Abdulmari Imao Paintings & Artwork for Sale | Abdulmari Imao Art Value Price Guide

Nov. 30, 2024
Abdulmari Imao (1936 - 2014) - Sarimanok
Est: ₱300,000 - ₱390,000
Sarimanok signed and dated 2010 (lower left) acrylic on canvas 48” x 30” (122 cm x 76 cm) The sarimanok is featured heavily in Abdulmari Imao’s oeuvre. The first and so far only Muslim Filipino National Artist, Imao exalts the Indigenous culture of the Philippine south as he incorporates traditional motifs in his work like he does in this 2010 Sarimanok. With broad swathes of colors and thick black outlines, Imao’s Sarimanok is among the artist’s lively depictions of the celestial rooster. He uses curving, definite lines to portray the legendary creature, a mythical bird that finds itself lodged amongst many other Southeast Asian myths and legends, with one such creature including the serpent naga of Malaysia. With this particular Sarimanok, Imao employs brightly captivating colors that command attention with each block of colors. The delicate balance between the vibrant colors and the traditional themes creates an almost seamless melding of native and contemporary. It is a portrayal of the Indigenous Philippine culture that is different from the common illustration of the pastoral Tagalog countryside, setting his works apart from the multiple genre pieces of his time and establishing a truly unique Filipino identity, and acting as a cultural bridge between the region and the country. (Hannah Valiente)
Leon Gallery
Mar. 09, 2024
Abdulmari Imao 1936 - 2014) - Sarimanok Series
Est: ₱400,000 - ₱520,000
Sarimanok Series signed (lower left) acrylic on canvas 36" x 24" (91 cm x 61 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UP: Imao's artistic journey is particularly notable for his incorporation of the Sarimanok, a motif that traces its origins to the story of a celestial rooster in the first of seven heavens. This motif resonates across various Southeast Asian cultures, finding parallels in the serpent naga of Malaysia, among other examples. These thematic linkages set Imao's practice apart within the Philippine art community, establishing it as something uniquely and authentically his own. Imao's artistic expressions pulsate with life, energy, and an unwavering passion for creation. His featured work, adorned with bright, vivid, and arresting colors, captivates the observer. The palette he employs not only tickles the eyes but also commands attention, each block of color enticing the senses. What makes Imao's art truly exceptional is the delicate balance that exists among these vibrant elements—a harmonious unity that speaks to his artistic mastery. One can appreciate how Imao seamlessly combines traditional motifs with contemporary vibrancy. His art becomes a visual symphony that transcends cultural boundaries, inviting viewers to immerse themselves in the rich narratives and shared mythologies that connect the diverse cultures of Southeast Asia. Abdulmari Imao's Sarimanok becomes not just a masterpiece but a cultural bridge that spans the collective heritage of the region. (Jed Daya)
Leon Gallery
Jan. 20, 2024
Abdulmari Imao (1936 - 2014)
Est: ₱350,000 - ₱455,000
Sarimanok signed and dated 2009 brass 30" x 11" x 3 1/4" (76 cm x 28 cm x 8 cm)
Leon Gallery
Jan. 20, 2024
Abdulmari Imao (1936 - 2014)
Est: ₱200,000 - ₱260,000
Sarimanok signed and dated 2008 (lower left) oil on canvas 24" x 48" (61 cm x 122 cm)
Leon Gallery
Oct. 21, 2023
Abdulmari Imao (1936 - 2014)
Est: ₱50,000 - ₱65,000
Untitled signed and dated 2014 brass 21 3/4” x 14” x 6 1/4” (55 cm x 36 cm x 16 cm)
Leon Gallery
Jul. 29, 2023
Abdulmari Imao (1936 - 2014)
Est: ₱75,000 - ₱97,500
Untitled signed and dated 2013 (lower left) acrylic on canvas 12” x 12” (30 cm x 30 cm)
Leon Gallery
Feb. 18, 2023
Abdulmari Imao (1936 - 2014)
Est: ₱400,000 - ₱520,000
Abdulmari Imao (1936 - 2014) Sarimanok Series signed and dated 2009 brass 29" x 11" x 7" (74 cm x 28 cm x 18 cm) Accompanied by a certificate issued by Mr. Toym de Leon Imao confirming the authenticity of this lot PROVENANCE: Private Collection, Manila The art of National Artist for Visual Arts Abdulmari Imao possesses four distinct and interrelated themes: Islamic calligraphy, sarimanok, sarimosque (a design combining the forms of the sarimanok and the mosque), and the sari-okir (a combination of the sarimanok and the okir/okil, foliage patterns in curvilinear/ rectilinear designs and is particularly associated with the Maranaos). Imao employs the sari-mosque in this particular piece, as evident in the Islamic dome situated atop the head of the legendary bird. Imao exhibits his profound knowledge and understanding of his Islamic heritage. In Islamic architecture, the dome of mosques is the symbolic representation of the vault of heaven in Islam. It is also evocative of a later Maranao legend that tells of the story of the Prophet Muhammad going to the seven heavens and discovering in the first heaven a bird so large that its crest touches the second heaven. It is said that when the bird stops crowing, the Day of Reckoning (yawm alqiyāmah, literally “Day of Resurrection”) comes. Imao did not hastily incorporate the sarimanok into his oeuvre; he deliberately studied and did research first on the legendary bird so as to remain faithful to its essence while incorporating his distinct touch. In a 1969 interview with fellow National Artist Nick Joaquin, Imao says: “I have been working on the sarimanok style. This is a design I am trying to improve, revitalize. That is why I have been doing research on this Muslim motif: to develop it into another design, which will be distinctively Muslim.” The sarimanok has become a cultural trademark not only of Muslim Filipinos but the entire nation as well. As Imao had remarked: “The sarimanok is a bird of exquisite beauty and unique enchantment, a mythic creature with a fish in its beak or claws. Today, the sarimanok is no longer exclusive to Maranao culture. It is now part and parcel of the whole Filipino heritage, truly representative of Filipino culture.” (A.M.)
Leon Gallery
Oct. 21, 2022
Abdulmari Imao NFT
Est: ₱40,000 - ₱52,000
Abdulmari Imao NFT For each NFT that gets sold includes: a) an NFT b) Premium Collectible Box (with digital frame which has the NFT, a Certificate of Authenticity and a Vial token from the artist) c) signed one-of-one 12” x 16” framed print of the artwork Scarletbox.io Scarletbox aims to bridge the generations through arts and culture by preserving these artworks through NFTs (Non-Fungible Tokens or digital proof of ownership). These works are the collaboration of National Artists Jose Joya and Abdulmari Imao together with their second generation of artists Andre Baldovino and Toym Imao.
Leon Gallery
Jul. 30, 2022
Abdulmari Imao (1936 - 2014)
Est: ₱220,000 - ₱286,000
Abdulmari Imao (1936 - 2014) Sarimanok Series signed and dated 2010 (lower right) acrylic on canvas 18” x 24” (46 cm x 61 cm) Accompanied by a certificate issued by Mr. Toym de Leon Imao confirming the authenticity of this lot
Leon Gallery
Jun. 11, 2022
Abdulmari Imao (1936 - 2014)
Est: ₱120,000 - ₱156,000
Abdulmari Imao (1936 - 2014) Sarimanok Series signed and dated 1983 brass 10 1/2" x 15" x 5" (27 cm x 38 cm x 13 cm) Abdulmari Imao’s art transcends cultural barriers, reintroducing the concept of harmony in diversity and bringing Muslim culture closer to the Filipino psyche. As a sculptor and painter, Imao was influenced by the cultural traditions of the Tausug and the Maranao. The significance of Imao’s art lies in its foundation. It is grounded in a culture that is imperative to the concept of our nation’s collective identity. The citation for Imao’s National Artist Award writes: “His sculptures of diverse mediums and styles, as well as his refined and innovative rendering of indigenous art images and motifs, are testimonies of his highly developed aesthetic sensibility, ingenuity, and wide-ranging experience as an artist.” (A.M.)
Leon Gallery
Apr. 23, 2022
Abdulmari Imao (1936 - 2014) - Sarimanok
Est: ₱400,000 - ₱520,000
Abdulmari Imao (1936 - 2014) Sarimanok signed and dated 2012 (lower left) acrylic on canvas 48” x 36” (122 cm x 91 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot
Leon Gallery
Mar. 20, 2022
Abdulmari Asia Imao, (Philippines, 1936-2014), "Sarimanok" 1975, Acrylic on canvas on board, 73.5 x 75.5 cm. (28.94 x 29.72 in.), Frame: 80 x 82 cm. (31 1/2 x 32.28 in.)
Est: -
Abdulmari Asia Imao, (Philippines,, 1936-2014), "Sarimanok" 1975, Acrylic on canvas on board, Signed and dated lower right. Provenance: Purchased from The Quad Gallery, Philippines in 1975, same owners since, deceased estate sale. Original exhibition catalogue & poster, plus period press clippings attached verso and included.
Bargain Hunt Auctions
Mar. 20, 2022
Abdulmari Asia Imao, (Philippines, 1936-2014), "Sarimanok" 1975, Acrylic on canvas on board, 59.5 x 59.5 cm. (23.43 x 23.43 in.), Frame: 67 x 67 cm. (26.38 x 26.38 in.)
Est: -
Abdulmari Asia Imao, (Philippines,, 1936-2014), "Sarimanok" 1975, Acrylic on canvas on board, Signed and dated lower left. Provenance: Purchased from The Quad Gallery, Philippines in 1975, same owners since, deceased estate sale. Photocopy of original exhibition catalogue & poster included.
Bargain Hunt Auctions
Mar. 12, 2022
Untitled (Sarimanok)
Est: ₱580,000 - ₱650,000
Abdulmari Imao (1936 - 2014) Untitled (Sarimanok) Signed and dated '2007' (lower left) Acrylic on canvas 79 x 121 cm (31 x 47 1/2 in) Accompanied by a Certificate of Authenticity signed by Toym de Leon Imao
Salcedo Auctions
Jan. 29, 2022
Abdulmari Imao (1936 - 2014)
Est: ₱120,000 - ₱156,000
Abdulmari Imao (1936 - 2014) Sarimanok Series signed and dated 2007 brass 17” x 12” x 3 1/2” (43 cm x 30 cm x 9 cm) Accompanied by a certificate issued by Mr. Jaun Sajid Imao confirming the authenticity of this lot
Leon Gallery
Jan. 29, 2022
Abdulmari Imao (1936 - 2014)
Est: ₱12,000 - ₱15,600
Abdulmari Imao (1936 - 2014) Muslim Motif signed and dated 1971 (lower right) ink on paper 10” x 13” (25 cm x 33 cm)
Leon Gallery
Dec. 04, 2021
Abdulmari Imao (1936 - 2014) Sarimanok Series
Est: ₱800,000 - ₱1,040,000
Abdulmari Imao (1936 - 2014) Sarimanok Series signed and dated 1988 brass sculpture: 51" x 27" x 11" (130 cm x 69 cm x 28 cm) sculpture with base: 72" x 27" x 15" (183 cm x 69 cm x 38 cm) Accompanied by a certificate issued by Mr. Juan Sajid Imao confirming the authenticity of this lot PROVENANCE: Acquired directly from the artist MAJESTIC FILIPINO ICONOGRAPHY FROM ABDULMARI IMAO, THE FIRST MOSLEM NATIONAL ARTIST “The sarimanok and curvilinear okkil designs (I use) in sculptural composition are inspired by the early Chinese art of combining two animal forms; in this case, to produce the appearance of brassware similar to the gador, a popular Maranao decorative item.” — ABDULMARI IMAO “The sarimanok is a bird of exquisite beauty and unique enchantment, a mythic creature with a fish in its beak or claws. Today, the sarimanok is no longer exclusive to Maranao culture. It is now part and parcel of the whole Filipino heritage, truly representative of Filipino culture.” — ABDULMARI IMAO Abdulmari Asia Imao, known for his fusion of Eastern mystical and ornamental motifs with the Western technique of Cubism, and is considered as the most “Asian” of National Artists, pioneered the practice use of recurring folk motifs from his Sulu heritage thus resulting in the creation and successful usage of folk themes beyond the cliched appropriation of genre scenes common in the Philippines hence the creation of colorful abstract pieces depicting the fusion of traditional Islamic design with modernist patterns. Imao’s art emanates a triumphant force as seen on this sculpture of a sarimanok - essentially a link to that story of a rooster in the first of seven heavens wherein that same motif persists in different Southeast Asian cultures - the serpent naga of Malaysia, the most evident example. These regional thematic linkages set the practice of Imao apart in the Philippine art community as something truly unique. The mythical steel bird appears like a shining trophy atop the steel fish. Both the figures are united in their intricate carvings that emphasize the creature’s lush, fluid curves. In an interview, Imao notes, “Art is a sense of order and harmony,” Imao declared, “and to be a good artist, one must have the right attitude toward his interests and associates. In his works his life is reflected, and it is necessary that an artist must be generally well-informed and be interested in other related artistic fields.” With these words, Imao exhibited distinct qualities that merited him to be the first Muslim National Artist. And the featured work, a testament on how Imao effortlessly fuses Mindanaon motifs, modern mediums and forms, and the victorious Filipino spirit into one.
Leon Gallery
Dec. 04, 2021
Abdulmari Imao (1936 - 2014) Sarimanok Series
Est: ₱200,000 - ₱260,000
Abdulmari Imao (1936 - 2014) Sarimanok Series signed and dated 2006 brass 11 1/4" x 17 1/2" x 7" (29 cm x 44 cm x 18 cm) Working on the motifs of Muslim Mindanao from the 60s onward, Abdulmari Asia Imao has achieved reknown as the foremost designer of the sarimanok motif, especially during the 70s. He has integrated the form of the sarimanok and the fish on its beak or claws as integral elements. He re-explored and cultivated his aesthetic, coupled with an intellectual rigor and experience with modernism, he began a production of wonderfully Filipino fusion of eastern and ornamental design with the Western technique as seen in this Sarimanok Series masterpiece — a testament to Imao’s artistic precocity.
Leon Gallery
Dec. 04, 2021
Abdulmari Imao (1936 - 2014) Sarimanok
Est: ₱500,000 - ₱650,000
Abdulmari Imao (1936 - 2014) Sarimanok signed and dated 2012 (lower right) acrylic on canvas 48" x 36" (122 cm x 91 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot Pioneering the practice of using recurring folk motifs drawn from his Sulu heritage, connecting the wider world of Southeast Asian mythological traditions, Abdulmari Imao emanates this masterpiece of a Sarimanok, a triumphant force akin to the phoenix in its mythical and elusive qualities. His most familiar motif, for example, the Sarimanok is essentially a link to that story of a rooster in the first of seven heavens. That same motif persists in different Southeast Asian cultures - the serpent naga of Malaysia, the most evident example. These regional thematic linkages set the practice of Imao apart in the Philippine art community as something truly unique. Imao’s art remained as animated as ever, full of life, energy, and hunger to create. The colors that grace this feature work are bright, vivid, and arresting. His palette tickles the eyes, each block of color commanding attention, seducing the senses, yet all elements balance each other, the epitome of harmony and unity. No wonder in a 2013 interview, Imao declared that “Art is a sense of order and harmony… and to be a good artist, one must have the right attitude toward his interests and associates. In his works, his life is reflected, and it is necessary that an artist must be generally well-informed and be interested in other related artistic fields.” Imao had exhibited distinct qualities that merited him to be the first Muslim National Artist. The work is a testament to how Imao’s art represents a visual rendering of the Philippines’ place within the community of Southeast Asian art and characterizes an important aspect of the national artistic trajectory.
Leon Gallery
Oct. 16, 2021
Abdulmari Imao (1936 - 2014) Sarimanok Series
Est: ₱150,000 - ₱195,000
Abdulmari Imao (1936 - 2014) Sarimanok Series signed and dated 2012 (lower right) acrylic on canvas 24” x 20” (61 cm x 51 cm)
Leon Gallery
Oct. 16, 2021
Abdulmari Imao (1936 - 2014) a) Sarimanok b) Untitled
Est: ₱150,000 - ₱195,000
Abdulmari Imao (1936 - 2014) a) Sarimanok signed (lower right) hammered copper 14 1/2” x 16” (37 cm x 41 cm) b) Untitled signed and dated 1970 (lower right) hammered copper 6 1/2” x 7” (17 cm x 18 cm)
Leon Gallery
Sep. 11, 2021
Abdulmari Imao (1936 - 2014) Sarimanok
Est: ₱240,000 - ₱312,000
Abdulmari Imao (1936 - 2014) Sarimanok signed and dated 1997 (lower right) acrylic on canvas 48" x 56" (122 cm x 142 cm) P 240,000 Provenance Private Collection Nowhere has there been a more successful synthesis of indigenous Islamic aesthetics and Modern art than in the inventive works of National Artist Abdulmari Imao. A native of the Philippine’s southernmost region of Sulu, Imao is no stranger to the vibrant culture and practices of Muslim Mindanao. His interest in art first started in 1954 when a floating art exposition docked at Sulu. Artist Tomas Bernardo saw Imao’s fascination with the exhibit and urged him to take his chances in Manila. Imao unfortunately fell short of the University of the Philippines Diliman’s scholarship program, barring him from admission due to his lack of funds. But Imao was a man of stalwart determination. Thus, he marched himself to the Malacanang in order to ask for aid from President Ramon Magsaysay. He was met by one of Magsaysay’s appointees, Secretary Jose Maria Ansaldo, who decide to help him get into the University of The Philippines Diliman’s College of Fine Art. Under the tutelage of a number of Filipino masters such as Napoleon Abueva, Anastacio Caedo, and Guillermo Tolentino, Imao managed to hone his craft by combining traditional techniques with Moro elements. His unique practice eventually led him abroad where he pursued further studies, in North America and in Europe. Today, Imao is celebrated for his unique use of Muslim influences such as Islamic calligraphy, traditional Lumad colors, and the iconic curved motifs found in indigenous Mindanaoan architecture. Fusing Islamic design and symbols and ornamental motifs with Cubism techniques, he popularized the indigenous geometric flowing design or the ukkil, the serpent or the naga. This particular piece showcases one of Imao’s most iconic subjects, the sarimanok. A mythological creature found in a number of Mindanaoan cultures, the sarimanok is said to symbolize good fortune. The inherent subtext behind the sarimanok’s importance is emphasized in Imao’s clean lines and overall technicolor palette, effectively signifying that better days are yet to come.
Leon Gallery
Jul. 16, 2021
Abdulmari Imao (1936 - 2014) - Sarimanok
Est: ₱10,000 - ₱13,000
Abdulmari Imao (1936 - 2014) Sarimanok print, 12/30 17” x 11” (43 cm x 28 cm)
Leon Gallery
Apr. 10, 2021
Abdulmari Imao (1936 - 2014)
Est: ₱50,000 - ₱65,000
Abdulmari Imao (1936 - 2014) Sarimanok signed and dated 1971 (lower right) brass on wood 12” x 36” (30 cm x 91 cm)
Leon Gallery
Apr. 09, 2021
Abdulmari Imao (1936 - 2014)
Est: ₱60,000 - ₱78,000
Abdulmari Imao (1936 - 2014) Sarimanok signed and dated 1979 (bottom) each hammered stainless aluminum 8” x 9” (20 cm x 23 cm) each
Leon Gallery
Apr. 09, 2021
Abdulmari Imao (1936 - 2014)
Est: ₱200,000 - ₱260,000
Abdulmari Imao (1936 - 2014) Untitled signed and dated 2008 brass 47” x 15 1/2” x 6” (119 cm x 39 cm x 15 cm)
Leon Gallery
Oct. 17, 2020
Abdulmari Imao (1936 - 2014) - 2 Fishes
Est: ₱80,000 - ₱104,000
Abdulmari Imao (1936 - 2014) 2 Fishes signed (lower right) hammered copper 14” x 16” (36 cm x 38 cm)
Leon Gallery
Jun. 20, 2020
Abdulmari Imao (1936 - 2014) - Sarimanok Series
Est: ₱180,000 - ₱234,000
Abdulmari Imao (1936 - 2014) Sarimanok Series signed and dated 2008 (lower right) acrylic on canvas 24” x 24” (61 cm x 61 cm) Estimate USD $3600-$4680 Estimate Euros €3000-€3900
Leon Gallery
Jan. 18, 2020
Abdulmari Imao (1936 - 2014) - Sarimanok
Est: ₱55,000 - ₱71,500
Abdulmari Imao (1936 - 2014) Sarimanok signed and dated 2012 (lower left) acrylic on canvas 36” x 24” (91 cm x 61 cm)
Leon Gallery
Sep. 21, 2019
ABDULMARI IMAO (1936 - 2014)
Est: ₱200,000 - ₱220,000
Untitled (Sarimanok Series)
Salcedo Auctions
Jul. 20, 2019
Abdulmari Imao (1936-2014) Untitled
Est: ₱20,000 - ₱26,000
Abdulmari Imao (1936-2014) Untitled
Leon Gallery
Jun. 22, 2019
Abdulmari Imao , (1936-2014) , Sarimanok
Est: ₱200,000 - ₱260,000
Abdulmari Imao , (1936-2014) , Sarimanok , signed and dated 1996 (lower right) , oil on canvas , 36”x 48” (91 cm x 122 cm),
Leon Gallery
Mar. 09, 2019
ABDULMARI ASIA IMAO (1936 - 2015) Untitled
Est: ₱100,000 - ₱120,000
ABDULMARI ASIA IMAO (1936 - 2015) Untitled 2007 Oil on canvas 58 x 48 cm (23 x 19 in)
Salcedo Auctions
Oct. 19, 2018
Abdulmari Imao
Est: ₱50,000 - ₱65,000
Sculpture signed and dated 2009 (verso) H: 14” x L: 7” x W: 3 1/2” (36 cm x 18 cm x 9 cm)
Leon Gallery
Oct. 19, 2018
Abdulmari Imao
Est: ₱360,000 - ₱468,000
Sarimanok brass 36 1/2” x 35 1/2” (93 cm x 90 cm)
Leon Gallery
Oct. 19, 2018
Abdulmari Imao
Est: ₱20,000 - ₱26,000
Untitled signed and dated 1975 (lower left) mixed media 7” x 7 1/2” (18 cm x 19 cm)
Leon Gallery
Oct. 19, 2018
Abdulmari Imao
Est: ₱20,000 - ₱26,000
Untitled 19” x 18” (48 cm x 46 cm)
Leon Gallery
Oct. 19, 2018
Abdulmari Imao
Est: ₱10,000 - ₱13,000
Sarimanok steel 2 1/2” x 3 1/2” (6 cm x 9 cm)
Leon Gallery
Sep. 22, 2018
Abdulmari Asia Imao (1936-2014)
Est: ₱400,000 - ₱450,000
Untitled (Sarimanok)
Salcedo Auctions
Jun. 02, 2018
ABDULMARI IMAO (1936-2014): WATER BUFFALO
Est: $700 - $900
ABDULMARI IMAO (1936-2014): WATER BUFFALO Bronze, signed 'Abdulmari Imao', on a wood base. 17 x 24 x 12 in. Exhibited: National Academy of Design, 141st Annual Exhibition, February 24 - March 20, 1996. Note: Noted Filipino artist Abdulmari Lmao was named National Artist of the Philippines for sculpture in 2006.
STAIR
Apr. 27, 2018
Abdulmari Imao (1936 - 2014)
Est: ₱80,000 - ₱104,000
Abdulmari Imao (1936 - 2014) Sarimanok signed lower left mixed media 8 1/2”x 7 1/2” (22 cm x 19 cm)
Leon Gallery
Mar. 10, 2018
Abdulmari Asia Imao (1936-2014)
Est: ₱38,000 - ₱40,000
Sarimanok (Sculpture)
Salcedo Auctions
Jul. 29, 2017
ABDULMARI IMAO (1936 - 2014) Sarimanok
Est: ₱40,000 - ₱52,000
ABDULMARI IMAO (1936 - 2014) Sarimanok signed and dated 2003 (lower left) Acrylic on canvas 2003
Leon Gallery
Jul. 29, 2017
ABDULMARI IMAO (1936 - 2014) Creative Fishes
Est: ₱40,000 - ₱52,000
ABDULMARI IMAO (1936 - 2014) Creative Fishes signed and dated 2003 (bottom) Acrylic on canvas 2003
Leon Gallery
Feb. 18, 2017
Abdulmari Imao (1936-2014) Untitled
Est: ₱40,000 - ₱52,000
Abdulmari Imao (1936-2014) Untitled signed and dated 1984 brass 1984 H:13” x L:8” x W:5” (33 cm x 20 cm x 13 cm)
Leon Gallery
Feb. 18, 2017
Abdulmari Imao (1936-2014) Sarimanok
Est: ₱25,000 - ₱32,500
Abdulmari Imao (1936-2014) Sarimanok signed and dated 2009 (lower left) oil on canvas 2009 24” x 24” (61 cm x 61 cm)
Leon Gallery
Dec. 03, 2016
Abdulmari Imao (1936-2014)
Est: ₱60,000 - ₱78,000
Untitled signed and dated 2004 brass H:10” x L:16” x W:6” (25 cm x 41 cm x 15 cm)
Leon Gallery
Dec. 15, 2015
ABDULMARI IMAO ART MODERN BRASS SCULPTURE:
Est: $2,000 - $3,000
Abdulmari Imao (Philippines 1936-2014). Hollow brass. Abstract sculpture with pieced circular top, internal abstract designs. Mid section with molded stylized waves. Base signed Abdul Imao 84. Measures 13 tall x 8 wide.
White's Auctions