Blanche Hoschedé-Monet Paintings & Artwork for Sale | Blanche Hoschedé-Monet Art Value Price Guide

Oct. 28, 2024
Blanche Hoschedé-Monet (French, 1865-1947) Jardin de Glaïeuls, Giverny, 1928
Est: $60,000 - $100,000
Blanche Hoschedé-Monet (French, 1865-1947) Jardin de Glaïeuls, Giverny, 1928 Oil on canvas Inscribed with artist, title and date on a handwritten label from James P. Butler, the Artist's nephew, (on the reverse) 23 3/4 x 28 3/4 in. (60.3 x 73cm) This lot is located in Chicago.
Freeman’s | Hindman
Oct. 10, 2024
BLANCHE HOSCHEDÉ-MONET (1865-1947). Bateaux au Port de Diélette, Normandie.
Est: £7,000 - £10,000
BLANCHE HOSCHEDÉ-MONET (1865-1947). Bateaux au Port de Diélette, Normandie. oil on canvasboard 14 7⁄8 x 18 in. (37.8 x 45.7 cm.).
Christie's
Nov. 29, 2023
BLANCHE HOSCHEDÉ MONET (1865-1947)
Est: €8,000 - €12,000
BLANCHE HOSCHEDÉ MONET (1865-1947) BOUQUET DE FLEURS Pastel sur papier Signé en bas à gauche Pastel on paper; signed lower left 25 X 19,5 CM • 9 7/8 X 7 5/8 IN.
Tajan
Nov. 11, 2023
BLANCHE HOSCHEDÉ-MONET (1865-1947) Le Printemps (Le bassin aux nymphéas à G
Est: $50,000 - $70,000
BLANCHE HOSCHEDÉ-MONET (1865-1947) Le Printemps (Le bassin aux nymphéas à Giverny) oil on canvas 39 3⁄8 x 28 ¾ in. (100 x 73 cm.)
Christie's
Oct. 19, 2023
BLANCHE HOSCHEDÉ-MONET (1865-1947) Coin du Jardin de Claude Monet à Giverny (Painted in 1947)
Est: £30,000 - £50,000
BLANCHE HOSCHEDÉ-MONET (1865-1947) Coin du Jardin de Claude Monet à Giverny signed and dated 'B. Hoschedé 47' (lower left) oil on canvas 50.1 x 61.1cm (19 3/4 x 24 1/16in). Painted in 1947
Bonhams
Jul. 20, 2023
Jardin (Giverny)
Est: $30,000 - $50,000
Blanche Hoschedé-Monet 1865 - 1947 Jardin (Giverny) signed B. Hoschedé Monet (lower left) 23 7/8 by 33 in. 60.5 by 83.7 cm. The authenticity of this work has been confirmed by Philippe Piguet.
Sotheby's
Apr. 05, 2023
Blanche Hoschedé-Monet (1865-1947) Bords de Seine huile sur toile 50.4 x 82
Est: €30,000 - €50,000
Blanche Hoschedé-Monet (1865-1947) Bords de Seine huile sur toile 50.4 x 82.8 cm.
Christie's
Mar. 30, 2023
Blanche Hoschedé-Monet, 1865 Paris – 1947 Giverny
Est: €90,000 - €150,000
Die Malerin war Stieftochter und gleichzeitig Schwiegertochter von Claude Monet und stark von diesem beeinflusstGIVERNY, LE JARDIN Öl auf Leinwand. 73 x 60,5 cm. In vergoldetem Prunkrahmen mit Namensplakette der Künstlerin. Mit Echtheitszertifikat BHM 19-1 von Philippe Piguet, Paris vom 7. April 2015, in Kopie. Blick in den blühenden Garten von Giverny in prächtiger Farbenvielfalt mit schmalem beigen Weg bei strahlendem Sonnenschein. Im Vordergrund weiß-violett blühende Stiefmütterchen, dahinter ein großer Busch mit Margeriten und daneben einige Rosen, im Hintergrund entlang des Weges bläuliche Bepflanzung und diverse Sträucher und den Himmel fast verdeckende Bäume in differenzierten Grüntönen. Farbenfroher Pinselduktus im Stil des Impressionismus. Provenienz: Sotheby‘s, London, vom 25. Juni 2015, Lot 423. (1302162) (18) Blanche Hoschedé-Monet, 1865 Paris – 1947 Giverny GIVERNY, LE JARDIN Oil on canvas. 73 x 60.5 cm. With certificate of authenticity BHM 19-1 by Philippe Piguet, Paris dated 7 April 2015, in copy. Provenance: Sotheby's, London, 25 June 2015, lot 423.
Hampel Fine Art Auctions
Dec. 07, 2022
Blanche Hoschede-Monet (French, 1865-1947) Jardin en fleurs (Les rosiers)
Est: $50,000 - $70,000
Blanche Hoschede-Monet (French, 1865-1947) Jardin en fleurs (Les rosiers) oil on canvas signed Blanche Hoschedé (lower left) 28 1/2 x 41 3/4 inches. Property from a Florida Collection Philippe Piguet has confirmed the authenticity of this lot. It is accompanied by a photo-certificate and will be included in his forthcoming catalogue raisonne on the artist under the reference number BHM 13. Lot note: Jardin en fleurs (Les rosiers) is a lush, impressionistic vision of rosebushes in full bloom. Painted by Blanche Hoschede-Monet, the composition exudes the influence of her stepfather and father-in-law, Claude Monet. Born in Paris and raised in an artistic environment, Hoschede-Monet was the daughter of Alice and Ernest Hoschede. Ernest collected impressionist paintings and was an important patron to Monet in his early years, purchasing the artist's famed Impression, Sunrise, 1872, which gave the movement its name. However, by 1878, the Hoschedes went bankrupt. Upon Monet's invitation, the family, which included six children, moved into a house in Vetheuil with the artist, his wife Camille, and their two sons, Jean and Michel. By 1880, Camille passed away and Ernest had abandoned his family, which allowed Monet and Alice to pursue an already burgeoning relationship. The two families eventually settled in Giverny in 1883, where Alice and Monet finally married in 1892. Hoschede-Monet began painting at the age of 11, encouraged by Monet who recognized her interest in art and took her on as a favored model, assistant, and his only student. Blanche would frequently paint en plein air with her stepfather and absorbed his techniques and teachings as result. She also socialized with the American Impressionist colony that had gathered in Giverny, painting along side John Leslie Breck and Theodore Butler. The present painting, and Butler's Port du Treport, Normandy, c. 1906 (Lot 83) and Sailboats, Upper Bay, New York, 1917 (Lot 84), all come from the same collection. Breck and Blanche had a romance that was stopped by Monet, although he did allow his other stepdaughter, Suzanne, to marry Butler in 1892. Blanche eventually married Monet's eldest son, Jean, in 1897 and settled in Rouen with him. After her mother's death in 1911 and her husband's death in 1914, Blanche returned to Giverny and took over her father-in-law's household, caring for him until his own death in 1926. It is likely that she assisted Monet in painting the enormous panels of the Grandes Decorations, which he began in 1914 and continued to work on until he died. She became the guardian of both the artist's iconic house and gardens, remaining there until she passed away in 1947. In her own compositions, Hoschede-Monet retained the almost "pure form of impressionism" that she learned from her mentor. In the present painting, she portrays the carefully trained rose bushes in Monet's garden against a verdant background of trees. She uses short, decisive brushstrokes and brilliant hues to highlight the play of light through the luxuriant tangle of leaves, branches, and petals. Beneath the roses are bright splashes of pink, purple, and green from foliage that has settled on the ground and extends the riotous color through the entirety of the composition. With this artwork, it is clear that although she was greatly influenced by Monet, her oeuvre stands firm in its own right within the annals of French impressionism. Interestingly, the canvas verso of Jardin en Fleurs (Les Rosiers) bears stamps that indicate it was possibly held in the collection of Mme Albert Salerou of Les Pinsons, Giverny. Madame Salerou, born Germaine Hoschede, was Blanche's youngest sister. Claude Monet bought the farm Les Pinsons, which was near his home, for his large, extended family. Jean and Blanche briefly lived there together in 1914, before Jean's death in 1914. For the next 20 years, a series of artists lived in the house. In 1941, Germaine and her husband Albert, who was a French Army officer and Governor of the French Forces in Germany during World War I, left Paris to settle in Les Pinons and protect Monet's home and gardens during the Vichy Occupation. Germaine was to live there until she died in 1968.
Hindman
Nov. 24, 2022
BLANCHE HOSCHEDÉ-MONET (1865-1947) Le lac du Bourget
Est: €15,000 - €20,000
BLANCHE HOSCHEDÉ-MONET (1865-1947) Le lac du Bourget Huile sur toile Signée en bas à gauche Oil on canvas, signed lower left 60 x 73 cm - 23 5/8 x 28 3/4 in. Monsieur Philippe Piguet a confirmé l'authenticité de cette oeuvre. Un certificat pourra être obtenu à la charge de l'acquéreur. Provenance - Vente, 250 tableaux impressionnistes, post-impressionnistes et modernes - Sculptures, Me Pillon, Versailles, 12 juin 2005, lot 23 (titré Bord de rivière) - Collection particulière, France (acquis au cours de la vente précédente) Oeuvres en rapport - Blanche Hoschedé-Monet (1865-1947), La Montagne du Silence, huile sur toile, signée en bas à gauche, 59,5 x 73 cm, in. Vente, British and Continental pictures, Christie's, Londres, 30 juillet 1998, lot 135 - Blanche Hoschedé-Monet, (1865-1947), Le Lac du Bourget, huile sur toile, signée et datée (?), 75 x 87 cm, in. Salon des Indépendants, Paris, 1931, n°1945 (achat par le Fonds National d'Art Contemporain le 2 septembre 1931, déposé à l'École Française d'Athènes le 6 décembre 1932 et non localisé à ce jour) "Constituée de quelques centaines de tableaux, loin d'être encore tous encore localisés, l'oeuvre peinte de Blanche Hoschedé-Monet s'inscrit pleinement dans la tradition impressionniste. Elle est celle d'une artiste coloriste et raffinée qui sait parfaitement conjuguer l'art de la composition et le rendu atmosphérique. Blanche Hoschedé-Monet ne craint pas d'envahir le champ iconique, soit en l'emplissant à ras bord, soit en l'étageant en profondeur, tout comme elle n'hésite pas à le structurer en pans coupés, en strates superposées ou en lignes de force contradictoires. Elle sait pareillement absorber la ligne d'horizon dans la diffusion embrumée de la lumière tout comme dessiner ou cerner une forme pour mieux faire valoir sa silhouette. Le geste au plus près de la toile, Blanche montre une facture à la touche plutôt courte qui n'a pas beaucoup changé au fil du temps, tantôt bouclée, tantôt ponctuée, toujours tenue. Si sa palette présente toutes les gammes du spectre avec une prédilection pour les bleus vvvviolacés et les verts denses, elle n'use que très rarement de couleurs crues, leur préférant des tons adoucis et mesurés, à même de pouvoir restituer la vision harmonieuse et positive qu'elle a du monde. Une vision lumineuse à l'écho d'une vie intérieure tout entière animée par la peinture." Philippe Piguet, Blanche Hoschedé-Monet, un regard impressionniste, cat. expo., Vernon, Musée de Vernon, 8 juillet-29 octobre 2017, Paris : Intensité éditions ;Musée de Vernon, 2017, pp. 5 et 6
Aguttes
Jun. 30, 2022
Blanche Hoschedé-Monet, 1865 Paris – 1947 Giverny
Est: €70,000 - €90,000
Die Malerin war Stieftochter und gleichzeitig Schwiegertochter von Claude Monet und stark von diesem beeinflusst.GIVERNY, LE JARDIN Öl auf Leinwand. 73 x 60,5 cm. In vergoldetem Prunkrahmen mit Namensplakette der Künstlerin. Mit Echtheitszertifikat BHM 19-1 von Philippe Piguet, Paris vom 7. April 2015. Blick in den blühenden Garten von Giverny in prächtiger Farbenvielfalt mit schmalem beigen Weg bei strahlendem Sonnenschein. Im Vordergrund weiß-violett blühende Stiefmütterchen, dahinter ein großer Busch mit Margeriten und daneben einige Rosen, im Hintergrund entlang des Weges bläuliche Bepflanzung und diverse Sträucher und den Himmel fast verdeckende Bäume in differenzierten Grüntönen. Farbenfroher Pinselduktus im Stil des Impressionismus. Provenienz: Auktion Sotheby‘s, London, vom 25. Juni 2015, Lot 423. (1302162) (18) Blanche Hoschedé-Monet, 1865 Paris – 1947 Giverny GIVERNY, LE JARDINOil on canvas. 73 x 60.5 cm. With certificate of authenticity BHM 19-1 by Philippe Piguet, Paris dated 7 April 2015. Provenance: Auction Sotheby’s, London, 25 June 2015, lot 423.
Hampel Fine Art Auctions
May. 14, 2022
BLANCHE HOSCHEDÉ-MONET (1865-1947) Les grands arbres au bassin (Giverny) oi
Est: $40,000 - $60,000
BLANCHE HOSCHEDÉ-MONET (1865-1947) Les grands arbres au bassin (Giverny) oil on canvas 36 5/8 x 32 in. (93 x 81.3 cm.)
Christie's
Mar. 31, 2022
Blanche Hoschedé-Monet (1865-1947) Bords de mer huile sur toile 49.8 x 64.9
Est: €12,000 - €18,000
Blanche Hoschedé-Monet (1865-1947) Bords de mer huile sur toile 49.8 x 64.9 cm.
Christie's
Mar. 31, 2022
Blanche Hoschedé-Monet, 1865 Paris – 1947 Giverny
Est: €120,000 - €220,000
Die Malerin war Stieftochter und gleichzeitig Schwiegertochter von Claude Monet und stark von diesem beeinflusst.GIVERNY, LE JARDIN Öl auf Leinwand. 73 x 60,5 cm. In vergoldetem Prunkrahmen mit Namensplakette der Künstlerin. Mit Echtheitszertifikat BHM 19-1 von Philippe Piguet, Paris vom 7. April 2015. Blick in den blühenden Garten von Giverny in prächtiger Farbenvielfalt mit schmalem beigen Weg bei strahlendem Sonnenschein. Im Vordergrund weiß-violett blühende Stiefmütterchen, dahinter ein großer Busch mit Margeriten und daneben einige Rosen, im Hintergrund entlang des Weges bläuliche Bepflanzung und diverse Sträucher und den Himmel fast verdeckende Bäume in differenzierten Grüntönen. Farbenfroher Pinselduktus im Stil des Impressionismus. Provenienz: Auktion Sotheby‘s, London, vom 25. Juni 2015, Lot 423. (1302162) Blanche Hoschedé-Monet, 1865 Paris – 1947 Giverny GIVERNY, LE JARDINOil on canvas. 73 x 60.5 cm. With certificate of authenticity BHM 19-1 by Philippe Piguet, Paris dated 7 April 2015. Provenance: Auction Sotheby’s, London, 25 June 2015, lot 423.
Hampel Fine Art Auctions
Nov. 16, 2021
BLANCHE HOSCHEDÉ-MONET (1865-1947) Bateaux au port de Diélette, Normandie, 1938 Huile sur carton toilé
Est: €10,000 - €15,000
BLANCHE HOSCHEDÉ-MONET (1865-1947) Bateaux au port de Diélette, Normandie, 1938 Huile sur carton toilé Signée et datée indistinctement «1938» en bas à gauche Oil on cardboard, signed and indistinclty dated «1938» lower left 38 x 46 cm - 15 x 18 1/8 in. Monsieur Philippe Piguet a confirmé l’authenticité de cette oeuvre. PROVENANCE Famille de l’artiste Collection Jean-Marie Toulgouat, Paris Collection particulière, France (par descendance)
Aguttes
Jun. 16, 2021
Blanche Hoschedé-Monet (Paris 1865-1947 Giverny) - Bords de Seine
Est: €15,000 - €20,000
Blanche Hoschedé-Monet (Paris 1865-1947 Giverny) Bords de Seine huile sur toile 50.3 x 82.7 cm.
Christie's
Dec. 04, 2020
Blanche Hoschedé-Monet (French, 1865-1947) Les bateaux au port Oil on canvas 21
Est: $10,000 - $15,000
Blanche Hoschedé-Monet (French, 1865-1947) Les bateaux au port Oil on canvas 21-1/4 x 28-3/4 inches (54.0 x 73.0 cm) Signed lower left: Blanche Hoschedé PROVENANCE: Arcane Enchères, Paris, France, November 27, 2009, lot 113; Private collection, Luxembourg City, Luxembourg. The authenticity of this work has been confirmed by Philippe Piguet. HID01801242017
Heritage Auctions
Dec. 04, 2020
Blanche Hoschedé-Monet (1865-1947) Le jardin à Giverny oil on canvas 28 ¾ x
Est: $50,000 - $70,000
Blanche Hoschedé-Monet (1865-1947) Le jardin à Giverny oil on canvas 28 ¾ x 36 ¼ in. (73 x 92 cm.)
Christie's
Jul. 02, 2020
Blanche Hoschedé-Monet, 1865 Paris – 1947 Giverny
Est: €35,000 - €45,000
Die Malerin war Stieftochter und gleichzeitig Schwiegertochter von Claude Monet und stark von diesem beeinflusst.LE PUJOLS Öl auf Leinwand. 73 x 60,5 cm. Links unten signiert „Blanche Hoschede“, verso auf Holzleiste betitelt. In vergoldetem Prunkrahmen. Impressionistische Landschaftsdarstellung mit hintereinander ansteigenden Hügeln und Feldern in vielen differenzierten weichen Grün-, Beige- und Violetttönen, dazwischen, fast versteckt liegend, ein Dorf mit leuchtend kaminroten Dächern und einer großen Basilika mit hohen Türmen. Darüber der sommerlich helle, blaue Himmel mit wenigen weißen Wolken. Qualitätvolle Malerei, die besonders die Beobachtungsgabe der Künstlerin mit gekonnter Perspektive und Tonalität herausstellt. Anmerkung: Le Pujols ist eine französische Gemeinde in der Region Okzitanien, südöstlich von Pamiers. Verso die Kopie eines Briefes mit Verweis auf den Ort der Darstellung, auf die Schwester der Künstlerin und die Auffindung des Gemäldes. (1230083) (18) Blanche Hoschedé-Monet, 1865 Paris – 1947 Giverny The painter is the stepdaughter and also daughter-in-law of Claude Monet and was heavily influenced by him. LE PUJOLS Oil on canvas. 73 x 60.5 cm. Signed “Blanche Hoschede” lower left, titled stretcher on the reverse. In magnificent gilt frame.
Hampel Fine Art Auctions
Jun. 04, 2020
Blanche Hoschedé-Monet (1865-1947) - Les Clématites
Est: €25,000 - €35,000
Blanche Hoschedé-Monet (1865-1947) Les Clématites huile sur toile 59.6 x 81 cm.
Christie's
Feb. 05, 2020
BLANCHE HOSCHEDÉ-MONET | Le jardin de l'artiste (à Giverny)
Est: £25,000 - £35,000
oil on canvas
Sotheby's
Feb. 05, 2020
BLANCHE HOSCHEDÉ-MONET | Tulipes (Giverny)
Est: £12,000 - £18,000
oil on canvas
Sotheby's
Nov. 13, 2019
BLANCHE HOSCHEDÉ-MONET | Bord de mer
Est: $20,000 - $30,000
Oil on canvas
Sotheby's
Jul. 16, 2019
BLANCHE HOSCHEDE-MONET (1865-1947) Balancelle au bord du fleuve
Est: €15,000 - €20,000
BLANCHE HOSCHEDE-MONET (1865-1947) Balancelle au bord du fleuve Huile sur toile signée en bas à gauche Dimensions : 54 x 65 cm Peintre impressionniste française née à Paris et décédée à Nice, belle-fille, élève et assistante de Claude Monet, elle est tellement proche du maître qu'il est parfois difficile de les distinguer. Auteure de scènes de la nature, de prés au bord du fleuve, elle peint essentiellement à Giverny où elle assurera un rôle essentiel dans la conservation des jardins rendus célèbres par son beau-père.
Accademia Fine Art
May. 14, 2019
BLANCHE HOSCHEDÉ-MONET (1865-1947) Le lac 21 1/4 x 28 3/4 in (54 x 72 cm)
Est: $18,000 - $25,000
BLANCHE HOSCHEDÉ-MONET (1865-1947) Le lac signed 'Blanche Hoschedé' (lower left)oil on canvas21 1/4 x 28 3/4 in (54 x 72 cm)Painted circa 1920 The authenticity of this work has been confirmed by Philippe Piguet.Provenance: Private collection, Europe.
Bonhams
May. 14, 2019
Blanche Hoschedé-Monet (1865-1947) Les mufliers, intérieur à Giverny oil on canvas 28 ¾ x 23 5/8 in. (73 x 60.1 cm.)
Est: $18,000 - $25,000
Blanche Hoschedé-Monet (1865-1947) Les mufliers, intérieur à Giverny signed and dated 'B Hoschedé Monet 22' (lower left) oil on canvas 28 ¾ x 23 5/8 in. (73 x 60.1 cm.) Painted in 1922
Christie's
Mar. 24, 2019
Blanche HOSCHEDE-MONET – 1865-1947 PRIMEVÈRES Huile sur toile signée
Est: €12,000 - €15,000
Blanche HOSCHEDE-MONET – 1865-1947 PRIMEVÈRES Huile sur toile signée en bas à gauche. 65 x 46
Eric Pillon Enchères
Feb. 27, 2019
BLANCHE HOSCHEDÉ-MONET | Saint-Jean Cap Ferrat
Est: £40,000 - £60,000
oil on canvas
Sotheby's
Nov. 13, 2018
BLANCHE HOSCHEDÉ-MONET | La Côte à Giverny (Le Coteau)
Est: $50,000 - $70,000
Oil on canvas
Sotheby's
Nov. 13, 2018
BLANCHE HOSCHEDÉ-MONET | La Roseraie à Giverny (Maison de Monet)
Est: $30,000 - $40,000
Oil on canvas
Sotheby's
Oct. 30, 2018
**Blanche Hoschede-Monet 1865-1947 (French) Bateaux au port oil on canvas mounted on cardboard mounted on canvas
Est: €18,000 - €22,000
Blanche Hoschede-Monet 1865-1947 (French) Bateaux au port oil on canvas mounted on cardboard mounted on canvas h:38 w: 46 cm. signed lower left Provenance: Estate of the artist. Private collection, France. Other Notes: Accompanied by a certificate of authenticity signed by Mr. Philippe Piguet, dated May 23, 2018, numbered BHM 131-3. Location: Israel. For estimated delivery time please contact us.
Matsart Auctioneers & Appraisers
Jun. 21, 2018
BLANCHE HOSCHEDÉ MONET (1865-1947) Prairie près de Saint-Vincent-sur-Jard s
Est: £15,000 - £20,000
BLANCHE HOSCHEDÉ MONET (1865-1947) Prairie près de Saint-Vincent-sur-Jard signed 'B Hoschedé Monet' (lower left) oil on canvas 19 3/4 x 24 in. (50 x 61 cm.)
Christie's
Jun. 20, 2018
BLANCHE HOSCHEDÉ-MONET | L'Epte dans la prairie
Est: £30,000 - £50,000
oil on canvas
Sotheby's
Jun. 20, 2018
BLANCHE HOSCHEDÉ-MONET | Bateaux au port
Est: £12,000 - £15,000
oil on canvasboard
Sotheby's
Mar. 23, 2018
Blanche Hoschedé Monet (1865-1947) - Le Bois de Falaise
Est: €15,000 - €20,000
Blanche Hoschedé Monet (1865-1947) Le Bois de Falaise huile sur toile 65 x 81.5 cm.
Christie's
Jan. 23, 2018
BLANCHE HOSCHEDÉ-MONET, (FRENCH 1865-1947), "LES OMBRES SUR LA PRAIRIE" (GIVERNY, LA PLAINE DES AJOUX)
Est: $40,000 - $60,000
BLANCHE HOSCHEDÉ-MONET (french 1865-1947) "LES OMBRES SUR LA PRAIRIE" (GIVERNY, LA PLAINE DES AJOUX) Signed 'Blanche Hoschede' bottom left, oil on canvas 18 1/8 x 25 3/4 in. (46 x 65.4cm) provenance: Arthur Lenas, Paris, France. Private Collection, Pennsylvania. exhibited: "Blanche Hoschedé-Monet," Galerie Zak, Paris, France, November 19-December 3, 1954, no. 11. note: Blanche Hoschedé-Monet became part of an important family at the core of the French Impressionist movement when her mother, Alice Hoschedé, became Claude Monet's second wife. She subsequently married Monet's eldest son, Jean, making her not only Monet's step daughter, but also his daughter-in-law. Blanche discovered painting at the age of eleven. Motivated and encouraged by her stepfather, she would paint en plein air next to him, and soon became his assistant and pupil. Monet took pride in the fact that Blanche was his only pupil. Although she mainly painted for her own pleasure, Blanche submitted several works to the Salon in 1888, but was eventually refused. She tried again several years later and exhibited seven of her paintings at the Salon des Indépendants in 1905, where Paul Durand-Ruel purchased one of her works. Blanche's career has often been viewed in terms of her connection to Claude Monet. However, her paintings unveil a unique personality which should be assessed, not only in relation to the women artists associated with the Impressionist movement, including Berthe Morisot, Mary Cassatt or Eva Gonzalés, but with the Impressionist movement itself. Unlike the other woman Impressionists, Blanche did not choose to paint domestic scenes in which women were depicted caring for children, sewing, or reading in fashionable gowns. She focused instead on depicting the surrounding landscape, where she would wander in search of the perfect subject. Painting en plein air proved liberating, as she did not need a studio or models, but could choose where and when she wished to work. Blanche was encouraged in her artistic journey by Monet himself, who reportedly told Alice that he wanted Blanche to "seriously involve herself in painting in a total way." Blanche's style is directly inspired by Claude Monet, and it is sometimes difficult to differentiate between their respective work. Her subjects often revolve around Monet's house in Giverny, where she lived as a child until 1897 and where she returned to live after Jean's death in 1914. The house, the botanical gardens and the surroundings appealed to her because of their grandiose and lofty appearance. The present painting depicts a field of poplar trees at Ajoux, between Giverny and the Seine river. Blanche returned to this particular meadow multiple times throughout her career, captivated by the majesty of the trees which once enchanted her stepfather. "Les Ombres Sur la Prairie " shows Blanche's confident yet delicate touch. The poplar trees slender forms are set against a pale blue afternoon sky. Their tortuous brown trunks shine in the dazzling light, forming a harmony with the deep greens and blues of the field and its trenches. The extraordinarily rich surface is marked by vigorous brushwork, which all exemplify the technique Blanche learned by Monet's side. We wish to thank Mr. Philippe Piguet for confirming the authenticity of the present lot. The painting will be included in the forthcoming new edition of the Catalogue Raisonné of the artist's work, and will be accompanied by a Certificate of Authenticity.
Freeman's | Hindman
Dec. 13, 2017
BLANCHE HOSCHÉDÉ-MONET (1865-1947)
Est: €50,000 - €70,000
BLANCHE HOSCHÉDÉ-MONET (1865-1947) Nitia (nièce de l'artiste) sur le Pont, dans le jardin de Claude Monet, 1927 Huile sur toile Signée et datée en bas à gauche 60 x 81 cm Provenance : Galerie Art en Seine, Le Havre (étiquette au dos) Collection particulière, Vernon Expositions : Musée Alphonse-Georges Poulain, Vernon, 6 avril - 2 juin 1991, n°12 (étiquette au dos) Bibliographie : Blanche Hoschédé-Monet 1865-1947, une artiste de Giverny, Catalogue d'exposition, Musée Municipal A.G. Poulain, 6 avril - 2 juin 1991, Vernon, oeuvre référencée sous le n° 12 et reproduit page 45. Nous remercions Monsieur Philippe Piguet d'avoir confirmé l'authenticité de cette oeuvre. Cette oeuvre sera inclue dans le catalogue raisonné de l'artiste en préparation par Philippe Piguet sous laréférence BHM 32. Un certificat d'authenticité de Philippe Piguet en date du 22 octobre 2017 sera remis à l'acquéreur. Biographie : Blanche HOSCHÉDÉ-MONET fut la belle-fille de Claude Monet c'est dire les conseils qu'elle reçut. Ses oeuvres charmantes toujours accueillies avec sympathie, figuraient régulièrement dans les salons annuels. D'ailleurs c'est assez rare que figuraient des personnages dans ses paysages. Georges Clémenceau lui voua une affection déférente et aussi paternelle, belle-fille de son grand ami Claude Monet.
HVMC - Hôtel des Ventes de Monte-Carlo
Nov. 26, 2017
Blanche Hoschedé-Monet (1865-1947) - Paysage aux peupliers à Giverny
Est: $300,000 - $500,000
BLANCHE HOSCHEDÉ-MONET (1865-1947) Paysage aux peupliers à Giverny signed ‘Blanche Hoschedé’ (lower right) oil on canvas 25 7/8 x 21 1/4 in. (65.3 x 54.3 cm.)
Christie's
Nov. 26, 2017
Blanche Hoschedé-Monet (1865-1947) - La maison de Monet à Giverny
Est: $800,000 - $1,200,000
BLANCHE HOSCHEDÉ-MONET (1865-1947) La maison de Monet à Giverny oil on canvas 23 3/8 x 28 5/8 in (59.4 x 72.8 cm.)
Christie's
Nov. 14, 2017
Blanche Hoschedé Monet (1865-1947) - Venise, la Salute
Est: $25,000 - $35,000
Blanche Hoschedé Monet (1865-1947) Venise, la Salute oil on canvasboard 14 7/8 x 18 in. (38 x 45.7 cm.)
Christie's
Nov. 14, 2017
Blanche Hoschedé-Monet (1865-1947) - La maison de Michel Monet à Sorel-Moussel
Est: $35,000 - $45,000
Blanche Hoschedé-Monet (1865-1947) La maison de Michel Monet à Sorel-Moussel oil on canvas 21 1/8 x 32 in. (55 x 81 cm.)
Christie's
Nov. 12, 2017
Blanche HOSCHEDÉ-MONET – 1865-1947 PRIMEVÈRES Huile sur toile signée e
Est: €12,000 - €15,000
Blanche HOSCHEDÉ-MONET – 1865-1947 PRIMEVÈRES Huile sur toile signée en bas à gauche. 65 x 46
Eric Pillon Enchères
Oct. 20, 2017
Blanche Hoschedé Monet (1865-1947) - La Risle à Beaumont-le-Roger, à l'automne
Est: €20,000 - €30,000
Blanche Hoschedé Monet (1865-1947) La Risle à Beaumont-le-Roger, à l'automne huile sur toile 80.3 x 73.5 cm.
Christie's
Aug. 24, 2017
**Blanche Hoschedé-Monet 1865-1947 (French) Boats in port oil on canvas mounted on cardboard and laminated on panel
Est: $18,000 - $22,000
Blanche Hoschedé-Monet 1865-1947 (French) Boats in port oil on canvas mounted on cardboard and laminated on panel h:38 w: 46 cm. signed lower left Provenance: Estate of the artist. Private collection, France. Other Notes: Mr. Philippe Piguet has kindly confirmed the auhenticity of this work. Certificate is available upon request (charges may apply). Location: Europe. For estimated delivery time please contact us.
Matsart Auctioneers & Appraisers
May. 21, 2017
Painting, Blanche Hoschede Monet
Est: $60,000 - $90,000
Blanche Hoschede Monet, (French, 1865-1947), "Le Petit Pont Japonais a Giverny," oil on canvas, signed lower left, canvas: 29"h x 36"w, overall (with frame): 37"h x 44.5"w. Provenance: Private Collection Jean Michel Lopez (Paris, France). Note: COA accompanies this lot
Clars Auctions
May. 16, 2017
BLANCHE HOSCHEDE MONET (1865-1947) Giverny, Peupliers des Ajoux signed ‘B Hoschede Mo
Est: $50,000 - $70,000
BLANCHE HOSCHEDE MONET (1865-1947) Giverny, Peupliers des Ajoux signed ‘B Hoschede Monet’ (lower left) oil on canvas 18 1/4 x 25 5/8 in. (46.4 x 65.2 cm.) Painted circa 1896
Christie's
Apr. 16, 2017
Blanche HOSCHEDE-MONET 1865-1947
Est: €12,000 - €15,000
Blanche HOSCHEDE-MONET 1865-1947 PRIMEVÈRES Huile sur toile signée en bas à gauche 65 x 46 Expositions: - Galerie Berheim Paris, 1931, n° 25 - Galerie Zak Paris, 1950, n° 34 - Giverny Musée de Vernon, 1991, n° 53 - Louviers Musée de Louviers, 2010, n° 146 Bibliographie: Philippe Piguet, Blanche Hoschede-Monet, un destin impressionniste, n° 146, illustré page 91.
Besch Cannes Auction
Nov. 15, 2016
BLANCHE HOSCHEDÉ-MONET | L'Église de Giverny
Est: $25,000 - $35,000
Oil on canvas
Sotheby's