Theodor Hosemann Sold at Auction Prices

Painter, Illustrator

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      • T. HOSEMANN (1807-1875), Youthful revelry, Lithography
        Sep. 28, 2024

        T. HOSEMANN (1807-1875), Youthful revelry, Lithography

        Est: €45 - €75

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Humorous portrayal, Youthful revelry, 19th century, Lithography Technique: Lithography on Paper Inscription: Inscribed below in print with information about the publisher. Date: 19th century Description: Inscribed with the artist's monogram at the lower edge of the depiction in the stone and dated 1842. Keywords: 19th century, Romanticism, Professions, Germany, Size: Paper: 14,9 cm x 17,4 cm (5,9 x 6,9 in), Depiction: 10,4 cm x 12,9 cm (4,1 x 5,1 in)

        Fichter Kunsthandel
      • Theodor Hosemann (German, 1807-1875), Scene from Satanella oder Metamorphosen
        Sep. 19, 2024

        Theodor Hosemann (German, 1807-1875), Scene from Satanella oder Metamorphosen

        Est: £300 - £500

        Theodor Hosemann (German, 1807-1875) Scene from Satanella oder Metamorphosen Pencil and watercolour on paper Signed with monogram In a carved and gilded frame, probably 18th century Dimensions: (Frame) 17.5 in. (H) x 20.5 in. (W)  (Paper) 11 in. (H) x 14 in. (W)

        Sloane Street Auctions
      • T. HOSEMANN (1807-1875), Cambyses II kills the Holy Bull, Pencil
        Aug. 17, 2024

        T. HOSEMANN (1807-1875), Cambyses II kills the Holy Bull, Pencil

        Est: €450 - €600

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): The Persian King Cambyses II kills the Holy Bull Apis, 19th century, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Verso Collector's stamp, Lugt no.: 4642. Stefan Kaps. Leipzig. 20th century Inscription: Inscribed below the drawing. On the reverse with round collector's stamp, "St. K" (Stefan Kaps, grandson and heir of Erhard Kaps, Leipzig, L.4642). Date: 19th century Description: Theodor Hosemann joined the lithographic establishment "Arnz & Winckelmann" in Düsseldorf as an apprentice in 1819. At the same time he attended the Düsseldorf Art Academy. In 1828, the partner Johann Christian Winckelmann went into business for himself in Berlin and founded the publishing house later known as "Winckelmann & Söhne". In the years from 1834 to 1852 he worked with the humorist and satirist Adolf Glaßbrenner. His writings were largely illustrated by Hosemann. In 1857 he was appointed professor at the Berlin Academy of Arts, where he became a member in 1860. During these years as a teacher, Heinrich Zille was one of his students in 1874. Keywords: Holy Bull, Holy Beast, Apis, Persian King Cambyses , son of Cyrus II, Achaemenid King, Herodotus, Herodotus' Tales, 19th century, Classicism, Mythology, Iran, Size: Paper: 17,9 cm x 10,8 cm (7 x 4,3 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Pansy, The Angler, 1854, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), Pansy, The Angler, 1854, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Pansy, The Angler Boy by the River, 1854, Lithography Technique: Lithography on Paper Inscription: Inscribed below the image: "Stiefmütterchen". About the artist: Theodor Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1854 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. About the picture: Probably a children's book illustration showing a young angler at a brook. He is observed by a man and a woman in the background. Monogrammed and dated in the lower left corner: "TH 1854". Keywords: Boy; Fishing; River; Shore; Walk; Excursion, 19th century, Biedermeier, Nature, Germany, Size: Paper: 13,3 cm x 8,9 cm (5,2 x 3,5 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Play in the garden, Steinbrecht and golden nettle, 1852, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), Play in the garden, Steinbrecht and golden nettle, 1852, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): The Little Horse Game in the Garden, Steinbrecht and Goldnessel, book illustration, 1852, Lithography Technique: Hand colored Lithography on Paper Inscription: Inscribed below the image: "Steinbrecht und Goldnessel". About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1852 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. About the image: Probably a children's book illustration showing a little girl and her playmate galloping through the garden on a hobby horse. Monogrammed and dated in the lower left corner of the illustration: "TH 1852". Keywords: Child's play; Plug-in horse; Toy; Childhood; Domesticity; Clothesline; Laundry; Watering can;, 19th century, Biedermeier, Nature, Germany, Size: Paper: 14,0 cm x 9,5 cm (5,5 x 3,7 in), Depiction: 12,2 cm x 8,2 cm (4,8 x 3,2 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), The horse game in the garden, 1852, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), The horse game in the garden, 1852, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): The Little Horse Playing in the Garden, Steinbrecht and Golden Nettle, Genre Representation, Book Illustration, 1852, Lithography Technique: Hand colored Lithography on Paper Inscription: Inscribed below the image: "Steinbrecht und Goldnessel". About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1852 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. About the image: Probably a children's book illustration showing a little girl and her playmate galloping through the garden on a hobby horse. Monogrammed and dated in the lower left corner of the illustration: "TH 1852". Keywords: Children's game; Plug-in horse; Toy; Childhood; Domesticity; Clothesline; Laundry, 19th century, Biedermeier, Nature, Germany, Size: Paper: 13,0 cm x 8,9 cm (5,1 x 3,5 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), The Kremserpartie, carriage ride, 1837, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), The Kremserpartie, carriage ride, 1837, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): "The Kremserpartie", carriage ride Excursion in Krems and surroundings, 1837, Lithography with pen Technique: Lithography with pen on Paper Date: 1837 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel he is regarded as the most important lithographer in the early days of this technique in Berlin. Titled in lead on the original passepartout below the image: "Die Kremserpartie"; dated and monogrammed in the lower centre of the image: "TH 37". In the centre of the depiction is the titular "Kremser", a spacious covered wagon, with ladies dressed in Sunday best inside. In front of the Kremser, two visibly inebriated gentlemen in top hats are talking. The depiction is artfully framed with vine leaves and tendrils.From the collaboration with Adolf Glaßbrenner, the popular poet in the revolutionary pre-March, numerous humorous-satirical sheets were created. Theodor Hosemann saw the Berliners with their typical peculiarities: the indomitable lust for life, the saucy brashness, the critical wit; he was one of the first Berlin humour artists. With love, understanding and a fine sense of humour, Hosemann captured the life of the Berlin people.About the artist: Theodor Hosemann grew up as the son of a Prussian officer in various places, from 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. He was close to the Berlin "Rütli" in the 1850s, and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Keywords: Horse-drawn carriage; leisure activity; upper middle class, 19th century, Figurative, Costumes, Germany, Size: Paper: 14,8 cm x 8,6 cm (5,8 x 3,4 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), The little cavalier, greeting, around 1849, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), The little cavalier, greeting, around 1849, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): "The Little Cavalier", Humorous Presentation, Before the Sign! Greeting a girl, c. 1849, Lithography Technique: Hand colored Lithography on Paper Date: c. 1849 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. About the image: Numbered in the centre above the image: "317."; inscribed on the verso in lead with the artist's name and at the bottom on the original passepartout in ink: "Vor dem Signum!". The lithograph shows a little cavalier with his young girlfriend in a pink dress. The amusing scene takes place on a park promenade.About the artist: Theodor Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Keywords: Education; Little Adult; Girl; Boy; Gallantry, 19th century, Figurative, Depiction of Artists, Germany, Size: Paper: 13,9 cm x 11,3 cm (5,5 x 4,4 in), Depiction: 10,2 cm x 9,2 cm (4 x 3,6 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), The little cavalier greeting, 1849, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), The little cavalier greeting, 1849, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): "The Little Cavalier", Humorous Presentation, Greeting a Girl, 1849, Lithography Technique: Hand colored Lithography on Paper Date: 1849 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early period of this technique in Berlin. About the image: Inscribed with the artist's monogram at the lower margin of the image in the stone and dated 1849, numbered at the upper right: "317", titled in lead below the image; inscribed in lead with the artist's name and with: "Mit dem Signum" on the verso. The lithograph shows a little cavalier with his young girlfriend in a pink dress. The amusing scene takes place on a park promenade.About the artist: Theodor Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Keywords: Education; Little Adult; Girl; Boy; Gallantry, 19th century, Figurative, Nature, Germany, Size: Paper: 14,0 cm x 12,0 cm (5,5 x 4,7 in), Depiction: 10,7 cm x 9,5 cm (4,2 x 3,7 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Homecoming of a Savoyard boy, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), Homecoming of a Savoyard boy, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Savoyard boy returning home, 19th century, Lithography Technique: Hand colored Lithography on Paper Date: 19th century Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Alongside Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. The lithograph shows a Savoyard boy with a stick and a dog in a mountainous landscape with a castle in the background. He has pulled out the hat in his right hand and raised it in greeting. His joyful gaze is directed towards the area outside the depiction and is directed towards his family, to whom he is now returning; the artist's name is inscribed in lead on the reverse.About the artist: As the son of a Prussian officer, Theodor Hosemann grew up in various places, from 1816 in Düsseldorf. From 1819 he coloured lithographs at the "Arnz und Winckelmann" lithographic institute, where he completed an apprenticeship as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822, he was given a permanent position as a draughtsman at the lithographic institute and at the same time studied at the Academy of Fine Arts, where he was one of the few to be taken on by Wilhelm Schadow after he took up his post in 1826. In 1828, Winckelmann took Hosemann with him to Berlin, where he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association's name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association's yearbook "Argo. Album for Art and Poetry" (Breslau). Hosemann published several pictures (steel engraving plates) in the "Argo". Hosemann mainly illustrated children's and youth literature (including fairy tales and fables) and became so well known with these that he was soon working for various publishers and was able to give up his permanent position with Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical journalist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, became a member in 1860 and in 1866 a teacher at the drawing school attached to the Academy. Heinrich Zille was among his students. Keywords: Wandering; Savoy; Home; Return; Boy; Travelling boy, 19th century, Figurative, Nature, France, Size: Paper: 12,8 cm x 10,4 cm (5 x 4,1 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Homecoming of a Savoyard, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), Homecoming of a Savoyard, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Savoyard Boy Returning Home, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed below the image in the printing plate: "Gez. von Vintcent / Druck u. Verlag v. L. Sachse & Co. / Lith. v. Hosemann. Below titled and inscribed: "The original drawing is in the album / of Her Royal Highness Princess Albrecht of Prussia." About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 19th century Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is regarded as the most important lithographer in the early days of this technique in Berlin. The lithograph shows a Savoyard boy with a stick and a dog in a mountainous landscape with a castle in the background. He has drawn his hat in his right hand and raised it in salute. His joyful gaze is directed at the area outside the depiction and is directed at his family, to whom he is now returning. Keywords: Wandering; Savoy; Home; Return; Boy; Wandering Boy, 19th century, Biedermeier, Landscape, Germany, Size: Paper: 30,4 cm x 23,5 cm (12 x 9,3 in), Depiction: 16,2 cm x 14,7 cm (6,4 x 5,8 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), All devils-my wife, 1847, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), All devils-my wife, 1847, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Frontispiece, "Alle Teufel-meine Frau!", Vienna, Masquerade, Gallantry, Shrovetide, Carnival, Married Couple, German Art, Biedermeier, 1847, Lithography with pen Technique: Hand colored Lithography with pen on Paper Inscription: Monogrammed and dated on the right within the image: "TH 1847"; titled below the image. The charming lithograph is an illustration from the sought-after Viennensium: A. J. Groß-Hoffinger (political journalist and narrator), "Der Karneval". Leipzig (Ignaz Jackowitz), 1847. From the series: "Wien wie es ist", Heft 4. Berlin, Sammlung Archiv für Kunst und Geschichte. This gives a wonderful portrait of the manners of the city of Vienna: about court and nobility, history and topography, art collections, money, Viennese writers and the university, "the fair sex", illnesses, costumes, Viennese dialect, folk poetry, folk songs, the titular addiction, pleasure girls, the theatres in detail, balls, walks, suburbs, cellars and de Prater. About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship as a draughtsman and lithographer there and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1847 Description: From the hand of Theodor Hosemann, German painter, draughtsman, graphic artist and illustrator. Along with Adolf Menzel, he is considered the most important lithographer in the early period of this technique in Berlin. To the illustration: Keywords: Viennese; Evening dress; Costume; Masked ball; Party, 19th century, Biedermeier, Fashion, Austria, Size: Paper: 15,0 cm x 9,6 cm (5,9 x 3,8 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Family pleasures, 1841, Lithography
        Jul. 27, 2024

        T. HOSEMANN (1807-1875), Family pleasures, 1841, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Humorous depiction, Family pleasures in the evening in the parlour, German Art, Book Illustration, Biedermeier, 1841, Lithography Technique: Hand colored Lithography on Paper, mounted on Paper Inscription: Monogrammed and dated at the bottom of the image: "TH 1841"; on the verso with the artist's life data. About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1841 Description: From the hand of Theodor Hosemann, German painter, draughtsman, graphic artist and illustrator. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. The original lithograph from the time of the Vormärz, dated 1841, shows a multi-figured interior and genre scene. In the centre of the picture is the mother, around whom - in the truest sense of the word - the action revolves. The eyes of the sitter, however, are directed towards the smallest of the family, who overlooks the family on the arm of the eldest son. Keywords: Interior; Family; Home; Cosiness; Well-being; Motherly love, 19th century, Biedermeier, Costumes, Germany, Size: Paper: 10,9 cm x 9,5 cm (4,3 x 3,7 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Stag party, 1848, Watercolor
        Jul. 06, 2024

        T. HOSEMANN (1807-1875), Stag party, 1848, Watercolor

        Est: €450 - €600

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Stag party Boys with pottery at the bride's door, 1848, Watercolor Technique: Watercolor over Pencil on Paper Stamp: Verso Collector's stamp, Kulturhistorisches Museum Magdeburg. Magdeburg Inscription: lower left monogrammed (ligated): "TH". lower left dated: "1848". Date: 1848 Description: Lively genre scene with four boys laden with pottery at the door of a bride. They smash the crockery with a loud clatter and follow the custom of the Polterabend, which is widespread in Central Europe, to wish the bride and groom luck. Provenance: Literature: Kanter, Karin; Köster, Gabriele: Zeichnungen und Aquarelle des späten 18. und 19. Jahrhunderts. Bestandskatalog der Graphischen Sammlung des Kulturhistorischen Museums Magdeburg; p. 190; cat. no. 267. Keywords: Customs, tradition, wedding, marriage, crockery, banging, noise, prank, 19th century, Romanticism, Genre, Germany, Size: Paper: 12,1 cm x 17,4 cm (4,8 x 6,9 in)

        Fichter Kunsthandel
      • Theodor Hosemann (1807 Brandenburg - 1875 Berlin)
        May. 25, 2024

        Theodor Hosemann (1807 Brandenburg - 1875 Berlin)

        Est: €900 -

        Theodor Hosemann (1807 Brandenburg - 1875 Berlin) Der junge Ziegenhirte, Öl auf Leinwand, 26,5 cm x 21 cm Leinwandmaß, monogrammiert, 1855 datiert, craqueliert, restaurierte Leinwandlöcher, partiell retuschiert, winzige Farbabplatzer, vergilbt English Translation Theodor Hosemann (1807 Brandenburg - 1875 Berlin) The young goatherd, oil on canvas, 26.5 cm x 21 cm canvas size, monogrammed, dated 1855, craquelure, restored canvas holes, partially retouched, tiny flakes of paint, yellowed

        Wettmann
      • T. HOSEMANN (1807-1875), to A. Brennglas: Berlin folk life, 1847, Lithography with pen
        May. 25, 2024

        T. HOSEMANN (1807-1875), to A. Brennglas: Berlin folk life, 1847, Lithography with pen

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Four illustrations to Adolph Brennglas (d i Glasbrenner): Berlin Folk Life, 1847, Lithography with pen Technique: Hand colored Lithography with pen on Paper Inscription: At the lower part monogrammed (ligated): "TH". At the lower part dated: "47". Date: 1847 Description: Four coloured pen lithographs: "Rentier Buffey's schönster Tag", "Die Sandbuben", "Der ächte Eckensteher Nante" and "Ein Heiraths-Antrag" by Theodor Hosemann from Adolph Brennglas (i.e. Glasbrenner): Berliner Volksleben, 2. vol., Leipzig (W.Engelmann), 1847. Source: Adolf Glasbrenner (1810 -1876 ) Berliner Volksleben, Band 2 | Book, Genre Keywords: Printmaking, Germany, Book illustration, Genre, Folk life, Berlin, 19th century, Biedermeier, People, Germany, Size: Paper: 19,0 cm x 12,4 cm (7,5 x 4,9 in), Plate: 13,3 cm x 8,2 cm (5,2 x 3,2 in)

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), 8 Illustrations for The Renommist, 1840, Lithography
        May. 25, 2024

        T. HOSEMANN (1807-1875), 8 Illustrations for The Renommist, 1840, Lithography

        Est: €450 - €600

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Eight sarcastic illustrations to "Der Renommist A jocular heroic poem", 1840, Lithography Technique: Lithography on Paper Inscription: lower links monogrammed (ligated): "TH". lower links dated: "1840". Date: 1840 Description: Eight illustrations for "Der Renommist. A jocular heroic poem. With eight sarcastic pen drawings by (Theodor) Hosemann", Berlin 1840. Keywords: Printmaking, book illustration, literature, poem, Germany, Berlin, sarcasm, humour, 19th century, Romanticism, People, Germany, Size: Paper: 17,2 cm x 20,9 cm (6,8 x 8,2 in), additional specification: Dimensions vary between approx. 17.2 x 20.9 cm (title illustration) and approx. 17.5 x 9.9 cm

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Sat. portrait of three citizen guardsmen, 1844, Lithography
        Apr. 20, 2024

        T. HOSEMANN (1807-1875), Sat. portrait of three citizen guardsmen, 1844, Lithography

        Est: €75 - €125

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Satirical portrayal of three citizen guardsmen, 1844, Lithography Technique: Lithography on Paper Date: 1844 Description: Inscribed on the left below the depiction "gez.u.lith.v. Th. Hosemann", monogrammed in the depiction "TH 1844", labelled "Die Bürger-Gardisten". Satirical depiction of members of the Citizens' Guard, who are looking at a guardsman at the moment of depiction. The latter, looking somewhat lethargic, is being reprimanded by one of the men. The third man, a pipe in his mouth, his hand buried in his trouser pocket, looks on impassively. Keywords: 19th century, Romanticism, Portraits, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Three wandering musicians, 1839, Etching
        Apr. 20, 2024

        T. HOSEMANN (1807-1875), Three wandering musicians, 1839, Etching

        Est: €150 - €200

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Three wandering musicians, 1839, Etching Technique: Etching on Paper Inscription: Signed and dated lower right in the printing plate with the artist's monogram: "18 TH 39". Inscribed in pencil along the lower edge of the sheet with the names of the musicians. The sheet has been trimmed at the bottom. The original strip with title and details of artist and publisher is enclosed. Date: 1839 Description: Slightly caricatured genre picture with three street musicians in a courtyard. Etched "Für die Mitglieder des Vereins der Kunstfreunde in Preussen, 1838". Keywords: 19th century, Romanticism, Fashion, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Youthful revelry, Lithography
        Feb. 10, 2024

        T. HOSEMANN (1807-1875), Youthful revelry, Lithography

        Est: €45 - €75

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Humorous portrayal, Youthful revelry, 19th century, Lithography Technique: Lithography on Paper Inscription: Inscribed below in print with information about the publisher. Date: 19th century Description: Inscribed with the artist's monogram at the lower edge of the depiction in the stone and dated 1842. Keywords: 19th century, Romanticism, Professions, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Spontaneous meeting, boy with Angel, 1841, Lithography
        Feb. 10, 2024

        T. HOSEMANN (1807-1875), Spontaneous meeting, boy with Angel, 1841, Lithography

        Est: €45 - €75

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Spontaneous meeting, boy with fishing rod meets man with pipe and basket on the road, 1841, Lithography Technique: Lithography on Paper Date: 1841 Description: Inscribed with the artist's monogram at the lower margin of the image in the stone and dated 1841. Inscribed below in the print with information about the publisher. Keywords: 19th century, Romanticism, Professions, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Stag party, 1848, Watercolor
        Jan. 20, 2024

        T. HOSEMANN (1807-1875), Stag party, 1848, Watercolor

        Est: €750 - €1,000

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Stag party Boys with pottery at the bride's door, 1848, Watercolor Technique: Watercolor over Pencil on Paper Stamp: Verso Collector's stamp, Kulturhistorisches Museum Magdeburg. Magdeburg Inscription: lower left monogrammed (ligated): "TH". lower left dated: "1848". Date: 1848 Description: Lively genre scene with four boys laden with pottery at the door of a bride. They smash the crockery with a loud clatter and follow the custom of the Polterabend, which is widespread in Central Europe, to wish the bride and groom luck. Provenance: Keywords: Customs, tradition, wedding, marriage, crockery, banging, noise, prank, 19th century, Romanticism, Genre, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), to A. Brennglas: Berlin folk life, 1847, Lithography with pen
        Dec. 30, 2023

        T. HOSEMANN (1807-1875), to A. Brennglas: Berlin folk life, 1847, Lithography with pen

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Four illustrations to Adolph Brennglas (d i Glasbrenner): Berlin Folk Life, 1847, Lithography with pen Technique: Hand colored Lithography with pen on Paper Inscription: At the lower part monogrammed (ligated): "TH". At the lower part dated: "47". Date: 1847 Description: Four coloured pen lithographs: "Rentier Buffey's schönster Tag", "Die Sandbuben", "Der ächte Eckensteher Nante" and "Ein Heiraths-Antrag" by Theodor Hosemann from Adolph Brennglas (i.e. Glasbrenner): Berliner Volksleben, 2. vol., Leipzig (W.Engelmann), 1847. Source: Adolf Glasbrenner (1810 -1876 ) Berliner Volksleben, Band 2 | Book, Genre Keywords: Printmaking, Germany, Book illustration, Genre, Folk life, Berlin, 19th century, Biedermeier, People, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), 8 Illustrations for The Renommist, 1840, Lithography
        Dec. 30, 2023

        T. HOSEMANN (1807-1875), 8 Illustrations for The Renommist, 1840, Lithography

        Est: €450 - €600

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Eight sarcastic illustrations to "Der Renommist A jocular heroic poem", 1840, Lithography Technique: Lithography on Paper Inscription: lower links monogrammed (ligated): "TH". lower links dated: "1840". Date: 1840 Description: Eight illustrations for "Der Renommist. A jocular heroic poem. With eight sarcastic pen drawings by (Theodor) Hosemann", Berlin 1840. Keywords: Printmaking, book illustration, literature, poem, Germany, Berlin, sarcasm, humour, 19th century, Romanticism, People, Germany,

        Fichter Kunsthandel
      • Hosemann, Theodor (Brandenburg, Berlin 1807–1875)
        Dec. 07, 2023

        Hosemann, Theodor (Brandenburg, Berlin 1807–1875)

        Est: €200 - €240

        Der Schauspieler Seydelmann als Piccolomini bzw. in Landsknechtkostüm. Zwei Figuren aus „Wallenstein“. Mit Bleistift sign. Aquarelle. 20×9cm. R. Einmal abgebildet: Kunst und Künstler. (41272)

        Leo Spik
      • T. HOSEMANN (1807-1875), Pansy, The Angler, 1854, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), Pansy, The Angler, 1854, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Pansy, The Angler Boy by the River, 1854, Lithography Technique: Lithography on Paper Inscription: Inscribed below the image: "Stiefmütterchen". About the artist: Theodor Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1854 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. About the picture: Probably a children's book illustration showing a young angler at a brook. He is observed by a man and a woman in the background. Monogrammed and dated in the lower left corner: "TH 1854". Keywords: Boy; Fishing; River; Shore; Walk; Excursion, 19th century, Biedermeier, Nature, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Play in the garden, Steinbrecht and golden nettle, 1852, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), Play in the garden, Steinbrecht and golden nettle, 1852, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): The Little Horse Game in the Garden, Steinbrecht and Goldnessel, book illustration, 1852, Lithography Technique: Hand colored Lithography on Paper Inscription: Inscribed below the image: "Steinbrecht und Goldnessel". About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1852 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. About the image: Probably a children's book illustration showing a little girl and her playmate galloping through the garden on a hobby horse. Monogrammed and dated in the lower left corner of the illustration: "TH 1852". Keywords: Child's play; Plug-in horse; Toy; Childhood; Domesticity; Clothesline; Laundry; Watering can;, 19th century, Biedermeier, Nature, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), The horse game in the garden, 1852, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), The horse game in the garden, 1852, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): The Little Horse Playing in the Garden, Steinbrecht and Golden Nettle, Genre Representation, Book Illustration, 1852, Lithography Technique: Hand colored Lithography on Paper Inscription: Inscribed below the image: "Steinbrecht und Goldnessel". About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1852 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. About the image: Probably a children's book illustration showing a little girl and her playmate galloping through the garden on a hobby horse. Monogrammed and dated in the lower left corner of the illustration: "TH 1852". Keywords: Children's game; Plug-in horse; Toy; Childhood; Domesticity; Clothesline; Laundry, 19th century, Biedermeier, Nature, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), The Kremserpartie, carriage ride, 1837, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), The Kremserpartie, carriage ride, 1837, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): "The Kremserpartie", carriage ride Excursion in Krems and surroundings, 1837, Lithography with pen Technique: Lithography with pen on Paper Date: 1837 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel he is regarded as the most important lithographer in the early days of this technique in Berlin. Titled in lead on the original passepartout below the image: "Die Kremserpartie"; dated and monogrammed in the lower centre of the image: "TH 37". In the centre of the depiction is the titular "Kremser", a spacious covered wagon, with ladies dressed in Sunday best inside. In front of the Kremser, two visibly inebriated gentlemen in top hats are talking. The depiction is artfully framed with vine leaves and tendrils.From the collaboration with Adolf Glaßbrenner, the popular poet in the revolutionary pre-March, numerous humorous-satirical sheets were created. Theodor Hosemann saw the Berliners with their typical peculiarities: the indomitable lust for life, the saucy brashness, the critical wit; he was one of the first Berlin humour artists. With love, understanding and a fine sense of humour, Hosemann captured the life of the Berlin people.About the artist: Theodor Hosemann grew up as the son of a Prussian officer in various places, from 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. He was close to the Berlin "Rütli" in the 1850s, and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Keywords: Horse-drawn carriage; leisure activity; upper middle class, 19th century, Figurative, Costumes, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), The little cavalier, greeting, around 1849, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), The little cavalier, greeting, around 1849, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): "The Little Cavalier", Humorous Presentation, Before the Sign! Greeting a girl, c. 1849, Lithography Technique: Hand colored Lithography on Paper Date: c. 1849 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. About the image: Numbered in the centre above the image: "317."; inscribed on the verso in lead with the artist's name and at the bottom on the original passepartout in ink: "Vor dem Signum!". The lithograph shows a little cavalier with his young girlfriend in a pink dress. The amusing scene takes place on a park promenade.About the artist: Theodor Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Keywords: Education; Little Adult; Girl; Boy; Gallantry, 19th century, Figurative, Depiction of Artists, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), The little cavalier greeting, 1849, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), The little cavalier greeting, 1849, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): "The Little Cavalier", Humorous Presentation, Greeting a Girl, 1849, Lithography Technique: Hand colored Lithography on Paper Date: 1849 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is considered the most important lithographer in the early period of this technique in Berlin. About the image: Inscribed with the artist's monogram at the lower margin of the image in the stone and dated 1849, numbered at the upper right: "317", titled in lead below the image; inscribed in lead with the artist's name and with: "Mit dem Signum" on the verso. The lithograph shows a little cavalier with his young girlfriend in a pink dress. The amusing scene takes place on a park promenade.About the artist: Theodor Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Keywords: Education; Little Adult; Girl; Boy; Gallantry, 19th century, Figurative, Nature, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Homecoming of a Savoyard boy, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), Homecoming of a Savoyard boy, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Savoyard Boy Returning Home, 19th century, Lithography Technique: Hand colored Lithography on Paper Date: 19th century Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is regarded as the most important lithographer in the early days of this technique in Berlin. The lithograph shows a Savoyard boy with a stick and a dog in a mountainous landscape with a castle in the background. He has drawn his hat in his right hand and raised it in salute. His joyful gaze is directed towards the area outside the depiction and is meant for his family, to whom he is now returning; inscribed with the artist's name on the verso in lead.About the artist: Theodor Hosemann grew up as the son of a Prussian officer in various places, from 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute 'Arnz und Winckelmann' from 1819, completed an apprenticeship as a draughtsman and lithographer, and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Keywords: Wandering; Savoy; Home; Return; Boy; Wandering Boy, 19th century, Figurative, Nature, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Romantic winter scene, 1843, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), Romantic winter scene, 1843, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Romantic winter scene, sleigh ride, snowman, children's game, book illustration, 1843, Lithography Technique: Hand colored Lithography on Date: 1843 Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel he is regarded as the most important lithographer in the early period of this technique in Berlin. About the picture: Winter scene. A young girl pulls her playmate in an upturned table, which has been turned into a sledge. In the background a snowman. Monogrammed and dated in the lower right corner of the picture: "TH 1843"; inscribed with the artist's name on the verso in lead.About the artist: Theodor Hosemann grew up as the son of a Prussian officer in different places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute 'Arnz und Winckelmann' from 1819, completed an apprenticeship as a draughtsman and lithographer, and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Keywords: Childhood; Cheerfulness; Siblings; Brother; Sister; Children's book illustration, 19th century, Figurative, Nature, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Homecoming of a Savoyard, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), Homecoming of a Savoyard, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Savoyard Boy Returning Home, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed below the image in the printing plate: "Gez. von Vintcent / Druck u. Verlag v. L. Sachse & Co. / Lith. v. Hosemann. Below titled and inscribed: "The original drawing is in the album / of Her Royal Highness Princess Albrecht of Prussia." About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as a draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 19th century Description: From the hand of Theodor Hosemann, German graphic artist, painter, draughtsman, illustrator and caricaturist. Along with Adolf Menzel, he is regarded as the most important lithographer in the early days of this technique in Berlin. The lithograph shows a Savoyard boy with a stick and a dog in a mountainous landscape with a castle in the background. He has drawn his hat in his right hand and raised it in salute. His joyful gaze is directed at the area outside the depiction and is directed at his family, to whom he is now returning. Keywords: Wandering; Savoy; Home; Return; Boy; Wandering Boy, 19th century, Biedermeier, Landscape, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), All devils-my wife, 1847, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), All devils-my wife, 1847, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Frontispiece, "Alle Teufel-meine Frau!", Vienna, Masquerade, Gallantry, Shrovetide, Carnival, Married Couple, German Art, Biedermeier, 1847, Lithography with pen Technique: Hand colored Lithography with pen on Paper Inscription: Monogrammed and dated on the right within the image: "TH 1847"; titled below the image. The charming lithograph is an illustration from the sought-after Viennensium: A. J. Groß-Hoffinger (political journalist and narrator), "Der Karneval". Leipzig (Ignaz Jackowitz), 1847. From the series: "Wien wie es ist", Heft 4. Berlin, Sammlung Archiv für Kunst und Geschichte. This gives a wonderful portrait of the manners of the city of Vienna: about court and nobility, history and topography, art collections, money, Viennese writers and the university, "the fair sex", illnesses, costumes, Viennese dialect, folk poetry, folk songs, the titular addiction, pleasure girls, the theatres in detail, balls, walks, suburbs, cellars and de Prater. About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship as a draughtsman and lithographer there and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1847 Description: From the hand of Theodor Hosemann, German painter, draughtsman, graphic artist and illustrator. Along with Adolf Menzel, he is considered the most important lithographer in the early period of this technique in Berlin. To the illustration: Keywords: Viennese; Evening dress; Costume; Masked ball; Party, 19th century, Biedermeier, Fashion, Austria,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Family pleasures, 1841, Lithography
        Dec. 02, 2023

        T. HOSEMANN (1807-1875), Family pleasures, 1841, Lithography

        Est: €300 - €400

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Humorous depiction, Family pleasures in the evening in the parlour, German Art, Book Illustration, Biedermeier, 1841, Lithography Technique: Hand colored Lithography on Paper, mounted on Paper Inscription: Monogrammed and dated at the bottom of the image: "TH 1841"; on the verso with the artist's life data. About the artist: Hosemann grew up as the son of a Prussian officer in various places, since 1816 in Düsseldorf. There he coloured lithographs in the lithographic institute "Arnz und Winckelmann" from 1819, completed an apprenticeship there as draughtsman and lithographer and at the same time attended drawing lessons with Lambert Cornelius at the primary schools. In 1822 he got a permanent position as a draughtsman at the Lithographische Anstalt and at the same time studied at the Kunstakademie, where he was one of the few who took over from Wilhelm Schadow after he took up his post in 1826. In 1828 Winckelmann took Hosemann with him to Berlin; there he was given a permanent position in Winckelmann's newly founded publishing house. Hosemann was a member of the Berlin literary association "Tunnel über der Spree" from 1842 to 1855 and bore the association name "Hogarth". He was close to the Berlin "Rütli" in the 1850s and from 1857 to 1860 was co-editor of all four volumes of the association-related yearbook "Argo. Album für Kunst und Dichtung" (Breslau). In the "Argo" Hosemann published several pictures (steel engraved plates). Hosemann mainly illustrated children's and youth literature (e.g. fairy tales and fables) and became so famous with them that he soon worked for different publishers and could give up his permanent position at Winckelmann. In addition to humorous drawings for the Bunte Hefte published by George Gropius, he worked with the critical publicist and writer Adolf Glaßbrenner, for whose series "Berlin wie es ist - und trinkt" (Berlin as it is - and drinks), published in 32 issues, he provided the illustrations of the same name. In 1857 he was appointed professor at the Berlin Academy, in 1860 member of the academy and in 1866 teacher at the drawing school attached to the academy. Among his pupils was Heinrich Zille. Date: 1841 Description: From the hand of Theodor Hosemann, German painter, draughtsman, graphic artist and illustrator. Along with Adolf Menzel, he is considered the most important lithographer in the early days of this technique in Berlin. The original lithograph from the time of the Vormärz, dated 1841, shows a multi-figured interior and genre scene. In the centre of the picture is the mother, around whom - in the truest sense of the word - the action revolves. The eyes of the sitter, however, are directed towards the smallest of the family, who overlooks the family on the arm of the eldest son. Keywords: Interior; Family; Home; Cosiness; Well-being; Motherly love, 19th century, Biedermeier, Costumes, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Sat. portrayal of three citizen guardsmen, 1844, Lithography
        Nov. 11, 2023

        T. HOSEMANN (1807-1875), Sat. portrayal of three citizen guardsmen, 1844, Lithography

        Est: €75 - €125

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Satirical portrayal of three citizen guardsmen, 1844, Lithography Technique: Lithography on Paper Date: 1844 Description: inscribed on the left below the depiction "gez.u.lith.v. Th. Hosemann", monogrammed in the depiction "TH 1844", named "Die Bürger-Gardisten". Satirical depiction of members of the Citizen's Guard, at the moment of depiction, on a Guardsman. The latter, looking somewhat indolent, is being reprimanded by one of the men. The third man, a pipe in his mouth, his hand buried in his trouser pocket, looks on unconcerned. Keywords: 19th century, Romanticism, Portraits, Germany,

        Fichter Kunsthandel
      • Hosemann, Theodor
        Nov. 04, 2023

        Hosemann, Theodor

        Est: -

        Hosemann, Theodor 1807 Brandenburg/Havel - 1875 Berlin Vergnügter Schornsteinfeger. Monogrammiert. Dat. (18)73. Öl/Lwd., 32 x 23,5 cm.

        Dusseldorfer Auktionshaus
      • Hosemann, Theodor (Brandenburg, Berlin 1807–1875)
        Sep. 28, 2023

        Hosemann, Theodor (Brandenburg, Berlin 1807–1875)

        Est: €50 - €60

        Der Holzsammler Zweitonige Lithographie. 20,5×15cm. Für: Düsseldorfer Künstler-Album, I. Jahrgang 1855. (39956)

        Leo Spik
      • Hosemann, Theodor (Brandenburg, Berlin 1807–1875)
        Sep. 28, 2023

        Hosemann, Theodor (Brandenburg, Berlin 1807–1875)

        Est: €150 - €180

        Reise durch Sizilien; Die Söhne Konrads von Feuchtwangen; Ulrich von Hutten; Alexander Selkirk; Mahadi. Fünf Illustrationen zu Dielitz, Germanie, Völkergemälde etc. Künstler, historische Gem. Koch, Rosalie; Zeitlosen; Herder u. Liebeskind. Kol. Lithographie. 9×11cm. In der Platte monogr. u. dat. (18)52 bzw. 57 bzw. 62. (39956)

        Leo Spik
      • Hosemann, Theodor (Brandenburg, Berlin 1807–1875)
        Sep. 28, 2023

        Hosemann, Theodor (Brandenburg, Berlin 1807–1875)

        Est: €150 - €180

        Eine Trauung; Schneeballen; Wie Jürgen in die Schule geht; Der Schlitten 4 Illustrationen aus: Felicia von A. Stein. Kol. Lithographien. 11×9 cm. In der Platte monogr. u. dat. (18)62. (39956)

        Leo Spik
      • T. HOSEMANN (1807-1875), Youthful revelry, Lithography
        Sep. 23, 2023

        T. HOSEMANN (1807-1875), Youthful revelry, Lithography

        Est: €45 - €75

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Humorous portrayal, Youthful revelry, 19th century, Lithography Technique: Lithography on Paper Inscription: Inscribed below in print with information about the publisher. Date: 19th century Description: Inscribed with the artist's monogram at the lower edge of the depiction in the stone and dated 1842. Keywords: 19th century, Romanticism, Professions, Germany,

        Fichter Kunsthandel
      • T. HOSEMANN (1807-1875), Spontaneous meeting, boy with Angel, 1841, Lithography
        Sep. 23, 2023

        T. HOSEMANN (1807-1875), Spontaneous meeting, boy with Angel, 1841, Lithography

        Est: €45 - €75

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Spontaneous meeting, boy with fishing rod meets man with pipe and basket on the road, 1841, Lithography Technique: Lithography on Paper Date: 1841 Description: Inscribed with the artist's monogram at the lower margin of the image in the stone and dated 1841. Inscribed below in the print with information about the publisher. Keywords: 19th century, Romanticism, Professions, Germany,

        Fichter Kunsthandel
      • Hosemann, Theodor (1807 Brandenburg a. d. Havel - Berlin 1875)
        Sep. 23, 2023

        Hosemann, Theodor (1807 Brandenburg a. d. Havel - Berlin 1875)

        Est: €80 - €96

        Bauer auf Pferdekarren auf einer Landstraße mit Windmühle. Aquarell/Papier, re. u. monog. und dat. (18)47. 15x 20 cm. PP., Goldstuckrahmen (best.), 19. Jh.

        Dannenberg
      • T. HOSEMANN (1807-1875), Cambyses II kills sacred bull, Pencil
        Aug. 19, 2023

        T. HOSEMANN (1807-1875), Cambyses II kills sacred bull, Pencil

        Est: €450 - €600

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): The Persian King Cambyses II kills the Holy Bull Apis, 19th century, Pencil Technique: Pencil on Paper, mounted on Paper Inscription: Inscribed below the drawing. On the reverse with round collector's stamp, "St. K" (Stefan Kaps, grandson and heir of Erhard Kaps, Leipzig, L.4642). Date: 19th century Description: Theodor Hosemann joined the lithographic establishment "Arnz & Winckelmann" in Düsseldorf as an apprentice in 1819. At the same time he attended the Düsseldorf Art Academy. In 1828, the partner Johann Christian Winckelmann went into business for himself in Berlin and founded the publishing house later known as "Winckelmann & Söhne". In the years from 1834 to 1852 he worked with the humorist and satirist Adolf Glaßbrenner. His writings were largely illustrated by Hosemann. In 1857 he was appointed professor at the Berlin Academy of Arts, where he became a member in 1860. During these years as a teacher, Heinrich Zille was one of his students in 1874. Keywords: Holy Bull, Holy Beast, Apis, Persian King Cambyses , son of Cyrus II, Achaemenid King, Herodotus, Herodotus' Tales, 19th century, Classicism, Mythology, Iran,

        Fichter Kunsthandel
      • Hosemann, Theodor
        Jul. 13, 2023

        Hosemann, Theodor

        Est: €360 - €540

        (1807 Brandenburg - Berlin 1875). Mutter mit Kindern beim Kirschenpflücken. Feines Aquarell, 1868. Ca. 30,6 x 40 cm. Unten rechts sign. u. dat. Auf Papier mont. - Leichte Gebrauchssp. R

        Kiefer Buch- und Kunstauktionen
      • T. HOSEMANN (1807-1875), Wedding reception, 1848,
        Jul. 01, 2023

        T. HOSEMANN (1807-1875), Wedding reception, 1848,

        Est: €750 - €1,000

        Theodor Hosemann (1807 Brandenburg (Havel) - 1875 Berlin): Wedding night Boys with pottery at the bride's door, 1848, Watercolor Technique: Watercolor over Pencil on Paper Stamp: Verso Collector's stamp, Kulturhistorisches Museum Magdeburg. Magdeburg Inscription: lower left monogrammed (ligated): "TH". lower left dated: "1848". Date: 1848 Description: Lively genre scene with four boys loaded with pottery at the door of a bride. They smash the crockery with loud thumping and follow the custom of the Polterabend, which is widespread in Central Europe, to wish the bride and groom good luck. Provenance: Keywords: Customs, Tradition, Wedding, Marriage, Dishes, Rumble, Noise, Prank, 19th century, Romanticism, Genre, Germany,

        Fichter Kunsthandel
      • Hosemann, Theodor (1807 Brandenburg a. d. Havel - Berlin 1875)
        Jun. 24, 2023

        Hosemann, Theodor (1807 Brandenburg a. d. Havel - Berlin 1875)

        Est: €150 - €180

        Bauer auf Pferdekarren auf einer Landstraße mit Windmühle. Aquarell/Papier, re. u. monog. und dat. (18)47. 15x 20 cm. PP., Goldstuckrahmen (best.), 19. Jh.

        Dannenberg
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