoisington (Singaporean, 1924-1972) Passacaglia, 1972
        Mar. 29, 2019

        Vincent Hoisington (Singaporean, 1924-1972) Passacaglia, 1972

        Est: HKD50,000 - HKD80,000

        Vincent Hoisington (Singaporean, 1924-1972) Passacaglia, 1972 signed and inscribed 'PASSACAGLIA 72', on the reverse.enamel paint, repoussé aluminium over wood panel151 x 55.5 x 3.5 cm. (59 1/2 x 21 7/8 x 1 3/8 in.) 文森·豪興頓 帕薩卡利亞舞曲 琺琅彩壓紋鋁木板 一九七二年作Provenance:Acquired directly from the artistMr Larry Tay, SingaporeHeralded as 'the artist that fell through the gaps', Vincent Hoisington was a key figure in the Singaporean art community during the country's critical nation-building years. Vincent Hoisington was born in Singapore in 1924 and was a major force in the Singapore art scene in the 1960s and until his untimely death in 1972 at the young age of 48. Hoisington coached students at Raffles Girls' Secondary School and St Theresa Convent for 'O' level art and taught at the YMCA. His wife Agnes was the sister of the Singapore war heroine, Elizabeth Choy. In Hoisington's aluminium relief work, Passacaglia, an aluminium sheet is shaped into a highly textured abstract composition. The artist was able to reflect the rapid processes of industrialisation and urbanisation which Singapore was going through upon the surface of his 'canvas'. The luminous qualities of the deep emerald and sapphire tones, suggestive of flora and fauna, are presented with the industrial material of aluminium in a manner that dissolves all tension between the two seemingly incompatible forces. The integration of the two forces – nature and the man-made – presented by Hoisington echoes their seamless coexistence in the country of Singapore in a time of rapid industrialisation and urbanisation. Although he was recognised by his peers as the pioneer of aluminium art in Singapore, Hoisington was also a painter. Hoisington's murals decorated the walls of buildings across Singapore, namely the Raffles Hotel, Singapore Polytechnic and Cathay Building. The paintings Untitled and Untitled (Lady in Blue with Bouquet) were executed on board, and the artist painted with thin glazes of oil to compose abstract scenes of fantastical capes. Using the same jewel-like tones, Hoisington created compositions that are atmospheric yet distinctive in style, offering an escape for his viewers into the realm of the imagined. Hoisington and his oeuvre had enchanted and fascinated many back at the time, and amidst the increasing attention that is being paid to the pioneering Nanyang artists, Hoisington is a talent starting to be re-discovered again.

        Bonhams
      Lots Per Page: