Miklós Hornyánszky Paintings & Artwork for Sale | Miklós Hornyánszky Art Value Price Guide

Oct. 27, 2024
Nicholas Hornyansky, Siwash Rock, B.C.
Est: $200 - $300
Aquatint, signed and titled on the front, dated Christmas 1946 on the 300
4th Meridian Fine Art
Oct. 18, 2024
Nicholas HORNYANSKY (1896-1965) Hungarian - Canadian
Est: $2,000 - $4,000
Nicholas HORNYANSKY (1896 Budapest - 1965 Toronto) ; Bruges Ghent Street (rue de Gand) ; 1924 ; oil on canvas / framed ; dimensions 92 x 72 cm (36 1/4 x 28 1/3 in.) ; frame size 110,5 x 90 cm (43 1/2 x 35 1/2 in.) ; signed lower right corner ; Shipping to USA - DHL $835 , National post with tracking service $525 / Shipping to EU, Middle Assia - DHL $645 , National post with tracking service $475
Art-Torg
Sep. 29, 2024
Nicholas Horynansky, Vernal Equinox, aquatint on paper
Est: $150 - $200
Aquatint on apper, signed and titled in pencil
4th Meridian Fine Art
Sep. 29, 2024
Nicholas Horynansky, Dawn Doings, aquatint on paper
Est: $150 - $200
Aquatint on paper, signed and titled in pencil
4th Meridian Fine Art
Sep. 29, 2024
Nicholas Hornyansky, Anxiety, aquatint on paper
Est: $200 - $250
Aquatint on paper, signed and titled in pencil. The descriptor (People on the Shore Newfoundland) is sometimes added to the title.
4th Meridian Fine Art
Jul. 18, 2024
Nicholas Hornyansky (1896-1965), ST. JAMES CHURCH, VANCOUVER, BC
Est: $120 - $150
Nicholas Hornyansky (1896-1965), Canadian ST. JAMES CHURCH, VANCOUVER, BC signed and titled Estimate: $120—150 CAD Important: This lot is located in Vancouver. Local pick up by special arrangement; shipment from Vancouver only.
Waddington's
Jul. 11, 2024
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), ST. JOHN'S, NEWFOUNDLAND
Est: $120 - $150
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) ST. JOHN'S, NEWFOUNDLAND COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL (Distributed by Globe Envelopes Limited, 1949) - UNFRAMED Estimate: $120—150 CAD
Waddington's
Jul. 11, 2024
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), THE PORT ROYAL HABITATION, N.S.
Est: $150 - $200
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) THE PORT ROYAL HABITATION, N.S. COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL (Distributed by Globe Envelopes Limited, 1948) - UNFRAMED Estimate: $150—200 CAD
Waddington's
May. 11, 2024
Nicholas Hornyansky (1896 - 1965). Two Color Aquatints
Est: $100 - $200
Herring Cove and Sunset Rock, each image 4 x 4.75 inches, pencil signed and titled.
Casco Bay Auctions
Apr. 17, 2024
Nicholas Hornyansky, Canadian (1896-1965), Laurentian Winter and Quebec Village, coloured etchings, each: 3 3/4 x 4 1/4 in. (9.5 x 10.8 cm.)
Est: $200 - $300
Nicholas Hornyansky Canadian, (1896-1965) Laurentian Winter and Quebec Village coloured etchings signed
Maynards Fine Art & Antiques
Mar. 24, 2024
NICHOLAS HORNYANSKY - Hand-Drawbridge, NB
Est: $150 - $200
NICHOLAS HORNYANSKY (Hungarian/Canadian, 1896-1965) "Hand-Drawbridge, NB" - Photolithographic reproduction on paper. Signed in plate only lower right, titled in plate lower left. Unframed. 13 x 16.5 inches (image) 17.5 x 20.5 inches (paper). Good condition, some handling marks noted, including a spot of white in the middle left. This piece includes a 2015 appraisal from Susan Whitney Art Appraisals Inc with a value indicated of $200. From the University of Regina, President's Art Collection, Shumiatcher Donation. Collection of Dr. Morris C. Shumiatcher, O.C., S.O.M., Q.C. and Dr. Jacqui Clay Shumiatcher, O.C., S.O.M.
Saskatchewan Network for Art Collecting
Jul. 08, 2023
Nicholas Hornyansky (1896-1965), c.1935
Est: $300 - $500
A
Peterborough Auctions
Jun. 02, 2022
Hornyánszky Gyula (1924-1995): Beach with Bluish Mountains
Est: Ft180,000 - Ft240,000
Hornyánszky Gyula (1924-1995): Beach with Bluish Mountains; marker on paper; 60,5 x 42,5 cm; Not signed
Bodo Gallery and Auction House
Mar. 27, 2022
Nicholas Hornyansky, Old Stone Bridge etching
Est: $300 - $400
Aquatint Etching, Old Stone Bridge. ca. 1940s. Signed and titled below the image. Born in Budapest, Nicholas Hornyansky, 1896-1965, worked from the age of twelve in his father's printing works. He studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist (as a landscape painter, portrait painter and engraver) in Belgium, where he stayed for 9 years, collaborating notably with the painter Hans Hens. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He's best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache. Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe. Well known in the United States, his engraving, "Closing Time" was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto. Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
Mar. 27, 2022
Nicholas Hornyansky, Siwash Rock, BC aquatint etching
Est: $400 - $500
Etching with aquatint colouring, 1946, includes a Christmas greeting which accompanied it. Born in Budapest, Nicholas Hornyansky, 1896-1965, worked from the age of twelve in his father's printing works. He studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist (as a landscape painter, portrait painter and engraver) in Belgium, where he stayed for 9 years, collaborating notably with the painter Hans Hens. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He's best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache. Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe. Well known in the United States, his engraving, "Closing Time" was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto. Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
Jul. 10, 2021
NICHOLAS HORNYANSKY - Outpost, Old Fort Henry
Est: $100 - $150
NICHOLAS HORNYANSKY (Hungarian/Canadian, 1896-1965) "Outpost, Old Fort Henry" - Reproduction from original painting. Signed in plate only lower right, titled lower left, titled verso, framed. 12 x 16 in.
Saskatchewan Network for Art Collecting
Jul. 10, 2021
NICHOLAS HORNYANSKY - Grey Stragglers Over Peggy's Cove
Est: $100 - $150
NICHOLAS HORNYANSKY (Hungarian/Canadian, 1896-1965) "Grey Stragglers Over Peggy's Cove" - Reproduction from original aquatint. Signed in plate only lower right, titled lower left, titled verso, framed. 12 x 16 in.
Saskatchewan Network for Art Collecting
Jul. 10, 2021
NICHOLAS HORNYANSKY - Totem Poles in the Skeena District, B.C.
Est: $100 - $150
NICHOLAS HORNYANSKY (Hungarian/Canadian, 1896-1965) "Totem Poles in the Skeena District, B.C." - Reproduction from original aquatint. Signed in plate only lower right, titled lower left, titled verso, framed. 12 x 16 in.
Saskatchewan Network for Art Collecting
Jul. 10, 2021
NICHOLAS HORNYANSKY - Lower Fort Garry
Est: $100 - $150
NICHOLAS HORNYANSKY (Hungarian/Canadian, 1896-1965) "Lower Fort Garry" - Reproduction from original painting. Signed in plate only lower right, titled lower left, titled verso, framed. 12 x 16 in.
Saskatchewan Network for Art Collecting
Mar. 07, 2021
Nicholas Hornyansky, Mount McKay- At the Lakehead
Est: $150 - $250
Born in Budapest, Nicholas Hornyansky studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist in Belgium, where he stayed for 9 years. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He’s best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache. Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe. Well known in the United States, his engraving, "Closing Time” was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto. Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
Mar. 07, 2021
Nicholas Hornyansky, Houseboat, Cabans (Quebec)
Est: $150 - $250
Born in Budapest, Nicholas Hornyansky studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist in Belgium, where he stayed for 9 years. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He’s best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache. Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe. Well known in the United States, his engraving, "Closing Time” was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto. Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
Mar. 07, 2021
Nicholas Hornyansky, Mill on the Cliff
Est: $150 - $250
Born in Budapest, Nicholas Hornyansky studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist in Belgium, where he stayed for 9 years. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He’s best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache. Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe. Well known in the United States, his engraving, "Closing Time” was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto. Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
Mar. 07, 2021
Nicholas Hornyansky, The Skeena District, BC
Est: $150 - $250
Born in Budapest, Nicholas Hornyansky studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist in Belgium, where he stayed for 9 years. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He’s best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache. Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe. Well known in the United States, his engraving, "Closing Time” was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto. Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
Dec. 13, 2020
VARIOUS ARTISTS
Est: $150 - $250
LOT OF THREE ETCHINGS: Pierre Nuyttens (1885 - 1960) "Ming Joy"; 1940; 9.5" x 7.75". Irving Wolfson (1898 - 1981) "A Friend"; c. 1930; 11" x 7.75". Nicholas Hornyansky (1896 - 1965) "Skippy"; Signed Lower Right, Framed (all)
James Cox Gallery
Dec. 06, 2020
Nikolas Hornyanski, Mount McKay - At The Lakehead
Est: $150 - $200
Reproduction Born in Budapest, Nicholas Hornyansky, 1896-1965, worked from the age of twelve in his father's printing works. He studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist (as a landscape painter, portrait painter and engraver) in Belgium, where he stayed for 9 years, collaborating notably with the painter Hans Hens. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He’s best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache.  Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe.  Well known in the United States, his engraving, "Closing Time” was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto.  Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
May. 31, 2020
Nikolas Hornyansky, Old Stone Bridge
Est: $300 - $500
Born in Budapest, Nicholas Hornyansky, 1896-1965, worked from the age of twelve in his father's printing works. He studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist (as a landscape painter, portrait painter and engraver) in Belgium, where he stayed for 9 years, collaborating notably with the painter Hans Hens. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He’s best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache.  Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe.  Well known in the United States, his engraving, "Closing Time” was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto.  Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
May. 16, 2020
NICHOLAS HORNYANSKY - Outpost Old Fort Henry
Est: $120 - $160
NICHOLAS HORNYANSKY (Hungarian/Canadian, 1896-1965) "Outpost Old Fort Henry" - Signed photolithographic reproduction. Signed lower right, titled lower left, unframed. 12 x 16 in.
Saskatchewan Network for Art Collecting
May. 16, 2020
NICHOLAS HORNYANSKY - Woodcarver's Corner
Est: $120 - $160
NICHOLAS HORNYANSKY (Hungarian/Canadian, 1896-1965) "Woodcarver's Corner" - Signed photolithographic reproduction. Signed lower right, titled lower left, framed. 12.75 x 16.75 in.
Saskatchewan Network for Art Collecting
Mar. 28, 2020
Nicholas Hornyansky (Hungarian, Canadian 1986 - 1965), Siwash Rock, BC
Est: $400 - $500
Born in Budapest, Nicholas Hornyansky, 1896-1965, worked from the age of twelve in his father's printing works. He studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist (as a landscape painter, portrait painter and engraver) in Belgium, where he stayed for 9 years, collaborating notably with the painter Hans Hens. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He’s best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache.  Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe.  Well known in the United States, his engraving, "Closing Time” was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto.  Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
Oct. 03, 2019
Nicholas Hornyansky (Hungarian, Canadian 1896 - 1965), Siwash Rock, BC
Est: $400 - $500
Born in Budapest, Nicholas Hornyansky, 1896-1965, worked from the age of twelve in his father's printing works. He studied at the Academy of Fine Arts and at the age of sixteen exhibited at the Grand Salon in Budapest. He continued his artistic studies in Vienna, Munich, Antwerp and Paris. Around 1919, he made his debut as a confirmed artist (as a landscape painter, portrait painter and engraver) in Belgium, where he stayed for 9 years, collaborating notably with the painter Hans Hens. In 1927, Hornyansky married Joyce Sands, a renowned cellist, together they had two children. In 1929, the family emigrated to Toronto. In spite of the Depression, the couple quickly found success. Hornyansky traveled all over Canada, creating pencil and ink drawings that he used as images in his etchings and aquatints. These images were then sold as prints and greeting cards. He’s best known for his aquatints of buildings and landscapes in Ontario, Quebec and the Maritimes but also worked in watercolour, ink and gouache.  Between 1931 and 1942, Hornyansky participated in all the Spring Salons of the Art Association of Montreal, (today the Montreal Museum of Fine Arts). He taught at the Ontario College of Art from 1945 to 1958. He also exhibited regularly in art galleries in Toronto and some major cities in America (including New York in 1939 and Buenos Aires in 1953) as well as Europe.  Well known in the United States, his engraving, "Closing Time” was the first Canadian engraving to be incorporated into the permanent collection of prints of the Library of Congress. He died on May 25, 1965 in Toronto.  Hornyansky exhibited with the RCA and the AAM, and a retrospective of his work was held at the Tom Thomson Art Gallery in 1978.
4th Meridian Fine Art
Aug. 15, 2019
Nicholas Hornyansky - Quebec from the Citadel
Est: $250 - $350
Quebec from the Citadel
Westbridge Fine Art Auction House
Apr. 07, 2019
Nicholas Hornyansky, "The Old Pilot", Lithograph
Est: $150 - $300
Nicholas Hornyansky (1896-1965) colored lithograph titled The Old Pilot, pencil signed. Approximately 12.5 x 12.5 in site 8.5 x 9.5in.
Clark's Auction Company
Oct. 17, 2018
Hornyansky, Nicolas (1896-1965) The old pilot
Est: $100 - $200
Gravure sur papier, signé en bas è droite Hornyansky Etching on paper, signed on lower right Hornyansky 9" x 8"; 22.86 x 20.32 cm
Champagne Auctions
Aug. 23, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) AND HANS PLANIA (CANADIAN, 20TH CENTURY) (TWO WORKS), “VICTORIA COLLEGE IN SPRING, TORONTO” AND “FORMER SYNAGOGUE (NOW GREEK ORTH.) ON HENRY ST., TORONTO, FORMER - COLOUR AQUATINT; SIGNED AND TITLED IN
Est: $100 - $125
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) AND HANS PLANIA (CANADIAN, 20TH CENTURY) (TWO WORKS) “VICTORIA COLLEGE IN SPRING, TORONTO” AND “FORMER SYNAGOGUE (NOW GREEK ORTH.) ON HENRY ST., TORONTOFORMER - COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL (Sight, 7.5” x 6.4”) LATTER - WATERCOLOUR; SIGNED AND DATED /76 AND TITLED IN INK (Sight, 4” x 6”)Estimate: $100—125
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), ST. STEPHENS’ ON BELLEVUE, COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL - UNFRAMED (Plate, 7.5” x 5.3”)
Est: $100 - $120
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) ST. STEPHENS’ ON BELLEVUECOLOUR AQUATINT; SIGNED AND TITLED IN PENCIL - UNFRAMED (Plate, 7.5” x 5.3”)Estimate: $100—120
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), THE OLD SMITHY, PARRY SOUND, COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL - UNFRAMED (Plate, 3.8” x 4.3”)
Est: $100 - $120
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) THE OLD SMITHY, PARRY SOUNDCOLOUR AQUATINT; SIGNED AND TITLED IN PENCIL - UNFRAMED (Plate, 3.8” x 4.3”)Estimate: $100—120
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), DECEMBER SUNDAY, COLOUR AQUATINT; SIGNED, TITLED AND NUMBERED 18/150 IN PENCIL - UNFRAMED (Plate, 5.5” x 7”)
Est: $100 - $120
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) DECEMBER SUNDAYCOLOUR AQUATINT; SIGNED, TITLED AND NUMBERED 18/150 IN PENCIL - UNFRAMED (Plate, 5.5” x 7”)Estimate: $100—120
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), “THE WAITING TEAMS”, “THE OLD LIVERY”, “WINTER EVENING”, THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (3.8” x 4.1”) (3.6” x 4.1”) (3.6” x 4.1”)
Est: $150 - $200
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) “THE WAITING TEAMS”, “THE OLD LIVERY”, “WINTER EVENING”THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (3.8” x 4.1”) (3.6” x 4.1”) (3.6” x 4.1”)Estimate: $150—200
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), “THE NEW PURCHASE”, “THE OLD SCHOOL HOUSE”, “AFTERGLOW”, THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (3.8” x 2.9”) (4.3” x 3.8”) (4.3” x 3.6”)
Est: $150 - $200
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) “THE NEW PURCHASE”, “THE OLD SCHOOL HOUSE”, “AFTERGLOW”THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (3.8” x 2.9”) (4.3” x 3.8”) (4.3” x 3.6”)Estimate: $150—200
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), “MOHAWK CHAPEL 1786”, “ICEBOUND CREEK”, “SILENT WHEELS”, THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (5.3” x 4”) (5.5” x 4.3”) (4.3” x 3.8”)
Est: $150 - $200
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) “MOHAWK CHAPEL 1786”, “ICEBOUND CREEK”, “SILENT WHEELS”THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (5.3” x 4”) (5.5” x 4.3”) (4.3” x 3.8”)Estimate: $150—200
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), “DUKE OF KENT’S CLOCKTOWER 1703 (HALIFAX) N.S.”, “CLOCKTOWER, HALIFAX”, “OLD CLOCKTOWER”, THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (4.3” x 3.6”),
Est: $150 - $200
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) “DUKE OF KENT’S CLOCKTOWER 1703 (HALIFAX) N.S.”, “CLOCKTOWER, HALIFAX”, “OLD CLOCKTOWER”THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (4.3” x 3.6”), (5.3” x 4”), (4.3” x 3.8”)Estimate: $150—200
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) ”, “THE OLD MILL - DAM”, “SHIVERING JACKPINES”, “THE LAST SCHOOL DAY - NS CAN., THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL; Each plate (3.8” x 4.3”) (4” x 2.9”) (4.5” x 3.6”)
Est: $150 - $200
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) ” “THE OLD MILL - DAM”, “SHIVERING JACKPINES”, “THE LAST SCHOOL DAY - NS CAN.THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL; Each plate (3.8” x 4.3”) (4” x 2.9”) (4.5” x 3.6”)Estimate: $150—200
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), “WINTER CATCH”, “SILENT WHEELS”, “UNTITLED” (HORSE AND CARRIAGE CROSSING BRIDGE), THREE COLOUR AQUATINTS; TWO SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (4.3” x 3.8”) (4.3” x 3.6”) (3.6” x 4.3”)
Est: $150 - $200
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) “WINTER CATCH”, “SILENT WHEELS”, “UNTITLED” (HORSE AND CARRIAGE CROSSING BRIDGE)THREE COLOUR AQUATINTS; TWO SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (4.3” x 3.8”) (4.3” x 3.6”) (3.6” x 4.3”)Estimate: $150—200
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), “PARLIAMENT HILL OTTAWA”, “LIBRARY TOWER, PARLIAMENT, OTTAWA”, “CARILLON OF THE PEACE TOWER, OTTAWA”, THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (4” x
Est: $150 - $200
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) “PARLIAMENT HILL OTTAWA”, “LIBRARY TOWER, PARLIAMENT, OTTAWA”, “CARILLON OF THE PEACE TOWER, OTTAWA”THREE COLOUR AQUATINTS; EACH SIGNED AND TITLED IN PENCIL - UNFRAMED; Each plate (4” x 4.9”) (5.8” x 4.8”) (5.3” x 4.1”)Estimate: $150—200
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), MANITOBA PARLIAMENT, WINNIPEG, COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL (Plate, 6.8” x 9”)
Est: $150 - $200
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) MANITOBA PARLIAMENT, WINNIPEGCOLOUR AQUATINT; SIGNED AND TITLED IN PENCIL (Plate, 6.8” x 9”)Estimate: $150—200
Waddington's
Jul. 12, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), RAINBOW BRIDGE, NIAGARA FALLS, COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL (Plate, 4” x 5.5”)
Est: $100 - $125
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) RAINBOW BRIDGE, NIAGARA FALLSCOLOUR AQUATINT; SIGNED AND TITLED IN PENCIL (Plate, 4” x 5.5”)Provenance:Collection of Mr. & Mrs. Bill Tennison, Toronto - Inventory L241Estimate: $100—125
Waddington's
May. 10, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), LOBSTER HARBOUR, PORT BORDEN, P.E.I., COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL - UNFRAMED (Plate, 4.3” x 5.4”)
Est: $125 - $175
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) LOBSTER HARBOUR, PORT BORDEN, P.E.I.COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL - UNFRAMED (Plate, 4.3” x 5.4”)Estimate: $125—175
Waddington's
May. 10, 2018
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965), OLD FORT ERIE, COLOUR AQUATINT; SIGNED AND TITLED IN PENCIL - UNFRAMED (Plate, 3.9” x 5.1”)
Est: $125 - $175
NICHOLAS HORNYANSKY (CANADIAN, 1896-1965) OLD FORT ERIECOLOUR AQUATINT; SIGNED AND TITLED IN PENCIL - UNFRAMED (Plate, 3.9” x 5.1”)Estimate: $125—175
Waddington's